Progressive Metal

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Progressive metal, more commonly know as prog metal, is characterized by genre transgression and instrumental virtuosity. Its signature features are guitar driven songs that have complex time signatures and very intricate playing.

Progressive metal as a genre is associated with acts such as Dream Theater, Fates Warning and Queensrÿche, who had their heyday in the early 1990s, but progressive elements have been fused into metal virtually since the inception of metal. For instance, on their early releases, Black Sabbath would incorporate jazzy passages into their compositions, while also drawing on other genres, and many proto-metal acts also had backgrounds in progressive rock and heavy psychedelic rock. In the early to mid 1980s, some NWoBHM groups, such as Iron Maiden would find direct inspiration in progressive rock acts like Genesis, Yes, and King Crimson and incorporate progressive elements, such as complex song structures, twin guitars and changes in time and tempo into their style, while the cult band Mercyful Fate were known for blatantly disregarding the conventions of composition in popular music, opting for complex and unusual song structures.

So, progressiveness was a part of metal since the inception of the genre, but it was not until the late 1980s and mid 1990s as bands like Watchtower, Fates Warning, Queensrÿche, Psychotic Waltz, and Dream Theater that progressive metal became established as an independent subgenre. These bands would draw both on previously established metal genres, like NWOBHM, and progressive rock acts of the 1960s, 70s and 80s. Especially Dream Theater would become iconic of the genre, and their instrumentation, which includes prominent keyboards, became the blueprint for many progressive metal bands to follow. The music that came out was very diverse and even symphonic at times. Not all of it was overly technical, though some bands such as Dream Theater were very technical, while others, like Fates Warning and Watchtower emphasized odd time signature. Psychotic Waltz incorporated psychedelia into their sound, and Queensrÿche began to operate with complex lyrical themes.

After progressive metal had been somewhat popular for some time, it began to take on more extreme forms such as progressive death metal, and so on. Bands such as Edge of Sanity and Atheist took prog metal to greater heights with their infusion of prog and death metal. Atheist also added a jazz/fusion sound to their music to make it true progressive death metal, as did Pestilence on their jazz-influenced Spheres. Also during this time, bands such as Opeth and Voivod changed their style to a more progressive sound. While Voivod changed in the early 1990’s, Opeth became a more progressive metal band in the late 1990’s which was probably an effect of the progressive metal movement that was going on at the time. Some already established metal acts in other genres would similarly cross over into progressive metal territory, such as Savatage, who - although having a background in traditional metal and power metal - released several progressive metal albums. In parallel with the development of progressive extreme metal genres, many power metal acts would take their music in a more progressive direction, resulting in the subgenre of progressive power metal (which is included under power metal here at the MMA) some of which, like Kamelot and Savatage, would eventually become fully fledged progressive metal acts.

Most bands in the progressive metal genre have their own unique style; whether it is more spacey, more symphonic, or more technical while others follow the Dream Theater configuration to a smaller or greater extent (these are sometimes referred to as 'traditional progressive metal' bands), but they all have an equal balance between the influences. Over the years progressive metal has gained the title of having longer songs then regular metal, and while this is mostly true, it isn’t always.

These bands are here because they are different, in a sense, than regular metal bands because they not only include metal but different genres as well, such as jazz/fusion, prog rock, and classical music, and put them all together to make an enjoyable sound. Bands and releases who include progressive elements in their music, but whose central sound is more firmly anchored in another genre are placed in that genre - for instance, Enslaved, whose style is progressive and experimental but still quite firmly based in their black metal roots, are placed in the black metal category, while mathcore and progressive metalcore bands are placed in metalcore.

Sub-genre collaborators:
  • DippoMagoo
  • Necrotica

progressive metal top albums

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OPETH Still Life Album Cover Still Life
OPETH
4.47 | 167 ratings
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TOOL Lateralus Album Cover Lateralus
TOOL
4.34 | 111 ratings
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QUEENSRŸCHE Operation: Mindcrime Album Cover Operation: Mindcrime
QUEENSRŸCHE
4.32 | 147 ratings
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ANUBIS GATE Horizons Album Cover Horizons
ANUBIS GATE
4.50 | 16 ratings
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PAGAN'S MIND Enigmatic: Calling Album Cover Enigmatic: Calling
PAGAN'S MIND
4.48 | 18 ratings
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SEVENTH WONDER Mercy Falls Album Cover Mercy Falls
SEVENTH WONDER
4.42 | 26 ratings
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LEPROUS Coal Album Cover Coal
LEPROUS
4.44 | 22 ratings
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DARKOLOGY Altered Reflections Album Cover Altered Reflections
DARKOLOGY
4.52 | 14 ratings
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AMORPHIS Under The Red Cloud Album Cover Under The Red Cloud
AMORPHIS
4.47 | 17 ratings
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VOIVOD The Outer Limits Album Cover The Outer Limits
VOIVOD
4.40 | 25 ratings
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DREAM THEATER Images and Words Album Cover Images and Words
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4.28 | 197 ratings
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OPETH Ghost Reveries Album Cover Ghost Reveries
OPETH
4.27 | 131 ratings
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progressive metal Music Reviews

PYRAMAZE Contingent

Album · 2017 · Progressive Metal
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DippoMagoo
April 2017 is a very crowded month for new metal releases, with three of my most anticipated releases of the year all coming on the same day, and so it would be easy for something to get lost in the shuffle. On the same day as those three releases, though, we have what is sure to be a highly anticipated release for many other people, which is Contingent, the fifth full-length release from Danish progressive power metal band Pyramaze. Fans were excited two years ago, as after releasing three well-regarded albums in the previous decade, the band was dormant for a while, only to return with a slightly different lineup to release Disciples of the Sun, which ended up being a very well-received comeback album and seemingly triggered the start of a new era for the band. Now, two years later, the band has retained the same lineup and are ready to release their next album Contigent, which very much feels like a natural evolution, though it does take the band into slightly new territory compared to past releases.

In their early days, Pyramaze were a fairly traditional power metal band, though their 2008 release Immortal included some prog elements and stands as their most aggressive album to date. With Disciples of the Sun, the band modernized their sound quite a bit, featuring a mix between harder guitar riffs, more atmospheric keyboards, and some huge vocal melodies. The release still maintained elements of their old power metal sound, but it laid the foundation for the band to switch to more of a melodic prog sound, which is exactly what has happened on Contingent. There’s still the occasional speedy sections, but for the most part this is a very laidback album, more focused on the huge choruses and vocal melodies than anything else, with the instrumental sections mostly being dominated by some effective but rather simple riffs, while keyboards are paired with orchestration to add some flavor and to give the album a slight symphonic feel at times. There are some nice guitar solos at times, though nothing overly flashy or technical. I’d say, on the whole, fans should expect the majority of the album to sound something like “Genetic Process” from the previous album, with only a couple tracks even coming close to speedier territory like “Fearless”, and there’s nothing overly challenging or complex, either. From a production standpoint, everything sounds amazing, as always from Jacob Hansen, who also serves as the band’s bassist and second guitarist currently, and I’d say the performances and overall sound are definitely the biggest strengths of the album. The mix between modern riffs and big vocal melodies is quite addictive, though I’d say this album is a case where the overall idea is better than the execution at times,

Pyramaze have been through quite a few vocalists over the years, with Lance King performing on their first two albums, before being replaced by Matt Barlow on Immortal. Things got complicated from there, as Matt left and was replaced by Urban Breed, but somehow the band never recorded an album with him, and for a while it seemed like they might be done until they finally returned in 2015 with new vocalist Terje Harøy, who I had previous heard with his old band, Teodor Tuff. He has a very strong, clear voice and definitely gives the music a unique feel, with a vocal approach that really gets the most out of the melodies, and I’d say he brings a high level of accessibility to the music, almost sounding radio friendly at times. His vocals are a definite highlight of both this album and Disciples of the Sun.

The one area where I’m not really blown away is the songwriting. I actually have a similar problem with this release as I did with the Seven Kingdoms album I reviewed recently, except on the opposite end when it comes to speed, where I don’t think there are any weak songs here, but I definitely think the album could use some variety, as there simply aren’t enough tracks that change the formula up in a meaningful way. For the most part, the tracks alternate between slow, heavy guitar driven verses and big melodic choruses, with some tracks going a little bit lighter during the verses and emphasizing the keyboards. Either way, though, it’s a very formulaic approach to songwriting, with even speedier tracks like “20 Second Century” and “Symphony of Tears” being pretty similar, except that they have faster-paced choruses than the other tracks, which makes them stand out at least a little bit. I find that can be a problem with melodic prog in general, though, where the overall sound is excellent, but the bands can sometimes struggle to come up with fresh ideas for songs as they don’t want to get overly complicated with their musicianship but also don’t want to push too far into other genres, and so it’s like they deliberately limit themselves in the songwriting department.

I will say, though, the album leaves a strong first impression, as opening track “Land of Information”, while still falling into the same basic melodic prog formula, somehow feels a bit fresher than the rest of the album, like the band dialed up their performances to the next level and everything feels more energetic. Even the verses hit just a bit harder than on the rest of the album, the solo section seems just a bit stronger and more memorable, and the chorus is awesome as always. While the track is still more mid-paced, I would say it moves at a slightly better pace than most of the album overall, with the verses being a bit faster than even “20 Second Century”, though it never gets as fast as that song does during its chorus.

For the most part, the rest of the album feels like it falls into a basic formula, with tracks like “Kingdom of Solace”, “A World Divided”, “Nemesis”, “Obsession”, “and “Under Restraint” being hard to tell apart due to how they all rely on slow, chunky modern riffs and big choruses, while more keyboard driven tracks like “Star Men” and “Heir Apparent” simply lack energy in the verses and don’t give the album the change of pace it needs. Basically, for the most part, I’d say the verses are kinda boring throughout most songs, but the choruses are amazing and save the day, so it’s like, I certainly enjoy listening to the music a lot, and Terje really carries most of the songs, but I can’t help but feel as if the band has the potential to do better things in their current form. One weird thing is how the album has two title tracks, scattered in different parts of the album, but these are both very brief orchestral pieces, that while being very nice, feel more like interludes than anything else, so making them title tracks feels very weird. One track that stands out in a positive way is the ballad “The Tides That Won’t Change”, which features some very nice female vocals from guest Kristen Foss, who I’d even say slightly outshines Terje on that track, though both singers sound very good and it’s definitely my second favorite on the album, behind only “Land of Information”.

I’ve been a bit hard on Contingent, but I will say I think it’s a very solid album overall and on an objective level everything about it is top tier and I really can’t complain. I was simply hoping for the songwriting to be just a bit more varied and more interesting, and I hope on future releases Pyramaze can find a way to bring back some of the speed and variety of previous albums, while still building on the melodic prog sound they have going on, because the overall sound is very good and I think they can do great things with their current lineup, but they need to push just a bit further out of their comfort zone in the songwriting department. Overall, a solid album I can easily recommend to fans of melodic prog, while power metal fans may be a bit disappointed, but there’s still enough good points here for it to be worth a shot for any fans of the band.

originally written for myglobalmind.com: http://myglobalmind.com/2017/04/14/pyramaze-contingent-review/

SHADOW GALLERY Carved In Stone

Album · 1995 · Progressive Metal
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martindavey87
'Carved in Stone' is Shadow Gallery's second album, in which the performances as a whole seem a lot tighter and polished, but the quality of the compositions don't quite surpass that of their debut. However, fans will instantly notice the improvement in production, which sounds a lot richer and "cleaner", giving the music the punch it needs, and which would go on to become the bands somewhat "signature" sound.

However, despite the improvements in production, the album is still fairly average at best. While it may contain one of Shadow Gallery's best songs ('Crystalline Dreams' is just so damn catchy!), the rest of the music can seem fairly lackluster at times. The biggest letdown has to be 'Ghost Ship', which, similar to the group's debut, is the "epic" of the album (clocking in at a total of just over 20 minutes). Broken into seven smaller parts, most of the highlights last no longer than a minute or two before going into the next section, making the whole piece feel mostly disjointed.

As for the other tracks, we have 'Cliffhanger', 'Don't Ever Cry, Just Remember', 'Warcry' and the previously mentioned 'Crystalline Dream', as well as a couple of highlights from the 'Ghost Ship' piece. These are all good songs that definitely make this album worth getting, but honestly, most of them just pale in comparison to some of the bands later material.

As per usual with Shadow Gallery, the musicianship is spectacular and Mike Baker's vocals are truly a thing of beauty. Overall though, it's just a "good" album. Nothing to write home about, but a worthy addition to the collection if it can purchased cheap enough.

DREAM THEATER Metropolis, Part 2: Scenes From a Memory

Album · 1999 · Progressive Metal
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martindavey87
They say an animal is most dangerous when backed into a corner, and that could not be any more evident than Dream Theater recording their magnum opus, 'Scenes from a Memory'.

With record label pressure and the business side of the music industry taking its toll on the band (and most specifically on drummer Mike Portnoy) during the release and touring of previous album 'Falling Into Infinity', it was now a time to go hard or go home. Dream Theater wanted to be left alone to write their own music, that would appeal to their own fan base, without the interjection of any record label executives who didn't understand the band, their fans, or their genre of music. It was do-or-die as the band stood on the brink of self-implosion, but they stood tall and delivered an album that is highly regarded as not only their finest work, but one of the greatest albums progressive metal has to offer.

Based around the story of a man who is a reincarnation of a girl that was murdered, and how he revisits his past life in his dreams (or something like that!), the concept is highly ambitious and complex, especially with all the different characters being voiced by James LaBrie. But it doesn't detract from the quality of the music, and with the usual awe-inspiring prowess you'd come to expect from progressive metals most famous band, this is an album where the band fire on all cylinders.

'Home', 'Fatal Tragedy', 'One Last Time' and 'Strange Déjà Vu' are some of many highlights on this album, although it's hard to pick just a few, as the album from start to finish is one giant highlight reel. And of course, the absolute peak of Dream Theater's technical ability, instrumental track 'The Dance of Eternity', will encourage listeners to throw away whatever instruments they're learning as they slowly realize how they'll never be this good.

A record that belongs in any metal or prog collection, 'Metropolis Pt. 2: Scenes from a Memory' started the upward momentum that truly put Dream Theater's careers and lives in their own hands, and has endured as one of the greatest concept albums of all time.

DREAM THEATER Falling Into Infinity

Album · 1997 · Progressive Metal
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martindavey87
Most fans of Dream Theater will know what was going on behind the scenes during the making of this album. If you don't, I'll give you a moment to quickly research it.

Done?

Never mind, I'll explain it to you.

The bands label, Atco Records, had been bought out by the Warner Music Group. The fine people at Warner didn't know anything about Dream Theater, their music or their market, but had only one thing in mind, and that was hit singles. Musical integrity aside, Dream Theater were being forced to write "hits", and it was putting the band in a situation that almost tore them apart.

With all the industry nonsense getting in the way of this album, and with the change of sound giving it a stale taste of a band "selling out" to make a quick buck, 'Falling Into Infinity' often finds itself being overlooked. It may not be as musically technical as 'Images & Words', or as heavy as 'Awake', but this album still maintains a lot of Dream Theater's trademark sounds, but with a lighter tone that might appeal to fans of old progressive rock, or even hard rock fans in general. In this regard, it's actually a pretty unique release in the groups discography.

As always with this band, the musicianship is unmatched. Petrucci, Portnoy, LaBrie (who damaged his vocal chords prior to recording this album) and Myung are all masters of their respective instruments. Keyboardist Derek Sherinian, making his only studio album appearance, may have seemed like an odd choice to replace Kevin Moore, but his style, mixing elements of hard rock and jazz fusion, makes him a perfect fit. And his flamboyance and showmanship really shines through on some of the more upbeat songs.

There's hard rock tracks such as 'You Not Me' and 'Burning My Soul', pop singles like 'Take Away the Pain' and 'Hollow Years', and all-out prog gems like 'Peruvian Skies', 'New Millennium' and 'Lines in the Sand'. With such an eclectic mixture of songs, this really is an exceptional album, which shows a band that can adapt to any circumstance, and overcome any challenge.

DREAM THEATER A Change of Seasons

EP · 1995 · Progressive Metal
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martindavey87
Considered by fans to be one of Dream Theater's best songs, 'A Change of Seasons' is the bands first venture into an old prog standard; the 20-minute epic! Clocking in at 23 minutes long, the title track of this release was originally intended for the 'Images and Words' album, but left off due to time restrictions.

No problem! Chuck a few live covers in there, and here we have arguably one of the greatest EP's of all time.

With such a lengthy track, you know that each musician will get the chance to show off their skills, and indeed they do! All five members (including newcomer Derek Sherinian on the keyboards), flawlessly show their mastery of their respective departments, with the song twisting and turning through all kinds of time signatures and dynamic changes, crafting a wonderful tale that takes us on a journey through life and reminds us of how quickly it passes by.

As for the other "half" of this EP, there are four live covers that I don't mind, but are kind of hit-or-miss for me. Covering Elton John, Deep Purple, Led Zeppelin and a medley consisting of Kansas, Queen, Journey and Genesis, none of them are terrible, but in fairness none of them are overly memorable either. Blatant filler.

As a whole, it's a great record, and an absolute must-have for fans of Dream Theater, and whilst the title track itself is entirely worth hearing, it's the covers that prevent this from getting a five-star rating. Still, it's as essential to your collection as any of the bands studio albums.

progressive metal movie reviews

DREAM THEATER Breaking The Fourth Wall

Movie · 2014 · Progressive Metal
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rdtprog
It seems like it was just yesterday that the Luna Park DVD was released. Now it's another one from the Boston Opera House less than a year later. The show is divided in three acts. The first act is tracks from the last two albums and the song "A Trial of Tears" from "Falling to Infinity". The second act is 5 songs from the "Awake" album to celebrate his 20th anniversary and the third act is the encore celebrating again "Scene from a Memory" with his 15th anniversary. On those 2 albums, the band use the same pattern by starting to play the technical, fast and heavy songs like "The Mirror", "Lie", "Overture 1928" and "Strange Déjà Vu" and finishing with the slower and emotional songs like "Lifting Shadows Off A Dream", "Space Dye Vest" and "Finally Free".

"The Illumination Theory", the most progressive and the epic song of the last album is played with an orchestra in the second act which is the perfect fit with this song that contains an irresistible classical break in the middle. The picture is crystal clear and the camera work more satisfying than the "Luna Park" DVD. As for the sound, I had to crank up the volume very high to get the full sound. Again, I wish we could hear John Myung louder, but that's what happens on live recording, it rarely match the sound quality of a studio release. James Labrie's voice is in nice shape as well as all others members. It's another nice addition to your Dream Theater collection. 3. 8 stars.

DREAM THEATER Dream Theater - Score: 20th Anniversary World Tour Live with the Octavarium Orchestra

Movie · 2006 · Progressive Metal
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AtomicCrimsonRush
I always look forward to putting this DVD on as I know I am going to get the best of both worlds; symphonic orchestrated music and full on Dream Theater prog. I agree with some reviewers that the setlist is not exactly mind blowing but it nevertheless spans the 5 year history. It is interesting the way the orchestra blends into the metal sound, similar to the Metallica S&M concert, or indeed Kiss Alive IV. It is always of interest when metal meets symphony. The DVD "Score" is very well produced, sharp editing throughout and excellent sound quality. There is nothing wrong with the visuals at all, with the band members sharing the spotlight, but the problem lies in the setlist itself. There are too many omissions and some opportunities wasted in the early part of the concert.

It opens with some deadset oddities such as The root of all evil, I walk beside you, Another won and Afterlife. It isn't until Under A Glass Moon that it really takes off showing the power of that brilliant track and Petrucci's amazing guitar solo. Later we are treated with The spirit carries on and the entire suite of Six degrees of inner turbulence; absolutely flawless and indispensable on the live stage. After an ovation the band belt out Vacant, The answer lies within, Sacrificed Sons and the masterpiece epic Octavarium that is quintessential to the band. The Encore: Metropolis Pt. 1 is a brilliant way of ending the concert to a rapturous crowd.

Disc 2 is packed with some hit and miss Bonus material including a mammoth 20th Anniversary Documentary, that has some fascinating info on the band and the way that not everything goes to plan on a tour. Portnoy has too much to say and now it is a bitter taste now he has scarpered and been replaced. The Octavarium Animation is terrific, and the live performances are always a treat including Another Day (Tokyo - 1993), The Great Debate (Bucharest, Romania - 2002) and Honor Thy Father (Chicago - 2005).

The DVD comes with high recommendations due to the visual quality, and overall package. Ignore the early part of the set and just enjoy DT at their absolute best in the middle half of the concert accompanied by masterful orchestration. A must for all DT fans and one of the best DT DVDs available to this point in time.

DREAM THEATER Live at Budokan

Movie · 2004 · Progressive Metal
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AtomicCrimsonRush
One of the first DVDs I saw of Dream Theater before the onslaught of DVDs that have come since. This is an early performance and of considerable interest as a result. These were the glory days of Dream Theater ramming prog down the throats of the hungry Budokan fans. It is an incredible performance best seen than heard though the audio experience offers much as a type of Dream Theater concoction of the best of the earlier years. The CD is good listening but the visual persentation is incredible. There are a few odd surprises scattered in the mammoth set list but the classics are here and played to perfection. Beyond This Life is a huge epic clocking 19:37, and with some dynamic lead guitar from Petrucci. The Test That Stumped Them All is always a killer track live and sounds fresh and powerful with huge bass runs of Myung and Portnoy's slamming percussion.

Endless Sacrifice is an 11 minute gruelling journey into prog excess with a wild keyboard section from Rudess. The Instrumedley to follow features some awesome musicianship. LaBrie is in fine form on soaring vocals, and shines on such compositions as the 14 minute Trial Of Tears and New Millennium. It is always a pleasure to experience a Jordan Rudess keyboard solo and it is as inventive here as ever. There are some amazing songs such as Solitary Shell, Stream Of Consciousness and quintessential Pull Me Under. The set closes with epic 16 minute In The Name Of God. So overall this is a great set with power metal and tons of instrumental breaks. It is progressive and packed to the gills with mind bending virtuoso solos and material from some of their best albums. It was the "Train of Thought" tour so there is plenty from that album as well as "Six Degrees" and "Images and Words" among others.

The special features are wonderful featuring 'Riding The Train Of Thought" a Japanese Tour Documentary of about half an hour, and John Petrucci Guitar World segment, Jordan Rudess Keyboard World, and a Mike Portnoy Drum Solo clocking 12 minutes. The Dream Theater Chronicles - 2004 Tour Opening Video is okay showing the video the crowd saw in the opening, and Instrumedley with multi-angles is lots of fun. Overall it is a fantastic DVD concert, and all Dream Theater fans must have it.

DREAM THEATER Metropolis 2000: Scenes from New York

Movie · 2001 · Progressive Metal
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Dellinger
Since this DVD is a live interpretation from the studio album of the same name, and the source material is great, of course the concert is also a great experience. Of course, having the plus of seeing the band perform is a great advantage for this release, specially given that watching this guys play is a great experience. However, one big disapointment from this release is that it misses many other songs that are included on the CD release of this live album, which I really wanted to see them perform. The performance of the songs is really great, with everyone in fine form... except perhaps LaBrie who at times can't keep to his studio performance. My favourite songs are "Overture 1928 / Strange Deja Vu", "Fatal Tragedy", "Home" and "Finally Free". Now, the video from this concert has many acted scenes from the story inserted throughout the performance, which is kind of nice for it helps to keep track of the story... however, on "Fianally Free", this scenes got extra annoying, and blocked the performance of the band throughout the whole murder part, which is perhaps one of the strongest parts of the album and one I would have loved to see them performing (well, at least the second time they play a very similar section near the end of the song we can actually see the band playing it, but still it is annoying). "Beyond this Life", is also a very cool song, specially at the beginning, but then it kind of drags on and loses some of it's spark. "The Dance of Eternity", however, is one song I still can't get into, just a bit too messy and full of fast and technical playing just for the sake of it.

On the other hand, what usually draggs this bands albums are their ballads. The one ballad I actually liked on the studio album was "One Last Time", though something kind of doesn't work so well on this release... I guess it's the vocals and backing vocals, which are kind of weaker here. However, "Through her eyes" and "The Spirit Carries On", are really upgraded here, with extra vocals from Theresa Thompson and gorgeous guitars from Petrucci.

From the extra songs, I was never a big fan of the "Mind Beside Itself" set of songs, but "Learning to Live" and "A Change of Seasons" are both among my favourite DT songs, and having them on video here is a great thing.

TOOL Vicarious

Movie · 2007 · Progressive Metal
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Earendil
Many descriptions and reviews on the internet are misleading about the content of this Vicarious DVD, and for that reason I didn't purchase it until recently. What a mistake to wait! This DVD is essential for any Tool fan and an excellent find for anyone who likes the surreal, psychedelic, and strange. The main feature of the DVD is the Vicarious short film, which is Tool's first completely CGI video. Adam Jones and Alex Grey are the two main artists behind the video, and it's a really cool experience to see their ideas merge. Anyways here are the full DVD contents:

1. Vicarious music video (9 minutes)

2. 2 overdubs of the music video with actor/comedian David Cross making hilarious commentary (18 minutes)

3. Vicarious documentary (40 minutes)

4. Footage of the storyboards from Alex Grey and Adam Jones (1 minute)

5. Footage of Alex's art gallery COSM and him talking about it (4 minutes)

Rating: 8/10

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