Hard Rock

MetalMusicArchives.com — the ultimate metal music online community, from the creators of progarchives.com

Hard rock, or heavy rock, is a genre of rock music which is tied in with heavy metal at several levels. The hard rock sound is typically characterized by heavily distorted guitars, potent riffage, and strong and solid drums which, along with the bass, constitute the rhythm section, while the vocals are often aggressive and draw primarily on expression, as hard rock vocalists often incorporate screams, wails, growls, raspiness and falsetto voice and other techniques that one rarely encounters in types of popular music outside of the rock music sphere. Hard rock is heavier, more aggressive and harsher than pop rock and many other types of rock music and is thus based on the same aesthetic as much heavy metal music is.

Hard rock emerged in the mid 1960s and early 1970s as musicians within various rock subgenres of that era (such as, for instance, blues rock, progressive rock, psychedelic rock, southern rock, boogie rock and garage rock among others) began experimenting with distortion, heaviness, intensity and aggression. The sound that such artists developed would eventually become the sound associated with heavy metal music in general, and the early hard rock sound is often considered identical to the proto-metal sound, and, at the time, the terms ‘hard rock’, ‘heavy rock’, and ‘heavy metal’ were synonymous.

As artists like Black Sabbath and Deep Purple, and later Judas Priest, began to gradually move their music away from its blues roots and into darker territory, ‘heavy metal’ began to be used with reference to the type of music resulting from this darker and more intense type of rock music, while many other artists who contributed to the establishment of the proto-metal sound retained their blues influences, and also began incorporating other elements into their music, and by the 1980s, hard rock was generally considered more commercially oriented and more melodic than heavy metal music. The histories of hard rock and heavy metal remained intertwined, though, as many hard rock artists would often take their music into heavy metal territory and incorporate elements from various subtypes of heavy metal into their music, while heavy metal artists would continue to draw on influences from both contemporary and early hard rock. Also, many artists would experiment with both heavy metal music and hard rock, releasing albums and singles some of which fall under the hard rock rubric while others fall under the heavy metal rubric. In addition, several subgenres and movements in heavy metal have close associations with hard rock - for instance, many NWoBHM artists would extensively draw on hard rock (some even being more hard rock than heavy metal), while glam metal is often conflated with hard rock.

The term ‘hard rock’ is used in a number of different ways. Sometimes, it is used as an antonym of ‘soft rock’ which refers to pop rock, folk rock and other types of rock music which do not emphasize distorted guitars – this definition is very broad and includes any type of guitar-driven rock, not necessarily related to heavy metal music, including punk rock, grunge and even Brit pop. Another broad definition is the use of the term ‘hard rock’ with reference to heavy metal music in general, while a more specific use of the term is restricted to blues-based pentatonic rock music performed with intensity and heaviness on distorted guitars, thus excluding many artists who combine rock with elements from heavy metal. Another definition, which is the one that the MMA operates with, emphasizes the heaviness of hard rock compared to other types of rock music as well as its relation to metal, placing hard rock within the sphere of heavy metal music on the scale of heaviness and intensity underneath traditional heavy metal, but above other types of rock music. On this definition the ethos that characterizes heavy metal music in general, is applied to hard rock as well, thus largely excluding rock genres like punk rock and grunge rock (with exceptions, of course), as well as individual artists and releases whose sound cannot be said to bear any similarity to heavy metal music or to have any relation to heavy metal music at all. This definition cuts across rock music subgenres, and will thus include artists from, say, southern rock or AOR whose sound involves a considerable amount of heavy metal elements while excluding other southern rock or AOR artists that do not integrate heavy metal elements into their music.

Inclusive Hard Rock Genres

Heavy Psych Also known as Psychedelic Hard Rock or Hard Psych, heavy psych is a fusion genre between hard rock and psychedelic rock developed by acts such as Blue Cheer and Vanilla Fudge in the late 1960's. As such many early heavy psych acts can also be found under proto-metal on the MMA. Like with all hard rock on MMA, heavy psych acts are only included if they have been deemed to have a relevance to heavy metal music. Examples of later heavy psych acts include Blood Ceremony (whose work also leans into doom metal), Purson and Jess and the Ancient Ones.

Heavy Prog Also known as Progressive Hard Rock, heavy prog acts add a harder edge to their core progressive rock sound, which may or may not include metal elements as well, but are still primarily progressive rock artists. Like with all hard rock on MMA, heavy prog acts are only included if they have been deemed to have a relevance to heavy metal music, though as always this distinction need not apply to every release the artist has made. Examples of acts in the MMA database with heavy prog releases include Porcupine Tree, Arena and Touchstone.

Sub-genre collaborators:
  • 666Sharon666
  • (leader)
  • voila_la_scorie


Biography written by Time Signature. The Inclusive Genre section written by adg211288.

hard rock top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

RUSH Moving Pictures Album Cover Moving Pictures
RUSH
4.53 | 149 ratings
Buy this album from MMA partners
LED ZEPPELIN Led Zeppelin IV Album Cover Led Zeppelin IV
LED ZEPPELIN
4.47 | 140 ratings
Buy this album from MMA partners
DEEP PURPLE Machine Head Album Cover Machine Head
DEEP PURPLE
4.44 | 122 ratings
Buy this album from MMA partners
BLOOD CEREMONY The Eldritch Dark Album Cover The Eldritch Dark
BLOOD CEREMONY
4.66 | 18 ratings
Buy this album from MMA partners
DEEP PURPLE Deep Purple In Rock Album Cover Deep Purple In Rock
DEEP PURPLE
4.42 | 107 ratings
Buy this album from MMA partners
RUSH A Farewell to Kings Album Cover A Farewell to Kings
RUSH
4.41 | 111 ratings
Buy this album from MMA partners
BLOOD CEREMONY Lord Of Misrule Album Cover Lord Of Misrule
BLOOD CEREMONY
4.66 | 16 ratings
Buy this album from MMA partners
RUSH Hemispheres Album Cover Hemispheres
RUSH
4.37 | 113 ratings
Buy this album from MMA partners
AC/DC Highway To Hell Album Cover Highway To Hell
AC/DC
4.38 | 97 ratings
Buy this album from MMA partners
THE SMASHING PUMPKINS Mellon Collie And The Infinite Sadness Album Cover Mellon Collie And The Infinite Sadness
THE SMASHING PUMPKINS
4.56 | 19 ratings
Buy this album from MMA partners
VAN HALEN Van Halen Album Cover Van Halen
VAN HALEN
4.36 | 88 ratings
Buy this album from MMA partners
RUSH 2112 Album Cover 2112
RUSH
4.34 | 103 ratings
Buy this album from MMA partners
This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

hard rock online videos

hard rock New Releases

.. Album Cover
Shadow of Your Love
Single
GUNS N' ROSES
Buy this album from MMA partners
.. Album Cover
The Sea
Album
SOMALI YACHT CLUB
Buy this album from MMA partners
.. Album Cover
Tusen år
Album
ABRAMIS BRAMA
Buy this album from MMA partners
.. Album Cover
Fire In The Rain
Single
THUNDERMOTHER
Buy this album from MMA partners
.. Album Cover
Whatever
Single
THUNDERMOTHER
Buy this album from MMA partners
.. Album Cover
Thundermother
Album
THUNDERMOTHER
Buy this album from MMA partners
.. Album Cover
Used Future
Album
THE SWORD
Buy this album from MMA partners
.. Album Cover
Death
Album
BURNING SAVIOURS
Buy this album from MMA partners
.. Album Cover
Armoretum Vol. 1
Album
BLACK SPACE RIDERS
Buy this album from MMA partners
.. Album Cover
Work Work Work
Album
VANTAGE POINT
Buy this album from MMA partners
.. Album Cover
Blackout
Album
AUDREY HORNE
Buy this album from MMA partners
.. Album Cover
Cargo Incognito
Album
HAZY SEA
Buy this album from MMA partners
.. Album Cover
Anatomical Venus
Album
BLACK MOTH
Buy this album from MMA partners
.. Album Cover
Vale
Album
BLACK VEIL BRIDES
Buy this album from MMA partners
.. Album Cover
What Happens Next
Album
JOE SATRIANI
Buy this album from MMA partners
.. Album Cover
Mindfucker
Album
MONSTER MAGNET
Buy this album from MMA partners
.. Album Cover
Blades, Chain, Whips & Fire
Album
MAGICK TOUCH
Buy this album from MMA partners
.. Album Cover
Clone of the Universe
Album
FU MANCHU
Buy this album from MMA partners

hard rock Music Reviews

QUEENSRŸCHE Q2K

Album · 1999 · Hard Rock
Cover art Buy this album from MMA partners
UMUR
"Q2K" is the 7th full-length studio album by US heavy metal/hard rock act Queensrÿche. The album was released through Atlantic Records in September 1999. It´s the successor to "Hear In The Now Frontier" from 1997 and there´s been one lineup change since the predecessor as original guitarist (and one of the main composers of the band) Chris DeGarmo has left and has been replaced by Kelly Gray. The latter played with lead vocalist Geoff Tate in his pre-Queensrÿche 80s band Myth. It was the first lineup change in the recording history of Queensrÿche.

The hard rock infused "Hear In The Now Frontier (1997)" was quite the big departure from the preceding more heavy metal oriented releases by Queensrÿche, and "Q2K" continues the hard rock oriented trend of its direct predecessor. It´s slightly sharper sounding than "Hear In The Now Frontier (1997)", but it´s still quite a polished and mainstream oriented hard rock/heavy metal affair. The tracks are vers/chorus structured and there are generally very few surprises during the album´s playing time.

Queensrÿche are as always well playing and professional, and although he is a bit more restrained in his use of high notes here than on the early releases by the band, Tate is still a force to be reckoned with. "Q2K" features a professional, detailed, and well sounding production too, so it´s the songwriting which brings the album down to a less interesting quality level. The material simply lack memorable vocal hooks, catchy hard rocking riffs and rhythms, and variation. Even after several spins I remember very few tracks from the album and that´s seldom a good sign when listening to something as melodic as this album generally is. A 2.5 - 3 star (55%) rating is warranted.

RUSH Fly by Night

Album · 1975 · Hard Rock
Cover art Buy this album from MMA partners
martindavey87
‘Fly By Night’ is the second album by Canadian rock legends Rush. Released in 1975, it’s the first album to feature drummer Neil Peart, and solidifies what is the definitive Rush line up, with bassist/vocalist Geddy Lee and guitarist Alex Lifeson, holding up all the way to the bands retirement in January 2018.

However, I don’t think this album is as good as the band’s debut. While there’s a few good songs, and Neil Peart’s drumming has lots of small touches that make him stand out from his predecessor, John Rutsey, I just struggle to really get into most of these tracks.

That’s not really a knock on the band though. I love Rush, especially their 80’s synth-driven era, and their self-titled debut was a solid hard rock album. But ‘Fly By Night’ just doesn’t quite work for me. It’s easy to hear the progressive elements coming into the trios sound, and the musicianship itself is fantastic. I’d just prefer to listen to ‘Grace Under Pressure’ or ‘Signals’ instead.

So what songs do I like? ‘Anthem’ is catchy, as is the title track and ‘Best I Can’, and there’s the soft, folk-inspired ‘Rivendell’ which I didn’t like initially but eventually it came to grow on me. But from a band with such a wealth of material to choose from, I can’t see myself coming back to these very often.

Rush are one of my all-time favourite bands, and with a career spanning over 40 years, there’s bound to be a couple of albums I’m not too keen on. This is one of them. There’s no specific reason, but they have so many other albums that I prefer much more over this one. Simple as that. Sorry guys!

KISS Hotter Than Hell

Album · 1974 · Hard Rock
Cover art Buy this album from MMA partners
martindavey87
Impressively released barely three months after their debut, Kiss are back with their second album, ‘Hotter Than Hell’. While I admire a lot of these early rock bands from back in the day for their non-stop work ethic which saw them chug out so many releases in such a short space of time, the end result is usually average at best.

Take Kiss’ early days, for example. Mediocre, sleazy rock ‘n’ roll, at its very finest. I guess. I didn’t really enjoy the bands self-titled debut, and this certainly isn’t any better. From the rather dreary riffs to the forgettable lyrics, the only real shining quality about this album is the apparent chemistry amongst the band members, in particular, guitarists Paul Stanley and Ace Frehley. While it’s nothing remarkable by today’s standards, there’s definitely a synergy between the two, and if nothing else, it’s reassuring to know that these guys will go on to release much better material in the future.

‘Got to Choose’ and ‘Parasite’ are the only two songs I’d even consider passable, and the latter is mostly thanks to Anthrax’s cover of it. There’s a couple of decent guitar solos, but not decent enough that I remember which song I heard them in, and I have no desire to go looking for them.

While Kiss’ early works probably fare better if you were around in the 70’s, or you were exposed to it at an early age, to me, ‘Hotter Than Hell’, much like its predecessor, is a fairly rubbish album. It lacks the energy and bombast of later efforts, and just tends to drag along boringly with no real passion. Mercifully, it’s barely half an hour long.

MEGADETH Crush 'Em

Single · 1999 · Hard Rock
Cover art Buy this album from MMA partners
martindavey87
July 5th, 1999.

Megadeth were performing on an episode of World Championship Wrestling’s Monday Nitro. It seemed odd that a metal band would perform at a wrestling event, and much like Kiss did a few weeks prior, it bombed. Nobody wanted to see it. Nobody did see it. And it accomplished nothing.

Except for changing my life.

Performing ‘Crush ‘Em’ to coincide with the return of wrestler Bill Goldberg from a break (Goldberg starred in the movie Universal Soldier: The Return, of which this featured on the soundtrack), the song played repeatedly over the following weeks, and 12 year-old me was absolutely hooked!

‘Crush ‘Em’ itself is a huge departure from Megadeth’s typical sound. With the 90’s coming to a close, Dave Mustaine tried his hand at writing mainstream rock songs, hoping to appeal to bigger audiences with the album ‘Risk’. He failed. Big time. But ‘Crush ‘Em’ served one purpose, and it served it well. It was intended as a sports anthem, with hopes that it’d be played in arenas at games, and for a while, it was. With its pounding bass line and thunderous guitars, the chanting of “Crush! Crush ‘Em!” is tailor-made for getting crowds psyched up. It’s simple, it’s catchy, it’s effective.

As for this single release however? Meh. There’s just two songs. An album version, and a radio version, which basically skips one verse and the outro. Nothing special, nothing fancy, no gimmicks or novelties. Just two different versions of ‘Crush ‘Em’. Fantastic song, and I genuinely mean that. But don’t bother getting this single unless you’re a huge, huge fan that absolutely must own everything regardless of how pointless it might be. Just get the ‘Risk’ album instead.

And yeah, that is a recommendation for ‘Risk’. That album is awesome!

QUEENSRŸCHE Hear In The Now Frontier

Album · 1997 · Hard Rock
Cover art Buy this album from MMA partners
UMUR
"Hear in the Now Frontier" is the 6th full-length studio album by US heavy metal/hard rock act Queensrÿche. The album was released through EMI America Records in March 1997. It would be the band´s last album on the label, as the record company went bankrupt while Queensrÿche were touring in support of "Hear in the Now Frontier", leaving the band themselves to finance the remaining part of the tour. "Hear in the Now Frontier" would be the last album to feature the original lineup as guitarist Chris DeGarmo subsequently left to pursue other interests.

While Queensrÿche had changed their sound on every album release before "Hear in the Now Frontier", the band chose a more drastic change in sound on this album, as they opted for a significantly less heavy metal oriented sound, and went with an accessible radio-friendly hard rock style. Although Peter Collins is credited as producer, the editing and mixing of the album were done by Toby Wright, who had recently worked with Alice In Chains on their 1995 eponymously titled third full-length studio album, and the latter´s involvement is clearly heard in the way "Hear in the Now Frontier" is produced. The album features an organic and warm sound production, suited for the hard rock material featured on the album, but also lacking the edge to push the most hard rocking tracks past being pleasant and accessible. In other words the sound production is professional and well sounding, but completely lacks bite.

It very much feels like Queensrÿche were domesticated here, and that they have left their heavy metal roots behind. They were never the most hard edged heavy metal act on the scene, but they had their moments on all preceding releases. "Hear in the Now Frontier" is almost completely void of anything heavy metal oriented (save for a few harder edged riffs), and sounds more like an artist like Stone Temple Pilots than anything Queensrÿche had released in the past. For at hard rock release "Hear in the Now Frontier" is actually a fairly decent album, but not many tracks stand out and featuring 14 tracks, and a full playing time of 57:42, it overstays its welcome by at least 10 minutes and maybe a little more.

So while "Hear in the Now Frontier" is not a bad quality release by any means (professional sound production, skillful execution, and professional songwriting, check..check..check), Queensrÿche´s attempt at creating a more accessible hard rock sound is not exactly a success either. They simply don´t sound convincing, and their hard rock sound is a bit too soft and uninspired, lacking the attitude and power that characterize the best hard rock releases. Too often during the playing time my attention begins to wander, and the album becomes pleasant background music, and as I´m neither on board an elevator or purchasing goods in the supermarket, that´s not really what I want from a hard rock album. Considering the inspired high quality releases which precede "Hear in the Now Frontier", it is a major disappointment that the band chose this path. A 2.5 - 3 star (55%) rating is warranted.

hard rock movie reviews

THE WHO Quadrophenia: Live In London

Movie · 2014 · Hard Rock
Cover art Buy this album from MMA partners
rdtprog
I was not sure before purchasing this DVD, if I was going to enjoy a live show with the complete double album of "Quadrophenia", because it was a long time ago that I listen to this album and if I remember, I didn't enjoy all the songs. Many years later, I didn't change my mind about this, there are some really good songs, like the title track, "Dr. Jimmy", "The Rock" and "Love Reign Over Me". The other tracks are not bad for what they are, good rock songs, but not as good as some songs of their entire discography. Fortunately, the show has some of those songs as bonus performance, including "Baba O'Riley", "Who are You" and "Won't get Fooled Again"

There's a lot of projections on the screen of the band from the old days. Nice touch to have included John Entwistle with a solo of one of his performance in the song "5:15". Not only you can see him on the screen, but you can actually hear his solo. In fact, his solo sounds more alive than the bass sound of the actual player Pino Palladino, who is rarely captured by the cameras and low in the mix. Also, during "Bell Boy", Keith Moon is singing on the screen.Those projections of the old days performances are only present in the "Quadrophenia" album and not in the bonus songs at the end. We have many musicians on the stage including horn players, Simon Townsend who signs like Pete in "Dirty Jobs". Also two keyboardists, but it's mostly the piano that we hear during this show.

It is easy to rate this, can't be 2 stars because it's not only for collectors, and can't be 4 stars because, that is not a progressive rock show. So it's a good 3 stars, nothing more. But those who enjoy "Quadrophenia" will have a ball with this DVD!

DEF LEPPARD Classic Albums: Hysteria

Movie · 2002 · Hard Rock
Cover art Buy this album from MMA partners
progshine
The worst episode of all Classic Albums series (and I watched 25 of them)!

What is great about the series is that they explain track by track about the albums and show these tracks on a studio enviroment stripping them down and showing us details. Not here.

Hysteria have 12 tracks, but according to this documentary the album have only 7 tracks, and half of it the only feature on the movie is some video or live footage of the song, sometimes the band says 3 words about it though.

As I said, this series is supposed to go deep into Classic albums in the history of music and tell their secrets and details, and most of times they do an excellent job. Not here.

Not to mention that Hysteria might have sold 12 million copies but this is not a classic album at all, just a popular one in 1987. And we know this story in Pop music, right?

RUSH Replay X 3

Movie · 2006 · Hard Rock
Cover art Buy this album from MMA partners
AtomicCrimsonRush
"Replay X3" is a terrific box set of the 3 earlier Rush VHS concerts and it has been mastered to provide great picture though not all widescreen unfortunately. The sound is excellent without any noteable dropout unlike the VHS antiques. The packaging is excellent, booklets included and all original art prints on the seperate covers. There is also a bonus CD of Grace Under Pressure which is worthwhile.

DVD 1 is Exit...Stage Left, a 1 hour concert from the early years or Rushtory when they had long hair, and features a strong setlist with the likes of Limelight, Tom Sawyer, and a rare appearance of the brilliant Xanadu. The usual suspects are here such as the wonderful Red Barchetta and quintessential Freewill along with lighters in the air stalwart crowd pleaser Closer To The Heart. It is always great to see them having fun with the instrumental YYZ and a real treat is to hear the medley at the end with By-Tor And The Snow Dog, In The End, In The Mood and 2112 edited together masterfully. The VHS or DVD delivers what it promises, Rush in their hey day with great quality sound and editing. The band look young of course and jump around a lot more and there were no signs of chicken rotisseries or clothes dryers back then, but a heck of a lot of lighting and laser effects more than makes up for it. The concert also comes with a lot of interview footage and voice overs between songs, and some footage of the band backstage while the songs play and that is a treat compared to the usual straight concert footage. Too short but quite sweet. A real blast from the past that will please Rushaholics.

DVD 2 is Grace Under Pressure, another of the earlier concert performances of Rush running for about an hour with a lot of songs from "Grace Under Pressure" of course and it is nice to hear these. It begins with a glorious opening with The Spirit Of Radio, and a noticeable glowing effect on the band especially the white shirts, as if Vaseline had been rubbed on the lens. This is the 80s and this effect was prominent on film clips of artists such as Nik Kershaw and Dire Straits or Duran Duran. It looks kind of weird on Rush as they were never pretty video boys. Unfortunately the fuzzy effect is prevalent throughout the recording, and it kind of annoys me, especially the way the bright lights phase over constantly. Lifeson wears a white sports jacket looking like the mad scientist of metal, Peart has a white T and red cap that he loses later, and Lee wears grey suit jacket and white T. The hair dos are 80s personified; Peart has a rat tail, Lee has a mullet and Lifeson has a Flock of Seagulls quiff. Oh well, it is what it is. The music is brilliant.

The Enemy Within is rarely heard live but sparked my memory and it's a great song. The Weapon is always fantastic, one of my favourites, and it begins with a Dracula character on screen telling people to put on their 3D glasses. Witch Hunt begins with a screening of a bunch of cultists burning books with torches. It is a great song from "Moving Pictures" recently heard in the Time Machine concerts. Lee's vocals are excellent throughout and the guitars are incredible. New World Man is another one rarely heard live recently and it is OK though not one of the better tracks from "Signals". Synths are heard here though no one seems to be playing them, so I suspect some recorded music was used. It was the age of the video clip and a clip is shown of some animation and a boy looking up to see a huge airship in the sky. Distant Early Warning follows and it is a great song from GUP, that has become a concert favourite. The clip shows the boy riding a missile and the laser light show follows.

Red Sector A is an awesome song and I loved hearing it on this DVD again, with one of the strongest melodies of the Rush catalogue. The laser show looks great here. The lyrics by Lee are terrific and when Lee sings "smoking gun" a massive explosion goes off causing the crowd to roar. The lyrics are actually based on family experience and is a homage to his mother and father that survived the holocaust. Though Lee re wrote the lyrics to have a broader perspective that it may apply to any holocaust like situation such as Rwanda. Closer To The Heart is always a crowd pleaser and the crowd know it well enough to drown out some of Lee's vocals. There were no mobile phones back then but plenty of lighters go up in the air.

The obligatory medley is here with a terrific merging of some classics, YYZ, Temples Of Syrinx, and Tom Sawyer. During YYZ the crowd are obsessed with air drumming throughout. Tom Sawyer features the Moving Pictures animation on the screen. It is nice to hear Lee be able to reach those high notes too in the chorus.

Vital Signs is one I have not seen live on other concerts till the "Moving Pictures" live concerts of recent years. When Lee takes off his jacket his white T glows like the rest of the band's halos. It is a weird effect really and perhaps the worse part of the DVD. It ends with Finding My Way and In The Mood, from the earliest album. it is a great crowd participation song with the crowd visible throughout, a guy even lights up a pipe at one stage. Overall, this is a great snippet of songs from the Rush 80s years, worth checking out for certain even if for nostalgia if nothing else.

DVD 3 is A Show Of Hands, a 90 minutes concert experience and as such way better than the previous DVDs available, namely "Exit Stage Left" and "Grace Under Pressure". It is excellent also due to the use of animations on the big screen and the overall setlist. The songs are from "Hold Your Fire" mostly and I believe they are better heard live than on that album so that is a drawcard of this particular DVD. It also has a very solid quality sound throughout and the band look great and have heaps of fun. From "Hold Your Fire" the songs appear, Mission, Prime Mover, Force Ten, and Turn The Page so there is a lot from their latest at the time.

Closer To The Heart is always present of course along with quintessential Tom Sawyer, and The Spirit of Radio. I always love to hear the magnificent Red Sector A and hard rocking Force Ten, and it was great to see them play Mission, another one rarely heard live on these DVDs.

Marathon, Territories and The Big Money from "Power Windows" are good rockers for the crowd to get into. The drum solo by Peart is terrific, with his vibes section and patented cymbal jazz splashes along with some incredible triplet work though his drums are still stationary in this era, and not as many.

The concert ends with a brilliant medley 2112, The Temples Of Syrinx, La Villa Strangiato and In The Mood. Overall a strong concert, one of the best live documents of the band and worth getting hold of above the rest.

The Grace Under Pressure Bonus CD, is a previously unreleased audio from the newly remastered Grace Under Pressure concert soundtrack and it is a fantastic Rush sound.

"Replay x3" is definitely worth getting as it houses 3 very good concerts of the early years and these are only available now with this set released in 2006.

RUSH Exit...Stage Left

Movie · 1981 · Hard Rock
Cover art Buy this album from MMA partners
AtomicCrimsonRush
Exit...Stage Left is a 1 hour concert from the early years or Rushtory when they had long hair, and features a strong setlist with the likes of Limelight, Tom Sawyer, and a rare appearance of the brilliant Xanadu. The usual suspects are here such as the wonderful Red Barchetta and quintessential Freewill along with lighters in the air stalwart crowd pleaser Closer To The Heart. It is always great to see them having fun with the instrumental YYZ and a real treat is to hear the medley at the end with By-Tor And The Snow Dog, In The End, In The Mood and 2112 edited together masterfully. The VHS or DVD delivers what it promises, Rush in their hey day with great quality sound and editing. The band look young of course and jump around a lot more and there were no signs of chicken rotisseries or clothes dryers back then, but a heck of a lot of lighting and laser effects more than makes up for it. The concert also comes with a lot of interview footage and voice overs between songs, and some footage of the band backstage while the songs play and that is a treat compared to the usual straight concert footage. Too short but quite sweet. A real blast from the past that will please Rushaholics.

RUSH Snakes And Arrows Live

Movie · 2008 · Hard Rock
Cover art Buy this album from MMA partners
AtomicCrimsonRush
This 3 CD package is a great concert experience that I will return to often. Everything works - from the excellent sound quality to the crystal clear picture. The stage itself is massive and there are incredible lighting effects, lasers and fire effects. The 3 split screens at times show each band member, and sometimes a visual effect to enhance the track being played. There are weird Rush-ian gimmicks, namely the 3 huge ovens full of rotating chickens that glow ominous red throughout the night. There is no reference to these except Lee says at the end of CD1 that they are no longer spring chickens so they need to take a break. At one point a weird chef appears to turn the chickens over. Similar in fact to the washing machines with rotating clothes in the 'Live in Rio' show. Other subtler things are on stage such as flanks of flowers around microphones, plastic dinosaurs around Lifeson's stacks and the piece de resistance is the miniature Stonehenge rock on Lee's keyboards - a nod in Spinal Tap's direction for sure. We see crowd shots and Lee takes home movies of them screaming Hello Canada - in fact we see many versions of him doing this from other shows. Peart is featured with a sizzling drum solo that is well above what normally occurs in solos. He uses gamelon style blocks and sound effect drums to enhance the solo and his kit rotates to add depth. I love when the jazz band kicks in and he plays full blown jazz metrical patterns - there is a standing ovation after this.

There are no lengthy lead solo sections where Lifeson plays by himself but there is a nice acoustic piece following the drum solo. Lifeson effortlessly plays all the songs with precision and finesse. Surely one of the greatest guitarists in the world.

Lee's vocals are excellent and as clear as ever. His bass pounds on every track. I noted its all mostly hard rock on this live show. The band play old favourites that every Rush fan adores such as 'Spirit of Radio' and 'Tom Sawyer' but they focus on 'Snakes and Arrows' album, virtually playing every song. This could have been problematic but I find these live versions even better than the studio versions. I was never a huge fan of S&A but this live concert really brings something special to these tracks. I like the film clips that break up the songs such as South Park's Cartman singing Tom Sawyer and the weird clips of babies in prams and a game of snakes and ladders.

The bonus features are fun, such as watching the clips without the band shots and the making of the clips which show Rush at their kookiest. Some of the extra live tracks are great too so overall this is a must see for any Rush fan. I recommend this as well as 'Live IN Rio' which are completely different experiences. This is not as good as 'Rio' due to the set list, but it is still a fantastic DVD package.

Artists with Hard Rock release(s)

hard rock Index

Member Zone

Username:
Password:
Stay signed in

Metal Subgenres

Artists Alpha-index

MMA TOP 5 Metal ALBUMS

Rating by members, ranked by custom algorithm
Albums with 30 ratings and more
Master of Puppets Thrash Metal
METALLICA
Buy this album from our partners
Moving Pictures Hard Rock
RUSH
Buy this album from our partners
Powerslave NWoBHM
IRON MAIDEN
Buy this album from our partners
Keeper of the Seven Keys Part II Power Metal
HELLOWEEN
Buy this album from our partners
Rust in Peace Thrash Metal
MEGADETH
Buy this album from our partners

New Metal Artists

New Metal Releases

Thousand Years Of Terror Technical Thrash Metal
SKYGLOW
Buy this album from MMA partners
The Nil EP Death Metal
NIHILITY0
Buy this album from MMA partners
Unholy Slaughter Deathcore
MARY CRIES RED
Buy this album from MMA partners
Pentatonic Evilution Metalcore
BINAURALBEATS
Buy this album from MMA partners
Natural Causes Metalcore
IGNITION POINT
Buy this album from MMA partners
More new releases

New Metal Online Videos

More videos

New MMA Metal Forum Topics

More in the forums

New Site interactions

More...

Latest Metal News

members-submitted

More in the forums

Social Media

Follow us

Buy Metal Music Online