OPETH
Progressive Metal / Non-Metal / Death Metal / Metal Related / Hard Rock • Sweden

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Opeth is a progressive death metal band from Sweden that is influenced by many diverse musical styles ranging from jazz, 1970s progressive rock, death metal, and blues. Their recent releases have deviated from their traditional death metal influenced style, with more emphasis on progressive elements. Vocalist Mikael Åkerfeldt is also noted for utilizing both clean singing and death growls, often in the same track. Due to their unique blend of melodic and progressive elements, Opeth are often classified separately from more typical death metal acts. The name Opeth was taken from Wilbur Smith's novel Sunbird and derived from Opet, a city of the moon named in the novel.

History

Opeth was formed in Stockholm, Södermanland, Sweden in 1990 by David Isberg. Isberg invited Mikael Åkerfeldt to join the band at a practice session as a bass player, but failed to inform the current bass player or any of the other
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Pale CommunionPale Communion
Roadrunner Records 2014
Audio CD$4.31
$5.44 (used)
Deliverance & Damnation (2CD w/ 2DVD and Book)Deliverance & Damnation (2CD w/ 2DVD and Book)
The End Records 2016
Audio CD$23.48
Blackwater Park: Legacy EditionBlackwater Park: Legacy Edition
The End Records 2010
Audio CD$7.57
$6.93 (used)
Ghost ReveriesGhost Reveries
HiFi Sound
Roadrunner Records 2005
Audio CD$5.49
$2.68 (used)
Still LifeStill Life
Remastered · CD+DVD
Peaceville 2008
Audio CD$10.18
$5.88 (used)
Damnation/DeliveranceDamnation/Deliverance
Import
Imports 2015
Vinyl$23.83
$27.61 (used)
DamnationDamnation
Import
Sony Import 2007
Audio CD$4.35
$2.64 (used)
DeliveranceDeliverance
Original recording
The End Records 2007
Audio CD$2.74
$1.73 (used)
HeritageHeritage
Roadrunner Records 2011
Audio CD$5.00
$3.62 (used)
WatershedWatershed
Roadrunner Records 2008
Audio CD$6.52
$4.75 (used)
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OPETH Discography

OPETH albums / top albums

.. Album Cover 3.64 | 67 ratings
Orchid
Death Metal 1995
.. Album Cover 3.81 | 76 ratings
Morningrise
Death Metal 1996
.. Album Cover 3.87 | 86 ratings
My Arms, Your Hearse
Death Metal 1998
.. Album Cover 4.42 | 153 ratings
Still Life
Progressive Metal 1999
.. Album Cover 4.19 | 122 ratings
Blackwater Park
Progressive Metal 2001
.. Album Cover 3.67 | 93 ratings
Deliverance
Progressive Metal 2002
.. Album Cover 3.82 | 98 ratings
Damnation
Non-Metal 2003
.. Album Cover 4.27 | 118 ratings
Ghost Reveries
Progressive Metal 2005
.. Album Cover 3.81 | 101 ratings
Watershed
Progressive Metal 2008
.. Album Cover 3.56 | 84 ratings
Heritage
Metal Related 2011
.. Album Cover 3.79 | 28 ratings
Pale Communion
Non-Metal 2014

OPETH EPs & splits

.. Album Cover 2.87 | 4 ratings
Burden
Progressive Metal 2008

OPETH live albums

.. Album Cover 4.07 | 29 ratings
The Roundhouse Tapes
Progressive Metal 2007

OPETH demos, promos, fans club and other releases (no bootlegs)

.. Album Cover 0.00 | 0 ratings
Apostle in Triumph
Death Metal 1994
.. Album Cover 3.00 | 1 ratings
The Drapery Falls
Progressive Metal 2001
.. Album Cover 3.50 | 1 ratings
Mellotron Heart
Progressive Metal 2008
.. Album Cover 3.50 | 1 ratings
The Devil's Orchard - Live at Rock Hard Festival
Progressive Metal 2011

OPETH boxset & compilations

.. Album Cover 4.25 | 2 ratings
Collecter's Edition Slipcase
Progressive Metal 2006
.. Album Cover 3.91 | 10 ratings
The Candlelight Years
Death Metal 2008
.. Album Cover 0.00 | 0 ratings
The Wooden Box
Death Metal 2009

OPETH singles (5)

.. Album Cover
3.50 | 3 ratings
Still Day Beneath the Sun
Non-Metal 2003
.. Album Cover
2.73 | 5 ratings
The Grand Conjuration
Progressive Metal 2005
.. Album Cover
3.21 | 5 ratings
Porcelain Heart
Progressive Metal 2008
.. Album Cover
3.98 | 5 ratings
The Throat of Winter
Non-Metal 2010
.. Album Cover
4.11 | 7 ratings
The Devil's Orchard
Hard Rock 2011

OPETH movies (DVD, Blu-Ray or VHS)

.. Album Cover
3.87 | 27 ratings
Lamentations, Live At Shepherd's Bush Empire, 2003
Progressive Metal 2003
.. Album Cover
4.17 | 21 ratings
The Roundhouse Tapes
Progressive Metal 2008
.. Album Cover
4.52 | 22 ratings
In Live Concert at the Royal Albert Hall
Progressive Metal 2010

OPETH Reviews

OPETH Pale Communion

Album · 2014 · Non-Metal
Cover art Buy this album from MMA partners
Nightfly
Opeth had strayed from the path of their progressive metal back in 2003 when they released Damnation, a companion release to the much heavier Deliverance. By Ghost Reveries they were back to the heavier stuff on probably their most progressive release so far with the usual mixture of clean vocals and death metal growls. In 2011 they released Heritage, like Damnation sung with entirely clean vocals and also their mellowest album since that release. Pale Communion is the second consecutive album to ditch the growls and this time it looks like there’s no going back.

Pale Communion is the album that Heritage should have been. Not a weak album by any stretch but sounded a little fragmented at times, unsure where it wanted to go. Pale Communion is also heavier but more heavy rock than metal but also has a very retro 70’s prog style which is fine in my book. Where it really shines though is in the quality of the songwriting, the first three tracks in particular are truly breath taking with Mikael Akerfeldt’s strongest, most melodic and confident vocals yet. The arrangements and melodies of these songs in particular are so strong played with much light and shade and Moon Above, Sun Below has a particularly haunting vibe. The rest of the album barely drops the quality even if Goblin, a nod to the Italian prog band Goblin? is a little throwaway in comparison to the illustrious company its keeping here but fun nevertheless.

Most of Opeth’s albums have still been heavy enough to keep their early death metal era fans happy but with the last two I’m sure they’ll have lost a few as there’s no metal elements left at all as well as ditching the growl vocals. However, they’ll have no doubt gained many who found their more extreme elements hard to swallow. Personally I think they got the perfect balance on Watershed but Pale Communion is still one of their best albums and I’m happy to see them continue down this road in the future if that’s where they’re going.

OPETH Pale Communion

Album · 2014 · Non-Metal
Cover art Buy this album from MMA partners
rdtprog
The use of death vocals seems to be a thing of the past for Opeth. I always appreciated the clean vocals from Mikael Akerfeldt. It gives a better view of how he can be a good singer. The previous album Heritage wasn't convincing. Again the band is showing the soft side of their music The song "Eternal Rains will come" display some haunting harmonies progressions with some dark keyboards sound similar to VDGG. "Cups of Eternity" show a vocalization hook repeated almost like an incantation. There are some nice grooves here and a display of heavier guitars. With "Moon, Above, Sun Below" we recognize the same compositions structures of the band with intense and melancholic passages, the melody at the beginning is suddenly switching to a complete new mood so we get the feel that the song is like different parts melt down to build a 10 minutes song, but it works. The song "Goblin" is inspired by the band of the same name with a little touch of jazz. "River" is another different track with some classical rock influence. "Voice of Treason" is another track in which the listener is challenge with the impossibility to reach an accessible melody, like the band was playing with restraint. It illustrates the new direction the band is, by keeping the music outside the extreme metal. The last track "Faith of Others" is full of strings, classical arrangements and some acoustic progressive rock not too far from the band Landberk.

While this release could be perceive as homage to the old progressive rock bands, the retro sound of the organ and mellotron should appeal to old progressive rock fans, it keeps the band own style, less metal than the majority of their albums, but more in the line of Damnation and Heritage. For me, those two albums despite their progressive side were not the best of their discography, but I think the latest is more satisfying and if I had doubt about the direction the band was headed when they took a break from their metal prog, I am more confident for the future that it's the right direction to go now. And Mikael Akerfeldt looks like a musician that is in a mood to do more melodic music with clean vocals the rest of his career.

OPETH Blackwater Park

Album · 2001 · Progressive Metal
Cover art Buy this album from MMA partners
FMOTP
The greatest thing about Metal Music Archive and other sites in the MAC network is that it allows us access to music we might not normally hear. I live in the city of Pekin, Illinois, an even more conservative neighbor of the relatively conservative city of Peoria. Therefore, the radio choices are limited. Tool is probably the only non-commercial metal band that you would hear on a regular basis. The point is that sister site Prog Archives is probably the only way that I would have found Opeth's music. In fact, I think I owe a debt to the moderators of PA and MMA. I've found a lot of really great music here, and so I have listened to several of Opeth's releases.

I like a lot of death or black metal-influenced bands, although I wouldn't call myself a hardcore fan of those subgenres. I love Enslaved, My Dying Bride, and Leprous, for instance. Considering the generally high opinion of Opeth expressed on Prog Archives, I wish I liked them more. I'm just not entirely convinced by their take on black metal and progressive rock. I did pick the Blackwater Park album because it's considered by many to be the band's crowning achievement. For my money, the best tracks on Blackwater Park are "Bleak", "Harvest", "The Leper Affinity", and the title track.

The rest of the album is fine, but it doesn't really stick with me. One of the tests of a band for me is whether their songs stick with me when I'm not actually listening to them. The issue is certainly not musicianship; everyone in Opeth knows what they're doing. Most of the songs just overstay their welcome a bit. I do enjoy Blackwater Park more than some of Opeth's other albums, and I understand why many people consider them innovative. Musical taste, however, is ultimately a very subjective thing. Taking into account all the good things on Blackwater Park and its value for most folks on this site, I'm giving the album 3 1/2 stars rounded up.

OPETH Pale Communion

Album · 2014 · Non-Metal
Cover art Buy this album from MMA partners
The Angry Scotsman
A continuation of their last album.

By now we must assume this is a permanent direction for the band, (I was not smart enough to pick up on the hint dropped in their last album art)and given their age the change in direction is not surprising, not to mention the relief on Mikael's throat!

"Pale Communion" is indeed a continuation of their last album, "Heritage" which saw the abandonment of growled vocals and heavy music. The guitar work was more "crunchy" than heavy, the music was light, subdued and drenched in 70s prog style.

This continues on "Pale Communion" though this album packs a little more punch to it. "Heritage" was quite subdued and mellow, which I think was a turn off, (besides shock) to fans who maybe could accept lighter music as long as it had some impressive musicianship on it. There is plenty of that here, the guitar work is more prominent and impressive, as is the drumming of Axenrot, which did take a step forward on "Heritage", and the music just has a little "more" to it. While I enjoyed Heritage a lot, the more engaging music was quite appreciated here.

There's also a bit of a darker tone to "Pale Communion" though still quite warm and gentle, and has some more hard rocking, intense moments but is certainly no thrasher. Some standout songs are "Eternal Rains Will Come" "Cusp of Eternity" and "Voice of Treason"

So, this is the next chapter of 70s style prog rock Opeth, and a stronger effort than their last album. There is some more speed and musicianship mixed in with its subtle and textured songwriting, and packed with plenty of warm, gentle keyboard work, fun guitar and of course Mikael's beautiful vocals. There is good variety on the album and I think it's lighter nature may actually showcase the band's creativity even better, free of the brutally heavy/folky soft alternating style.

Very good album, recommended for any fan of prog rock, and most, though perhaps not all, fans of Opeth and prog metal should find it at least solid as well.

Four Stars

OPETH Pale Communion

Album · 2014 · Non-Metal
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UMUR
"Pale Communion" is the 11th full-length studio album by Swedish progressive rock/metal act Opeth. The album was released through Roadrunner Records in August 2014. There´s been a lineup change since "Heritage (2011)" as keyboard player Per Wiberg has been replaced by Joakim Svalberg.

With "Heritage (2011)", Opeth more or less took a left turn fully embracing a 70s influenced progressive hard rock sound and leaving their death metal past behind. They did a similar thing on "Damnation (2003)" but returned to their trademark progressive death metal sound on the next couple of albums. This time around they seem to mean business though and as "Pale Communion" is now their second album in a row which features a 70s influenced progressive hard rock sound, we can probably safely assume that the band´s death metal days are now behind them and that a new chapter in the band´s history began with "Heritage (2011)".

So the music on "Pale Communion" is a continuation of the progressive hard rock sound on "Heritage (2011)" and as such has little to do with metal although there are some hard rocking riffing on the album and references to artists like Deep Purple, Uriah Heep, and Atomic Rooster are valid enough (also because of the dominant use of organ). But there are references to a lot of 70s artists and musical styles on the album. Vocalist/guitarist/main composer Mikael Åkerfeldt are known for his broad tastes in music and you´ll hear elements from both hard rock, symphonic progressive rock (the sections with mellotron and the sections with orchestration are beautiful), folk rock, and even a whiff of jazz rock on "Pale Communion", which is ultimately a pretty varied album.

The description above can more or less also be applied to "Heritage (2011)", but "Pale Communion" is not a sequal clone of that album, as the band have opted for a more structured and melodic sound on this album compared to the more messy sounding "Heritage (2011)". "Heritage (2011)" often sounded like Mikael Åkerfeldt had 10.000 ideas and was hellbent to cram them all on the album. That ultimately made that album quite an adventurous ride but at the same time not the most memorable or well composed one. With "Pale Communion" it seems that Åkerfeldt has cut a bit more to the bone and focused on the actual compositions and the longivity of the melody lines. As a result "Pale Communion" is instantly memorable and quite a bit more accessible compared to it´s predecessor.

"Pale Communion" is produced by Mikael Åkerfeldt and mixed by Steven Wilson (Porcupine Tree) and not surprisingly the album is graced with a warm, detailed, and organic sounding production, which suits the music perfectly. The musicianship are as always of high class. The instrumental performances are organic and tight and Mikael Åkerfeldt´s vocals are distinct sounding and delivered with conviction. The use of choirs and backing- and harmony vocals on many tracks are great assets to the music too.

The album features an overall great flow and all tracks are memorable after only a few listens although complex enough to ensure longivity. It´s not easy to pick standout tracks on an album where all tracks are equally great, but I´d like to mention the closing trio of tracks, "River", "Voice of Treason", and "Faith in Others", as some of the highlights. The former because of the surprising shift in atmosphere (here is a track where several different sounding compositional ideas work well together) and the two latter (which seque into each other to form a sort of mini suite) for their intriguing emotional impact and use of orchestration. But then again I could have mentioned any track off "Pale Communion" and call it a highlight.

While "Pale Communion" certainly digs deep into the 70s progressive rock and hard rock scene for inspiration and does feature a retro sound, it doesn´t feel as forced as it´s predecessor did. It´s more fresh sounding, more musical, and overall just a better and more memorable release. I was beginning to wonder where Opeth were heading with "Heritage (2011)", but with "Pale Communion" I think they are back on the right track. A track that brings promises of even greater future output in this style. A 4.5 star (90%) rating is deserved.

OPETH Movies Reviews

OPETH Lamentations, Live At Shepherd's Bush Empire, 2003

Movie · 2003 · Progressive Metal
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kluseba
I really like a few studio albums of this band, especially "Blackwater Park" and "Watershed", so I bought this slipcase compilation by Koch Records with three studio albums and this exclusive live CD. That's why I will just talk about what I hear and not what I see on this release.

And what I hear is not very positive. The band divided its set in two halfs, the first one is based on their acoustic stuff from the "Damnation" album. The acoustic album has a really introspective atmosphere on the album, but it doesn't work at all on stage. Each song seems to be alike, the live versions sound exactly like the studio versions, the band has no contact with the silent and hypnotized crowd and there is no magic in the air. After a few songs, this first part of the album makes you fall asleep because of its infinite boredom. The most interesting song is the only one which is not included on the "Damnation" album, "Harvest", which develops a magic warmth and gives me at least some goose bumps and chills.

The second half of the album is a lot heavier and more progressive and wakes the crowd up a little bit. But the heavier song are performed with a lack of passion and intesity and work less well as the studio versions. The band does some routine work but I can't feel any passion in it. This part is a little bit more enthousiastic than the first part, but not by much.

Another problem of this release is - due to legal problems - that the setlist is mostly limited on the three last albums and not very diversified. That's a sad thing because the early works of the band had some magic moments and something powerful and fresh.

I can't recommend this CD (or even DVD) and would give the advice to listen to the studio albums instead.

OPETH In Live Concert at the Royal Albert Hall

Movie · 2010 · Progressive Metal
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AtomicCrimsonRush
"Big gig today, people, big gig".

Okay, I finally got around to seeing Opeth live at Royal Albert Hall with a bunch of fans, and as usual with Opeth, as far as I am concerned, it is a real hit and miss affair. Parts of the concert send me into bliss with gorgeous guitars and vocals and amazing dextrous lead guitar with choppy riffs, and parts make me search for the skip button. Okay let's get past the first point of concern for me; the concert is perhaps designed for the younger target audience who prefer death metal growls over actual singing. To be honest there is a heck of a lot of gravel voice vocals on this, more than I expected or wished, as I have 4 albums and there are definitely large chunks without growling on albums; though not so here. Unfortunately, this live performance really focuses on the heavier side of Opeth with only the occasional let up in speed and growling. When Akerfeldt sings clean vocals it is mesmirising so I wish he'd shut the dang death growls up as it is really not that impressive. The band play all of Blackwater Park but I would have preferred Still Life.

Another point about the DVD is that the crowd are rather a subdued lot. Their preferred colour is black and mostly guys are present with a smattering of females. The crowd stand still, not much bouncing and moshing as they are there to listen I guess, not have a full body thrash work out. They are definitely into the music and enjoying it, but it is not a mosh session, which shows how different Opeth are in comparison to death metal bands that incite a virtual riot when playing live. The crowd are head banging and raising the horns as you expect. You can hear then yell out stuff during the pauses between tracks, at times quite amusing too.

Yet another point to make about this live DVD is it really is a no frills concert, a bit of smoke and some cool lighting, occasional strobes and an ominous glowing logo with the large screen showing pictures of forests and water, and album covers, to generate a part of the atmosphere, with nice swirling lights cascading across the transfixed crowd. The band pretty much stand in the one place and thrash one track after another, and head bang during the instrumentals. They don't speak much at all at first. At one point Akerfeldt pretends he is going to say something and then stops and just plays; quite a humorous touch. At the end of 'April Ethereal', Akerfeldt begins to open up, he does mention that the band have gone through changes; "a few people have been (pause) fired (laughter) and we have a new lineup". He then intros the guys that are new to rapturous applause. Then he mentions how he used to write when he was too poor to afford a demo and recording equipment. He just wrote things like the Morbid Angel riff 4 times, freaked out bridge and the Bathory section. Ironically I referenced those two bands on my review for Still Life ("The growling reminded me of the black metal I used to listen to with the likes of Bathory or Morbid Angel.") so I wasn't far off the mark as Opeth definitely are influenced by this extreme metal sound. Akerfeldt mentions that Still Life is their most complicated album and then proceeds to play the awesome 'The Moor' from this.

From the beautiful acoustic guitar, it leads to the familiar distorted riffs that blast in without remorse. Akerfeldt's growls are brutal and soul chilling. There is a clean vocal chorus and it is so refreshing. I longed for more of this. At 6 minutes in the riffing stops and we have an acoustic interlude, a moment of respite. The Damnation style clean vocals chime in and they are so good, like a different band. I was drawn into the music at this point. At the end of 'The Moor' Akerfeldt asks "was it good?" which is funny as obviously the response would be a massive roar. He tells the tale of how Steven Wilson emailed him once. The crowd roars at hearing that name mentioned in their presence. He goes onto say that "we hooked up, had dinner, kissed, and I asked him to produce the next record which was gonna be Blackwater Park." But Steve was also involved in Deliverance "making it more sick and evil and twisted" he continues, and he says they should play something nice as they are in such a nice environment "but we want to be bad." I kind of like these moments as it shows the humour of the band and their personalities come through.

Another point about this section of the concert during 'The Wreath', is that Akerfeldt snaps a string and does a very fast guitar switch. His hand signal to the roadie is interesting as he just stops playing but keeps growling away. The roadie just hands him a new guitar and plugs it in as Akerfeldt screams "cover me with sweat" and he just hooks it over his shoulder and starts playing it as if nothing happened. Well worth checking that out. Axe's drumming should be commended too as it is fantastic, though many might miss the style of Lopez of course. I liked his cymbals with holes in them. 'The Wreath' is a thrashy fast thing that has the cookie monster vocals, (I know, I stole that phrase from a reviewer here but that's what it is) and I prefer Oscar the Grouch vocals myself. 'The Wreath' comes from my least favourite Opeth album but was tolerable due to the amazing chord changes and structure.

In the pause between the songs, a girl yells out that she loves Akerfeldt, and he replies "how you doin'?" as he seems quite shy and nervous which is better than being obnoxious of course. The girl has leaped over the barricade and as she is escorted off by guards everyone applauds. Akerfeldt says it's a long show for a metal singer but luckily he still has a bit of voice. At this stage I was hoping that meant he would sing some quieter stuff. He does the beautiful 'Hope Leaves' from Damnation and of course it is a highlight for my ears. I love that album and every song on it is compelling; in fact that is how I came to know Opeth so it is personally one of my favourite moments of the show. The purple and blue lights with sparkling logo give the stage an ethereal appearance.

Then next is a moment of brilliance from Ghost Reveries, 'Harlequin Forest'. I must admit the concert was improving for me as the band moved onto the more progressive sound. The concert ends with Watershed's 'The Lotus Eater', which is of course is excellent as always. Akerfeldt mentions the leaving of Peter and Martin and intros the new members again. Axe has dyed his hair just for this concert, he says. This track is a masterful progressive thing with amazing time changes and innovation throughout. This time Fred breaks a string, or has a technical goof, and stuffs up his solo and it is quite humorous how he plays silently while the roadie tries to rig up a new guitar. Akerfeldt and the others watch with amusement as Fred is hooked up. The crowd quietly clap observing with interest. When Fred begins to play again there is a roar and the whole thing is an unforgettable moment. The band could easily have edited this out but kudos for keeping it in as it provides some entertaining and interesting footage. I believe in the interview mention is made of how a camera man stepped on a pedal and screwed up the sound, and these moments are what make this concert so compelling, as it is a raw concert DVD with all the mistakes unedited but left for us to talk about. There were some conversations about this section with the guys I watched with. It actually provided more intelligent conversations than the rest of the DVD which were basically phrases like, "awesome, unbelievable, shredder, what's he on about, Axe is better, I miss Lopez, and, shut those bloody growls up." At the end the band have a photo opportunity with lots of Opeth addicts and after a bow it is over with a standing ovation.

The special features are generally similar to Pain of Salvation, and Dream Theatre DVDs, in that they show a lot of behind the scenes stuff, tour footage, some interviews, fans spouting off "I am dead serious when I say Mikael Akerfeldt is the reincarnation of Wolfgang Amadeus Mozart", and a few outtakes from songs. They sign CDs and apparel, take photos of fans and talk at the fans meet and greet, one says "best day ever" and another is shivering with excitement. The sound check was intriguing, done in front of some chosen fans. I like the comment when they are heading down the stairwell to the stage and we hear someone say "It's Spinal Tap." We see a bit of the clean up afterwards, meeting fans back stage who are terminally polite and grateful and Fredrik turns to the camera and says, "you are nothing without your fans never forget that", and there are roadies loading the trucks while the band have a quiet drink with friends. In the truck Fred talks about the mistakes but said they were part of it all after months of build up and the tension they felt. We see Opeth hanging round bars and visiting a Deli with an eccentric owner, and we see them in the trucks getting drunker and funnier.These moments were highlights for me and held more interest than the actual concert.

Overall, this is a great concert for Opeth addicts of course, there are quieter moments but you have to search for them, but it delivers the heavier side of the band with brutal aggression. That is the target audience and it definitely is an extreme sound, and the Opeth fans sitting with me are obviously under the impression that it is a flawless DVD. Seeing past the fan boyism it really is not a masterpiece at all but certainly an excellent live record of the very special event. Personally I look forward to them touring Heritage as that would be worth seeing.

OPETH The Roundhouse Tapes

Movie · 2008 · Progressive Metal
Cover art Buy this album from MMA partners
bartosso
Valuable music - Voluble Mike

I'm a huge Opeth fan so I bought this release on spec. I'm not disappointed, oh no. Quite the opposite, it's one of the best live releases I've ever seen. Absolutely flawless execution, almost perfect sound, very good set list = fantastic DVD release!

What is a very distinctive feature of this concert, and every Opeth concert in general, is a lack of any kind of rock/metal pose or showing off. There is professionally illuminated stage of Roundhouse and an old good folk sample which serve as a introduction to their concerts since I remember. The band members enter the stage and without unnecessary fuss start to play.

If you remember Mike from LAMENTATIONS as a shy and mellow guy you might be surprised by his present stage behaviour. Mike from Roundhouse is a funny guy with many good (and sometimes not so good) jokes to hand. He feels at ease on stage and with the audience and it's admirable. Still, for some people his long conversations with the fans might be slightly irritating.

ROUNDHOUSE TAPES is a very well produced album, and what's more, almost completely devoid of mistakes usually made by musicians playing live. However, there is one thing which might be annoying for minimalism fanatics. Namely, the producers decided to ornament mellow and atmospheric parts of the concert with retro filters which are supposed to enhance the Opeth experience. If it worked you should check on your own.

OPETH Shouts

Please login to post a shout
1522 days ago
Heritage their worst? Not even close my friend! Watershed, or maybe MAYH.

adg211288 wrote:
1534 days ago
Their worst? Hardly. Try My Arms, Your Hearse.
Wilytank wrote:
1573 days ago
It's safe to say that Heritage is their worst.
adg211288 wrote:
1621 days ago
* make of it.
adg211288 wrote:
1621 days ago
I don't honestly know what to make it.
m@x wrote:
1622 days ago
I love the new album 'Heritage' !!!!
Prog Geo wrote:
1841 days ago
The greatest band on Earth!!!
Pekka wrote:
1978 days ago
NorseGangsta, you were right. I always thought it was a single, but I checked the release out on the Roadrunner website, and they refer to it as an EP. EP it is now.
Pekka wrote:
2006 days ago
And thanks for reminding of its existence, I filled in the missing info.
Pekka wrote:
2006 days ago
It's there under the singles tab, as far as I know it's regarded as a single rather than EP.
NorseGangsta wrote:
2006 days ago
There should be a 3-track EP titled Burden released in 2008.

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