A.C.T
Metal Related / Progressive Metal • Sweden

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A.C.T (Swedish pronunciation: [ækt]) is a Swedish progressive rock band formed in 1995 under the name ‘Fairyland’, in Malmö. Initially under Ola Andersson on guitars, Tomas Erlandsson on drums, Jens Appelgren on vocals and Jerry Sahlin on both keyboards and drums, Fairyland was started by members of a music school in Malmö. Amongst various line-up changes, Fairlyland changed its name into A.C.T in 1995. In 1996 A.C.T first came into the public eye when it made its way to the final of a Swedish music competition. In 1997 a new demo was recorded and the band toured extensively in Sweden, eventually recording its debut album, "Today’s Report", released in 1999. Following the release of this album, A.C.T embarked on a Scandinavian tour with the progressive rock band Saga. In 2001, the second album "Imaginary Friends" was recorded and the band appointed Graham Collins of AAUK as their manager, read more...
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Atenzia Records 2004
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A.C.T Discography

A.C.T albums / top albums

.. Album Cover 3.43 | 7 ratings
Today's Report
Progressive Metal 1999
.. Album Cover 3.41 | 8 ratings
Imaginary Friends
Metal Related 2001
.. Album Cover 3.68 | 10 ratings
Last Epic
Metal Related 2003
.. Album Cover 2.90 | 7 ratings
Silence
Metal Related 2006
.. Album Cover 3.23 | 7 ratings
Circus Pandemonium
Metal Related 2014

A.C.T EPs & splits

.. Album Cover 2.50 | 1 ratings
The Early Recordings
Metal Related 2002

A.C.T live albums

A.C.T demos, promos, fans club and other releases (no bootlegs)

.. Album Cover 0.00 | 0 ratings
For Promotional Use Only
Metal Related 2001

A.C.T re-issues & compilations

A.C.T singles (0)

A.C.T movies (DVD, Blu-Ray or VHS)

A.C.T Reviews

A.C.T Silence

Album · 2006 · Metal Related
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The Crow
After two great albums (Today's Report and Imaginary Friends) and a third which was not so brilliant but very good nevertheless (Last Epic), A.C.T failed to deliver a competent album with Silence.

The style of the record is the same as their previous three efforts, but this time with a bit more serious tone and with darker lyrics. And I think that's one of the biggest mistakes that they made with Silence. The lyrics of A.C.T were never their stronger point, and this time are so cheesy as always, but not as funny. And I think that's unforgivable!

The production of the album is very good again, but I find the vocals of Herman Saming lost a bit of strength this time and I don't really don't know why. He sounds tired, or bored. At least in most of the songs. Maybe it was deliberated, but then that's also a mistake, just like the lyrics. The rest of the band sound so good as always.

Truth is Pain is a good summary of what this album delivers. A darker shade in the lyrics, tiresome vocals and a worrying lack of authentic new ideas. Even the instrumental section is not so good as always, despite the great musicians. Puppeteers is not better, with its typical Saga-riff, Queen inspired choirs and a very weak chorus. What happened to you, guys?

This Wonderful World is a boring mid-tempo which talks about ecological matters in a very predictable way (it pales in comparison to Waltz With Mother Nature), while Out of Ideas is just lame, despite its fine Ola Andersson's solo. At this point I'm really worried about the compositional abilities of the band.

But hey' Not everything is lost!

Hope suddenly rises the level of the album, with a powerful pseudo-thrash metal riff with palm muting and a catchy chorus despite the less than stellar interpretation of Herman. And this good line is maintained by Into the Unknown, with another good chorus, verses with symphonic arrangements and an outstanding progressive instrumental section.

No Longer Touching ground is not so good, but it has a nice bass during the verses. Useless Argument is an uplifting tune, with some nice hard rock elements and a guitar solo which oddly reminds me to Joe Satriani! An interesting one. On the contrary, The Voice Within is another forgettable mid-tempo.

Call in Dead has strong Queen influences in the verses and a funny chorus. In the second block of verses some Arabic melodies appears, contributing to the variety of the album. Silent Screams is an introduction to Consequences, the long song of the album, advancing some of the melodies that we will hear later.

Introduction is the second introduction to the epic of the album (a bit weird, I know), this time in the form of a nice acoustic melody, which remembers me to Spock's Beard. Then The Millionaire appears to introduce the concept of the epic, which talks about wealthy and its consequences. The song is far from being brilliant, nevertheless.

Joanna is far better, being maybe the best instrumental moment of the whole album. Powerful and precise, just what this album lacks. A Father's Love has lovely keyboard melodies and a splendid chorus with orchestral arrangements, while Memory to Fight brings another typical A.C.T riff and good choirs, alongside a great final section with splendid guitars.

The Diary is one of the best sections of the album, with imaginative riffs and constant tempo changes. I specially love the riff after the bridge, the one we can hear in the chorus. Just fantastic! This is what I expect from an album of A.C.T.

And so is A Wound That Won't Heal, another very good song with a marvelous final section, which contains a very delicate guitar and vocal arrangements. Why were they not able to achieve this quality through the whole record?

The Final Silence closes this album with a very good guitar solo, ending an epic which is the best section of the album despite its unfitting lyrics.

Conclusion: Silence is by no means a bad album. It has some fine songs and a very good epic. The problem is that alongside we encounter five or six forgivable tracks, and a pair of really bad ones. Maybe lack of inspiration? Or a futile attempt to search new paths for the band? Or just too long? I don't know, but this inconsistence makes Silence the worst effort of A.C.T

In addition, the lyrics are also very poor. More than ever. And considering that this was always the weakest aspect of A.C.T's music, you can imagine how bad and unfitting they are.

Best Tracks: Hope, Into the Unknown, Useless Argument and Consequences.

My Rating: **1/2

This review was originally written for ProgArchives, and rewritten to be included here.

A.C.T Last Epic

Album · 2003 · Metal Related
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The Crow
Nothing new in the horizon...

But with this superb production and strong songwriting is also this lack of surprises is not so important. If that's the first A.C.T album you hear you'll be totally blown away with their eclectic vision of prog-rock, dramatic changes in almost every song and their influences, which balance between Dream Theater, Saga, Queen and musical and cabaret spectacles.

The king of the record is still Ola Andersson and his marvellous guitars and solos, alongside with the good vocals (but a bit too high pitched for my taste) of Herman Saming. The rest of the band is also great! And they managed to expand a bit their instrumental sound with some strings arrangements this time.

Nevertheless, I have the problem that I heard the A.C.T two previous albums before Last Epic, and therefore I find this third effort a bit repetitive and not really better, despite the general opinion. Actually, I think is under Today's Report and Imaginary Friends in terms of quality. It's obviously not so progressive and too ballad oriented, and the lyrical concept just weak.

Wake Up, Manipulator and Mr. Landford are outstanding and dynamic tracks, while others like Ted's Ballad are just average. Nevertheless the whole album is enjoyable thank to the incredible Andersson solos and imaginative riffs, along with the spectacular choirs and vocal melodies.

Conclusion: Last Epic brought nothing really new to A.C.T fans, apart from another very good example of eclectic prog, strong songwriting and pristine production. And all of this is great, but I'm a bit disappointed with the lack of evolution of the band. They just made a record which sounds just like the same of the two previous albums, but a bit less progressive and more conventional. Maybe they were trying to be more commercial?

Hard to say.

Best Tracks: Wailings from a Building, Mr. Landford, Wake Up, Manipulator, Dance of Mr. Gumble.

My rating: ***1/2

This review was originally written for ProgArchives.com

A.C.T Imaginary Friends

Album · 2001 · Metal Related
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The Crow
After the wonderful debut "Today's Report", A.C.T managed to release a very worthy successor.

"Imaginary Friends" is not a departure in style from "Today's Report", and it doesn'st really surpases it in terms of quality. Maybe the main difference, is that "Imaginary Friends" is even more accesible than the band's debut album. Take it Easy is a very catchy song, with a dynamic chorus; She/Male is very funny, similar to Cat Eyes of the previous album; Biggest Mistake is the best track of the album, with a wonderful chorus and ending part, although the song is very reminiscent to Saga... The epic Relationships is also very good, maybe better than the epic Personalities in "Today's Report". So this collection of easy to listen but still complex tracks are maybe perfect for a band's newcomer.

The sound of the band here follow the path of the first album, being a curious mixture of Queen, Saga, Dream Theater, jazz, cabaret. But finally getting a coherent and catchy result. The range of influences is not so high in this second offering, but it's still huge.

Talking about the musicians, the Ola Andersson's guitars are marvellous again. This man has a great style (on Svetlana he rocks!), with a wide range of abbilities, and wonderful sound. The another pilar of A.C.T's distinctive sound are the Jerry Sahlin's keyboards, they give a fundamental part of the band's eclectic prog. The rest of the guys they also play in a great level.

Best tracks: Take it Easy (an A.C.T's trademark song...), Biggest Mistake (the most catchy and emotional song of the album, although it's almost a copy of some Saga classics...) and the epic Relationships (specially Svetlana and Mr. Unfaithful).

Conclusion: "Imaginary Friends" is not better than "Today's Report"... In my opinion, it's even under the the band's debut. Nevertheless, it has more accesible tracks and a great epic, being a worthy purchase both for newcomers and A.C.T's "aficionados".

My rating: ****

This review was originally written por ProgArchives.com

A.C.T Today's Report

Album · 1999 · Progressive Metal
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The Crow
An excellent debut álbum and a big surprise to me!

This band mixes elements and influences of a lot of bands I love. Rush (Saming's voice...), Saga (specially in the Ola Andersson guitar's sound, wich is sometimes very similar to this band, both in riffs and instrumental interludes...), Queen (the vocal harmonies and choirs...), Dream Theater (specially in the harder parts...), Supertramp (A.C.T are so eclectic as this band, and they have a similar dramatic feeling)... But adding a lot of originality in the form of a curious sense of humour, and a some odd musical experiments (calypso, pure jazz...) The results are simply brilliant and very funny. It's a pleasure to hear this album again and again, because it's catchy, fresh and hilarious.

The quality level of the tracks is also really high. Maybe the song Today's Report is under the rest of the tracks but it's just my personal taste. The rest of the tracks are good, with a lot of highlights. The long one, Personalities, it's just a collection of short songs put toghether, and it lacks some musical coherence, because there is any melodic connection between the fragments... But I love it anyway, because it's catchy, funny and wonderfully played, despite the silly lyrical concept.

The production of the album is also very good. Not spectacular, but very efficient and clear. I specially like the guitar sound, powerful and Saga-oriented, and the keyboard's arrangements. The musicianship is also very competent. Every instrument has its protagonism, and the friendly Herman's voice is well adapted to the funny musical direction. The main composer, Jerry Sahlin, makes also a very good work with the different keyboards.

Best songs: Abandoned World (powerful track wich opens this album in a heavy way...), Waltz With Mother Nature (maybe the best song of the album, with an incredible instrumental part and a funny calypso melody...), Welcome (very catchy verses, and another great musical interlude...) and Personalities (funny and really catchy, although a bit unconnected...)

Conclusion: a band with a true personality. Being not afraid of showing their influences, A.C.T are able to give the sensation of being hearing something new, fresh, and full of brilliant ideas. The prog metal lovers will find some interesting moments. The eclectic prog aficionado will also enjoy this work. And the people searching for humor in prog will be surprised! So I can strongly recommend this album to everyone, because being so variated, well executed and with this amount of good compositions, every listener will surely find something interesting on it.

My rating: ****

This review was originally written for ProgArchives.com

A.C.T Last Epic

Album · 2003 · Metal Related
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UMUR
"Last Epic" is the 3rd full-length studio album by Swedish progressive rock/metal act A.C.T. The album was released through Atenzia Records in January 2003. "Last Epic" was re-released through InsideOut Music in 2007 and thereby given a wider distribution and publicity.

The music on the album is an interesting combination of 70s influenced art rock and a soft type progressive metal. The band are incredibly skilled musicians and pull off both complex rhythmic playing and more mellow type playing too. The vocals are especially impressive with both skillfully executed choirs and harmony vocals. I´m often reminded of the theatrical nature of Queen but actually even more of 10cc. There´s a tongue in cheek kind of humour about the music that points in the direction of the latter mentioned. The progressive metal element isn´t dominant on the album but when it appears the band can actually play some pretty heavy riffs and intriguing instrumental parts. I´m reminded slightly of early Dream Theater in a much more simple form. The predominantly brief instrumental parts are usually cleverly placed in the otherwise predominantly vers/chorus structured tracks. There are several highlights on the album, but I´d mention tracks like like "Wailings From a Building" and the wonderful "Mr. Landlord" as some of my personal favorites.

The sound production is clear, powerful, and detailed and suits the music well. So "Last Epic" is overall a quality release and while I sometimes feel the band could have cut down on the more ballad type tracks in favour of more hard rocking tracks (which is where I feel the band excel), even the ballads are a means to an end and upon conclusion "Last Epic" is a pretty well balanced album with a good flow. A 4 star (80%) rating is deserved.

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