Power Metal

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Introduction

Power Metal is one of the sub-genres of heavy metal music that first appeared during the 1980's, drawing influence from traditional heavy metal, especially the New Wave of British Heavy Metal, and speed metal. The term power metal actually refers to two different but closely related metal styles, nowadays known as US/American Power Metal (USPM) and European Power Metal (or Melodic Power Metal), named after the geographic regions in which the styles originated. Artists from either place are not tied down to playing that particular kind of power metal of course, such as the US band Kamelot who play the European style, while there are also artists from other countries who play power metal such as Brazil's Angra and Japan's Galneryus. These days power metal bands come from many places and have many different styles, documented further on. This page primarily deals with the European brand of power metal, with USPM placed under its own child sub-genre.

European Power Metal

Though it developed a little later than USPM, in the late 1980's, specifically Germany, the European, melodic power metal sound is no doubt what most first think of when the term power metal is mentioned. Indeed it is more distinct in sound than USPM, but features the same basic influences, with the key difference to USPM being that European power metal draws more heavily on the speed metal influences rather than traditional heavy metal ones. Indeed in the late 1980's power metal was instead referred to as melodic speed metal.

European power metal is widely credited to have been started by Germany's Helloween in 1987 with the release of their Keeper of the Seven Keys Part I album. Prior to that, Helloween had been a speed metal band. Blind Guardian, another popular German power metal act, had similar roots while other bands such as Grave Digger started more in the traditional heavy metal vein. Others like Running Wild blended both before becoming power metal bands later in their careers. Compared to USPM European power metal acts often feature keyboards, catchy lyrics and are generally less hard hitting, though the German scene is quite notable for its additional heaviness. Popular power metal acts from other countries include Italy's Rhapsody of Fire, Finland's Stratovarius and Sweden's Sabaton.

Sub-genres of Power Metal

Aside from the standard USPM and European power metal styles, there are a number of different sub-genres, or hybrid genres in some cases, of power metal that have since developed.

Symphonic Power Metal: A style of power metal typically only applicable to the European sound, symphonic power metal increases the use of keyboards to create a symphonic backing, drawing on classical music. The use of symphonic elements in such bands can vary greatly with some artists using them as a main element of their sound, such as Rhapsody of Fire, while some merely use symphonic elements to flavour their music, such as Avantasia. Symphonic power metal releases are always placed under power metal on MMA.

Heavy Power Metal: Not to be confused with USPM, which is closer to traditional heavy metal to begin with, this refers to a hybrid of European power metal with traditional heavy metal. Bands are typically less speed orientated than pure melodic power metal acts. HammerFall is a heavy power metal act from Sweden while Nightmare are from France. Some artists which fall into this category featured a harder hitting, more aggressive sound, such as Grave Digger of Germany, but are still considered to belong to the European power metal genre rather than USPM. They are included under power metal on MMA, although some such artists have also made albums more directly rooted in traditional heavy metal and have those tagged accordingly. Some of the older heavy power metal acts, including Grave Digger and Nightmare, started as heavy metal acts before adding power metal into their sounds later in their careers.

Folk Power Metal: The folk metal as a genre can take its metal elements from almost any other metal genre going, including power metal. Elvenking and Falconer are folk power metal bands. They are typically included under folk metal on MMA, but with cases such as Falconer where folk influences are normally minimal per album, they are included under power metal instead. Additionally some power metal artists, especially Blind Guardian but also Grave Digger, have utilised folk influences in their music.

Power-Thrash: A hybrid of power metal and thrash metal, which can be considered sister genres due to both evolving from speed metal. The so called blue collar USPM can also be considered to be power-thrash but the term typically refers to European power metal mixed with thrash metal, although the early work of Iced Earth is considered to be power-thrash. The mix of elements can vary even within the same artist with some being primarily power metal and others primarily thrash metal. As well as Iced Earth, Dark Empire and Paradox have also released power-thrash albums, while some power metal bands have included thrash metal elements in their sound in smaller amounts, such as Seven Kingdoms and Persuader. Power-thrash artists are treated on a case by case basis on MMA, for example Tales of the Weird (2012) by Paradox is placed under thrash metal, but The Fateful dark (2014) by Savage Messiah is placed under power metal.

Progressive Power Metal: Drawing influences from progressive rock and metal music as well as power metal of either the European or US variety, these acts are typically included under power metal on MMA, such as Pyramaze and Kamelot. The exception is when an artist’s progressive influences become the most recognisable thing about their sound. Illusion Suite is an example of such a progressive power metal act. Vandroya and Wuthering Heights are progressive power metal bands, the latter of which also being classifiable under folk power metal.

Neo-classical Power Metal: Melodic power metal that uses neo-classical guitar playing for its lead guitar parts. Magic Kingdom and Concerto Moon are neo-classical power metal acts, while other power metal acts such as Amberian Dawn and At Vance have incorporated aspects of neo-classical metal into their sounds. As there is no neo-classical metal sub on MMA all such acts are placed under power metal by default, while non-power metal based neo-classical acts are typically placed under traditional heavy metal, or sometimes progressive metal, with which there can also be crossover, as with Symphony X.

Extreme Power Metal: This particular sub-genre combines power metal with melodic death metal and covers artists such as Children of Bodom, the first album of Wintersun and to a lesser extent the first album from Seven Kingdoms. Extreme power metal typically features power metal music but with primarily growling vocals rather than power metal’s traditional clean singing. Such artists are treated with a case by case basis as to their placement on MMA. The genre is sometimes also called Power-Death.

Power Metal Inclusive Genres

Melodic Metal is sometimes included under Power Metal but usually under Traditional Heavy Metal. Melodic metal features a presence of melody akin to European power metal but lacks the focus on speed. Many melodic metal releases tend to use some actual power metal elements as well as hard rock and sometimes other genres. An example of a melodic metal release that is placed under power metal instead of traditional heavy metal is Arven's Black is the Colour (2013).

Neoclassical Metal is sometimes included under power metal dependent on the direction of the riffs in the music (see Neoclassical Power Metal description above). Neoclassical metal artists can also be commonly found under the Traditional Heavy Metal and Progressive Metal sections of the MMA.

- Written by adg211288 (April 2013)

Sub-genre collaborators:
  • adg211288
  • DippoMagoo
  • Unitron
  • 666Sharon666

power metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 5 min. caching

FALCONER Among Beggars and Thieves Album Cover Among Beggars and Thieves
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4.95 | 8 ratings
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SCANNER Hypertrace Album Cover Hypertrace
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4.88 | 10 ratings
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PHARAOH The Longest Night Album Cover The Longest Night
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4.87 | 8 ratings
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SANCTUARY Into The Mirror Black Album Cover Into The Mirror Black
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4.74 | 13 ratings
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WUTHERING HEIGHTS Far From The Madding Crowd Album Cover Far From The Madding Crowd
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NIGHTMARE Genetic Disorder Album Cover Genetic Disorder
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HELLOWEEN Keeper of the Seven Keys Part 2 Album Cover Keeper of the Seven Keys Part 2
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BROCAS HELM Defender of the Crown Album Cover Defender of the Crown
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ICED EARTH Night of the Stormrider Album Cover Night of the Stormrider
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power metal Music Reviews

DRAGONFORCE Sonic Firestorm

Album · 2004 · Power Metal
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aglasshouse
"Ready your breakfast and eat hearty... For tonight, we dine in hell!"

Mmm...cheesy goodness. DragonForce are those guys that made that super hard song on Guitar Hero, right? 'Through The Smoke and Flames'? Jokes aside this was one of the first "real" metal bands I encountered at a young age. The technical prowess and pure speed of it was very attractive; it wasn't exactly something I listened to on a regular basis. But as I grew older I listened to more and more of the same genre, and discovered new music. Did I ever forget about Sonic Firestorm? Of course not!

This album is a pristine example of all the good parts of 00's power metal. The rocking symphony of pounding drums, shredding guitar, and the godly voice of ZP Theart. Combine that with lyrical imagery of fantasy, of sprawling hills of green, chivalrous knights, fantastical beasts of mythos, all forming into one powerful attack on the senses. Many of the songs have a long run time as well, leading for long and intricate epics. Some of the more atmospheric songs (Soldiers of the Wasteland) appeal to me more with that comfortable arena-metal sound.

This would go on to inspire an even larger audience for the band, as well as more rising potential on later albums. Quintessential for the power-metal everyman or even a hardened veteran. Godspeed, you fiery gods!

GLORYHAMMER Space 1992: Rise of the Chaos Wizards

Album · 2015 · Power Metal
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Warthur
With a title deliberately crafted to engage the nostalgia of nerds who remember the early 1990s glory years of Warhammer 40,000 and other such Brit-fantasy games and stories, and a symphonic power metal sound which would meet the standards of legends of the genres like Rhapsody, Gloryhammer's Space 1992: Rise of the Chaos Wizards is fifty minutes of pure fun. Some editions include a reimagining of the album recorded in conjunction with an orchestra (with the songs retitled to reflect the extensive rearrangements involved), but the main event is solid and symphonic enough by itself that this isn't absolutely necessary and you shouldn't beat yourself up about it if your copy doesn't have it.

HELSTAR Remnants of War

Album · 1986 · US Power Metal
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Warthur
The second Helstar album found them finding their feet again after the disintegration of the Burning Star lineup, but what they turn out proves to be a very acceptable, hard-edged take on US power metal which puts me in mind of what Fates Warning might have ended up sounding like if they hadn't taken a more progressive path after The Spectre Within. By 1986 this sort of sound was no longer cutting edge - particularly with thrash riding high and early death metal works pushing the envelope of extreme metal - but Helstar somehow manage to make it seem ballsy and raw anyway, which is an accomplishment in itself.

SAVATAGE Gutter Ballet

Album · 1989 · US Power Metal
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UMUR
"Gutter Ballet" is the 5th full-length studio album by US, Florida based heavy/power metal act Savatage. The album was released through Atlantic Records in December 1989. There´s been one lineup change since the release of "Hall Of The Mountain King (1987)" as Chris Caffery has been added as a second guitarist (he is also credited for performing keyboards), making Savatage a five-piece on this release (although in reality Caffery didn´t perform on the album). Caffery had previously toured with Savatage. "Gutter Ballet" spawned two promotional videos for the title track and "When The Crowds Are Gone". Both videos were given repeated plays on the then prolific MTV Headbangers Ball show, which helped promote the album and heighten Savatage profile even more.

Stylistically "Gutter Ballet" marks a change in musical direction for Savatage. Main composer Jon Oliva (producer Paul O'Neill and guitarist Criss Oliva are also credited as main composers) got inspired by musicals and grander song arrangements after watching a performance of Andrew Lloyd Webber's musical "The Phantom of the Opera", and although the core sound of the album is still heavy/power metal, some of the compositions featured on the album are quite ambitious in nature, as a result of the new influences. It´s not that Savatage hadn´t entered more sophisticated compositional territories before (their use of parts of pieces by the classical composers Edward Grieg and Gustav Holst on "Prelude To Madness" from "Hall Of The Mountain King (1987)" is an example of that), but now those elements are more fully incorporated in the band´s music. Occasionally even to a point where you could label the music progressive. However as on past releases the progressive metal elements are still only a secondary influence in the band´s music. This is still first and foremost heavy/power metal delivered with great energy and bite.

"Gutter Ballet" opens with the hard edged and heavy "Of Rage And War", which features the classic heavy/power metal Savatage sound, but we´re taken on quite a diverse journey during the next four tracks. The title track is a relatively progressive track featuring piano, orchestral arrangements, and a musical style build up. The arrangement is clever, sophisticated, and powerful. "Temptation Revelation" is an instrumental which is obviously written to showcase Criss Oliva´s considerable guitar skills (and succeeds in doing that while still being an interesting composition), before the power ballad type "When The Crowds Are Gone" kicks in. It´s yet another incredibly well composed track with a strong chorus hookline. The acoustic guitar instrumental "Silk And Steel" finishes the adventurous run of tracks, before the album settles in with more familiar sounding heavy/power metal tracks like "She's In Love", "Hounds", "The Unholy", and "Mentally Yours". The original vinyl version of "Gutter Ballet" closed with the power ballad "Summer's Rain", while the CD version featured the bonus track "Thorazine Shuffle" after "Summer's Rain". So looking at the tracklist it´s mostly during the first part of the album that you´ll find surprises in the musical direction, compared to the previous releases by the band.

The musicianship is on a high level on all posts. The rhythm section of drummer Steve Wacholz and bassist Johnny Lee Middleton are a tightly nit unit, delivering pounding organic beats, driving the music forward in a great energetic fashion. Lead vocalist Jon Oliva takes his performance up a notch here compared to his vocals on the previous releases by the band (and that says a lot since his performances on those past releases were very strong). His raw rusty voice is commanding and powerful, yet always melodic and sensitive. Criss Oliva delivers one jaw-dropping moment after another throughout the album. His riffs are delivered with a rare bite and conviction, and his solos and licks are not only incredibly well played, but there is something special about his tone too, that not many guitarists are able to rival nor duplicate. You get the feeling that he bleeds notes. That´s the kind of intimacy he sounds like he has with his guitar. It´s nothing less than a perfect symbiosis.

"Gutter Ballet" also features a very well sounding production. It´s heavy and powerful, yet detailed and clear. A perfect and tasteful sound for the material on the album. Upon conclusion "Gutter Ballet" is an album which shows Savatage developing their sound, but there is still a good balance between the epic and sophisticated moments and the hard edged rocking parts, and therefore the more adventurous elements never take away from the power of the music, which in some cases can be the downfall of similar releases. A 4.5 star (90%) rating is deserved.

BLIND GUARDIAN Tales From the Twilight World

Album · 1990 · Power Metal
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Kingcrimsonprog
If you enjoy Power Metal then this is an album that will either be already in your collection or pretty high up on your to-do list; since 1990’s Tales Of The Twilight World by the German band Blind Guardian is a pretty big deal, this album helped the band reach new heights, helped the band to separate their style from precursor Thrash and Speed stylings and into more purely Power territory, as well as introducing the world to their concert favourite ballad ‘Lord Of The Rings.’

‘Twilight World occupies a sweet spot in the band’s discography where it still has all the raw charm of the early material, but introduces a lot of the tropes from their better known material, such as Queen-inspired harmonies, choral involvement and progressive structuring and arrangements. Hansi ‘s vocals are really developing into the style fans know and love and Kalle Trapp’s production job sounds even better than on the previous two records.

Like several other Blind Guardian albums; the album boasts guest appearances from other musical greats including Iron Saviour’s Piet Sielck and frequent collaborator, Gamma Ray’s Kai Hansen. The lyrics reference a lot of popular fiction, like Dune, E.T. And The Tommyknockers, as well as all the Tolkien you can expect from the band who famously made a whole concept album about the Salmarillion.

If you are into the catchy choruses, there’s plenty to love here, and you’ll be humming melodies from this record all week long after hearing it. If you are into the guitar heroism, the leads and solos are delightful as always, and if you want riffs there’s plenty of Thrash in here to get you excited.

Highlights include the strong opener ‘Traveller In Time,’ as well as the excellent ‘Lost In The Twilight Hall’ and of course the aforementioned ‘Lord Of The Rings.’

If you are into the band, this album is a real no-brainer and if you are into the genre, its something you really ought to try out soon. There’s some seriously high quality memorable material on here, plenty of impressive solos and fills, and some fairly interesting lyrics. This really was the first of a streak of Blind Guardian gems from the 1990s, and I highly recommend it to anyone interested in this type of music.

power metal movie reviews

BETO VÁZQUEZ INFINITY 15 Years Alive LTD Edition

Movie · 2016 · Power Metal
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m3g52
A year ago Beto Vazquez Infinity met its 15 years ... And gave us a feast with joy, good music and diversity. And now we have the fruit in a DVD accompanied with 2 CDs with all the live sound of this recital. The show presented in this DVD contains a section of his classics, then a middle section where all played more Prog Metal and left many open mouths and an end to all motor either energizing. The DVD and limited edition cd show impeccable quality. Everything is divided as follows: The first part of the show was the memories, issues conodcidos discography BVI, renewed and with new energy, with the voices of Caro Guedes, Vero Libre, Casti and Pereyra on a solid band. The band shows with ease, stressed this fact with good camera movements. The sound and picture quality gives a good sense of what was experienced in that reecital of celebration of 15 years. Then began the most difficult part in stage movement, instrumentation and personnel. Metal Prog most part, higher flight, which leaves more than one amazed. Flutes game, rhythm guitars, harp, saxophone and a chorus that vibrated in states of metal, prog and Ethnic ... The third part returns to the strength of metal with Devil Vision by Caro flawless interpretation of Guedes and choirs Nadia Mancini, a soprano who gives the exact support. A material that is worth having, especially if you want to discover Beto Vazquez Infinity, risky in a scene (the Argentina) where it is very difficult for independent bands to achieve, first that recital that is documented, much less achieve DVD + CD unsupported's the big distributors.

ANGRA Angels Cry: 20th Anniversary Tour

Movie · 2013 · Power Metal
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Kingcrimsonprog
Angels Cry 20th Anniversary Live is a 2013 concert Blu-ray by the Brazilian Progressive/Power Metal band Angra. It features the line-up with Italian singer Fabio Lione (ex-Labyrinth, Rhapsody of Fire) on vocals performing material from all eras of the discography passionately – with some interesting guest appearances including Tarja Turunen (ex- Nightwish), Uli Jon Roth (ex-Scorpions), Amilcar Christófaro (Torture Squad) and the Familia Lima string section.

This set has quite high production values. Visually; the thing is an absolute gem. Top notch image quality, great camera work with tasteful editing, and the actual stage show contains interesting video screens with eye catching imagery. Its all just great for the eyeballs, which is why you’re getting a video recording and not an audio recording anyway, right? Well this is totally worth every penny in the visual department.

Sonically, the recording is crystal clear. You can hear every single note, every different drum and cymbal. Its like a Rush concert or something – brilliant clarity and definition. The only thing that’s not absolutely perfect is that in the stereo mix, the rhythm guitar is not as heavy as some of the studio versions, but it is still a brilliant mix nonetheless. Best of all; The performance is beyond stellar; Fabio nails it recreating the band’s different singers’ work well and injects some of his own flair into the proceedings. The guitar solos are out of this world and the tireless drumming of Ricardo Confessori sounds great. Listening to and watching the interesting music is an absolute joy.

Highlights include the fantastic renditions of ‘Evil Warning,’ ‘Nothing To Say’ and the fantastic set closer ‘Nova Era.’ The enthusiastic São Paulo audience seem really into it.

Overall; Its an absolutely great concert DVD on a technical level, and better still it’s a great concert in and of itself. The line-up is strong, the setlist is great and the guest musicians add an extra layer of interest. I highly recommend this to fans of the band, fans of this end of the musical spectrum, and fans of good quality concert recordings. It would be an unquestionable treat for existing fans but would also work really well as a first purchase for newcomers

STRATOVARIUS Under Flaming Winter Skies - Live in Tampere

Movie · 2012 · Power Metal
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Kingcrimsonprog
Under Flaming Winter Skies, Live In Tampere is the first official concert Blu-Ray by the legendary Finnish Power Metal band Stratovarius. It was filmed in Tampere, Finland on the Jörg Michael farewell tour and as such the crowd interaction is in Finnish (with English subtitles) and Jörg gives the crowd a farewell speech. In part, the setlist is built around him, such as the inclusion of `Speed Of Light’ because it was the first song he ever played with the band… although to be fair they’d have probably played that anyway. The main feature lasts around 1hr 52mins and contains 22 tracks, which works out as 17 songs when you discount the intro, guitar solo, bass solo, keyboard solo and speech. There’s a Deep Purple (`Burn’) and The Who (`Behind Blue Eyes’) cover in there, as well as all the fan favourites you’d expect like `Eagleheart’ `Kiss Of Judas’ `Hunting High And Low’ `Paradise’ `Father Time’ `Black Diamond’ etc

The picture is absolutely fantastic, clear and sharp. Its helped a lot by a great but subtle stage show with intelligent use of lighting, and not too much dry ice as well as a tasteful and sensible editing job that is fast and contains enough movement to keep your interest but is slow and still enough so that you can appreciate the actual musicianship (of each member, as none are overlooked.)

The sound is even better with an absolutely crystal clear mix in which you can hear every stoke of every drum, each key get pressed (without the keys being too loud and overpowering the Metal) and every note the bass plays. The vocals are impressive and the crowd noise doesn’t overpower them, even though they sing almost every word and best of all, it all actually seems to be live and not obviously mimed or overdubbed (or indeed out-of-sync). In general, its just one of the best concert audio mixes that I’ve heard so far and very solid visually as well.

The biggest thing in this concert’s favour however is the sheer enthusiasm of the performance; the band are so into it and absolutely deliver on all levels. They are very interactive with the crowd, they interact with each other, Jörg twists and throws his sticks around, the guitars and mic stands are enthusiastically moved around and generally the band just look like they love being there.

In terms of extras; the booklet has a lot of high-quality photos and a little written interview with Jörg. The disc has a bonus 5.1 mix of the track `Elysium’ and there is a 29 minute documentary called `Rewinding From The Past To 2012.’ In terms of Blu-Ray Statistics; the screen format is 1080i/29,97/16:9(1,78:1) and the audio format is DTS HD MA 2.0/5.1 (although the documentary is only available in stereo), the disc format is BD-50 and the region code is: A/B/C.

Overall; this is an excellent, well made and masterfully performed concert Blu-Ray and I’d highly recommend it to anyone who’s into this sort of thing.

ICED EARTH Live in Ancient Kourion

Movie · 2013 · US Power Metal
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Kingcrimsonprog
Live In Ancient Kourion is a live concert Blu-Ray from the American Power Metal band Iced Earth. It was filmed at the ancient Kourion Theater in Limasol, Cyprus (a site with a 6,000-year history according to the liner notes) in 2012, in support of the Dystopia album. The line up features Jon Schaffer, Brent Smedley, Troy Steele, Luke Appleton and then-new singer Stu Block.

The career-spanning set contains 27 songs from all eras of the band’s history, in a concert that lasts around 2 hours and 35 minutes. Its pretty great value for money in that regard.

The performance is very strong indeed, with all band members putting down solid performances with no weak links. Stu capably handles the material of previous singers Matt Barlow and Tim Ripper Owens in a suitable but distinctive way. He fits the band perfectly and is immensely talented. Elsewhere; the dual guitar lines and solos are sublime and the drumming is powerful and rock-solid. If you like Iced Earth then this is a really strong and representative example of what they are all about.

Highlights include strong performances of ‘Burning Times,’ ‘Wolf,’ ‘Declaration Day,’ ‘Days Of Rage’ and ‘Dantes Inferno.’ ‘Boiling Point’ and ‘Damien’ are also especially energetic and exciting here – if you were wondering if you’d enjoy this release, then I suggest trying those two tracks out.

The stage design and the simple, tasteful lightshow in conjunction with the well-integrated use of smoke and pyro perfectly complements the band’s meaty, honest approach to Metal music. The crowd get into it and both clap and sing along on many occasions. Sometimes not only singing the words but also the guitar melodies. The concert really shows a confident band delivering their best to an appreciative crowd.

The camerawork and editing are absolutely solid, the audio recording quality and live mix are spot-on and overall this is a very strong release on both the audio and visual fronts. Sometimes you’ll get a DVD with way too many flashy transitions and cheesy editing choices, or the bass guitar missing from the mix, but a lot of care has obviously gone into making this a tasteful and musician-friendly affair. Admittedly I have seen concert Blu-Rays with better picture quality (Sabaton, Gamma Ray, Stratovarius and Hammerfall spring to mind) and here it can be a tiny bit grainy, soft-focus or washed out at times depending on the lighting conditions in the venue at the time however just because better examples exist, it doesn’t mean the picture here is anything to complain about.

In terms of bonus features there are photo galleries (4 minutes of very high resolution photos of the band and the beautiful Cypriot landscape), a 9-minute world tour story (breaking down the logistics involved such as how many guitar picks and flights the band went through) which mixes photos and graphics with interview footage, as well as the 31-minute Documentary feature “The Making Of Live At Ancient Kourion.”

The version I got comes with a slipcase in a digibook-style box which contains booklet featuring photos, credits and liner notes from bandleader Jon Shaffer. It houses the Blu-Ray version, DVD version and CD version of the concert for maximum flexibility.

The Blu-Ray specs are as follows: Region 0, Format 16:9, Audio comes in a choice of Dolby Digital 2.0 or DTS HD Surround 5.1.

Overall; Live In Ancient Kourion, especially this edition, is a very worthwhile release and I whole-heartedly recommend it to fans of the band, or fans of Traditional Heavy Metal and Power Metal in general.

HELLOWEEN Helloween - High Live

Movie · 1997 · Power Metal
Cover art Buy this album from MMA partners
Kingcrimsonprog
High Live is a concert DVD by the legendary German Power Metal band Helloween, recorded in Milan, Italy (and Gerona, Spain) in 1996 on the Time Of The Oath tour.

The main feature is a scorching 84-minute concert, in which an energetic and totally on-form band blast through a lot of material from Master Of The Rings and Time Of The Oath to an enthusiastic crowd. Just going off the performance, this is an absolute 5-star live album.

Songs like “Sole Survivor,” “Before The War” and “Power” sound absolutely blistering here, and I’d highly recommend checking it out on that basis. Andi’s vocals on his own material are absolutely excellent on this release, and Uli’s powerful, understated drumming absolutely kills.

There are a few downsides to the overall product however, such as the picture being a little soft and not the sharpest. The sound is pretty great in one way, and you really get that “live feel,” but you have to turn it up fairly loud for it to become clear, as things can sound a bit muddy on low volumes. Nothing show-destroying though.

The other potential downside is that at the end of some songs, it stops, when they cut to the other concert (eg. from Italy to Spain) and the transition isn’t perfectly smooth, which may interrupt the flow a little. Luckily this never happens in the middle of songs or anything outrageous like that, and for the most part isn’t actually too disruptive.

Apart from that, this is a pretty great main feature all round, and shows the band proving why they are still one of the biggest names in Power Metal. In terms of bonus features: There is a text “History” feature, a discography feature and a photo gallery. All your standard ‘90s DVD extras that don’t add too much really, but look good written on the back of the box.

There is also a five minute “review” feature by Malcome Dome, which is a brief Metal Evolution style history lesson with a mixture of archive footage of the band and talking-head footage of Dome. The dialogue is a bit stiff and the audio is a bit muffled, but as a free extra its still worth a watch.

The track-listing for the main concert is:

1. We Burn 2. Wake Up The Mountain 3. Sole Survivor 4. The Change 5. Why 6. Eagle Fly Free 7. Time Of The Oath 8. Future World 9. Dr. Stein 10. Before The War 11. Mr Ego 12. Power 13. Where The Rain Grows 14. In The Middle Of A Heartbeat 15. Perfect Gentleman 16. Steel Tormentor

Overall; If you like the band, especially if you like the Deris era, then it’s a pretty worthwhile purchase. It shows the band at their Europe-conquering best, dripping with enthusiasm and playing like they mean it. The sound and editing are a tiny bit imperfect, but the band themselves more than make up for it. Comment

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