Power Metal

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Introduction

Power Metal is one of the sub-genres of heavy metal music that first appeared during the 1980's, drawing influence from traditional heavy metal, especially the New Wave of British Heavy Metal, and speed metal. The term power metal actually refers to two different but closely related metal styles, nowadays known as US/American Power Metal (USPM) and European Power Metal (or Melodic Power Metal), named after the geographic regions in which the styles originated. Artists from either place are not tied down to playing that particular kind of power metal of course, such as the US band Kamelot who play the European style, while there are also artists from other countries who play power metal such as Brazil's Angra and Japan's Galneryus. These days power metal bands come from many places and have many different styles, documented further on. This page primarily deals with the European brand of power metal, with USPM placed under its own child sub-genre.

European Power Metal

Though it developed a little later than USPM, in the late 1980's, specifically Germany, the European, melodic power metal sound is no doubt what most first think of when the term power metal is mentioned. Indeed it is more distinct in sound than USPM, but features the same basic influences, with the key difference to USPM being that European power metal draws more heavily on the speed metal influences rather than traditional heavy metal ones. Indeed in the late 1980's power metal was instead referred to as melodic speed metal.

European power metal is widely credited to have been started by Germany's Helloween in 1987 with the release of their Keeper of the Seven Keys Part I album. Prior to that, Helloween had been a speed metal band. Blind Guardian, another popular German power metal act, had similar roots while other bands such as Grave Digger started more in the traditional heavy metal vein. Others like Running Wild blended both before becoming power metal bands later in their careers. Compared to USPM European power metal acts often feature keyboards, catchy lyrics and are generally less hard hitting, though the German scene is quite notable for its additional heaviness. Popular power metal acts from other countries include Italy's Rhapsody of Fire, Finland's Stratovarius and Sweden's Sabaton.

Sub-genres of Power Metal

Aside from the standard USPM and European power metal styles, there are a number of different sub-genres, or hybrid genres in some cases, of power metal that have since developed.

Symphonic Power Metal: A style of power metal typically only applicable to the European sound, symphonic power metal increases the use of keyboards to create a symphonic backing, drawing on classical music. The use of symphonic elements in such bands can vary greatly with some artists using them as a main element of their sound, such as Rhapsody of Fire, while some merely use symphonic elements to flavour their music, such as Avantasia. Symphonic power metal releases are always placed under power metal on MMA.

Heavy Power Metal: Not to be confused with USPM, which is closer to traditional heavy metal to begin with, this refers to a hybrid of European power metal with traditional heavy metal. Bands are typically less speed orientated than pure melodic power metal acts. HammerFall is a heavy power metal act from Sweden while Nightmare are from France. Some artists which fall into this category featured a harder hitting, more aggressive sound, such as Grave Digger of Germany, but are still considered to belong to the European power metal genre rather than USPM. They are included under power metal on MMA, although some such artists have also made albums more directly rooted in traditional heavy metal and have those tagged accordingly. Some of the older heavy power metal acts, including Grave Digger and Nightmare, started as heavy metal acts before adding power metal into their sounds later in their careers.

Folk Power Metal: The folk metal as a genre can take its metal elements from almost any other metal genre going, including power metal. Elvenking and Falconer are folk power metal bands. They are typically included under folk metal on MMA, but with cases such as Falconer where folk influences are normally minimal per album, they are included under power metal instead. Additionally some power metal artists, especially Blind Guardian but also Grave Digger, have utilised folk influences in their music.

Power-Thrash: A hybrid of power metal and thrash metal, which can be considered sister genres due to both evolving from speed metal. The so called blue collar USPM can also be considered to be power-thrash but the term typically refers to European power metal mixed with thrash metal, although the early work of Iced Earth is considered to be power-thrash. The mix of elements can vary even within the same artist with some being primarily power metal and others primarily thrash metal. As well as Iced Earth, Dark Empire and Paradox have also released power-thrash albums, while some power metal bands have included thrash metal elements in their sound in smaller amounts, such as Seven Kingdoms and Persuader. Power-thrash artists are treated on a case by case basis on MMA, for example Tales of the Weird (2012) by Paradox is placed under thrash metal, but The Fateful dark (2014) by Savage Messiah is placed under power metal.

Progressive Power Metal: Drawing influences from progressive rock and metal music as well as power metal of either the European or US variety, these acts are typically included under power metal on MMA, such as Pyramaze and Kamelot. The exception is when an artist’s progressive influences become the most recognisable thing about their sound. Illusion Suite is an example of such a progressive power metal act. Vandroya and Wuthering Heights are progressive power metal bands, the latter of which also being classifiable under folk power metal.

Neo-classical Power Metal: Melodic power metal that uses neo-classical guitar playing for its lead guitar parts. Magic Kingdom and Concerto Moon are neo-classical power metal acts, while other power metal acts such as Amberian Dawn and At Vance have incorporated aspects of neo-classical metal into their sounds. As there is no neo-classical metal sub on MMA all such acts are placed under power metal by default, while non-power metal based neo-classical acts are typically placed under traditional heavy metal, or sometimes progressive metal, with which there can also be crossover, as with Symphony X.

Extreme Power Metal: This particular sub-genre combines power metal with melodic death metal and covers artists such as Children of Bodom, the first album of Wintersun and to a lesser extent the first album from Seven Kingdoms. Extreme power metal typically features power metal music but with primarily growling vocals rather than power metal’s traditional clean singing. Such artists are treated with a case by case basis as to their placement on MMA. The genre is sometimes also called Power-Death.

Power Metal Inclusive Genres

Melodic Metal is sometimes included under Power Metal but usually under Traditional Heavy Metal. Melodic metal features a presence of melody akin to European power metal but lacks the focus on speed. Many melodic metal releases tend to use some actual power metal elements as well as hard rock and sometimes other genres. An example of a melodic metal release that is placed under power metal instead of traditional heavy metal is Arven's Black is the Colour (2013).

- Written by adg211288 (April 2013)

Sub-genre collaborators (shared with US Power Metal & Neoclassical Metal):
  • DippoMagoo (leader)
  • adg211288
  • Sisslith

power metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

WIND ROSE Wardens of the West Wind Album Cover Wardens of the West Wind
WIND ROSE
4.86 | 6 ratings
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HELLOWEEN Helloween Album Cover Helloween
HELLOWEEN
4.57 | 21 ratings
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JUDAS PRIEST Painkiller Album Cover Painkiller
JUDAS PRIEST
4.46 | 149 ratings
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HELLOWEEN Keeper of the Seven Keys Part II Album Cover Keeper of the Seven Keys Part II
HELLOWEEN
4.44 | 134 ratings
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MINDMAZE Back from the Edge Album Cover Back from the Edge
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4.60 | 13 ratings
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ORION'S REIGN Scores of War Album Cover Scores of War
ORION'S REIGN
4.79 | 6 ratings
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SEVEN KINGDOMS Brothers of the Night Album Cover Brothers of the Night
SEVEN KINGDOMS
4.72 | 7 ratings
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LOVEBITES Judgement Day Album Cover Judgement Day
LOVEBITES
4.77 | 6 ratings
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RHAPSODY OF FIRE The Eighth Mountain Album Cover The Eighth Mountain
RHAPSODY OF FIRE
4.83 | 5 ratings
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ARMORY Empyrean Realms Album Cover Empyrean Realms
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4.64 | 9 ratings
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FALCONER Among Beggars and Thieves Album Cover Among Beggars and Thieves
FALCONER
4.54 | 13 ratings
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ETERNITY'S END The Fire Within Album Cover The Fire Within
ETERNITY'S END
4.68 | 7 ratings
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power metal Music Reviews

TITANIUM Atomic Number 22

Album · 2016 · Power Metal
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siLLy puPPy
TITANIUM is a power metal band from Ostrów Wielkopolski, Poland founded by Karol Mania in 2010 after he moved on from his previous band Abigail. Somewhat of an obscurity so far TITANIUM has released two albums and an EP first beginning with the “We Come To Rock!” EP in 2012 followed by the self-titled debut full-length in 2013. This second and so far final chapter of the TITANIUM saga, ATOMIC NUMBER 22 came out in 2016. The band is considered active but apparently on some sort of hiatus.

This is a typical by the books type of power metal band that consists of Ukrainian born Konstantin Naumenko (vocals), Karol Mania (guitar, keys, backing vocals), Jarek Bona (guitar), Paweł Gębka (bass) and Filip Gruca (drums) with the usual suspects of Helloween, Gamma Ray and Blind Guardian being the primarily influences. This album features nine original tracks plus the bonus Stratovarius cover “Eagleheart.” The album was released on the Japanese Avalon label which has many top dog metal bands including Pain of Salvation, Ark and Sonata Arctica.

While not dripping in originality, TITANIUM certainly displays a firm command of the demanding power metal genre. The band offers a crisp tight unit of thundering guitar riffs, pummeling bass and percussion and a more than competent vocalist with Konstantin Neumenko and the band delivers a high intensity style of power metal that is as heavy as the sturdy metallic element that the band is named after. TITANIUM delivers the expected power metal traits that include highly addictive melodies set to rampage mode in the instrumentation plus a few slower tender moments.

Naumenko’s vocal style is top notch and soars like an eagle with high octave performances that take your breath away. He got his feet wet in the Kyiv, Ukraine based power metal band Sunrise. Founder Karol Mania is the star of the show though with his excellent guitar work that doesn’t quite approach the neoclassical shredding of similar bands but is still way above average. He also handles all the keyboards, programming, orchestral elements and is the primarily songwriter and lyricist. While power metal can sound a bit generic, his songwriting strengths offer an interesting tweak on the limited power metal structure.

The album features 11 tracks that add up to 54 1/2 minutes with the usual power metal stylistic approach that has been the standard since Helloween’s classic “Keeper of the Seven Seas” masterworks however TITANIUM expresses its creativity in how it conveys these standard power metal sounds. Overall the production is excellent as well as the mixing and ATOMIC NUMBER 22 sounds like a true professional release. The tracks vary enough to keep the oft generic flow of power metal from creeping in and given that all the performers are at the top of their game, ATOMIC NUMBER 22 is a compelling release to experience.

True this won’t go down as one of the most cutting edge power metal albums out there but it more than makes up for it in its high quality instrumental interplay. Despite that the band has everything going for it and is actually one of the best power metal bands from Eastern Europe i’ve experienced so far with all the special ingredients that make power metal so dynamic. Scrumptious melodies, intricate solos, exquisite variations between tempos, dynamics and rhythmic cadences. With a bit more of creative infusion TITANIUM could actually soar into the top ranks of power metal. Highly recommended for fans of Scandinavian power metal such as Stratovarious or Lost Horizon.

BLIND GUARDIAN Tales From the Twilight World

Album · 1990 · Power Metal
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UMUR
"Tales From the Twilight World" is the third full-length studio album by German power metal act Blind Guardian. The album was released through No Remorse Records in October 1990. It´s the successor to "Follow the Blind" from April 1989. Just as the case was on the first two albums, "Tales From the Twilight World" was produced by Kalle Trapp.

Stylistically the material on "Tales From the Twilight World" is a developed and more power metal influenced version of the more raw speed/power metal sound of the first two albums. The vocal part of the music has changed quite a bit and now features a lot of harmony and choir parts, and lead vocalist/bassist Hansi Kürsch has now been given much more memorable and melodic vocal parts to sing. He varies the way he sings and he uses more techniques than before, which make that part of the music a lot more interesting than the case was on the first couple of albums. The lead guitar work has also changed and is now more memorable and also features a charming folk influence. The basis of the tracks is still quite powerful and energetic speed metal with sharp speed/thrash metal riffing and pounding fast-paced drumming. It´s the combination of the influences which makes "Tales From the Twilight World" the unique sounding and intriguing album release it is.

Blind Guardian understand how to create drama and epic moments with the use of dynamics, and the album features both hard edged choruses, epic choruses, and even the occasional acoustic folky part. Compared to the two preceding album releases, "Tales From the Twilight World" features better quality production values, and it´s overall a pretty well sounding release. Upon conclustion this is a transitional album for Blind Guardian which points to their epic power metal (near) future but still features a lot of the raw speed metal riffs and rhythms of the first two albums. It´s not a perfect release by any means and Blind Guardian still had a way to go before reaching power metal heaven, but they are definitely well on their way on this album. A 3.5 star (70%) rating is deserved.

POWERWOLF The Sacrament of Sin

Album · 2018 · Power Metal
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Warthur
Powerwolf's Sacrament of Sin finds the gradual dialling up of the symphonic influences on their music suddenly spiking, creating a style of bombastic church organ symphonic power metal which is exactly as ridiculous as their "priests and choirboys by day, werewolves and vampires by night" gimmick merits. Powerwolf are a pure fun band by this point (and indeed arguably they weren't ever anything else), but there's a sheer turn-it-up-to-11 bombast here which you kind of have to respect. So long as they can keep cranking that dial up bit by bit and still produce something which sounds fun and energetic, Powerwolf will have my attention.

POWERWOLF Blessed & Possessed

Album · 2015 · Power Metal
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Warthur
Blessed and Possessed finds Powerwolf leaning into the cheesier side of their sound even more - more choirs, more bombast, and more power metal in that cheesy Rhapsody/Gloryhammer vein. It's another sidestep away from their trad-metal roots, but after several albums which worked more or less the same formula evolving their sound a little was the right call, and pushing further into the distinctive aspects of their sound rather than retreating to their trad metal roots was likewise probably the sensible way to jump. If you are not amenable to their schtick, this isn't the album to win you around, but given the scarcity of power metal bands delving into darker themes, at least their gimmicks offers a novel twist on this particular sound.

POWERWOLF Preachers Of The Night

Album · 2013 · Power Metal
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Warthur
How many times can Powerwolf repeat the same basic idea of heretical werewolves posing as Catholic faithful by day and unleashing Satanic mayhem by night? Well, if Preachers of the Night is anything to go by, the answer to that one is "at least five times". This doesn't represent any radical shift in direction from the preceding Blood of the Saints, but it does present a further refinement and a continued blending of operatic and symphonic touches into a solid power metal bedrock, dialling up the use of the choir appreciably to better give the sense of church music hijacked to Hellish ends.

power metal movie reviews

HELLOWEEN United Alive

Movie · 2019 · Power Metal
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Kingcrimsonprog
Imagine a Judas Priest show with both Tim Ripper Owens and Rob Halford singing together. No wait… Imagine a Sepultura show with both Max Cavelera and Derick Green singing. No wait, that’s not even it. I’ve got it… Imagine an Iron Maiden show with Paul Dianno, Bruce Dickinson and Blaze Bailey all singing. Well, maybe, if Dickinson had left after four albums and Blaze had been there ever since. Ok, Now swap out the zombie mascot for some comedy pumpkins and you’re approaching the situation here. Helloween, one of Germany’s biggest and most important bands, one of the most iconic Power Metal bands in history, with one of the most impressive family trees (Gamma Ray, Masterplan, Freedom Call, Unisonic, Iron Savior etc) make one of the most anticipated decisions in the history of the genre.

Who is your favourite Helloween singer? Is it Kai Hansen, the heaviest singer and the original? Is it Michael Kiske, the most technically accomplished and the one from their most iconic record? Or is it Andi Deris, their best frontman and the singer on the most albums? – Turns out, now you don’t have to choose. United Alive, the live video from the Pumpkins United tour sees all three join the stage together, cracking out a career spanning mixture of material from the earliest thrashiest material to the modern gems, with all the iconic genre defining masterpieces from the peerless Keepers’ era sprinkled in too.

There are over 20 tracks here (some are intros and solos, and some are medleys/combinations, but still…) that’s a lot of Helloween. All three singers take it turns to sing. Sometimes not even a song each, but rather dividing it up section by section inside each song, or all at once. It is very welcome to hear them back on some of their own tracks like ‘Heavy Metal Is The Law’ after not hearing it on the other live videos, or ‘Dr. Stein’ after having heard only Deri’s take on it previously. Conversely it is very interesting to see Kai or Kiske sing on some of the big commercial ‘90s/’00s hits like ‘Perfect Gentleman’ or ‘If I Could Fly.’

There are often 7 members on stage at the one time (or 8 if you count the keyboardist, Eddy Wrapiprou). There’s Weikath and Grosskopft on guitar and bass as always. Sascha Gerstner and Daniel Löble on guitar and drums like the last several albums. And the three aforementioned singers (with Kai also playing guitar).

There’s a mix of footage, ranging from headline shows in Madrid, Spain to festival appearances at Wacken and in Brazil. Sort of like they did already on their previous ‘Legacy World Tour 2005/2006 DVD.

Normally I really prefer a concert DVD to come from one single show, rather than complied from a series of different dates in different places with different lighting, sound and camera work, but given that the band itself is now a compilation of past and present members and some of the songs included are medleys, I don’t know why but it just works here.

The band put on a great show. There’s a lot going on. There’s video screens, a big pumpkin stage set piece around the drum kit (which has 4 kickdrums for some reason, just to add to the over-the-top feel of it all), a light show, and a few cheesy moments like members coming out dressed in a top hat and cane, or raining pumpkin balloons.

Deris, ever the consummate front man is great at revving up the crowd, and then the different members get spotlights for certain tunes and join up on others, there’s prolonged solo segments, a tribute to late drummer Ingo Schichtenberg, its all very diverse and entertaining. They even do a stripped-down bare bones version of the ballad ‘Forever And One’ straight after a super heavy Walls Of Jericho/EP medley, which pretty much shows both polar opposites of the band’s varied discography.

There’s multiple different ways you can buy it. DVD, Blu Ray, combinations thereof. Versions with CDs. The version I got it two Blu Rays. One with the concert and one with a load of extra footage. There’s a few extra songs (Including the underrated ‘Kids Of The Century’ from the oft maligned Pink Bubbles Go Ape album). There’s a bunch of behind the scenes footage looking at various aspects of the tour and production. It comes in a nice shiny digi-book with some brief liner notes and a glossy photo booklet. You know, just as if it wasn’t value for money enough already with an almost three-hour concert of a Helloween fan’s wildest fantasy line-up.

As a concept you really have to hand it to them; its quite a clever move to reuinite with past members without losing current members as some fans never got over Kiske leaving the band or only ever even tried the Keepers albums. Some fans really love the Kai era and you never get to see Helloween play much material from it anymore (you only really get the chance if he chucks one in to a Gamma Ray show some time). Its a great idea to reel them back in and show them how great the Deris era can be too. Come for ‘Halloween’ and ‘Future World’ but stay for ‘Sole Survivor’ and ‘Power’ then learn to love the Deris era if you don’t already.

Thankfully though, its not just the concept that’s good. The whole package is good. The sound, footage, editing and bonus material. Most importantly though, the performance. It doesn’t come across as a novelty cash grab, it really feels like a jubilant celebration. As they say in the opening track ‘Halloween’ ”There’s magic in the air.” This may be cheesy to say (but hey, if you like Helloween, you better be used to cheesy) but it really is a heavy metal dream come true. Buy it!

BETO VÁZQUEZ INFINITY 15 Years Alive LTD Edition

Movie · 2016 · Power Metal
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m3g52
A year ago Beto Vazquez Infinity met its 15 years ... And gave us a feast with joy, good music and diversity. And now we have the fruit in a DVD accompanied with 2 CDs with all the live sound of this recital. The show presented in this DVD contains a section of his classics, then a middle section where all played more Prog Metal and left many open mouths and an end to all motor either energizing. The DVD and limited edition cd show impeccable quality. Everything is divided as follows: The first part of the show was the memories, issues conodcidos discography BVI, renewed and with new energy, with the voices of Caro Guedes, Vero Libre, Casti and Pereyra on a solid band. The band shows with ease, stressed this fact with good camera movements. The sound and picture quality gives a good sense of what was experienced in that reecital of celebration of 15 years. Then began the most difficult part in stage movement, instrumentation and personnel. Metal Prog most part, higher flight, which leaves more than one amazed. Flutes game, rhythm guitars, harp, saxophone and a chorus that vibrated in states of metal, prog and Ethnic ... The third part returns to the strength of metal with Devil Vision by Caro flawless interpretation of Guedes and choirs Nadia Mancini, a soprano who gives the exact support. A material that is worth having, especially if you want to discover Beto Vazquez Infinity, risky in a scene (the Argentina) where it is very difficult for independent bands to achieve, first that recital that is documented, much less achieve DVD + CD unsupported's the big distributors.

ANGRA Angels Cry: 20th Anniversary Tour

Movie · 2013 · Power Metal
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Kingcrimsonprog
Angels Cry 20th Anniversary Live is a 2013 concert Blu-ray by the Brazilian Progressive/Power Metal band Angra. It features the line-up with Italian singer Fabio Lione (ex-Labyrinth, Rhapsody of Fire) on vocals performing material from all eras of the discography passionately – with some interesting guest appearances including Tarja Turunen (ex- Nightwish), Uli Jon Roth (ex-Scorpions), Amilcar Christófaro (Torture Squad) and the Familia Lima string section.

This set has quite high production values. Visually; the thing is an absolute gem. Top notch image quality, great camera work with tasteful editing, and the actual stage show contains interesting video screens with eye catching imagery. Its all just great for the eyeballs, which is why you’re getting a video recording and not an audio recording anyway, right? Well this is totally worth every penny in the visual department.

Sonically, the recording is crystal clear. You can hear every single note, every different drum and cymbal. Its like a Rush concert or something – brilliant clarity and definition. The only thing that’s not absolutely perfect is that in the stereo mix, the rhythm guitar is not as heavy as some of the studio versions, but it is still a brilliant mix nonetheless. Best of all; The performance is beyond stellar; Fabio nails it recreating the band’s different singers’ work well and injects some of his own flair into the proceedings. The guitar solos are out of this world and the tireless drumming of Ricardo Confessori sounds great. Listening to and watching the interesting music is an absolute joy.

Highlights include the fantastic renditions of ‘Evil Warning,’ ‘Nothing To Say’ and the fantastic set closer ‘Nova Era.’ The enthusiastic São Paulo audience seem really into it.

Overall; Its an absolutely great concert DVD on a technical level, and better still it’s a great concert in and of itself. The line-up is strong, the setlist is great and the guest musicians add an extra layer of interest. I highly recommend this to fans of the band, fans of this end of the musical spectrum, and fans of good quality concert recordings. It would be an unquestionable treat for existing fans but would also work really well as a first purchase for newcomers

STRATOVARIUS Under Flaming Winter Skies - Live in Tampere

Movie · 2012 · Power Metal
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Kingcrimsonprog
Under Flaming Winter Skies, Live In Tampere is the first official concert Blu-Ray by the legendary Finnish Power Metal band Stratovarius. It was filmed in Tampere, Finland on the Jörg Michael farewell tour and as such the crowd interaction is in Finnish (with English subtitles) and Jörg gives the crowd a farewell speech. In part, the setlist is built around him, such as the inclusion of `Speed Of Light’ because it was the first song he ever played with the band… although to be fair they’d have probably played that anyway. The main feature lasts around 1hr 52mins and contains 22 tracks, which works out as 17 songs when you discount the intro, guitar solo, bass solo, keyboard solo and speech. There’s a Deep Purple (`Burn’) and The Who (`Behind Blue Eyes’) cover in there, as well as all the fan favourites you’d expect like `Eagleheart’ `Kiss Of Judas’ `Hunting High And Low’ `Paradise’ `Father Time’ `Black Diamond’ etc

The picture is absolutely fantastic, clear and sharp. Its helped a lot by a great but subtle stage show with intelligent use of lighting, and not too much dry ice as well as a tasteful and sensible editing job that is fast and contains enough movement to keep your interest but is slow and still enough so that you can appreciate the actual musicianship (of each member, as none are overlooked.)

The sound is even better with an absolutely crystal clear mix in which you can hear every stoke of every drum, each key get pressed (without the keys being too loud and overpowering the Metal) and every note the bass plays. The vocals are impressive and the crowd noise doesn’t overpower them, even though they sing almost every word and best of all, it all actually seems to be live and not obviously mimed or overdubbed (or indeed out-of-sync). In general, its just one of the best concert audio mixes that I’ve heard so far and very solid visually as well.

The biggest thing in this concert’s favour however is the sheer enthusiasm of the performance; the band are so into it and absolutely deliver on all levels. They are very interactive with the crowd, they interact with each other, Jörg twists and throws his sticks around, the guitars and mic stands are enthusiastically moved around and generally the band just look like they love being there.

In terms of extras; the booklet has a lot of high-quality photos and a little written interview with Jörg. The disc has a bonus 5.1 mix of the track `Elysium’ and there is a 29 minute documentary called `Rewinding From The Past To 2012.’ In terms of Blu-Ray Statistics; the screen format is 1080i/29,97/16:9(1,78:1) and the audio format is DTS HD MA 2.0/5.1 (although the documentary is only available in stereo), the disc format is BD-50 and the region code is: A/B/C.

Overall; this is an excellent, well made and masterfully performed concert Blu-Ray and I’d highly recommend it to anyone who’s into this sort of thing.

HELLOWEEN Helloween - High Live

Movie · 1997 · Power Metal
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Kingcrimsonprog
High Live is a concert DVD by the legendary German Power Metal band Helloween, recorded in Milan, Italy (and Gerona, Spain) in 1996 on the Time Of The Oath tour.

The main feature is a scorching 84-minute concert, in which an energetic and totally on-form band blast through a lot of material from Master Of The Rings and Time Of The Oath to an enthusiastic crowd. Just going off the performance, this is an absolute 5-star live album.

Songs like “Sole Survivor,” “Before The War” and “Power” sound absolutely blistering here, and I’d highly recommend checking it out on that basis. Andi’s vocals on his own material are absolutely excellent on this release, and Uli’s powerful, understated drumming absolutely kills.

There are a few downsides to the overall product however, such as the picture being a little soft and not the sharpest. The sound is pretty great in one way, and you really get that “live feel,” but you have to turn it up fairly loud for it to become clear, as things can sound a bit muddy on low volumes. Nothing show-destroying though.

The other potential downside is that at the end of some songs, it stops, when they cut to the other concert (eg. from Italy to Spain) and the transition isn’t perfectly smooth, which may interrupt the flow a little. Luckily this never happens in the middle of songs or anything outrageous like that, and for the most part isn’t actually too disruptive.

Apart from that, this is a pretty great main feature all round, and shows the band proving why they are still one of the biggest names in Power Metal. In terms of bonus features: There is a text “History” feature, a discography feature and a photo gallery. All your standard ‘90s DVD extras that don’t add too much really, but look good written on the back of the box.

There is also a five minute “review” feature by Malcome Dome, which is a brief Metal Evolution style history lesson with a mixture of archive footage of the band and talking-head footage of Dome. The dialogue is a bit stiff and the audio is a bit muffled, but as a free extra its still worth a watch.

The track-listing for the main concert is:

1. We Burn 2. Wake Up The Mountain 3. Sole Survivor 4. The Change 5. Why 6. Eagle Fly Free 7. Time Of The Oath 8. Future World 9. Dr. Stein 10. Before The War 11. Mr Ego 12. Power 13. Where The Rain Grows 14. In The Middle Of A Heartbeat 15. Perfect Gentleman 16. Steel Tormentor

Overall; If you like the band, especially if you like the Deris era, then it’s a pretty worthwhile purchase. It shows the band at their Europe-conquering best, dripping with enthusiasm and playing like they mean it. The sound and editing are a tiny bit imperfect, but the band themselves more than make up for it. Comment

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