Warthur

MMA Metal Reviewer · Metal Reviewer
Registered more than 2 years ago · Last visit 22 hours ago

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1875 reviews/ratings
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Metal Genre Nb. Rated Avg. rating
1 Non-Metal 180 3.77
2 Progressive Metal 177 3.77
3 Heavy Metal 151 3.66
4 Black Metal 125 3.71
5 Hard Rock 118 3.50
6 Metal Related 97 3.72
7 Power Metal 85 3.46
8 Thrash Metal 81 3.76
9 Proto-Metal 68 3.68
10 Atmospheric Black Metal 65 3.85
11 Gothic Metal 58 3.38
12 Doom Metal 57 3.78
13 Death Metal 54 3.94
14 Traditional Doom Metal 45 3.87
15 US Power Metal 41 3.46
16 Stoner Metal 38 3.78
17 Avant-garde Metal 38 3.78
18 Industrial Metal 34 3.49
19 Symphonic Black Metal 30 3.20
20 Technical Death Metal 25 3.84
21 Melodic Death Metal 25 3.94
22 Death-Doom Metal 23 4.13
23 Melodic Black Metal 22 3.91
24 Atmospheric Sludge Metal 20 3.98
25 Hardcore Punk 19 4.21
26 Heavy Psych 16 4.06
27 Funeral Doom Metal 15 3.70
28 Folk Metal 14 3.32
29 Symphonic Metal 14 3.04
30 NWoBHM 13 4.23
31 Alternative Metal 12 3.25
32 Technical Thrash Metal 12 4.13
33 Sludge Metal 11 3.95
34 Speed Metal 11 3.73
35 Depressive Black Metal 10 3.45
36 Drone Metal 9 4.00
37 Funk Metal 9 3.78
38 Groove Metal 8 3.63
39 Viking Metal 8 3.63
40 Crust Punk 7 2.93
41 Brutal Death Metal 5 3.70
42 Grindcore 5 4.10
43 Death 'n' Roll 4 4.50
44 Crossover Thrash 2 4.50
45 Glam Metal 2 2.50
46 Pagan Black Metal 2 3.50
47 Nu Metal 2 4.00
48 War Metal 2 3.00
49 Stoner Rock 2 3.50
50 Metalcore 1 3.00
51 Neoclassical metal 1 4.00
52 Heavy Alternative Rock 1 3.00
53 Mathcore 1 3.00

Latest Albums Reviews

DARKSPACE Dark Space - I

Demo · 2002 · Atmospheric Black Metal
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The first Darkspace demo - originally released in 2002 as a download, later rereleased in a rerecorded version in 2012 - is an apt manifesto for the band's distinctive style. Atmospheric black metal skirting the borderlands of ambient? Check. A chilly atmosphere that goes beyond the snowy landscapes of Paysage d'Hiver into the vacuum of deep space itself? Check. Ominous samples worked deep into the mix? Check. They'd further polish and refine their style over time, but it's clear that they already had the broad outline of their distinctive, innovative sound well-established straight out of the gate, yielding a compelling prelude to their more polished works.

THRESHOLD Dividing Lines

Album · 2022 · Progressive Metal
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Who'd have thought that twelve albums deep and with Glynn Morgan back on lead vocals Threshold would have dropped perhaps their magnum opus? The band describe this as taking the sound of Legends of the Shires in a darker direction, and that's certainly accurate, with Richard West's keyboards taking on a chilly, almost cyberpunk quality to them and the lighter power metal influences on the prior album are dialled back, yielding an album which is both one of their proggiest and one of their heaviest (even working in the odd bit of harsh vocals more effectively than any of their previous brief experiments with such). The lyrical focuses of the band from their earliest years have never been more relevant than they are here in the 2020s, and they take aim at them here with pinpoint accuracy, yielding one of the angriest and most relevant albums Threshold have ever put out.

POWERWOLF The Sacrament of Sin

Album · 2018 · Power Metal
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Powerwolf's Sacrament of Sin finds the gradual dialling up of the symphonic influences on their music suddenly spiking, creating a style of bombastic church organ symphonic power metal which is exactly as ridiculous as their "priests and choirboys by day, werewolves and vampires by night" gimmick merits. Powerwolf are a pure fun band by this point (and indeed arguably they weren't ever anything else), but there's a sheer turn-it-up-to-11 bombast here which you kind of have to respect. So long as they can keep cranking that dial up bit by bit and still produce something which sounds fun and energetic, Powerwolf will have my attention.

THRESHOLD Legends Of The Shires

Album · 2017 · Progressive Metal
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Legends of the Shires sees Glynn Morgan return to the post of lead singer of Threshold, having only appeared on Psychedelicatessen (and its associated live album Livedelica) previously. Eight albums later - one with Damian Wilson on lead vocals, five with Andrew "Mac" McDermott, and two more with a returning Damian Wilson - Morgan stepped back in to perform a cunning dual replacement, taking over for Wilson on vocals and from Pete Morten on rhythm guitar.

This means that in principle Threshold has a somewhat slimmed-down lineup on this one, making do with five members where usually they have six. The main past precedent is Dead Reckoning, where Karl Groom took on rhythm guitar along with all of his other duties, but this arrangement seems to work better. In terms of vocals, Morgan seems to be a bit less generic than he was on Psychedelicatessen - he'd already improved somewhat on Livedelica, and it seems like he hasn't been a slouch since.

On a musical level, the album finds Threshold updating their sound via mild borrowings from Muse and the world of power metal; they're still staying squarely in the particular melodic prog metal territory they've staked out for themselves, but they've enriched its sound nicely, with some of the nicest production work I've ever heard on a Threshold release. (And that's saying something given that Karl Groom is no slouch as a producer, being the head honcho at Thin Ice Studios in his side gig.)

Threshold tend to evolve their sound rather than revolutionising it, but this is one of the bigger evolutionary steps - as significant of one as, say, Hypothetical. And whilst this is the band's first double studio albums, this is no dive into quantity over quality - it's this long because they had enough album-worthy material to deploy. It's a true gem of their discography, and when bands are turning out some of their best work this deep into their career, that's a sign of true tenacity.

THRESHOLD European Journey

Live album · 2015 · Progressive Metal
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Damian Wilson returned to Threshold to do them a solid - after their previous singer, Andrew "Mac" McDermott left abruptly after the completion of the Dead Reckoing album, they needed someone to take up the microphone for their upcoming tour, and with Wilson having been the singer on their debut, Wounded Land, and their third album, Extinct Instinct, bringing him onboard made total sense.

At the same time, after two more studio albums he parted ways with them again - but at least on this go around he was able to record a really top flight live album with them. Unless there's tapes from old gigs from the Wounded Land or Extinct Instinct days sat in the Threshold archives somewhere, this is essentially the only way we're going to hear a live setlist from the band with Wilson fronting, and it's a damn good thing we did.

With For the Journey being a bit of a lukewarm release by Threshold's often high standards, it's good to hear material from it given more life here, and the band also give a good airing to material from March of Progress and a cross section of the Mac-era albums, giving Wilson a chance to demonstrate his emotive, borderline theatrical style of vocals.

If there's one thing which is a bit of a shame about this release, it's that there's only one song here from Extinct Instinct (Part of the Chaos), and absolutely nothing from Wounded Land - so I think it would still be worth Threshold's while poking about their old tapes to see if there's any live material from the early days they can release, because not having any live cuts with Wilson on vocals from their debut feels like a bit of a gap.

Still, given the high standards the band have maintained over the years, it's understandable why early albums would get crowded out of the setlist, and that old material did at least appear on other live albums fronted by other vocalists. By comparison, much of the material here wasn't on prior live albums (the band having not put out a major live release since Surface To Stage). If this must be the end of Damian Wilson's story with Threshold, then it certainly leaves him with a track record of the group he can be enduringly proud of.

Latest Forum Topic Posts

  • Posted 1 year ago in Scott Kelly (Neurosis) retires from music
    Coming to this late but echoing what other people have said: I don't trust Kelly's statement an inch.I've known people who've gotten into a cycle of regularly making big dramatic apologies for their behaviour and spurting all sorts of promises they're going to change... but actually, the apologies and promises are what they do instead of working on themselves. They just use them as a delaying tactic to convince people to give them a bit more time before writing them off entirely.Apparently, this isn't the first time Scott's done this particular dance - just the most public one - so it smells like a similar situation to me. If the band don't see any reason to back him up on this - and they might have been out of touch with him a while, but they surely know him better than me - I don't see any reason to differ.
  • Posted more than 2 years ago in A name for "progressive metal punk?"
    If most of the examples LightningRider's thinking of are usually described as some flavour of 'core, why not just go with "progcore"?
  • Posted more than 2 years ago in Sean Reinert R.I.P.
    An ugly coda to the story: despite strongly believing in organ donation, and despite the fact that he was clean of STDs, Sean's wish to donate his organs was denied simply because he was a gay man with a normal, active sex life:https://www.metalsucks.net/2020/02/11/sean-reinerts-organ-donor-request-was-denied-because-of-his-sexual-orientation/If any of us want to do some small thing in Sean's memory, I'd say making a monetary donation to a charity that supports transplant patients wouldn't be a terrible idea.

Shouts

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Stephen wrote:
more than 2 years ago
agree, welcome to the site and please keep them coming friend
UMUR wrote:
more than 2 years ago
You write some really good quality reviews. I hope to see more from you in the future.

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