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United States Power Metal, USPM for short and sometimes alternately called American Power Metal is one of the two main types of heavy metal music to use the term power metal, the other being European Power Metal. Like European Power Metal, the United States in the name refers to the genre's origins, rather than any specific requirement for artists to be from the US in order to play the style, though most USPM acts are, indeed, American.

USPM first appeared in 1983. It's development could be described as the American reaction to the New Wave of British Heavy Metal. US bands wanted to go one better than their UK counterparts and so the sound that would become known as USPM began to take shape. They played faster and more aggressively, albeit not to the levels of thrash metal, though some artists would cross over with thrash as well as speed metal. Generally USPM bands were closer in style to their traditional heavy metal roots, especially when compared to the later European power metal sound, which is commonly called just Power Metal without the European prefix, with USPM used just to differentiate. It is because of these vast differences that some metal fans have trouble with recognizing the two forms of power metal as the same genre. They're not wrong either, but also not entirely correct. The best way to describe power metal as a whole is that it's a cross between traditional heavy metal and speed metal. US power metal acts kept the genre closer to traditional heavy metal while European power metal acts kept it closer to speed metal. The idea was to add power to the music that other heavy metal bands at the time didn't have. USPM acts just did it a different way to what is now more widely accepted as the (European) power metal sound.

Typically, the USPM term is used to label artists that sit somewhere between traditional heavy metal and thrash metal, with some artists leaning more towards one or the other and often completely crossing over with the other style. USPM vocalists tend to use high register singing, something which is also heard in European power metal, though it is not considered an essential ingredient in the USPM sound, with some vocalists taking the music in a rougher direction.

There is quite a level of variance within US power metal. Some artists are more hard hitting and thrashy, while others take the music in a slower, more melodic and progressive direction. The two types of USPM are commonly known as Blue-collar USPM and White-collar USPM respectively.

Blue-collar USPM artists feature the harder, thrashy sound. The artists Helstar (who eventually adopted a more thrash metal based sound), Jag Panzer and Riot are some of the more well known blue-collar USPM acts. Some artists in this style of USPM have been known to take the genre quite close to the European power metal sound, such as Iced Earth, further demonstrating the relation between the two types of power metal music.

White-collar USPM artists are less hard hitting, adding more melody and progressive elements to the USPM sound. The band Crimson Glory is considered a prime example of this type of USPM, while others would be Pharaoh and Heir Apparent. Certain acts more commonly known as progressive metal acts such as Fates Warning are also considered to be a part of USPM.

- Biography written by adg211288.

Sub-genre collaborators (shared with Power Metal & Neoclassical Metal):
  • DippoMagoo (leader)
  • adg211288
  • Sisslith

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Album · 1989 · US Power Metal
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"One Small Voice" is the 2nd full-length studio album by US Power/heavy metal act Heir Apparent. The album was released through Metal Blade Records in June 1989. It´s the successor to "Graceful Inheritance" from 1986 and features a couple of lineup changes since the predecessor as lead vocalist Paul Davidson has been replaced by Steve Benito and keyboard player Michael Jackson has been added to the lineup as a fifth member. "Graceful Inheritance" generally received positive reviews at the time of release, but as it took the band three years to release "One Small Voice", their window of opportunity had closed, and they had a hard time fully capitalizing on their otherwise promising career start. Heir Apparent split-up in 1990.

The music on "Graceful Inheritance (1986)" is melodic US power/heavy metal, with the occasional (although very rare) nod towards progressive metal. Some of the elements of that style is continued on "One Small Voice", but they have turned up the progressive part of their sound considerably, making this album a melodic US power/progressive metal release. Having included a permanent keyboard player, the presence of keyboards are obviously more dominant in the soundscape than on the predecessor, but they aren´t the focus of the music. That would still be the hard rocking riffs, melodic solos, the pounding rhythm section, and the helium high pitched vocals by Steve Benito. Benito has a strong voice and a convincing delivery. Some of his vocal sections are crazy high pitched and technically very difficult to perform, but he pulls it off with ease.

So the musicianship is on a high level on all posts, but unfortunately the songwriting doesn´t quite follow suit. There are both weak moments and strong moments on "One Small Voice", but the album is overall fragmented and inconsistent, and it´s a bit hard to know exactly what it is Heir Apparent are aiming at. The sound production is also a bit thin and doesn´t really help the compositions shine, but neither the songwriting nor the sound production are downright awful, just not as interesting or as well sounding, as they could have been. "One Small Voice" features 10 original tracks and a cover of "The Sound of Silence" by Simon & Garfunkel. A cover which Heir Apparent manage to put their own spin on, but still it´s nothing too special.

Heir Apparent are as mentioned obviously a well playing band, and new lead vocalist Steve Benito is a welcome addition to the group, but upon conclusion "One Small Voice" is simply a bit directionless and unremarkable. It´s progressive but not full-on progressive, and it´s not the type of progressive metal, which would probably satisfy the Dream Theater loving progressive metal fan, but rather those who enjoy the more melodic oriented material by 80s Queensrÿche. A 3 star (60%) rating is warranted.

LETHAL Poison Seed

Album · 1996 · US Power Metal
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"Poison Seed" is the 2nd full-length studio album by US, Kentucky based progressive power metal act Lethal. The album was released through Massacre Records in 1996. Despite being formed as far back as 1982, Lethal´s output had been relatively sparse, and it took the band five years to release something new (the 1995 EP "Your Favorite God") after the release of their debut full-length studio album "Programmed" from 1990. "Poison Seed" being released only a year after "Your Favorite God (1995)" could have been a sign, that Lethal would increase their release cycle, but it ended up being the last studio recording by the band in their initial run.

"Programmed (1990)" was a high quality US power metal album with progressive leanings, and fans of artists like Queensrÿche, Fates Warning, Heir Apparent, and Crimson Glory should feel right at home with that one. "Your Favorite God (1995)" displayed a slightly more progressive contemporary heavy rock/metal sound, and that tendency is continued on "Poison Seed".

Although at the core the music on "Poison Seed" is still 80s oriented US power metal, Lethal have injected huge amounts of alternative heavy rock/metal elements to their sound, which ultimately makes it a bit of an odd combination of musical styles. Think what it would sound like if you combined the sound of Queensrÿche/Fates Warning with the sound of Soundgarden/Alice in Chains. It definitely could have been an interesting experiment, but it does end up sounding a bit directionless. It feels like the band are trying to hold on to their roots while adjusting to the contemporary musical climate, and in the end it sounds forced and calculated. Another issue here is that the songwriting is a bit uninspired and very few tracks stick after the album has finished playing.

...and it´s really too bad, because the elements for success are there in abundance. High level musicianship, a professional and detailed sound production, and musicians who are obviously capable of writing effectful music. They just hit the buttons wrong here. When that is said "Poison Seed" is still a quality release on many parameters and a 3 star (60%) rating may be in the low end if you take the positives into consideration, but the songwriting and the awkward mix of musical styles just don´t work and end up dragging the rating down.

ICED EARTH Horror Show

Album · 2001 · US Power Metal
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American power metal band Iced Earth had managed to carve a bit of a niche for themselves at this point in their career. Having established themselves as one of the more notable and prominent bands of the subgenre, it’s surprising that their discography has been drastically hit-or-miss. Unable to truly capture any momentum over a string of consecutive releases, one album could be amazing, while the next could be pretty average. There really was no predicting how each release could be received, and 2001’s ‘Horror Show’ follows on with that trend.

After a bit of a lull had been rectified with 1998’s critically acclaimed ‘Something Wicked This Way Comes’, the band followed this up with, uh, a pretty mundane themed release focusing on horror characters and stories. While one or two tracks could be acceptable, an entire album seems a bit uninspiring and not overwhelmingly promising.

And so here we have it, another pretty average release. Iced Earth’s sound by this point is what it is, and while they aren’t looking to branch out and explore new styles, the quality of songwriting could still benefit from a bit more focus and enthusiasm. This feels slightly by-the-numbers. An abundance of the usual speed metal trappings and powerful, operatic vocals, this is undeniably Iced Earth, but the songs just don’t have the same exuberance and determination that the band have shown with past releases.

Still, it’s not all terrible, as there are a couple of decent tracks on here. ‘Wolf’, ‘Damien’ and ‘Jack’ are alright, though mostly forgettable compared to the bands stronger material. Admittedly however, a cover of Iron Maiden’s ‘Transylvania’ is actually fantastic and the true highlight of this album. The band truly stamp their identity all over this instrumental track, and, most notably for me, it’s the song that served as my introduction to the band (how ironic that it was a cover, a fact I didn’t find out until years later).

Overall, ‘Horror Show’ isn’t by any stretch a terrible album, it’s just not overly memorable, and considering that Iced Earth have shown the ability to put out some incredibly strong releases, it just fails to truly stand out in any way other than being “that horror album”.


Album · 1989 · US Power Metal
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"Oliver Magnum" is the eponymously titled debut full-length studio album by US, Oklahoma based heavy/power metal act Oliver Magnum. The album was released through New Renaissance Records in 1989. Oliver Magnum were formed in 1983 and released a 1986 demo before being signed for the release of this album. It turned out to be their sole studio album as they disbanded in 1997 without releasing any further albums.

Stylistically the music is a combination of traditional heavy metal and US power metal. A combination of "The Warning (1984)"-era Queensrÿche and 1982-1985 Iron Maiden is a fairly valid description of what the music sounds like. Oliver Magnum are very well playing musicians with tons of skill, and every note is delivered with great conviction and passion. While the instrumental part of the music is powerful and tight, the vocals by James Randel take the music to a higher level. His predominantly high pitched delivery is powerful but he can also sing more raw type vocals, which brings nice variation to the vocal part of the music.

The material on the 8 track, 38:56 minutes long album is well written, relatively catchy, and above all highly energetic. While most tracks are hard edged heavy metal tunes played in a fast pace, there are also both mid-paced heavy parts, and some atmospheric clean guitar parts featured on the album. "Evilution" is for example quite the epic track, which features clean guitar parts. The album is well produced featuring a powerful, detailed, and clear sound. The snare drum has a bit of a "thin" sound, but other than that, this is a very well sounding release.

Upon conclusion this is probably an album that came a bit too late to make any real impact on the scene. This type of metal wasn´t exactly in fashion in 1989 (had this been released just a few years before it would probably have received quite a bit more praise), but it´s actually a real shame, because it´s a high quality release through and through. It doesn´t feature anything you haven´t heard before and in that respect there is a lack of originality, but on the other hand Oliver Magnum are both skilled musicians and composers who know how to write and play a great heavy/power metal track, so I´m gonna let the lack of an original sound pass this time around. A 3.5 - 4 star (75%) rating is deserved.

HERETIC Breaking Point

Album · 1988 · US Power Metal
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"Breaking Point" is the debut full-length studio album by US, Los Angeles, California based power/heavy metal act Heretic. The album was released through Metal Blade Records in August 1988. Heretic was in their original run a rather short lived act who formed in 1985 and disbanded in 1988. They released the "Torture Knows No Boundary (1986)" EP and "Breaking Point" before disbanding. The material on "Breaking Point" was re-released in 1991 as part of the compilation album "The Don't Turn Your Back!! & Breaking Point". There´s been one lineup change since the release of the "Torture Knows No Boundary (1986)" EP as lead vocalist Julian Mendez has been replaced by Mike Howe. The latter would soon depart again though to become a member of the more prolific Metal Church. A departure which in part resulted in the end of Heretic.

Stylistically the music on "Breaking Point" takes the traditional heavy metal style of "Torture Knows No Boundary (1986)" and twists it in a darker and more heavy US power metal oriented direction. Julian Mendez was a skilled vocalist with a strong voice, but Mike Howe is arguably a more distinct sounding and powerful singer. He has the right raw butch bark, but can also hit the high notes when that is called for, and always with a melodic sensibility to his delivery. The rest of the band are well playing too, delivering hard edged heavy metal riffs and blistering solos, and pounding energetic mid-paced rhythms.

The production is raw, powerful, and relatively well sounding for the time. The rhythm guitars could have featured a bit more bite and a more fat tone, and the drums didn´t need all those reverb effects, but the bass, and the vocals, sound pretty good in the mix. I especially enjoy how loud and clear the bass is heard and how active it is in the music.

The material on the 10 track, 44:43 minutes long album shift between traditional heavy metal oriented tracks like "Heretic" and "Evil for Evil" and US power metal oriented tracks like "And Kingdoms Fall" and "The Circle", so to my ears "Breaking Point" isn´t a 100% US power metal album. In fact it´s often closer to traditional heavy metal than to power metal. To my ears Heretic are best when they play US power metal because they sound a bit more generic and old fashioned when they play the more traditional heavy metal parts. In addition the the power/heavy metal tracks on the "Breaking Point", the album also features the instrumental "Pale Shelter", which is placed about mid-way through the album. It´s a nice atmospheric breather featuring acoustic guitar and some keyboards. It´s quite the beautiful little piece, and could seamlessly have been worked into a ballad type track if a vocal melody had been added to it.

Upon conclusion "Breaking Point" is a quality US power/heavy metal release by Heretic and especially fans of Metal Church should take notice and check this one out. Personally I think the songwriting is a bit up and down and the production could have been slightly better sounding too, but the high level musicianship makes up for some of that and a 3.5 star (70%) rating is fully deserved.

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ICED EARTH Live in Ancient Kourion

Movie · 2013 · US Power Metal
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Live In Ancient Kourion is a live concert Blu-Ray from the American Power Metal band Iced Earth. It was filmed at the ancient Kourion Theater in Limasol, Cyprus (a site with a 6,000-year history according to the liner notes) in 2012, in support of the Dystopia album. The line up features Jon Schaffer, Brent Smedley, Troy Steele, Luke Appleton and then-new singer Stu Block.

The career-spanning set contains 27 songs from all eras of the band’s history, in a concert that lasts around 2 hours and 35 minutes. Its pretty great value for money in that regard.

The performance is very strong indeed, with all band members putting down solid performances with no weak links. Stu capably handles the material of previous singers Matt Barlow and Tim Ripper Owens in a suitable but distinctive way. He fits the band perfectly and is immensely talented. Elsewhere; the dual guitar lines and solos are sublime and the drumming is powerful and rock-solid. If you like Iced Earth then this is a really strong and representative example of what they are all about.

Highlights include strong performances of ‘Burning Times,’ ‘Wolf,’ ‘Declaration Day,’ ‘Days Of Rage’ and ‘Dantes Inferno.’ ‘Boiling Point’ and ‘Damien’ are also especially energetic and exciting here – if you were wondering if you’d enjoy this release, then I suggest trying those two tracks out.

The stage design and the simple, tasteful lightshow in conjunction with the well-integrated use of smoke and pyro perfectly complements the band’s meaty, honest approach to Metal music. The crowd get into it and both clap and sing along on many occasions. Sometimes not only singing the words but also the guitar melodies. The concert really shows a confident band delivering their best to an appreciative crowd.

The camerawork and editing are absolutely solid, the audio recording quality and live mix are spot-on and overall this is a very strong release on both the audio and visual fronts. Sometimes you’ll get a DVD with way too many flashy transitions and cheesy editing choices, or the bass guitar missing from the mix, but a lot of care has obviously gone into making this a tasteful and musician-friendly affair. Admittedly I have seen concert Blu-Rays with better picture quality (Sabaton, Gamma Ray, Stratovarius and Hammerfall spring to mind) and here it can be a tiny bit grainy, soft-focus or washed out at times depending on the lighting conditions in the venue at the time however just because better examples exist, it doesn’t mean the picture here is anything to complain about.

In terms of bonus features there are photo galleries (4 minutes of very high resolution photos of the band and the beautiful Cypriot landscape), a 9-minute world tour story (breaking down the logistics involved such as how many guitar picks and flights the band went through) which mixes photos and graphics with interview footage, as well as the 31-minute Documentary feature “The Making Of Live At Ancient Kourion.”

The version I got comes with a slipcase in a digibook-style box which contains booklet featuring photos, credits and liner notes from bandleader Jon Shaffer. It houses the Blu-Ray version, DVD version and CD version of the concert for maximum flexibility.

The Blu-Ray specs are as follows: Region 0, Format 16:9, Audio comes in a choice of Dolby Digital 2.0 or DTS HD Surround 5.1.

Overall; Live In Ancient Kourion, especially this edition, is a very worthwhile release and I whole-heartedly recommend it to fans of the band, or fans of Traditional Heavy Metal and Power Metal in general.

ICED EARTH Festivals of the Wicked

Movie · 2011 · US Power Metal
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There's a lot of value for your money in this DVD package. Three full festival appearances are included, two with singer Matt Barlow and one with singer Tim "Ripper" Owens. There's also the seemingly customary documentary and all the band's music videos with the exception of the older Desert Rain back from the Night of the Stormrider era, as well as the advert for the Ten Thousand Strong video and photo slideshows. For the price this seems to retail at (I bought it for just £9.99), this is a very worthwhile package for any Iced Earth fan. The one catch is that it in reality looks more than it is, as both the Barlow fronted shows feature a completely identical setlist. It's still a very good value package to get despite this, but 4 stars is all I feel inclined to award it because of the amount of repetition. Still for the very reasonable price, if you like this band, buy it anyway.

(I originally posted this hastily written review here: )

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