Deathcore

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Deathcore, which emerged in the early 2000s, is a sub-genre of metalcore that fuses elements of hardcore punk and death metal. Deathcore is similar to metalcore musically, except it is generally heavier, with a stronger emphasis on blast beats, death metal growling vocals, and more intense breakdowns. The genre has enjoyed moderate popularity in the extreme metal scene.

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BORN OF OSIRIS The Discovery Album Cover The Discovery
BORN OF OSIRIS
4.12 | 17 ratings
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VEIL OF MAYA Eclipse Album Cover Eclipse
VEIL OF MAYA
4.15 | 7 ratings
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THE CONTORTIONIST Intrinsic Album Cover Intrinsic
THE CONTORTIONIST
4.09 | 8 ratings
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BORN OF OSIRIS A Higher Place Album Cover A Higher Place
BORN OF OSIRIS
3.95 | 11 ratings
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RINGS OF SATURN Embryonic Anomaly Album Cover Embryonic Anomaly
RINGS OF SATURN
4.12 | 4 ratings
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THY ART IS MURDER Hate Album Cover Hate
THY ART IS MURDER
4.00 | 5 ratings
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ALL SHALL PERISH Awaken the Dreamers Album Cover Awaken the Dreamers
ALL SHALL PERISH
3.90 | 5 ratings
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THE CONTORTIONIST Exoplanet Album Cover Exoplanet
THE CONTORTIONIST
3.80 | 6 ratings
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VEIL OF MAYA [id] Album Cover [id]
VEIL OF MAYA
3.75 | 4 ratings
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WHITECHAPEL A New Era of Corruption Album Cover A New Era of Corruption
WHITECHAPEL
3.67 | 5 ratings
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ALL SHALL PERISH The Price of Existence Album Cover The Price of Existence
ALL SHALL PERISH
3.62 | 4 ratings
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AUCKENROSE Physis Album Cover Physis
AUCKENROSE
3.45 | 9 ratings
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deathcore Music Reviews

BORN OF OSIRIS The Simulation

Album · 2019 · Deathcore
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Necrotica
Back in 2011, Born of Osiris performed an admirable feat: they brought a heightened sense of futurism and adventure to a then-stagnant genre. The Discovery was an incredibly welcome breath of fresh air that, unfortunately, will always cast a shadow over the band’s subsequent work because of its ambition. Still, they certainly keep trying and trying to recapture the spark that The Discovery gave off and Tomorrow We Die Alive regrettably lost. After all, the concept of taking deathcore into more experimental and adventurous avenues is something that I’ll always be behind. By all means, let’s take the genre somewhere that forces it outside of its comfort zone! And besides, many of these substantially “djentier” deathcore and modern metalcore bands have usually been the ones who continue to push the boundaries, stemming from artists such as After the Burial and Veil of Maya. Well, luckily, Born of Osiris’ new effort The Simulation sees them back in action with their best album since The Discovery. Granted, there’s really no more death metal in there. For that matter, many of the songs ride a low groove that sees them moving even further into djent territory than before. So why does The Simulation work so well?

Because it has a runtime of only 25 minutes, which means it has less time to pack in all of its exciting riffs and experimentations before quickly getting the fuck out. As such, you’re greeted by enough twists and turns to make your head spin. There are a few quiet moments of atmosphere throughout, such as the frantic little symphonic intro of “Disconnectome” or the entirely of interlude “Recursion,” but for the most part, these moments of space and contemplation are constantly butting heads with the meaty riffs underneath. By far, the best section to feature this conflict comes from the outro of “Silence of the Echo,” whose melodic solo lends the heavy chugs and power chords with a beautifully spacy counterpoint. It actually reminds me of The Faceless’ Planetary Duality days, and that’s not the only moment that made me think of that album. Every time “Disconnectome” breaks into a melodic solo or goes through a hyper-fast blastbeat section, it really does sound reminiscent of the sci-fi tech-death from that era of The Faceless.

Thankfully, Born of Osiris don’t forget their roots on The Simulation, paying plenty of homage to what made them a household name in deathcore while still continuing to experiment with their formula. If I had to pick out the best change this time around, it’s that the guitar leads or more fluid than ever. “Analogs in a Cell,” “Silence the Echo,” “Disconnectome,” and “Cycles of Tragedy” are all imbued with fantastic soloing that both technically impresses and constantly shifts between neo-classical and jazz fusion stylings. Also, the variety in the drumming is really impressive from time to time; “Disconnectome” in particular (yes, I know I’m bringing up this song a lot) features a ridiculous amount of tempo shifts, and they’re all surprisingly tasteful and natural despite how abrupt they are. The Simulation isn’t a perfect album - the slower tempos can become pretty one-note, and the short runtime obviously means some people will want a bit more meat - but it’s definitely the most solid album the band have put out since their initial heyday. It’s a really fun little adventure that - much like Reign in Blood - is very easy to replay again and again because of its lean length and addictive riffing.

BLINDFOLDED AND LED TO THE WOODS Modern Adoxography

Album · 2017 · Deathcore
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Kev Rowland


Christchurch is the third largest city on New Zealand, with a population of approximately 450,000. For those who are unaware, Christchurch was struck by two earthquakes in September 2010 and January 2011, which caused considerable damage to the city and the loss of 185 people. Since then the city has been rebuilding, both physically and emotionally, and the result is a community that is incredibly close and bonded together. I live some 30 minutes outside the city, near the township of Oxford, and have been here for a couple of years now. All of this makes me feel incredibly annoyed that the only way I have managed to discover this death metal outfit is by being sent a digital copy by an American PR company!

Apparently, “Adoxography” is a term coined in the late 19th century, and means "fine writing on a trivial or base subject". That these guys have been inspired by Dillinger Escape Plan, and have been supporting them on their recent NZ tour, is of little surprise. Here was have death metal with a crazed edge, music that is abrasive, sharp and twisted, while losing none of the brutality that one would expect from the genre. Here we have ten relentless tracks in thirty-five minutes of crushing riffs, technical wizardry, and merciless vocals. While the band's musical foundation is built upon brutal death metal, elements of demented grindcore and bizarre sci-fi tones weave their way into the complex structures, resulting in an engaging and damaging listening experience.

I can only hope that the guys are able to tour outside Aotearoa, as music as good as this needs to be heard by a much wider audience than the restricted population of New Zealand can afford. This is brutal, uncompromising, and very, very good indeed.

BORN OF OSIRIS The New Reign

EP · 2007 · Deathcore
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siLLy puPPy
The Chicago based deathcore band BORN OF OSIRIS had quite the difficult time choosing a name as in a mere short period from 2003-07 they chose and rejected the names Diminished, Your Heart Engraved and Rosecrance before finally settling on the Egyptian deity who was the Egyptian god of the afterlife. During that time they produced a few demos under all those names but wouldn’t release their debut studio EP - THE NEW REIGN until 2007 as BORN OF OSIRIS. Although the band started out more as a metalcore outfit they began adding more death metal elements such as the abrasive growled vocals as well as the expected rhythmic breakdowns more suited to the death metal scene however all those core elements are retained. This band somehow latched onto the progressive world as it seems to pop up as such although the progressive touches take a back seat to the brutal metal aspects in the forefront.

BORN OF OSIRIS deliver a typical death metal meets metal ore = deathcore sound with the expected death metal riffs and blast beats while retaining all those core breakdowns with all the hardcore punk infused energy and brutality, however what sets this band apart from the rest of the pack is that it utilizes atmospheric keyboards to create a backdrop of ambience and also throws in a few unorthodox sound effects on the side. Ronnie Canizaro’s vocals are nothing out of the ordinary nor are the staccato riffs of Lee McKinney however Matthew Pantelis dishes out some melodic lead guitar parts along with squeals and little tricks and trinkets to add a sprinkling of more class metal to the mix including a few solos here and there.

The percussion seems to be the weakest part as i’m not hearing the OMG drum abuse i would expect for a deathcore band, or at least not to the extend that i would prefer. Yeah, there are blast beats now and again but generally the percussive parts are fairly by the books and not overly exciting. Overall the tracks are all fairly similar with only the keyboards and lead guitar differentiating them in any significant ways. Deathcore is certainly not my favorite subgenre in the metal universe and BORN OF OSIRIS doesn’t dish out a whole lot of originality to make me change my mind on that one. This debut is a nicely delivered near 22 minute display of metal energy with some atmospheric elements thrown in but in the end it’s all fairly predictable and doesn’t even come close to blowing me away.

BORN OF OSIRIS The Eternal Reign

Album · 2017 · Deathcore
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siLLy puPPy
After their short EP debut studio release “The New Reign” which appeared in 2007, BORN OF OSIRIS roughly released a new album every two years but somewhere along the way the band decided that they just weren’t happy with their debut EP and it desperately needed to be re-recorded and repackaged, retitled and released once again. Come ten years later and the newly named THE ETERNAL REIGN accomplishes this goal by taking all eight tracks back to the studio and polishing them into deathcore perfection with even a bonus track in the form of “Glorious Day” to finish it off with bringing the new playing time to a whopping 23 minutes and 50 seconds.

Well, what can someone exactly say about a brutal deathcore band trying to re-record and album. How about…. REALLY? Ok, first of all, i’m rarely a fan of any band re-recording an album because of nitpicky imperfections no matter how legit they may be due to the fact that for every inch of error is erased, so too is a pound of passion that made the album stand out in the first place. However in the case of BORN OF OSIRIS who utilize a brutal deathened core sound designed to bang your head and make your ears bleed with slight touches of sugary atmospheric keyboards to make the bitter just a little sweet, i have to shake my head and ask the obvious question: WHY BOTHER?

To the casual listener this won’t sound a bit different as all the growly screams, all the distorted guitar riffs, solos, drum blasts and metal accoutrements are pretty much following down the same path. Where this second rendition of the EP does differ is in the “extras” department namely in the ambience and keyboard effects that add new riffs here and there and stand out as more prominent features of the band sprinkled across the album but nothing added makes this a substantially better album where it counts, namely in the songwriting department where all the tracks sound just as average as they did the first time around. I have to admit that the percussion has improved over the original.

Perhaps it would’ve been a better idea to focus on new music instead. The only redeeming aspect of this album is that there is one new track titled “Glorious Day” which is the best track on the EP which only serves the purpose of showing how far the band has come in its technical prowess and ability to make tracks more interesting. Hmmm, maybe that’s the point? I dunno but this track shows a more adept ability of blending all the core elements with more classic metal sounds, more sophisticated atmospheric embellishments and even the drum parts are more diverse than elsewhere. Unfortunately it lasts a mere two and a half minutes so hardly worth tracking this down for a mere bonus track which is good but not outstanding. Nah, this is mostly a waste of time.

ECCENTRIC TOILET The Roar Of Cerberus

Demo · 2007 · Deathcore
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siLLy puPPy
Every once in a while a band emerges that came up with a name that is so utterly ridiculous that it forces me to check them out only because i am stunned that they would actually choose something so ridiculously LAAAAAME. The deathcore band from Bangkok, Thailand ECCENTRIC TOILET is one of those bands. I mean really? How can they possibly think that such a name screams out the deathcore core music that they churn out into the mosh pits of cacophony? And then i realized that i never would have checked them out if it were NOT for one of the most un-metal names you could think up. So here i am reviewing their one and only release, their 2007 demo turned EP - THE ROAR OF CERBERUS and i have to admit that it sounds nothing like i was expecting.

While my expertise in deathcore is probably the least explored dark crevice in all of the metal universe, my exposure to bands like Born Of Osiris and Veil Of Maya has at least given me somewhat of an idea what to expect namely a loud cacophonous din fusion of hardcore punk, death metal and metalcore. While ECCENTRIC TOILET justly fits into that generic description, i wasn’t prepared for the melodic elements that lurk beneath the surface including the clean lyrics alternating with the death growls delivering something of a beauty and beast experience meanwhile atmospheric keys are tucked away beneath the surface and emerge once the din subsides offering glimpses of a symphonic paradise being marred by the boisterous roar of heavy guitar riffs, walls of sound and frantic screams of anguish.

While this EP is only three tracks ECCENTRIC TOILET delivers all the expected deathened core aspects one would expect but with the added layers of keyboards and traditional metal aspects such as melodic guitar solos. While it may seem that this band is trying to put frosting on a vile bitter cake to make it more appealing for a wider audience, i find the melodic aspects are actually quite welcoming and add a new dimension to an often one-dimensional type of metal sound. The third track “It’s Too Late” is particularly symphonic with a tinkling of pianos ushering out the noisefest. Surprised indeed that i’m actually liking this band and i’m honestly looking forward to a fully formed album in the future, but OMG, dudes, flush that name, PLEEEEEAAAAASE! LOL.

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