Metal Related

MetalMusicArchives.com — the ultimate metal music online community, from the creators of progarchives.com

Metal Related is a term used on Metal Music Archives (MMA) to describe artists and releases that, although not metal enough to be placed under any of the MMA metal sub-genres, still contain a reasonable amount of metal elements.

While this tag will often be applied to releases by artists who do indeed have more fully-fledged metal releases such as Opeth's Heritage or most releases by A.C.T. after their debut, the site will often take in artists that have no releases in metal sub-genres, as Metal Related artists due to the metal elements on some or all of their releases. Examples of such artists are Neal Morse for his 2007 album Sola Scriptura, Galahad for their later releases and Beardfish for their 2012 album The Void.

As such the actual music on releases with the Metal Related sub-genre can vary greatly, both in terms of the main style and the metal elements that flavour the music.

- Written by adg211288 (August 2015)

Sub-genre collaborators:

The Metal Related team is always the same as the standing admin team. Currently:

  • adg211288
  • Bosh66
  • 666sharon666
  • Vim Fuego
  • Nightfly

metal related top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

PORCUPINE TREE Deadwing Album Cover Deadwing
PORCUPINE TREE
4.36 | 60 ratings
Buy this album from MMA partners
NEAL MORSE Sola Scriptura Album Cover Sola Scriptura
NEAL MORSE
4.44 | 26 ratings
Buy this album from MMA partners
PORCUPINE TREE In Absentia Album Cover In Absentia
PORCUPINE TREE
4.31 | 72 ratings
Buy this album from MMA partners
RIVERSIDE Second Life Syndrome Album Cover Second Life Syndrome
RIVERSIDE
4.29 | 80 ratings
Buy this album from MMA partners
KATATONIA Last Fair Deal Gone Down Album Cover Last Fair Deal Gone Down
KATATONIA
4.35 | 26 ratings
Buy this album from MMA partners
ARENA Contagion Album Cover Contagion
ARENA
4.56 | 10 ratings
Buy this album from MMA partners
RIVERSIDE Shrine of New Generation Slaves Album Cover Shrine of New Generation Slaves
RIVERSIDE
4.25 | 44 ratings
Buy this album from MMA partners
TOUCHSTONE Wintercoast Album Cover Wintercoast
TOUCHSTONE
4.62 | 7 ratings
Buy this album from MMA partners
BORIS Flood Album Cover Flood
BORIS
4.33 | 15 ratings
Buy this album from MMA partners
NINE INCH NAILS The Downward Spiral Album Cover The Downward Spiral
NINE INCH NAILS
4.20 | 42 ratings
Buy this album from MMA partners
GALAHAD Empires Never Last Album Cover Empires Never Last
GALAHAD
4.36 | 11 ratings
Buy this album from MMA partners
NINE INCH NAILS The Fragile Album Cover The Fragile
NINE INCH NAILS
4.20 | 30 ratings
Buy this album from MMA partners
This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

metal related online videos

metal related New Releases

metal related Music Reviews

ANTIMATTER Black Market Enlightenment

Album · 2018 · Metal Related
Cover art Buy this album from MMA partners
siLLy puPPy
The Liverpool, UK based ANTIMATTER has been the long time project of Mick Moss who took the reins after fellow founder Duncan Patterson parted ways in 2005 leaving Moss as the sole director of the project’s destiny. While the earlier albums were a quirky mix of dark electronica with Goth rock-tinged trip hop graced with feminine goddess vocals, the newer releases since 2012’s “Fear Of A Unique Identity,” has found Moss going more into the alternative rock arena with the complexities getting more sophisticated leading him into the progressive rock world. It’s been three years since “The Judas Table” and ANTIMATTER is back with BLACK MARKET ENLIGHTENMENT which continues the trend of mixing borderline heavy alternative rock / Goth metal with progressive almost neo-prog symphonic splendor.

While the previous album had a more stripped down effect, BLACK MARKET ENLIGHTENMENT expands the dimensions of the elements set forth once Moss essentially went solo. This album’s theme is that of drug addiction and tackles the extremely heavy subject matter in the lyrical department while creating a dark and lugubrious musical backdrop to push it forward. The material is some of the most complex that ANTIMATTER has done with a sense of melancholy that hangs over the album like a lingering black cloud but very effective indeed as the impeccably produced mix and excellent compositions create one of the rare instances where Gothic rock and progressive rock work so well together. This is surely one of the most tense listens of the year as it walks a tightrope between complete emotional breakdown and a sense of suppressed rage waiting to explode but somehow keeps its cool throughout its run.

While Mick Moss is the sole member who plays acoustic and electric guitars, keyboards, bass and provides vocals, BLACK MARKET ENLIGHTENMENT also adds four extra musicians providing flute, saxophone, drums and a traditional Iranian bowed string instrument called the kamancheh (also kamanche, kamancha or qamancha.) There are also two female vocalists that provide a feminine touch on backing vocals. While the creepy mid-tempo music adds an almost shoegazy sort of guitar distortion with Moss’ Gothic vocal style leading the way, the Middle Eastern percussive drives and the kamancheh take the music to an eerie new world where various strains of reality intersect in an unfamiliar way. The synthesizer rich darkwave atmospheric overcast keeps this one in the clouds like a perpetual brain fog that is tuned into some foreign radio station that is set to sadness.

Like most Gothic related music whether it exist in the extremities of metal or the more sensual touches of the Nick Cave camp, this music is eerily romantic and fragile. While the music generally creeps along, the Middle Eastern drumming can become energetic especially on tracks like “Essential,” and while the guitar heft is mostly reserved as an atmospheric generator with echoey distortion, it is also implemented to create some metal riffs that chug along to add a sense of crescendo to the mostly stoic and detached emotional tug of war. Moss’ vocal style is very limited as he sings in a low register but has mastered the art of eking out emotional responses with subtle vocal vibrato and tantalizing trills. While BLACK MARKET ENLIGHTMENT has been accused of moving more to the world that Anathema (which ironically ex-founder Duncan Patterson played in) has carved out and there is some truth to that, the mood remains more reserved and much more dependent on the darkwave synthesizer dominated atmospheric touches to convey its overall plan.

With utterly addictive composiitons that are instantly catchy and a nice interplay between the sensual acoustic, heavy electric and atmospheric elements, BLACK MARKET ENLIGHTENMENT qualitatively connects the listener to the subject matter and draws you into the bleakness of the grimy world of substance abuse. The instantly catch tracks will hook you immediately but the sophisticated and subtle mix of the swirling storm of sonic interplay will keep you coming back for more. This album is considered heavier than previous ones and offers just enough bombast to create the perfect corrivalry of musical elements. ANTIMATTER is not only back but seems to be getting better with each new album. Favorite track: “Between The Atoms” which also happens to be the longest.

JASON BECKER Triumphant Hearts

Album · 2018 · Metal Related
Cover art Buy this album from MMA partners
siLLy puPPy
JASON BECKER has become one of the more memorable talents of the rock universe. While beginning as a child prodigy and dazzling the world with his insanely technical and lightning fast guitar chops in the 80s with his band Cacophony, BECKER easily caught the attention of the guitar nerd’s universe and scored the highly sought after position of becoming guitarist for David Lee Roth following in the footsteps of such greats as Steve Vai and Eddie Van Halen. He managed to record on album, “A Little Ain’t Enough” with Roth before a tiny little pain in his leg was diagnosed as ALS or Lou Gehrig’s Disease which would soon rob him of any future as a guitar player. His destiny would change quickly.

Suddenly BECKER was forced to enter a new chapter of his career long before its time. He would turn to the computer to crank out a magnum opus with what little physical ability he retained and after several years released his album “Perspective” which displayed BECKER’s many possible paths that his career could’ve taken him. Despite being condensed into a mere album’s length, BECKER displayed new aspects of his compositional creativity which seemingly were as vast as his fingers were fast. By the time the album was released in 1996, BECKER had been relegated to a wheelchair with only the ability to move his eyes. His diagnosis was to survive five years but now nearly 30 years later, he’s still alive and has finally released a new album.

While remaining out of the public eye, BECKER released the 2012 self-documentary “Not Dead Yet” which showcased this warrior’s longtime battle with ALS and how his family’s dedication had kept him from an early grave. He announced in 2016 that he would launch his TRIUMPHANT HEARTS project in the form of a crowdfunding campaign which ultimately raised more than $100,000. Once again, BECKER wrote all 14 tracks on TRIUMPHANT HEARTS on computer which display his love of classical music. Unlike his 1996 album “Perspective,” the tracks on this one are performed by a lengthy list of guest musicians including Steve Vai, Joe Bonamassa, Paul Gilbert, Neal Schon, Marty Friedman, Michael Lee Firkins, Mattias IA Eklundh, Greg Howe, Jeff Loomis, Richie Kotzen, Gus G., Steve Hunter and Ben Woods all of whom perform together on the opening single “Valley Of Fire.”

TRIUMPHANT HEARTS is quite a diverse ride through its 78 minutes of music that traverses 14 tracks. Much of the music is heavily fortified symphonic classical music as heard on the outstanding opener “Triumphant Heart” which takes a seductive folk melody and orchestrates the hell out of it, however there include several vocal tracks which include the sappy ballads “Hold On To Love” (2 versions) and a more funkified rocker “We Are One” featuring Steve Knight. “Magic Knight” is a tender acoustic guitar track that features both Uli Jon Roth and Chis Broderick. “Taking Me Back” and “Tell Me No Lies” are the only two heavy metal rockers and are both instrumental.

The rest of the album is a mixed bag. “Blowin’ In The Wind” is a rather sappy Bob Dylan cover and both versions of “River Of Longing” once again gets a little too sentimental although it features some outstanding guitar work by the guests on board. Overall i’m surprised there’s not more guitar shredding given the guest talent on board. While the one track “Valley Of Fire” does feature some finger breaking workouts, it is also quite generic in how it provides a rather basic rhythmic groove that the soloists work around. While the music itself may be a mixed bag, the production is actually really, really well done and BECKER obviously paid a lot of attention to the details.

Ah, i was hoping this would be more like “Perspective,” an album that i really love. TRIUMPHANT HEARTS while it has its merit doesn’t really take me anywhere that i want to go. This is more like a heart tugging tribute or something. While it’s cool to see BECKER still working behind the scenes in his perpetual state of paralysis, it seems perhaps his creative edge has been left somewhere in the past as well since TRIUMPHANT HEARTS doesn’t really seem to get airborne. I was really hoping for a better product and i’m a lenient critic when it comes to an album released under such circumstances but unfortunately i can’t seem to find much to latch onto on this one. While the album kicks off with an interestingly (mellow) opener, the second track as a cheesy ballad throws it off track quickly. Standout tracks are the opener, “Valley Of Fire,” “Taking Me Back” and “Tell Me No Lies.” Hopefully BECKER can find a new lease on a creative edge in the future but this one is somewhat of a disappointment.

ALCEST Souvenirs d'un autre monde

Album · 2007 · Metal Related
Cover art Buy this album from MMA partners
siLLy puPPy
ALCEST, although a complete band, wasn't always so. While founded by Neige in 2000 (about the same time he joined Peste Noire), the original band that consisted of Aegnor and Argoth soon imploded after the demo "Tristesse Hivernale. " The two members soon departed leaving Neige as a one-man band for eight long years before a new lineup would occur. This debut SOUVENIRS D'UN AUTRE MONDE ("Memories From Another World"), having been released in 2007 which is the year before a new band would emerge, is in effect a solo album by Neige. This is the Neige show where he tackles lead and backing vocals, guitars, bass, keyboards and drums. There is for a short time one guest vocalist, Audrey Sylvain, on "Sur L'autre Rive Je T'attendrai."

Since SOUVENIRS D'UN AUTRE MONDE is a Neige solo album in disguise, it is of no surprise that it sounds quite different than the albums such as "Écailles De Lune" that follow. While the band has been tagged as shoegaze, blackgaze, post-rock and experimental metal, this debut yields very little in the metal department and is in effect a post-rock album that happens to have a guitar chords that ruffle their feathers to look bigger than they actually are. Like most post-rock, SOUVENIRS relies on a hypnotic run of soft dreamy guitar arpeggios and riffs that ratchet up the tension and ultimately find some sort of crescendo. The overall mood of the album is dark, dripping in nostalgia, rueful regret and euphoric yearning for blissful peace.

It's hard for me to review this album because in all honesty because i find it utterly boring. While this debut has been lauded since ALCEST first hit the scene in the mid naughts, i have had a very difficult time understanding why this clicks with so many and yet leaves me as cold as a whale's ass in the Arctic Ocean. While the future albums are actually quite engaging, this one seems to juxtapose all the wrong elements together in all the wrong places, at least for my tastes. First of all, the vocals are the most annoying of all, sounding like some indie pop twee garage band from small town USA. Despite being tagged metal, there are no metal vocals whatsoever with completely clean vocals dominating the entire album's run.

Secondly, this album chugs along at a snail's pace and never really engages in any dramatic changes. This is a true zone out album if i've ever heard one. While i love post-rock, indie rock, indie pop, post-metal and all the genres this is purported to be, SOUVENIRS is simply mediocre all the way around. It is a lazy breezy type of album that just floats by on codeine with no dramatic passages really ever emerging from the nonchalant drifting through the proper post-rock expectations. Next complaint, the instrumental parts just don't work together for my liking. Neige attempts to deliver black metal attributes such as tremolo picking and guitar solos but performs them so half-assed that it sounds too ridiculous for black metal and likewise sounds too out of character for post-rock.

I can understand some music lover's infatuation with emotional content being enough to make a good album but that is not the case with yours truly. Emotional connections in a pool of mediocrity equals, well, mediocrity. Probably the most competent aspect of SOUVENIRS is the production and mixing job. I do have to admit that the atmospheric qualities work quite well and indeed in retrospect ALCEST was one of the big players that brought the term blackgaze into existence with their debut EP "Le Secret," however Neige got all wimpy with the black metal aspects without jettisoning them all together which creates a rather tenuous vacuous tinniness within the overall structure of the compositions. Well, i'm glad some people can find pleasure in this debut by ALCEST because i sure can't, but i'm all on board starting with the second album.

RIVERSIDE Memories In My Head

EP · 2011 · Metal Related
Cover art Buy this album from MMA partners
The Crow
After the stunning Anno Domini High Definition, Riverside managed to reach the quality of their fourth opus with this incredible EP.

Retrieving part of the atmosphere and the soul of Out of Myself but maintaining the complexity and great instrumental skills learned through the years, Riverside gave us a great present in the shape of three songs, a bit more of 30 minutes of pure prog-rock at its best.

Goodbye Sweet Innocence starts with an incredible bass and wonderful guitar melodies, great verses and a powerful instrumental interlude. Is a song in the Out of Myself vein, but with strong 70`s influence. A band's classic in my opinion!

Living in the Past has a rhythmic beginning with keyboards which give way to a wonderful melody of bass and guitar, later accompanied by keyboards again. The verses and chorus are pure genius, while the instrumental part is pure prog-rock which lots of changes, progressions where the whole band shines, specially Lapaj and his wonderful keys around minute 6. And what to say about the section "Even clowns..." Scary, brilliant, genius! The bass after 08:48 introduces another marvelous instrumental section very in the mood of Anno Domini High Definition.

Forgotten Land starts with a melody which in my opinion is a Little homage to John Carpenter! Just listen The Thing or Escape from New York... But after this Little section a piercing bass of Mariusz introduces the melody of another great song which again brings automatically Out of Myself to mind, with an intense vocal interpretation and a very atmospheric ending, delighting the fans of this side of the band.

Conclusion: Memories in my Head is maybe short, but everything is almost perfect. The three songs included here count among the best that the band ever recorded and should be played live in every concert they make. True modern prog-rock classics!

I hope that in the Wasteland tour that they will start after summer they retrieve one or two of this wonderful songs for their performances, because they are a must for every fan of modern progressive rock and should be never forgotten.

Best tracks: the three songs are just great!

My rating: *****

P.S.: this review was originally written for ProgArchives.com

RIVERSIDE Shrine of New Generation Slaves

Album · 2013 · Metal Related
Cover art Buy this album from MMA partners
The Crow
Four years after the outstanding Anno Domini High Definition and with another incredible EP in the middle (Memories in my Head) the best prog rock band from Poland released Shrine of New Generation Slaves.

This album is some kind of return to the origins for the band in songs like The Depth of Self-Delusion and We got Used to Us (much in the vein of the most intimate moments of Out of Myself and Second Life Syndrome) while they also explored some new territories in tracks like New Generation Salve and Escalator Shrine where they made their particular homage to the 70's rock with even some Deep Purple-sounding keyboards.

Sadly, some other tracks like the boring Deprived and the too commercial Celebrity Touch are not so inspired, but the overall quality of the album is high. I would highlight the very missed Piotr Grudzinski's work on this album, maybe his best and most ambiental, and the general lyrical concept of the album where the band shows an acid criticism towards the enslaver work rhythm of modern society, making this album some kind of conceptual sequel to Anno Domini High Definition (not so much musically)

Best Tracks: New Generation Slave, The Depth of Self-Delusion, We Got Used to Us, Escalator Shrine.

Conclusion: Shrine of New Generation Slaves is a conservative and innovative album at the same time, offering some typical Riverside songs while they also dared to explore new territories with strong outcomes, but sadly making a pair of mistakes in the process.

Nevertheless, this is another true excellent album of this incredible band which surely should be in every prog-rock collection.

My rating: ****

P.S.: this review was originally written for ProgArchives.com

metal related movie reviews

PORCUPINE TREE Arriving Somewhere...

Movie · 2006 · Metal Related
Cover art Buy this album from MMA partners
Warthur
Focusing on the more metal-oriented material from Deadwing and In Absentia - though notably steering it back in a more rock-oriented direction in order to allow this material to sit a little more comfortably beside the "indie prog rock" stylings of Stupid Dream, Lightbulb Sun and Recordings (picks from all of which surface here). Fans of their earlier psychedelic and space rock styles might be disappointed that those aren't represented, but on the plus side there's a liberal sprinkling of rarities here such as the glorious Buying New Soul as well as Revenant, So-Called Friend and Mother and Child Divided, those three songs having only appeared on various special editions of Deadwing. Not the definitive Porcupine Tree live experience, but a pretty decent one nonetheless.

RIVERSIDE Reality Dream

Movie · 2009 · Metal Related
Cover art Buy this album from MMA partners
progshine
My polish girlfriend gave me this DVD on my anniversary in May, I really didn't know what to expect of the band live cause I only knew their studio recordings. Like I always do, I watched the bonus DVD first, I like to see backstage footage, interviews and extras much more than the proper live presentations on most of the time (maybe the only exception is Live At Wembley by QUEEN).

The first DVD is the show itself, and it's a very good recording, both audio and video, and seeing them live male me wonder how good is Mariusz Duda, cause as a bass player myself, I know how hard is to play some lines while you sing, Mariusz dows a fantastic work live, as the whole band.

I think it's a great buy for any prog rock fan, this polish band deserves more light on our '70's' world.

Artists with Metal Related release(s)

metal related Index

Member Zone

Username:
Password:
Stay signed in

Metal Subgenres

Artists Alpha-index

MMA TOP 5 Metal ALBUMS

Rating by members, ranked by custom algorithm
Albums with 30 ratings and more
Master of Puppets Thrash Metal
METALLICA
Buy this album from our partners
Powerslave NWoBHM
IRON MAIDEN
Buy this album from our partners
Rust in Peace Thrash Metal
MEGADETH
Buy this album from our partners
Moving Pictures Hard Rock
RUSH
Buy this album from our partners
Keeper of the Seven Keys Part II Power Metal
HELLOWEEN
Buy this album from our partners

New Metal Artists

New Metal Releases

Miasma Mathcore
ORCHID
Buy this album from MMA partners
The Early Years (The SMC Tapes) Metalcore
WE DWELL WITHIN
Buy this album from MMA partners
Humanity Hardcore Punk
TO THE BURIAL
Buy this album from MMA partners
Rise Of The Fallen Metalcore
DEAD RECKONING
Buy this album from MMA partners
More new releases

New Metal Online Videos

Between the Buried and Me "Extremophile Elite" (LIVE)
BETWEEN THE BURIED AND ME
Tupan· 19 days ago
Between the Buried and Me "Astral Body" (OFFICIAL VIDEO)
BETWEEN THE BURIED AND ME
Tupan· 19 days ago
More videos

New MMA Metal Forum Topics

More in the forums

New Site interactions

More...

Latest Metal News

members-submitted

More in the forums

Social Media

Follow us

Buy Metal Music Online