Metal Related

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Metal Related is a term used on Metal Music Archives (MMA) to describe artists and releases that, although not metal enough to be placed under any of the MMA metal sub-genres, still contain a reasonable amount of metal elements.

While this tag will often be applied to releases by artists who do indeed have more fully-fledged metal releases such as Opeth's Heritage or most releases by A.C.T. after their debut, the site will often take in artists that have no releases in metal sub-genres, as Metal Related artists due to the metal elements on some or all of their releases. Examples of such artists are Neal Morse for his 2007 album Sola Scriptura, Galahad for their later releases and Beardfish for their 2012 album The Void.

As such the actual music on releases with the Metal Related sub-genre can vary greatly, both in terms of the main style and the metal elements that flavour the music.

- Written by adg211288 (August 2015)

Sub-genre collaborators:

The Metal Related team is always the same as the standing admin team. Currently:

  • adg211288
  • Bosh66
  • 666sharon666
  • Time Signature
  • Vim Fuego
  • Nightfly

metal related top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 60 min. caching

RIVERSIDE Second Life Syndrome Album Cover Second Life Syndrome
RIVERSIDE
4.21 | 78 ratings
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MR. BUNGLE Disco Volante Album Cover Disco Volante
MR. BUNGLE
4.13 | 54 ratings
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BORIS Flood Album Cover Flood
BORIS
4.29 | 15 ratings
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PORCUPINE TREE In Absentia Album Cover In Absentia
PORCUPINE TREE
4.11 | 68 ratings
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PORCUPINE TREE Deadwing Album Cover Deadwing
PORCUPINE TREE
4.10 | 56 ratings
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TOUCHSTONE Wintercoast Album Cover Wintercoast
TOUCHSTONE
4.47 | 7 ratings
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KATATONIA Last Fair Deal Gone Down Album Cover Last Fair Deal Gone Down
KATATONIA
4.15 | 25 ratings
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SWANS Filth Album Cover Filth
SWANS
4.34 | 9 ratings
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GALAHAD Empires Never Last Album Cover Empires Never Last
GALAHAD
4.34 | 9 ratings
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RUSSIAN CIRCLES Enter Album Cover Enter
RUSSIAN CIRCLES
4.11 | 27 ratings
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ARENA Contagion Album Cover Contagion
ARENA
4.36 | 8 ratings
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ALCEST Souvenirs d'un autre monde Album Cover Souvenirs d'un autre monde
ALCEST
4.09 | 28 ratings
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This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

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metal related Music Reviews

ENCHANT Wounded

Album · 1996 · Metal Related
Cover art Buy this album from MMA partners
martindavey87
Enchant's debut, 'A Blueprint of the World', caused a bit of a stir in the prog world when it was released back in 1993. With a combination of good songwriting and solid musicianship, catchy hooks and a sound that would appeal to fans of old progressive rock or the rising progressive metal scene, expectations were high for its follow-up.

Sadly, they're expectations that I feel the band couldn't live up to.

Now, don't get me wrong, I love Enchant, but 'Wounded' has always been that little hiccup in their discography where things just don't click for me. As before, the musicianship is impeccable and Ted Leonard's vocals are fantastic as always, but the songs just "aren't happening" as they were before.

There are a few highlights, though. Tracks like 'Below Zero', 'Pure', 'Hostile World' and 'Missing' are all good, and in fact, none of the songs are bad, but they're just not overly memorable either, especially when compared to the bands later material.

Enchant are one of my favourite groups, and it pains me to say this, but 'Wounded' is just an all-round forgettable release.

BUCKETHEAD From The Coop

Album · 2008 · Metal Related
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siLLy puPPy
Technically the third “special” release of the prolific career of the eccentric BUCKETHEAD but in reality nothing more than the early demo tapes that were recorded in 1988 while a young Brian Carroll was a mere maggot of 19 years old, however even at this stage he was possessed by aliens or something and already had amassed supernatural guitar playing powers. Even on these earliest of recordings his techniques are quite developed as he callathumps down the genre highway pumping out his famous shredfests, country bluegrass pickings (covers from Lester Flat and Earl Scruggs), techno dominated guitar jams, classical meets flamenco (Tarrega covers) and good old fashioned metal and rock.

While the production is fairly primitive as to be expected from just a mere simple recorder of the era. The tracks are basically just snippets of practice sessions with only a couple reaching four minutes. This compilation was released by popular demand on CD exactly 20 years after the tracks were laid down to tape. This is definitely one for the fans who want to dig into the vaults and hear how BH had already set in motion all of the familiar styles and idiosyncrasies that had made him the freaky rock star that he would become including all those two-handed arpeggios and solos.

I certainly wouldn’t call this essential listening but for a mere collection of demos, it is obvious even at this early stage that he who wears a BUCKET on his HEAD was quite the accomplished musician already seamlessly fusing funk with rock, electronica with jazz, classical with flamenco and the avant-garde with the OMG! A very worthwhile listen indeed. BH handles all guitar, bass and drum machine duties. Many of the ideas presented here will be quite recognizable for anyone who has sampled even a fraction of the BH canon. Nothing will come as a shock except how good he was at a young age.

RUINS Ruins - Hatoba

Album · 1994 · Metal Related
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siLLy puPPy
While the unhinged drummer Tatsuya Yoshida is often referred to as the Japanese version of Christian Vander for his avant-garde crazed and adrenaline fueled take on Magma's zeuhl contributions to the musical world, on this particular early collection of recordings (1991 - 1993) where he hooked up with experimental and psychedelic noise rocker Omoide Hatoba, he created a very, very strange and bizarre album that will surely leave anyone who dares to enter these realms with the lingering question of if most of this could actually be called music! While zeuhl rhythms dominate the majority of RUINS releases, on this one it is the pure essence of noise rock laced with the extreme and utmost experimental features that could leave the uninitiated running away in sheer terror. On this release there is no doubt that RUINS (sometimes referred to as RUINZHATOVA) runs side by side with label mates the Boredoms in creating the most bizarre and extreme sonic expressions possible all the while maintaining a humorous journey through the unexpected. If you think RUINS in general produces some of the most asymmetric angular bizarreness in the experimental rock world on their "normal" albums then you really need to check out this freak-a-zoid world of the oblique and free form psychosis rock that equally eschews the norms at every step similar to the early Boredoms albums while worshipping the cult of unconventional and placing pandemonium on center stage with a crown royale gracing its riotous presence.

This album is (for the most part) a series of short attitude filled with short punk (in attitude) mode tracks that come and go rather quickly most lasting less than a minute but some reaching the unthinkable three minute mark. Sometimes some thrash metal is added, sometimes weird sound effects, but always highly unstructured musical creations that offer glimpses into the musical ward of an insane asylum but somehow always finding a glimmer of resolution. Graced with ridiculous track titles like "Macrocosmic Microcassette," "We Are All Frozen Stiff," "United States Of Stink Bug," "Geeg Geeg Geeg," the short but sweet post-punk meets avant- prog tracks that deliver all kinds of bizarre twists and turns ranging from funk guitar to chanting to heavy distorted punk / thrash guitar to acoustic psychotic folk that makes me think of Tiny Tim during an acid trip. Everything about this album is meant to be jarring as one idea simply harpoons the previous down. While not quite to the level of early Boredoms where things change by the second, this callithump of creativity at least has the decency of staying somewhat stable for enough time to grasp what is going on.

While the first 25 tracks are an interesting sonic rotisserie of one bizarre idea after another, the true test of the listener's patience comes from the very last track "Rock + 1 (Challenge Your Face)" which lasts a staggering 24 minutes and 51 seconds! This is a true shocking contrast to the in-yer-face punk fueled shorter tracks that make up the first half of the album. The last track could possibly qualify as the most unlistenable piece of, a hem, "music" ever recorded down to tape (as it was in 1991 when this was recorded). This long and surprisingly LOOOOONG track is nothing more than a totally bizarre and wild a cappella ride that has the pseudo-form of creating melodies that has many vocal parts delivering the most bizarre interpretations of monkeys, dog wining and chicken clucking. It goes on for a staggering 20 minutes adding counterpoints and occasionally bizarre and weird echo effects. It's the kind of stuff you can't believe you are hearing! After those 20 minutes, it actually does some weird instrumental things and then turns into the first track of the first album by Italian avant-garde jazz fusionists Area ("Luglio Agosto Settembre Nero")

Just when you think it will never end, it does. This album is definitely a 10 out of 10 on the experimental bizarre-omater. It challenges all notions of what music is. It disturbs the senses like an atheist at a sacred religious ritual. It is Copernicus to the Catholic Church. It's just wild. It all sounds like a fun-fueled event that was caught on tape and subsequently released to the public. Everyone on board is having a very good time as evidenced by the laughter on board. This is free form rock of the highest degree with a healthy dose of Zappa humor on board despite the desire to utterly eschew every orthodox rule of established rock ethics. This is a must hear but will hardly be something that demands repeated listening, however there is something subtly addictive to this if you are an adventurous music lover and i would highly recommend this for everyone to at least check out once. While hardly essential, it is nonetheless strangely satisfying for those seeking out the most bizarre and heterodox musical creations to be heard.

RUINS II

EP · 1987 · Metal Related
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siLLy puPPy
RUINS released their second EP a year after the first and doubled the length by upping the time length to over 20 minutes! They also changed up their sound quite a bit. This begins totally different as it has a mix of melodic bass lines that have a rather subdued effect although the drums are chomping at the bit for a major energy explosive release. After the short opening “Human Being” which belies their true nature, the appropriately titled “Entropy” unleashes the full RUINS effect with Kimoto Kazuyoshi abusing his bass and Tatsuya Yoshida going wild on his retrospective drum kit. Both men scream and holler like animals being violated in test labs and the mix of chaotic zeuhl rhythms and avant-punk chaotic dissonance destroy the musical landscape like a tsunami erasing entire coastal villages.

The main difference between the first EP and RUINS II is that this one has more moments of reflection and contrast in the form of straight forward melodic and rhythmic intros and snippets of sanity between the free-for-all noise rock meets avant-prog and zeuhl rhythms although they are short and to the point but at least recalibrate the listener’s perception before taking the chaotic train to nowhere. The slower parts are much more in line with noise rock bands like Sonic Youth or The Jesus Lizard despite the wild and unhinged vocals but when the duo jump into the swirling eddies of brutal avant-prog they create a maelstrom of time sig tornadoes and unrelenting brutality that the listener finds difficult to believe that only two guys are creating. RUINS II is a step up from the debut in that it has more layers of sound, more diverse musical approaches and is slightly more accessible but still would be deemed extreme noise by the uninitiated who happened upon this.

Although origianally a 10 track EP, it has been released on CD with 19 extra tracks under the titled "Ruins II & 19"

RUINS Ruins

EP · 1986 · Metal Related
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siLLy puPPy
Although intended to be a power trio the Japanese band RUINS (there’s an Australian band of the same name) ended up as consisting of only two members: drummer/vocalist Tatsuya and bassist of which there have been four in the history of the band. On this debut EP that to date has only been released on 7” vinyl finds Kawamoto Hideki handling bass duties. Therefore there is no guitar to be heard but rather a cacophonous noise rock production that utilizes the Magma inspired zeuhl rhythms as inspiration but at this point these guys were into free improvisation with highly distorted bass tones, frenetic brutal prog workouts and screamed, shouted and screeched lyrics that were created in their invented language (the Magma connection runs deep).

On this short but sweet debut release that came out in 1986 they manage to cram six tracks into a 10 minute and 17 second release. The whole thing comes off as an avant-punk type of sound actually as the bass gallops so fast that it sounds like a guitar frenzy at times and some of the rhythms remind me more of a Dead Kennedys on speed than anything Christian Zander pumped out however the Magma influences are quite pronounced in the vocals even if the blatant instrumental aspects hadn’t quite conjured up the sophistication to evoke their favorite prog superstars. RUINS is the logical beginning of this band that has always been about speed, distortion and avant-bravado. This EP was never released on CD but is on YouTube and many of the tracks are on the compilation “1986-1992” however “Crisis,” “Catastrophe” and “Nocturne,” half the EP is missing. This is decent but nothing totally unexpected or overly different than their more easily obtainable 90s releases.

metal related movie reviews

PORCUPINE TREE Arriving Somewhere...

Movie · 2006 · Metal Related
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Warthur
Focusing on the more metal-oriented material from Deadwing and In Absentia - though notably steering it back in a more rock-oriented direction in order to allow this material to sit a little more comfortably beside the "indie prog rock" stylings of Stupid Dream, Lightbulb Sun and Recordings (picks from all of which surface here). Fans of their earlier psychedelic and space rock styles might be disappointed that those aren't represented, but on the plus side there's a liberal sprinkling of rarities here such as the glorious Buying New Soul as well as Revenant, So-Called Friend and Mother and Child Divided, those three songs having only appeared on various special editions of Deadwing. Not the definitive Porcupine Tree live experience, but a pretty decent one nonetheless.

RIVERSIDE Reality Dream

Movie · 2009 · Metal Related
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progshine
My polish girlfriend gave me this DVD on my anniversary in May, I really didn't know what to expect of the band live cause I only knew their studio recordings. Like I always do, I watched the bonus DVD first, I like to see backstage footage, interviews and extras much more than the proper live presentations on most of the time (maybe the only exception is Live At Wembley by QUEEN).

The first DVD is the show itself, and it's a very good recording, both audio and video, and seeing them live male me wonder how good is Mariusz Duda, cause as a bass player myself, I know how hard is to play some lines while you sing, Mariusz dows a fantastic work live, as the whole band.

I think it's a great buy for any prog rock fan, this polish band deserves more light on our '70's' world.

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