Goregrind

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Goregrind is a genre mixing Death Metal and Grindcore. Bands playing in this style feature extremely violent or medical terminology for lyrics, extreme, and for artwork (often times very real pictures), a deviation from the political messages of most Hardcore bands, and many bands make use of pitch shifted or extremely low guttural vocals. The credit for the first Goregrind band goes the United Kingdom's Carcass, formed in 1985 who's debut Reek Of Putrefaction became a favourite of DJ John Peel. Other notable early Goregrind acts include Sweden's General Surgery formed in 1988, United States' Impetigo formed in 1987, and the Netherland's Last Days Of Humanity formed in 1989.

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EXHUMED Gore Metal Album Cover Gore Metal
EXHUMED
3.92 | 6 ratings
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PARACOCCIDIOIDOMICOSISPROCTITISSARCOMUCOSIS Satyriasis and Nymphomania

Album · 2002 · Goregrind
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Vim Fuego
See that splattery carcass on the front cover? How do you feel looking at it? If you feel revulsion or disgust, look no further. You won’t like this at all. If you’re curious or morbidly drawn to it, this could be of interest. If you’re sexually aroused, then you have some serious problems, and this is a great soundtrack for a date.

Paracoccidioidomicosisproctitissarcomucosis is a couple of noisy Mexicans who love mixing gruesome gore with sadistic sex. While many would say the only remarkable thing about the band is their lengthy name, goregrind/pornogrind fans have a bit of a soft spot for these cheerful chaps. Ginecologic Cryptococcidioidomicosis (better known as Isaac to his Mum) on drums, vocals, and intro samples, and Infection Cutane and Sensational Genital (called Hugo when he’s down the pub) on guitars, bass, and vocals play noisy, downtuned, sludgy, amorphous grindcore. The aim of this music seems to be to play seemingly random rhythms as fast as possible, while simultaneously filling as many bass frequencies as possible with gargling, throbbing, beautiful noise. Thousands of bands the world over do it. Some do it better, a lot do it worse. The important thing is at least they are doing it.

So, once you get past the gaping chest cavity on the front cover, the CD inside is covered with intestines. Take it out and you reveal a collage of sexual horrors on the back inlay, which include gaping orifices, multiple organs, bodily fluids, and various glorious, sickening perversions. Packaging and presentation is a big thing with this style of music. If you’re going for disgusting, you need gross in as many elements as possible.

Oh yeah, there’s some music here too.

First off, there’s an intro called “Toward The Apocalipsex”, to lull the unwary into a false sense of security. It’s a little unexpected, combining despairing cries with acoustic. This is well executed for a band playing in a genre often known for endless churning distorted chords, rather than finger picking.

It leads into second track “Uruporfironogenodescarboxilandome Y Pustulandome Con Tu Anorgasmia Exaclorobencenosisticarial Sexo Traumatizante” (I love copy and paste with these song titles!), which starts with a movie soundtrack sample combining shagging and slaughter before the music bursts forth in all it’s filthy glory. Often bands of this ilk can’t write a riff to save themselves, and cover their deficiencies with incessant grinding, persistent blast beats, and as much gutturality (is that a word? Fuck it, it is now!) as possible.

Paracoccidioidomicosisproctitissarcomucosis set themselves apart by crafting a lot of memorable riffs, although the riffs don’t exactly shine through the musical murk, and the song construction seems somewhat haphazard. The top end is also not neglected, with plenty of squeally guitar silliness that isn’t exactly leads or solos, but the icing on the top.

The lyrics are rendered indecipherable through a combination of lengthy medical terminology, distorted, garbled vocals, and Spanish. Hey, I’m not being discriminatory here. I’m sadly monolingual, but I’m betting even a dedicated Mexican grind lover couldn’t tell you what was being growled here.

Third track “Grotesque Mucopurulence (Disgorge's Sensation)” throws in something a little different. The vocals are indecipherable English this time.

By now it should be obvious what the remaining tracks are going to sound like. Rather than list all ten with their medically improbable names, describe the disturbing samples, and attempt to explain what differentiates one song from the next, it is easier to say the band has a formula, but this is not formulaic. These guys know what sort of noise they like to make, and are pretty fucking good at it.

This music is underground for a reason. If you’re feeling brave or adventurous, exhume and enjoy. If you’re struggling to keep your lunch down, no one will think less of you for it. And if you’ve been whacking off whilst listening to this, I really don’t want to know what sort of porn you have on your hard drive.

CARCASS Reek of Putrefaction

Album · 1988 · Goregrind
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siLLy puPPy
While the 80s was finding heavy metal to be catching on amongst the public, a few sick minds were going places that Mötley Crüe and Bon Jovi wouldn’t have dared! As thrash, death and doom metal were in their nascency, so too was another fledgling subgenre in the metal universe. Coming out of the same English city as the Beatles, Liverpool was a much grimier place than in the 60s and the members of CARCASS were busy stitching together all the most extreme elements of thrash, noise rock and hardcore punk to create their new uneasy listening experience. Although their early pioneering sound has been tagged as splatter death metal, hardgore and goregrind, the style has become universally known as grindcore, and just one look at the album cover collage of autopsy photos of their debut album REEK OF PUTREFACTION is enough to signal a very sick and disturbed musical experience awaits whoever dares play this one!

The band’s roots go back to the days when Bill Steer (guitarist) and Ken Owen (drummer) played together in a school band which led to Steer joining the D-beat punk band Disattack. After a few lineup changes in Disattack, the band changed its name to CARCASS but kept a lot of the punk influences as they sashayed their aggressive noise into metal territory. The new style was fairly original at the time with only Napalm Death even close to where they were going. Their debut album REEK OF PUTREFACTION perfectly displays a midway point between the hardcore and crust punk in the vein of Discharge alongside other angry punk rockers of the early 80s with the early old school death metal sounds that were emerging from the other side of the pond. REEK OF PUTREFACTION was an instant hit on the UK Indie Chart and thus CARCASS was one of the pioneering bands for ushering in a whole new wave of extreme metal above and beyond the more mainstream metal bands dominating the pop charts.

REEK OF PUTREFACTION is one of those albums that i have a love / hate relationship with. On one hand i totally dig the complete anarchic musical experience that has been laid down. The birth of grindcore was a messy affair with the lo-fi indie underground production values made all the more filthy sounding via down-tuned guitar abrasiveness, overdriven bass and blastbeat drum freneticism. The tempos can be blitzkrieg lightning fast or sort of meander on slow burn. Borrowing from the punk playbook, CARCASS adopted the “microsong” approach with no less than 22 songs laid out in the short playing time of 39min 47sec. I also totally love the beautifully titled “Genital Grinder,” “Maggot Colony,” “Microwaved Uterogestation” and “Manifestation Of Verrucose Urethra!” Oh, it’s just so wrooooong, but in a right way ;) On the second hand, REEK comes off as a grandiose experiment that was meant to create a certain reaction but doesn’t quite leave an invitation for repeated visits. Innovative for sure, pleasurable rarely. Luckily CARCASS would continue to evolve and soon become one of the most memorable melodic death metal bands of the 90s but for album number one, a quite memorable but only occasional interesting listening experience.

IMPETIGO Buio Omega

EP · 1991 · Goregrind
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UMUR
"Buio Omega" is an EP release by US, Illinois based goregrind act Impetigo. The EP was originally released on 7" vinyl through the The Whisper In Darkness label in 1990. "Buio Omega" bridges the gap between the band´s debut and 2nd full-length studio albums "Ultimo Mondo Cannibale (1990)" and "Horror of the Zombies (1992)". Impetigo were formed in 1987 and released a couple of influential demos in the late 80s. They are often mentioned among the seminal US goregrind acts.

It´s probably wrong to call an act, that is widely considered seminal in their sub genre, generic and lacking an original sound, but that´s more or less how I would describe Impetigo on "Buio Omega". The music, on the 4 track, 10:07 minutes long EP (All tracks were featured in their original versions on "Ultimo Mondo Cannibale (1990)"), is strongly influenced by the early releases by Carcass and I think I hear a couple of nods toward early Napalm Death too. Because of the goregrind image and lyrics Carcass predominantly comes to mind. Impetigo generally have a more humourous B-Horror movie way of writing lyrics which is also obvious from reading song titles like "Dear Uncle Creepy" and "Bitch Death Teenage Mucous Monster From Hell". Although this is undeniably gory and vile, it´s also supposed to be fun (in a bizarre way).

The musicianship are generally sloppy and the material sounds like it´s primarily written for shock value rather than for cathiness or longivity. The sound production makes the music sound muddy, dark, and noisy. The vocals are loud in the mix and vary between unintelligible deep growling, more aggressive intelligible growling, and higher pitched screaming. The pace varies between slow parts and eruptions of blast beat sections. Very noisy and unless you are into this type of goregrind also a bit hard to appreciate. Impetigo may be a seminal act on the US goregrind scene, but they quite frankly sound amaturish and I´m on the verge of calling this a poor release. I´ll settle with a 2 - 2.5 star (45%) rating and recommend that you listen to other US goregrind acts from that era before this one. Acts like Repulsion and Nuclear Death come to mind.

REGURGITATE Carnivorous Erection

Album · 2000 · Goregrind
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aglasshouse
MMA Reviewer's Challenge: Album Selected by Vim Fuego.

OKAY WAIT. HEAR ME OUT.

This one might be a bit...odd, so just stick with me.

Grindcore is an interesting genre to tackle. It's kind of like that drunk and filthy uncle you see stumbling in your front yard during a family reunion, who no-one in your family really wants to recognize but who's still been there as far back as you can remember and can't really do much about. But musically, Grindcore is a disturbing genre -- you take the dark, occultic roots of 70's metal (à la Sabbath) and boil it down until you get the most heinous and sickening components. All packed into these bite-sized songs (at only 1-2 minutes in length, many times even less) all with an almost overwhelming level intensity and brutality.

But what if we took it one step further, you ask. What if we took this genre that already revels in it's own depravity, and make it even uglier? Enter "goregrind", a genre often thought to have been debuted by Carcass back in 1988 with their album Reek of Putrefaction. Now this is the REAL abhorrent stuff, as in "make your supposedly edgy-music-loving friend keel over and die" abhorrent. Carcass was not the only band to bear the title of goregrind, however. Bands like Exhumed, Impetigo, and Haemorrhage began crawling out the woodwork in mass exodus in the late 80s and early 90s. Goregrind gained it's own following separate from it's parent sub-genre, as people were enthralled by the flippant use of down-tuned guitars and cheesy horror themes. One of the more popular of these bands was none other than Sweden-based Regurgitate.

Regurgitate made their first entrance onto the scene in 1991 with their demo, but didn't really make a breakthrough until their debut studio album, Effortless Regurgitation of Bright Red Blood (...), in 1994. This release was disturbing enough on it's own, but the real treat didn't come until about 6 years later. "But Thatcher," you ask, "how would they even be able to top that debut? What more could they do?" A lot more, it turns out. Carnivorous Erection was the name of Regurgitate's sophomoric release in 2000, on the dawn of the new century. Grindcore was and still is a popular genre, but it was still at it's zenith around this time. So this admittedly exploitative piece of history came out around the perfect time.

As you might have guessed, Regurgitate are not the most subtle bunch, and it's clear in their choice of cover art and in their music. What they display on this release is nothing short of the musical equivalent of death by a thousand cuts (or in this case, 38), and I wouldn't be surprised if someone would be put off by it. Hell, I'm still a bit uncomfortable, and I've listened through it dozens of times. But Regurgitate's work is not without merits, as they do put on quite a show. Jocke Pettersson (skins) in particular is the highlight of the album, and his pure ferocity and speed is extremely entertaining even with the sometime aggravating heading music. The Swedes especially hit their mark when they slam out an incessantly groovy crunch such as on, ahem, 'Fecal Freak'. But a very glaring problem with this release is the "vocal" work by Rikard Jansson. Now don't get me wrong, this isn't exactly my first tango with grindcore, as I'm a huge fan of fellow Swedish grinders Nasum, and I'm very familiar with their screaming vocal style. However Regurgitate and Jansson opt for this sort of watery death rattle. Might sound cool? Perhaps maybe used once, but it's on every single track, incessantly gurgling, sometimes ruining what could be a very powerful and exciting time. I know Regurgitate's sole purpose here is to shock, but there is a clear cut difference between shock and just being plain annoying.

There's really not much more to say about this one. Carnivorous Erection is a trip, sure, and I had quite a bit of fun on a few of the tracks, but isn't nearly as fun as some other grindcore or even goregrind acts I've come across. "Good, but non-essential" is a perfect phrase to summarize. I'm off to go rest for a bit.

REGURGITATE Demo '91

Demo · 1991 · Goregrind
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Vim Fuego
From small beginnings, great things come. Or something like that.

Regurgitate’s first demo, recorded in 1991, contained eleven songs, and was recorded as a two piece. As you’d expect from a grindcore demo of that age, the sound quality is pretty rough, especially the vocals from Rikard Jansson, which often seem to be the final element to fully develop in a grindcore band’s sound. He got the full-on throat shredding gargle/roar going right from the start though. There might be lyrics. Who can tell? There are definitely the old well-worn gory song titles though, like “Cadaveric Dissolution”, “Matted Fungus” and the somewhat disturbing “Disinterring Urine”.

Regurgitate played fast, as you’d expect. However, the guitar sound is reasonably chunky, and there are a couple of decent enough riffs, rather than just a wall of white noise thanks to Mats Nordrup. Mats also played drums in Crematory (Sweden) and legendary gore masters General Surgery. The songs on this demo were also pretty short. None clocks in at over 15 seconds. And there you have the most remarkable thing about this demo- eleven songs, two minutes and eight seconds. It seemed like Regurgitate were in a hurry to be somewhere else.

There’s not much more to say about this demo. It’s rough, it’s fast, it’s gory, and it shows promise. What more can you expect from a grindcore demo which lasts just over two minutes?

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