Goregrind

MetalMusicArchives.com — the ultimate metal music online community, from the creators of progarchives.com

Goregrind is a genre mixing Death Metal and Grindcore. Bands playing in this style feature extremely violent or medical terminology for lyrics, extreme, and for artwork (often times very real pictures), a deviation from the political messages of most Hardcore bands, and many bands make use of pitch shifted or extremely low guttural vocals. The credit for the first Goregrind band goes the United Kingdom's Carcass, formed in 1985 who's debut Reek Of Putrefaction became a favourite of DJ John Peel. Other notable early Goregrind acts include Sweden's General Surgery formed in 1988, United States' Impetigo formed in 1987, and the Netherland's Last Days Of Humanity formed in 1989.

goregrind top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

EXHUMED Gore Metal Album Cover Gore Metal
EXHUMED
3.92 | 6 ratings
Buy this album from MMA partners
This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

goregrind online videos

goregrind New Releases

.. Album Cover
Mean Road Crew
Single
TU CARNE
Buy this album from MMA partners
.. Album Cover
2 Great Blood Horrors
Split
TU CARNE
Buy this album from MMA partners

goregrind Music Reviews

ШУМОВАЯ ЭКЗЕКУЦИЯ Pedicabo Ego Vos et Irrumabo

Album · 2011 · Goregrind
Cover art Buy this album from MMA partners
siLLy puPPy
When wading through the sea of mediocrity with bands that fall into the slam death metal, brutal death metal and grindcore derived camps, it’s always nice to discover a diamond in the rough. More often than not these styles of extreme metal are one-dimensional and treat the music as a competition as would an olympic athlete with the sole focus of making louder, harder, faster and more grotesquely brutal sounds than everyone else. So it’s always a joy to find an album that not only exercises those very athletic abilities of the musicians but also pays attention to making the album interesting!

Sometimes an interesting act comes from a ridiculous unknown setting on planet Earth and that’s exactly the case with ШУМОВАЯ ЭКЗЕКУЦИЯ (shoo-MO-ba-ya ehk-zeh-KOO-tsee-uh) which means The Noise Execution in English. This band formed in 2006 in the extreme western part of Kazakhstan in the mining city of Aktau which sits on the shores of the Caspian Sea. This city that no one has heard of is primary known for its unique block address system where no streets have names and instead addresses only consist of three numbers which is also known as the micro-region block system. But i digress. Apparently this city has angsty youth who want to bang their fucking heads and that’s exactly what this brutal death metal / goregrind group of noisemaking boyz is all about.

The band was formed in 2006 from the ashes of two local bands called Inferno and Endless Maze. The two masterminds of Artem Cheremiskin (vocals, guitars, drum programming) and Vasily Shmelev (bass) have been the main instigators of these brutal sonic assaults. The band released two demos and two EPs before unleashing this noisy debut full-length album PEDICABO EGO VOS ET IRRUMABO which charmingly translate from Latin into “Fuck You Both.” Bwa hahahaha! The band’s lineup was cemented by the time this came out in 2011 and included Artem “Dying Pigus” Goregrinder (vocals, guitars, drum programming), Vassilly “Bass in Face” Punisher (bass), Allen “Speed As Fuck” GUTerrorist (guitars) and DimAnus “Hair Smashed Face” Smoke on vocals. And yes, the music is as fucking crazy as the member’s names.

This is a short album that just squeaks over the 26 minute run but for this style of aggressive and over-the-top incessant rampage of sound, it’s about the right length. Things start off with full bombast that find the rampaging guitar riffs accompanied by pig squeals and deep guttural growls that find that happy zone somewhere between slam death metal and goregrind. The tracks are never very long with only a couple reaching over three minutes. Once again perfect for the densely packed freneticism that occupies almost every moment of this album but the ALMOST part of that statement is what makes this album interesting. True that ШУМОВАЯ ЭКЗЕКУЦИЯ demonstrates a fairly established version of goregrind for the album’s run but it’s the little things that are added to the mix that make this one fun to listen to.

Firstly, there’s a call and response between the guttural growls and the pig squeals so it’s kind of a beast and the beast sort of affair but it’s most rooted in death growls. Secondly, there are all kinds of other styles of metal involved. There are hairpin turns that drive into thrash metal riffing, crust punk, neoclassical guitar solos (think moments of Necrophagist) and weirdest of all a few times when the metal is dropped for some kind of avant-garde jazz with reggae beats most prominently at the end of “Изуродованная блядь.” These surprises are usually brief but effective in catching you attention as even the most brutal metal can be hypnotizing if it’s a one-trick pony the entire duration. Personally i’m lovin’ this one quite a bit. It has all those über-brutal elements of death and core metal but finds enough creative fortitude to mix in myriad elements of surprise. Aktau, Kazakhstan makes good metal. Whodda thunk it?

PARACOCCIDIOIDOMICOSISPROCTITISSARCOMUCOSIS Satyriasis and Nymphomania

Album · 2002 · Goregrind
Cover art Buy this album from MMA partners
Vim Fuego
See that splattery carcass on the front cover? How do you feel looking at it? If you feel revulsion or disgust, look no further. You won’t like this at all. If you’re curious or morbidly drawn to it, this could be of interest. If you’re sexually aroused, then you have some serious problems, and this is a great soundtrack for a date.

Paracoccidioidomicosisproctitissarcomucosis is a couple of noisy Mexicans who love mixing gruesome gore with sadistic sex. While many would say the only remarkable thing about the band is their lengthy name, goregrind/pornogrind fans have a bit of a soft spot for these cheerful chaps. Ginecologic Cryptococcidioidomicosis (better known as Isaac to his Mum) on drums, vocals, and intro samples, and Infection Cutane and Sensational Genital (called Hugo when he’s down the pub) on guitars, bass, and vocals play noisy, downtuned, sludgy, amorphous grindcore. The aim of this music seems to be to play seemingly random rhythms as fast as possible, while simultaneously filling as many bass frequencies as possible with gargling, throbbing, beautiful noise. Thousands of bands the world over do it. Some do it better, a lot do it worse. The important thing is at least they are doing it.

So, once you get past the gaping chest cavity on the front cover, the CD inside is covered with intestines. Take it out and you reveal a collage of sexual horrors on the back inlay, which include gaping orifices, multiple organs, bodily fluids, and various glorious, sickening perversions. Packaging and presentation is a big thing with this style of music. If you’re going for disgusting, you need gross in as many elements as possible.

Oh yeah, there’s some music here too.

First off, there’s an intro called “Toward The Apocalipsex”, to lull the unwary into a false sense of security. It’s a little unexpected, combining despairing cries with acoustic. This is well executed for a band playing in a genre often known for endless churning distorted chords, rather than finger picking.

It leads into second track “Uruporfironogenodescarboxilandome Y Pustulandome Con Tu Anorgasmia Exaclorobencenosisticarial Sexo Traumatizante” (I love copy and paste with these song titles!), which starts with a movie soundtrack sample combining shagging and slaughter before the music bursts forth in all it’s filthy glory. Often bands of this ilk can’t write a riff to save themselves, and cover their deficiencies with incessant grinding, persistent blast beats, and as much gutturality (is that a word? Fuck it, it is now!) as possible.

Paracoccidioidomicosisproctitissarcomucosis set themselves apart by crafting a lot of memorable riffs, although the riffs don’t exactly shine through the musical murk, and the song construction seems somewhat haphazard. The top end is also not neglected, with plenty of squeally guitar silliness that isn’t exactly leads or solos, but the icing on the top.

The lyrics are rendered indecipherable through a combination of lengthy medical terminology, distorted, garbled vocals, and Spanish. Hey, I’m not being discriminatory here. I’m sadly monolingual, but I’m betting even a dedicated Mexican grind lover couldn’t tell you what was being growled here.

Third track “Grotesque Mucopurulence (Disgorge's Sensation)” throws in something a little different. The vocals are indecipherable English this time.

By now it should be obvious what the remaining tracks are going to sound like. Rather than list all ten with their medically improbable names, describe the disturbing samples, and attempt to explain what differentiates one song from the next, it is easier to say the band has a formula, but this is not formulaic. These guys know what sort of noise they like to make, and are pretty fucking good at it.

This music is underground for a reason. If you’re feeling brave or adventurous, exhume and enjoy. If you’re struggling to keep your lunch down, no one will think less of you for it. And if you’ve been whacking off whilst listening to this, I really don’t want to know what sort of porn you have on your hard drive.

PHYLLOMEDUSA Phyllomedusa, The Destroyer

EP · 2017 · Goregrind
Cover art Buy this album from MMA partners
Vim Fuego
Ever listened to a harsh noise or grindcore demo and wondered how the musician... no, performer, because this may not be music, is actually making those hideous/beautiful sounds? Have you considered what instruments might actually be involved? Is this created by over-amplified, distorted strings, or by some evil Dr Frankenstein electronic circuit soldered together with crowbars? And is that a human voice, altered beyond bestial into impure noise too dirty to be called white? Drums or machines? Are the microphones used in the recording process broken, or can human-created devices tolerate such stresses far beyond the red-line? Is this just the hideous nightmare outpourings of a cybernetic entity spontaneously formed inside a labyrinthine silicon chip?

In short, have you ever wondered where the boundary between noise and music is?

Here it is, right here.

Don’t try to understand or interpret “Phyllomedusa, The Destroyer”. Like quantum physics, it just is, and it’s beyond the understanding of most humans. There are two correct responses. The first, and more usual, is to recoil like pain receptors flinching from a flame. The other is to seek more, yearning for further stimulation of already overloaded pleasure sensors, like an overdosing addict knowing death will result but plunging the needle ever deeper in search of that elusive final apocalyptic high.

Few will tolerate this. Fewer still will find gratification. But which urge is stronger- fear of the potentially unpleasant and painful, or the desire and drive of Sacher-Masoch’s perversion?

PHYLLOMEDUSA Spikeballs & Monklets (CxBxFxIxHxFxLxFxRxE Vs Phyllomedusa)

Split · 2017 · Goregrind
Cover art Buy this album from MMA partners
Vim Fuego
If a frog croaks in the swamp and nobody hears it, did it really make a noise at all? The answer to this slight rephrasing of George Berkeley’s 1710 philosophical though experiment is “fuck yeah”, but the more important question is if that croak was “Spikeballs & Monklets (CxBxFxIxHxFxLxFxRxE Vs Phyllomedusa)” would anyone really want to hear it?

There’s really only one reason most people would ever attempt listening to this split shared between CxBxFxIxHxFxLxFxRxE and Phyllomedusa, and that is to hear one of the oddest covers of Blondie’s “One Way or Another” ever recorded, distorted into a weird mass of grind, sludge, and noise. That comes later, but first, the rest of the album.

Catastrophic Blunt Force Intracranial Haemorrhage Fluid Leaking from Ruptured Eardrums, or CxBxFxIxHxFxLxFxRxE is actually a far more entertaining name than the music. Their contribution to this split seems to be their first release. “Removing the Limbs of Sacrificial Bodies, Displaying the Gastrointestinal Tract from Esophagus to Anus, Hanging in the Trees, the Skin Stripped from the Heads, Lifted Above the Leaves, Blood Dripping to the Forest Floor in Praise of the Great Beelzebufo” (and I’m not writing out that fucking title again!) is a nine minute song, of sorts. It has a comedy intro about toad breeding, before descending into a formless mush of pingy snaredrums, blown out bass, and gargled vocals. Sir David Attenborough even puts in a guest appearance. It seems like the performers are not in the same time continuum, so it’s a bit chaotic. Listening to the full track is something of a feat of endurance. If you get to the end, congratulations! You haven’t actually achieved anything, but at least the racket has stopped.

Pyllomedusa’s lone amphibiphile big frog regularly burps forth frog fancying anthems of wildly varying quality and genre, depending on the species of toad he’s been licking. A majority of his releases are noise for noise’s sake. There might be instruments, or even some element of performance involved, but who can tell. At his most awe inspiring, he spawns sludge so thick and deep it would swallow Mastodons and Iron Monkeys. And in between the two, he can be a one man grindcore battering machine. “Spikeballs & Monklets” falls somewhere between sludge and grind, a stinking swampy mess unique to Phyllomedusa. It is so DIY you can almost see the bent nails and hammer marks where big frog has knocked this all together by himself.

The biggest problem with big frog’s musical output is the lack of variety. The lo-fi recording process means the first song generally sets the tone for the album, and you are going to get several versions of the same song over and over. “Coat The Globe In Toxoid Calamity (Uninjurious To Lissamphibia)” is a thunderous sludge/grind monstrosity. So is “Spikeballs And Monklets (Ephippibane)” and “Browning Of The Bottom Right”, and the next two tracks too. Unfortunately, the tempo hardly varies, the vocals are throat-shreddingly awesome, but totally indecipherable, and the guitars too indistinct for it to matter if there are even riffs involved.

But then along comes the Blondie cover. “One Way Or Another, I'm Going To Kill You” (see what he did to the title there?) is instantly transformed from kitschy New Wave schlock rock into a psychopathic sludge serenade. The bouncy, poppy main hook of the song is hung, drawn, and quartered, becoming a mechanized torture device. Debbie Harry’s laconic vocals are replaced by the gargled, grunted roar of a t-rex with a throat infection. Forget fictional monsters like Godzilla. big frog is a real, live sociopath hell bent on the destruction of mankind for the sake of the amphibians.

This ugly, noisy mess can be listened to for free, and to be honest, it needs to be that price. It was also released on CD, limited to 50 copies, but it would be an extremely dedicated grindcore collector who shelled out for it. As a whimsical mud encrusted, distortion soaked curio though, it might be worth a listen for someone with half an hour to spare and a very open mind.

https://phyllomedusa.bandcamp.com/album/spikeballs-monklets-cxbxfxixhxfxlxfxrxe-vs-phyllomedusa

CARCASS Reek of Putrefaction

Album · 1988 · Goregrind
Cover art Buy this album from MMA partners
siLLy puPPy
While the 80s was finding heavy metal to be catching on amongst the public, a few sick minds were going places that Mötley Crüe and Bon Jovi wouldn’t have dared! As thrash, death and doom metal were in their nascency, so too was another fledgling subgenre in the metal universe. Coming out of the same English city as the Beatles, Liverpool was a much grimier place than in the 60s and the members of CARCASS were busy stitching together all the most extreme elements of thrash, noise rock and hardcore punk to create their new uneasy listening experience. Although their early pioneering sound has been tagged as splatter death metal, hardgore and goregrind, the style has become universally known as grindcore, and just one look at the album cover collage of autopsy photos of their debut album REEK OF PUTREFACTION is enough to signal a very sick and disturbed musical experience awaits whoever dares play this one!

The band’s roots go back to the days when Bill Steer (guitarist) and Ken Owen (drummer) played together in a school band which led to Steer joining the D-beat punk band Disattack. After a few lineup changes in Disattack, the band changed its name to CARCASS but kept a lot of the punk influences as they sashayed their aggressive noise into metal territory. The new style was fairly original at the time with only Napalm Death even close to where they were going. Their debut album REEK OF PUTREFACTION perfectly displays a midway point between the hardcore and crust punk in the vein of Discharge alongside other angry punk rockers of the early 80s with the early old school death metal sounds that were emerging from the other side of the pond. REEK OF PUTREFACTION was an instant hit on the UK Indie Chart and thus CARCASS was one of the pioneering bands for ushering in a whole new wave of extreme metal above and beyond the more mainstream metal bands dominating the pop charts.

REEK OF PUTREFACTION is one of those albums that i have a love / hate relationship with. On one hand i totally dig the complete anarchic musical experience that has been laid down. The birth of grindcore was a messy affair with the lo-fi indie underground production values made all the more filthy sounding via down-tuned guitar abrasiveness, overdriven bass and blastbeat drum freneticism. The tempos can be blitzkrieg lightning fast or sort of meander on slow burn. Borrowing from the punk playbook, CARCASS adopted the “microsong” approach with no less than 22 songs laid out in the short playing time of 39min 47sec. I also totally love the beautifully titled “Genital Grinder,” “Maggot Colony,” “Microwaved Uterogestation” and “Manifestation Of Verrucose Urethra!” Oh, it’s just so wrooooong, but in a right way ;) On the second hand, REEK comes off as a grandiose experiment that was meant to create a certain reaction but doesn’t quite leave an invitation for repeated visits. Innovative for sure, pleasurable rarely. Luckily CARCASS would continue to evolve and soon become one of the most memorable melodic death metal bands of the 90s but for album number one, a quite memorable but only occasional interesting listening experience.

goregrind movie reviews

No goregrind movie reviews posted yet.

Artists with Goregrind release(s)

goregrind Index

Member Zone

Username:
Password:
Stay signed in

Metal Subgenres

Artists Alpha-index

MMA TOP 5 Metal ALBUMS

Rating by members, ranked by custom algorithm
Albums with 30 ratings and more
Master of Puppets Thrash Metal
METALLICA
Buy this album from our partners
Moving Pictures Hard Rock
RUSH
Buy this album from our partners
Rust in Peace Thrash Metal
MEGADETH
Buy this album from our partners
Powerslave NWoBHM
IRON MAIDEN
Buy this album from our partners
Are You Experienced? Proto-Metal
JIMI HENDRIX
Buy this album from our partners

New Metal Artists

New Metal Releases

This Is Rock Hard Rock
GALLOWS POLE
Buy this album from MMA partners
Carcinoid / Gosudar Death Metal
GOSUDAR
Buy this album from MMA partners
Abandon All Faith Death Metal
STRIGOI
Buy this album from MMA partners
Deliver Us Some Evil Deathcore
RAZE YOUR GODS
Buy this album from MMA partners
Noisy Night Fever Deathcore
BROKEN BY THE SCREAM
Buy this album from MMA partners
More new releases

New Metal Online Videos

Broken By The Scream -????????-
BROKEN BY THE SCREAM
Bosh66· 12 hours ago
Broken By The Scream -?????-
BROKEN BY THE SCREAM
Bosh66· 12 hours ago
More videos

New MMA Metal Forum Topics

More in the forums

New Site interactions

More...

Latest Metal News

members-submitted

More in the forums

Social Media

Follow us

Buy Metal Music Online