siLLy puPPy

MMA Special Collaborator · Prog/AG Team
Registered more than 2 years ago · Last visit 6 hours ago

Favorite Metal Artists

All Reviews/Ratings

1115 reviews/ratings
THOUGHT INDUSTRY - Songs for Insects Technical Thrash Metal | review permalink
THOUGHT INDUSTRY - Mods Carve the Pig: Assassins, Toads and God's Flesh Technical Thrash Metal | review permalink
NOKTURNAL MORTUM - Lunar Poetry Symphonic Black Metal | review permalink
CARACH ANGREN - Where The Corpses Sink Forever Symphonic Black Metal | review permalink
KING CRIMSON - In The Court Of The Crimson King Proto-Metal | review permalink
MEGADETH - Rust in Peace Thrash Metal | review permalink
QUEENSRŸCHE - Operation: Mindcrime Progressive Metal | review permalink
INFECTIOUS GROOVES - The Plague That Makes Your Booty Move... It's the Infectious Grooves Funk Metal | review permalink
BEHEMOTH - Demigod Death Metal | review permalink
KYUSS - Welcome To Sky Valley Stoner Metal | review permalink
METALLICA - Master of Puppets Thrash Metal | review permalink
METALLICA - ...And Justice for All Thrash Metal | review permalink
SLAYER - Reign in Blood Thrash Metal | review permalink
DARKTHRONE - A Blaze in the Northern Sky Black Metal | review permalink
BROCAS HELM - Black Death US Power Metal | review permalink
BROCAS HELM - Defender of the Crown US Power Metal | review permalink
BUMBLEFOOT - Ron Thal / Hermit Progressive Metal | review permalink
BUMBLEFOOT - Ron Thal / The Adventures Of Bumblefoot Progressive Metal | review permalink
EDGE OF SANITY - Crimson Melodic Death Metal | review permalink
BUMBLEFOOT - Hands Progressive Metal | review permalink

See all reviews/ratings

Metal Genre Nb. Rated Avg. rating
1 Non-Metal 151 2.95
2 Alternative Metal 120 2.94
3 Progressive Metal 91 3.96
4 Avant-garde Metal 85 3.94
5 Hard Rock 81 3.43
6 Black Metal 62 3.64
7 Metal Related 60 3.42
8 Heavy Metal 52 3.77
9 Technical Death Metal 42 4.00
10 Thrash Metal 30 3.53
11 Proto-Metal 27 3.91
12 Death Metal 26 3.94
13 Folk Metal 15 3.93
14 Glam Metal 14 3.61
15 Power Metal 14 3.79
16 NWoBHM 13 4.15
17 Technical Thrash Metal 13 3.73
18 Industrial Metal 13 3.81
19 Atmospheric Black Metal 13 3.88
20 Death-Doom Metal 12 3.75
21 Atmospheric Sludge Metal 11 4.23
22 Funk Metal 11 4.18
23 Symphonic Black Metal 10 4.20
24 Sludge Metal 9 3.78
25 Doom Metal 9 4.11
26 Hardcore Punk 9 3.50
27 Neoclassical metal 8 3.69
28 US Power Metal 8 3.63
29 Groove Metal 7 3.50
30 Metalcore 7 4.00
31 Brutal Death Metal 7 3.64
32 Mathcore 6 3.92
33 Melodic Black Metal 6 4.17
34 Gothic Metal 6 3.67
35 Grindcore 5 3.40
36 Drone Metal 5 3.50
37 Stoner Metal 5 4.00
38 Speed Metal 4 3.38
39 Symphonic Metal 4 4.13
40 War Metal 4 4.00
41 Depressive Black Metal 4 3.75
42 Heavy Alternative Rock 4 3.50
43 Melodic Death Metal 3 4.17
44 Deathcore 3 2.83
45 Crossover Thrash 2 4.75
46 Funeral Doom Metal 2 4.25
47 Heavy Psych 2 4.50
48 Goregrind 2 2.50
49 Traditional Doom Metal 2 3.75
50 Stoner Rock 2 4.25
51 Nintendocore 1 3.50
52 Nu Metal 1 2.50
53 Pagan Black Metal 1 5.00
54 Pornogrind 1 0.50
55 Rap Metal 1 1.00
56 Trance Metal 1 1.00
57 Viking Metal 1 4.50
58 Melodic Metalcore 1 4.00
59 Metal Related Genres 1 4.00
60 Electronicore 1 2.00
61 Crust Punk 1 2.50
62 Cybergrind 1 3.50
63 Death 'n' Roll 1 3.50
64 Deathgrind 1 3.00

Latest Albums Reviews

MESHUGGAH Contradictions Collapse / None

Boxset / Compilation · 1998 · Technical Thrash Metal
Cover art Buy this album from MMA partners
Combo packs are always cool because more often than not you get a good deal that includes some rare or hard to track down tracks that have been out of print for a while but often such compilations throw you a curve ball by advertising one thing and only delivering an incompletion of the entire package. Such is the case with the 1998 MESHUGGAH compilation that combined the 1991 debut album “Contradictions Collapse” with the following 1994 EP “None.” The original release by Nuclear Blast was only available in digipak but has since been released as a regular CD as well as vinyl 12”.

This compilation contains all eight tracks from the original “Contradictions Collapse” plus the extra track “Cadaverous Mastication” which appeared originally on the debut self-titled EP (also known as “Psykisk Testbild”) but has been tacked on to later versions of MESHUGGAH’s debut full-length album. While this is fine and dandy, what irks me is that the EP “None” only appears with the first four tracks while the fifth “Aztec Two-Step” has been eliminated due to time limits since it skirted close to the eleven minute mark. While some have stated they find the track annoying, i personally love it and find the “None” experience incomplete without it. Other than that the album flows along with both releases appearing in order of original release.

One thing i do appreciate about this combo pack is that it represents in full contrast the great leap of technical prowess that MESHUGGAH undertook during the three year period between. The debut found the band still stuck in their early Metallica worship years with many riffs lifted directly from albums like “Master Of Puppets” and “…And Justice For All” although the band was starting to unleash the latent experimental freakery which at the time was still kept on a leash. The difference between the last track of “Contradictions Collapse” and the leading “Humiliative” from “None” is stark as it clearly displays how progressive, technical and experimental the band had become as it shed its thrash dependencies and sallied forth into the brave new world of djent-ology.

Since “None” is incomplete, this is really just an edition of “Contradictions Collapse” with four bonus tracks but four really good bonus tracks that hopefully will lead to acquisition of the actual EP in its entirety. While many may not really care if a mere one track is missing, especially from an EP which is often regarded as supplemental, then this is not a bad way to go but for me, “None” is the far superior release and deserves to be experienced in its entirety. I understand why these sorts of comps are released considering many wouldn’t bother to track down the EPs that lurk between the cracks but it totally irritates me when such comps represent themselves as being the complete editions at hand but take liberties in editing out relevant material. Oh well.

MESHUGGAH None

EP · 1994 · Progressive Metal
Cover art Buy this album from MMA partners
MESHUGGAH has never been the most prolific of bands and that was quite apparent even in the beginning. While the debut EP emerged in 1989, it took two years to release the first album “Contradictions Collapse” and it would take three more for the next chapter in the MESHUGGAH universe to unfold and with the release of yet another EP in the form of 1994’s NONE, the band took another significant leap into the djent fueled progressive angularity of the future. While clearly rooted in the Metallica leaning origins, by this time the influences are more distant as the band had started to extend past the thrash leanings of Slayer, Metallica and Sepultura.

One of the major differences came in the form of a fifth member as Mårten Hagström joined the team as rhythm guitarist so that Jens Kidman could focus exclusively as vocalist. This minor tweaking of the lineup allowed for a radical change in the band’s direction as not only was Kidman let off the leash to break free from his James Hetfield limitations and expand into new territories but the addition of Hagström’s rhythmic staccato styled riffing was exactly what MESHUGGAH needed to break their infatuation with late 80s Metallica worship. The result is that NONE is really the beginning of the classic MESHUGGAH sound that would only continue to evolve into the surreal avant-metal beast that would be fully unleashed on “Destroy Erase Improve.”

The EP that slightly surpasses the half hour mark starkly contrasts with its predecessor as the opening “Humiliative” begins with surreal spacey effects accompanied by the robotic hypnosis of the classic MESHUGGAH chugs that essentially launched a new guitar style called djent, an onomatopoeia for the distinctive high-grain, distorted, palm-muted, low-pitch guitar sound that debuts right here on NONE’s first track. Despite the thrash leanings still present, they are seriously teased into more inventive creatures with progressive time signatures, innovative guitar soloing and some of the jazz-fusion elements slowly oozing into the band’s overall sound. Add to that there are some seriously adventurous percussive outbursts and bass grooves that deviate from the simpler status quo of “Contradictions Collapse.”

The track “Ritual” debuts the jazz-fusion guitar intros and sounds like the band also went for lower string tunings which results in a darker, more sinister feel. While on this track Kidman does evoke a hint of James Hetfield inspiration, as does the general melodic riff, the band are also displaying how they are separating from the earlier albums by creating a more cacophonous storm of dissonance as the melody is slowly drifting away into a parallel universe and would emerge more disfigured once it arrives on the following “Destroy Erase Improve” album.

While that track and the more Pantera laced groove metal elements of “Gods Of Rapture” connect MESHUGGAH to its trash metal origins, the true leap in innovation comes to fruition on the frighteningly bombastic hypnosis of the near eleven minute closer “Aztec Two-Step” which demonstrates how MESHUGGAH was walking the tightrope between the thrash oriented early releases and the much more experimental and challenging albums to come. The track runs the gamut of tech thrash, progressive djent and delves into weird changes that would be a MESHUGGAH trademark of the future however the lengthy periods of silence at the end are annoying.

NONE was released on both CD and cassette in 1994 but also appeared on the compilation simply titled “Contradictions Collapse & None” however buyer beware! This comp only contains the first four tracks and doesn’t include the most experimental wild ride “Aztec Two-Step” but yet contains the track “Cadeverous Mastication” which wasn’t on the original “Contradictions Collapse” album and only tacked on later. It actually appeared on the debut EP in 1989, so my advice is to seek this one out in its original five track format. NONE is the moment when MESHUGGAH came of age and although not as perfected as what was to come, still signified a band that had shed its love affair with its influences and stepped up to the plate with some of the most bizarre metal to emerge in the early 90s.

MESHUGGAH Contradictions Collapse

Album · 1991 · Technical Thrash Metal
Cover art Buy this album from MMA partners
While many metal bands have spent a career recycling the riffs and musical styles of other artists, some who start out that way actually latch on to their own sound and take the world by storm with innovative and out of the box approaches. Metallica took the world by storm in the 80s as they unleashed a unique mix of thrash metal, classical harmonizing and extreme metal assault and while bands like Testament have been churning out one alternative Metallica album after another for decades, MESHUGGAH on the other hand who started out worshipping the altar of albums like “Master Of Puppets” and “..And Justice For All” moved on into more progressive pastures.

The band was founded all the way back in 1987 by guitarist Frederik Thordendal and vocalist Jens Kidman and were no doubt influenced by the American thrash scene given its world dominating presence. The debut self-titled EP which is also known as “Psykisk Testbild” was the grand declaration that MESHUGGAH had the chops and stamina to be the best Metallica clone in the universe and pulled it off with ease yet it never occurred to the Thordendal and team to include even a lick of originality and despite its best efforts, the band just simply created an alternative universe release that seemed to have been slipped in between the “Masters Of Puppets” and “…And Justice For All” timeline.

Following the short little EP of three track by two years MESHUGGAH finally released their debut album CONTRADICTIONS COLLAPSE in 1991 and at long last started to show a little individuality as the band ratcheted a few significant steps up the creativity totem pole which would ultimately lead them to finding their niche as one of the world’s leading progressive extreme metal band that hybridized death, thrash and progressive metal with healthy doses of jazz-fusion and the avant-garde but this debut album despite a major leap forward still suffers from many too close to the source moments as the band hadn’t quite distanced themselves from the 80s American thrash scene. b The album also debuts Tomas Haake on drumming duties after the departure of Niclas Lundgren.

CONTRADICITONS COLLAPSE is quite unique in the MESHUGGAH canon as it bridges the gap between the Metallica clone origins and the extreme technical wizardry that would soon follow. This technical thrash metal workout begins to branch out from the world of Metallica and starts to employ not only the progressive metal angularity of future releases but also includes the percussive drum pattern influences of other genres such as hip hop and industrial dance. There is also a lot of alternative metal riffing and for the most part the drumming styles are less bombastic than on future albums. The album originally contained only eight tracks with the ninth “Cadaverous Mastication” taken from the debut EP and tacked on future releases.

Right from the start with the first surreal introductory guitar fueled cacophony of “Paralyzing Ignorance,” it’s clear that MESHUGGAH was moving into a stranger new arena of metal but the track reverts back to a standard thrash metal paradigm with choppy guitar riffage, blasting bass and drumming as well as a clearly James Hetfield style of vocal shouting. Despite the more loosely constructed tracks many of the heavy riffs are very similar to Metallica riffs such as “Battery” or “The Shortest Straw,” however MESHUGGAH begins to surprise even at this early stage and meanders into more progressive arenas. Little tidbits such as the sitar on “We’ll Never See The Day” show the band flirting with the bizarre but only for fleeting moments.

While the thrash riffing and vocals are highly derivative, it often sounds like MESHUGGAH is on the verge of breaking into their bizarre surreal metal style that characterizes albums such as “Chaosphere” but yet for the most part the band gets cold feet and never strays too far as if they were afraid that it would lead them into the world of uncommercial ventures. Ironic that when they finally let the freak flag fly is when they really captured the world’s attention. I dunno. I want to like this one more but it basically falls into three categories: Sounds like really good Metallica. Sounds like stoned Metallica. Sounds like Metallica on a mix of mushrooms, peyote and LSD. In the end this isn’t a bad album at all but the many riffs lifted and Hetfield vocals just rub me the wrong way and impede my enjoyment of the album as a whole.

The album was re-released with the following EP “None” and while CONTRADICTIONS COLLAPSE doesn’t constitute a horrible album per se, it doesn’t help that when played with the much more advanced “None” following, it only makes it more clear how immature this album is in comparison to the highly technical and innovative albums like “Chaosphere,” “Nothing” and “Catch Thirtythree.” For true fans, you will inevitably come to this debut eventually and it does offer some excellent tracks like the awesome “Choirs Of Destruction” that is the closest thing to their more modern style as it cranks out the unique chugging format after a downer acoustic guitar intro and a surreal vocal intro but even this one reverts back to the alt meets thrash that focuses on Metallica’s dual classical guitar harmonizing melodies. Better things to come but a decent competent debut even if it’s not outstanding.

MESHUGGAH Meshuggah (Psykisk Testbild)

EP · 1989 · Technical Thrash Metal
Cover art Buy this album from MMA partners
While Europe pioneered the extreme metal scene with bands like Venom and Hellhammer with the help of the hardcore punk scene from artists such as Discharge and Amebix, the USA actually fostered in the most successful bands that developed a new form of metal called thrash. Slayer, Anthrax, Medgadeth and Metallica, the big four, launched an entire new metal paradigm and it was time for new bands to follow in the footsteps of a new American strain of extremity.

Scandinavia would become the hotbed for even stranger forms of metal and in the coastal city of Umeå, Sweden, one of the future bands that would deliver one of the strangest forms of technical metal of all. MESHUGGAH formed all the way back in 1987 by guitarist Frederik Thordenal and vocalist Jens Kidman and were no doubt influenced by the American thrash scene given its world dominating presence.

Before the band would become world famous themselves for the unique hybridization of death, thrash and progressive metal with jazz elements, MESHUGGAH was clearly in full Metallica worship mode on their early albums and after the two founders recruited bassist Peter Nordin and drummer Niclas Lundgren, the band would release the first eponymously titled EP in 1989 but has gained the nickname PSYKISK TESTBILD for its hypnotic black and white psychedelic album cover.

While only an EP of three tracks that slightly exceeds the nineteen minute mark, MESHUGGAH proved they had the chops to be the best Metallica clone in the biz. Copping the staccato riffing bravado of the “…And Justice For All” album with the heavy thrash of “Masters Of Puppets,” this EP was certainly a grand declaration that this Swedish band was well on its way to be reckoned with. The only problem at this stage was the overt lack of originality despite the decent production job and outstanding musical talent.

While the introduction to MESHUGGAH was only issued as a 12” vinyl record limited to a1000 copies it’s very unlikely anyone will come across this unless they are a true collector willing to shell out some dough however the tracks were later reissued and included on the compilation “Rare Trax.” This short debut is also the only release to feature drummer Niclas Lundgren before long time member Tomas Haake would take over as drummer. While showing great promise, this is really one for the collector’s only. Despite the great musicianship displayed, this is a Metallica clone all the way.

MOONSPELL Irreligious

Album · 1996 · Gothic Metal
Cover art Buy this album from MMA partners
While many second wave black metal bands jumped on the bandwagon and rode the wave of the template set down by bands like Mayhem and Darkthrone like a surfer in the Hawaiian Islands, some bands that started out that way jumped in and felt more like Jamaican bobsledders so they decided the status quo wasn’t quite for them. Such is the case for the Lisbon, Portugal based MOONSPELL that emerged in 1994 with the debut EP “Under The Moonspell” as a decent but indistinct black metal band but by the time they released the first full-length debut “Wolfheart” a year later, the band started to find its own niche in the quickly exploding scene. While still steeped in black metal, MOONSPELL laced it with a healthy dose of gothic metal inspired by bands like Tiamat, Type O Negative and The Gathering along with some various strains of European folk which together created a rather unique sound in the metal world.

Despite this early development of their own making, MOONSPELL abandoned this metal hybrid as quickly as it had established it and on the sophomore album IRRELIGIOUS, the black metal was totally jettisoned altogether with much of the folk music thrown by the wayside as well. What was left was a more gothic rock infused style that while tamping down the metal in general and replacing it with eerie Gregorian chants and symphonic organ sounds, still had enough metal mojo to qualify it as a metal band but in general, the gothic touches produced a more stylized production job that relied on a tapestry of instrumental sounds to create gloomy atmospheres and romantic visions of Romanian castles with blood thirsty counts on the hunt for another fix. The metal, while still quite abrasive at times had been reserved only for crescendoes and contrasts from the otherwise symphonic dominant melodrama.

The difference between IRRELIGIOUS and “Wolfheart” is stark and immediate as the album begins with a soundtrack sounding intro called “Perverse… Almost Religious” which takes spooky church organs and choral chants to evoke a full moon lit night journey into the graveyard and beyond. As “Opium” begins the nosedive into the world of everything goth, it’s also noticeable that the black metal guitar distortion has been replaced by a slicker guitar fuzz that plays in tandem with a hypnotic bass groove and slowed down percussive drive. Likewise, vocalist Fernando Ribeiro almost abandons any harsh screamed vocals except for the most dramatic moments and opts for romantic spoken poetic prose along with the clean Type O Negative style that sounds like Count Dracula has decided to make a mini-opera about his perverse proclivities.

“Wolfheart” displayed a strong sense of melodic hooks and IRRELIGIOUS continues this trend with eleven strong tracks that create instant gratification but it’s really the compositional flare that makes this such a strong album. The carefully timed developments of the dynamics, tones, timbres and bursts of aggression work out incredibly well and no moments feel like they wear out their welcome nor do they feel rushed. This is just one of those albums that teeters on the balance between too pop and too dark but somehow has enough elements of both sides of the spectrum to please. The tracks are diverse with some ranging on the slower side like “Ruin & Misery” which exudes a slow oozing use of keyboards, crunchy guitar riffage and nonchalant tempo changes. The musicians also show some extended range in their playing abilities. While the drummer simply known as Mike more or less just keeps a beat, on tracks like “For A Taste Of Eternity” he shows a flare for extremely complex polyrhythms and percussive dominance.

Overall the keyboards and samples of Pedro Paixão play the dominant role with the recording of Aleister Crowley reading his own poem “The Poet” on the track “Awake” which exemplifies the occult feel of the album as a whole. IRRELIGIOUS is a nicely paced album that is ultimately an atmospheric gothic rock album with metal touches that take it to heavy heights at key moments. The alternating forces of the symphonic rock and the more sonorous metal sections works quite well as do the stylistic percussion changes and guitar sounds that range from echoey clean to the intemperate unleashed loudness. MOONSPELL was one of those bands that couldn’t quite decide where they wanted to stay for long and despite crafting a cleverly cool and wickedly wild ride with this goth metal classic, the band would change things up again and get more experimental on the following “Sin / Pecado” but for this one at least MOONSPELL proved that they had an incredibly keen sense of what it takes to craft the perfect sensual sensibilities that make a great goth rock / metal album.

Latest Forum Topic Posts

  • Posted 2 days ago in New POSSESSED album after 32 years!!!
    It's weird cuz i added the album and it doesn't appear under new albums on homepage but yet it appears as a new album on any other page 
  • Posted 2 days ago in New POSSESSED album after 32 years!!!
    Just found this out today. While lead single doesn't blow me away, the band that some consider the first gestators of death metal return to unleash their newest album REVELATIONS OF OBLIVION.http://https://distortedsoundmag.com/possessed-announce-new-album-revelations-of-oblivion/ Album News Death Metal New Song News Possessed announce new album ‘Revelations Of Oblivion’  March 18, 2019  James Weaver No More Room In Hell, Nuclear Blast Records, Possessed, Revelations of OblivionPOSSESSED have announced a new album!Titled Revelations of Oblivion, the upcoming album is the first new music from the legendary death metallers for three decades and is scheduled to be released in May this year!The upcoming album was recorded at NRG Studios and Titan Studios with JeffBecerra as executive producer and Daniel Gonzalez as co-producer for the album. Mixing and mastering was handled by Peter Tägtgren (HYPOCRISY, PAIN, BLOODBATH) at Abyss Studios in Sweden. For the artwork, the band enlisted Polish artist Zbigniew Bielak (PARADISE LOST, ABSU, DEICIDE, GHOST, GORGUTS).Speaking about the upcoming album, vocalist Jeff Becerra says, â€œWorking with Peter was a fantastic experience. We put a great deal of thought into who we wanted to produce our new album. Since we hadn’t made an all-new material release in well over 30 years, it was essential that we found the right person. Peter‘s name kept coming up over and over, and after speaking with my bandmates they all really liked Peter as he is more organic, and somebody we felt would fit in well with our process. This album from start to release has been a fantastic experience. All of us in POSSESSED hope you enjoy this newest release and we look forward to touring and creating much more new music in the future. We appreciate all of your support and dedication. Hope to see you during our upcoming tours & shows soon. Thank you to each and every one of you for your inspiration and dedication to POSSESSED.”Alongside the announcement of the new album, the band have released the first taster from the upcoming album; titled No More Room In Hell.Track List: 1. Chant Of Oblivion2. No More Room In Hell3. Dominion4. Damned5. Demon6. Abandoned7. Shadowcult8. Omen9. Ritual10. The Word11. Graven12. Temple Of Samael[TUBE]Ixk00N1W78c[/TUBE]Revelations of Oblivion is set for release on May 10th via Nuclear Blast Records.For more information on POSSESSED like their official page on Facebook. siLLy puPPy2019-03-19 20:55:01
  • Posted 4 days ago in Now -- what are you listening to? V2

Shouts

Please login to post a shout
No shouts posted yet. Be the first member to do so above!

Contents

Member Zone

Username:
Password:
Stay signed in

Metal Subgenres

Artists Alpha-index

MMA TOP 5 Metal ALBUMS

Rating by members, ranked by custom algorithm
Albums with 30 ratings and more
Master of Puppets Thrash Metal
METALLICA
Buy this album from our partners
Powerslave NWoBHM
IRON MAIDEN
Buy this album from our partners
Rust in Peace Thrash Metal
MEGADETH
Buy this album from our partners
Moving Pictures Hard Rock
RUSH
Buy this album from our partners
Keeper of the Seven Keys Part II Power Metal
HELLOWEEN
Buy this album from our partners

New Metal Artists

New Metal Releases

Revelations of Oblivion Death Metal
POSSESSED
Buy this album from MMA partners
Del amor y otros demonios Power Metal
OPERA MAGNA
Buy this album from MMA partners
Del amor y otros demonios - Acto III Power Metal
OPERA MAGNA
Buy this album from MMA partners
The God Machine US Power Metal
STEEL PROPHET
Buy this album from MMA partners
Subject To Entropy Death Metal
ROGGA JOHANSSON
Buy this album from MMA partners
More new releases

New Metal Online Videos

More videos

New MMA Metal Forum Topics

More in the forums

New Site interactions

More...

Latest Metal News

members-submitted

More in the forums

Social Media

Follow us

Buy Metal Music Online