SYMPHONY X
Progressive Metal • United States

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Symphony X is an American progressive metal band from New Jersey founded in 1994 by guitarist Michael Romeo. They draw on elements of neo-classical metal, power metal, and symphonic metal in their music.

Their 1997 album The Divine Wings Of Tragedy and their 2000 release V: The New Mythology Suite have gained the band considerable attention within the progressive metal community. Musically Symphony X is similar to, although heavier than most other progressive metal bands to which they are commonly compared: Dream Theater, Fates Warning and Pain of Salvation. They play in a very syncopated, progressive fashion, also incorporating elements of symphonic metal into their sound. Their music contains strong neoclassical elements in line with the music of Yngwie Malmsteen, Randy Rhoads and other influential neoclassical metal artists.

To date, the band has recorded 7 studio albums and also released one live album Live On The Edge Of Forever.
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Nation Beyond- The Aftermath Odyssey (2008 Sensory)Symphony X, Jorn,Fates Warnin Nation Beyond- The Aftermath Odyssey (2008 Sensory)Symphony X, Jorn,Fates Warnin USD $2.99 (0 bids)
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SYMPHONY X PARADISE LOST SEALED CD NEW 2007 SYMPHONY X PARADISE LOST SEALED CD NEW 2007 USD $9.98 Buy It Now 3 days
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Live On the Edge Of Forever by Symphony X (CD, Oct-2001, Inside Out) Live On the Edge Of Forever by Symphony X (CD, Oct-2001, Inside Out) USD $8.95 Buy It Now 3 days
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SYMPHONY X - V: The New Mythology Suite CD JAPAN TOCP-65480 OBI 2000 SYMPHONY X - V: The New Mythology Suite CD JAPAN TOCP-65480 OBI 2000 USD $57.18 Buy It Now 4 days
SYMPHONY X - The Odyssey CD JAPAN VICP-62161 2002 SYMPHONY X - The Odyssey CD JAPAN VICP-62161 2002 USD $72.20 Buy It Now 4 days
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The Damnation Game by Symphony X (CD,May-1996, Inside Out) Hard Rock Heavy Metal The Damnation Game by Symphony X (CD,May-1996, Inside Out) Hard Rock Heavy Metal USD $6.99 (0 bids)
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UnderworldUnderworld
Nuclear Blast America 2015
Audio CD$5.25
$7.11 (used)
IconoclastIconoclast
Extra tracks · Deluxe Edition
Nuclear Blast America 2011
Audio CD$8.97
$0.99 (used)
Paradise LostParadise Lost
inside out 2007
Audio CD$9.98
$5.98 (used)
V: The New Mythology SuiteV: The New Mythology Suite
Metal Blade 2000
Audio CD$15.87
$7.09 (used)
Symphony XSymphony X
Special Edition
Inside Out U.S. 2004
Audio CD$14.54
$92.94 (used)
The OdysseyThe Odyssey
Inside Out U.S. 2004
Audio CD$13.56
$13.73 (used)
OdysseyOdyssey
Limited Edition · Extra tracks
Inside Out import 2002
Audio CD$16.14
$6.14 (used)
The Damnation GameThe Damnation Game
Limited Edition
Inside Out U.S. 2004
Audio CD$15.75
$68.66 (used)
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SYMPHONY X Discography

SYMPHONY X albums / top albums

.. Album Cover 2.78 | 33 ratings
Symphony X
Progressive Metal 1994
.. Album Cover 3.53 | 33 ratings
The Damnation Game
Progressive Metal 1995
.. Album Cover 4.29 | 81 ratings
The Divine Wings Of Tragedy
Progressive Metal 1996
.. Album Cover 3.75 | 41 ratings
Twilight In Olympus
Progressive Metal 1998
.. Album Cover 4.18 | 60 ratings
V: The New Mythology Suite
Progressive Metal 2000
.. Album Cover 4.09 | 65 ratings
The Odyssey
Progressive Metal 2002
.. Album Cover 4.10 | 62 ratings
Paradise Lost
Progressive Metal 2007
.. Album Cover 4.26 | 67 ratings
Iconoclast
Progressive Metal 2011
.. Album Cover 4.17 | 15 ratings
Underworld
Progressive Metal 2015

SYMPHONY X EPs & splits

.. Album Cover 2.57 | 2 ratings
Rarities And Demos
Progressive Metal 2005

SYMPHONY X live albums

.. Album Cover 3.52 | 7 ratings
Live On The Edge Of Forever
Progressive Metal 2001

SYMPHONY X demos, promos, fans club and other releases (no bootlegs)

SYMPHONY X boxset & compilations

.. Album Cover 3.50 | 1 ratings
Prelude To The Millennium - Essentials Of Symphony -
Progressive Metal 1998

SYMPHONY X singles (1)

.. Album Cover
0.00 | 0 ratings
The End of Innocence
Progressive Metal 2011

SYMPHONY X movies (DVD, Blu-Ray or VHS)

SYMPHONY X Reviews

SYMPHONY X Iconoclast

Album · 2011 · Progressive Metal
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voila_la_scorie
"Peace Sells"-era Megadeth with Ronnie James Dio on vocals, everyone on steroids. A cyborg keyboard player whose voice is what he plays. That's my impression of this album.

My initial impression was not so warm. "V: The New Mythology Suite" was my introduction to Symphony X and I loved that album. So I had high expectations. The first comments I jotted down were not very flattering. The first song, "Iconoclast", includes a choir and a symphony and it's a powerful, heavy, and great song with which to kick off the album. The music is heavier and far more intense than anything from "V".

The next five songs are all excellent metal tunes: fast, furious, brutal, and intense. Like an avalanche that can halt in an instant and become a bulldozer or a quick flourish or artillery assault and then back to an avalanche. The guitars are fast and change from charging riff to machine gun spray of notes to battering thunderous riff. The drums are incredible at abrupt rhythm changes, speed, and unanticipated restraint. The keyboards not as prominent as on "V" but when they are, they're very suitable with a mechanical sound and rarely pretty or delicate.

Russel Allen's vocals sound beefed up compared to ten years earlier and he manages some great Dio "Aahhh-ohh-oh" hollers. But after five excellent metal tracks, the progressive and symphonic aspect seems to have been abandoned. "When All Is Lost" makes up for it by bringing back the real piano and acoustic guitar and the softer melodious side of the band while still being heavy. This one song is where the band really flex their symphonic muscle and shades of "V" flicker by, reminding us that this is the same band. More of this would have made a more symphonic progressive album, but I've really come to love the heavy side.

Of course I had to buy the double disc. I heard the record company wouldn't release the double album unless a single disc would also be released simultanneously, their logiic being that sales would be better if some members of the public were only willing to shell out for a single disc.

The second disc continues with what we've heard mostly so far: 6-minute fast and furious metal tracks. There are more excellent songs and to be clear each song has its own unique opening so that there's no confusing one for another. I just feel the overall atmosphere of brutally sharp and tight heavy metal remains unchanging. "Reign in Madness" is a longer track so once again there's more room to stretch out the song and add some acoustic guitar and piano. Nothing pretty like "When All Is Lost". The piano here is haunting and the guitar riff heavy. This part is a brief interlude in the otherwise intense track.

A few final words, Allen's vocals remind me also of Luke Easter of Torniquet. There's good melody in the tunes, so it's not just savage shouting or hoarse singing. The music is heavier and beefier with more weight than "V". Though a bit disappointing at first, I now enjoy the album. The sound is well produced; it's not dense and muddy like many heavy albums. Everything is pumped but clear. The guitars and drums work together to emphasize one another and add power to the riffs and playing.

As a metal album, I'd say this one really delivers. For a symphonic/progressive metal album, I think it could use a little more like the title track, "When All Is Lost", and "Reign In Madness".

SYMPHONY X Underworld

Album · 2015 · Progressive Metal
Cover art Buy this album from MMA partners
UMUR
"Underworld" is the 9th full-length studio album by US, New Jersey based progressive power metal act Symphony X. The album was released through Nuclear Blast Records in July 2015. It´s the successor to "Iconoclast" from 2011. The four years between albums have been spend touring and writing the new album, but also with the bandmembers doing other projects. Lead vocalist Russel Allen has been busy with Adrenaline Mob, the Allen - Lande project, and with Level 10, bassist Mike LePond released a solo album in 2014 where guitarist Michael Romeo was also involved, and keyboard player Michael Pinnella also released a solo album in 2014.

Stylistically the material on "Underworld" pretty much continues down the darker and more heavy road which was initiated on "Paradise Lost (2007)" and which was continued on "Iconoclast (2011)". While the music is undoubtedly US power metal (with progressive leanings, or the other way around if you prefer), Symphony X is among the heaviest and at times even brutal acts in the genre. Guitarist Michael Romeo churns out one catchy groove laden and crushingly heavy riff after another and often crosses the border into thrash/groove metal- and even death metal territory. If that description scared away a couple of power metal listeners, don´t worry too much, the music is still loaded with epic guitar themes and keyboards, lightning fast melodic guitar/keyboard solos, anthemic choruses, and a rhythm section who can play both "regular" fast- and mid-paced beats, and more varied progressive inclined dittos.

It´s just generally much heavier than what you usually hear in the genre. "Kiss of Fire" and the title track are especially heavy. A melodic power ballad track like "Without You" pulls in the other direction, and "Underworld" is overall a pretty varied album (also including a mini-epic in "Hell and Back"), which successfully showcases the diversity of Symphony X. Highlights are to my ears "Nevermore", the title track, "Without You", "Kiss of Fire", and album closer "Legend". I like "Run with the Devil" too, but it´s mostly because it´s a bit of a different sounding Symphony X track.

The musicianship is as usual on a very high level. Michael Romeo deserves a mention for his many creative riffs and solos, and Russel Allen is a powerhouse. The type of singer that most acts would kill to have in their lineup. He has a strong voice and a commanding delivery, able to sing both gruff, and higher pitched and melodic. A very skilled and versatile singer that one. The rest of the band members are of course very well playing too, their performances just don´t stand out as much as the performances by the two gentlemen mentioned above.

"Underworld" is packed in a powerful, detailed, and professional sounding production, which brings out the best in the music, and upon conclusion it´s another strong album release by Symphony X. It´s so an so with the innovation and development of the band´s sound, so it´s not a revolutionary release taking their full discography into consideration, but it´s a high quality release through and through and both fans and more casual listeners should be able to enjoy this one. A 4 star (80%) rating is deserved.

SYMPHONY X Underworld

Album · 2015 · Progressive Metal
Cover art Buy this album from MMA partners
Nightfly
When Symphony X released Paradise Lost in 2007 it marked a shift in direction with the metal elements taking precedence over the prog making it their heaviest to date. Iconoclast, released in 2011 marked an even bigger shift in that direction. Four years later they have now released their ninth studio album Underworld and it’s a killer!

Where does it fit in with past releases then? While it sits more comfortably with the last two albums than anything before – this really kicks ass! - it marks a return to more emphasis on the melodies. This is particularly noticeable with Russell Allen’s vocals who went for a harsher style of singing on the last two albums. He does that here too at times but they’ve clearly put a lot of effort into giving much of the material here strong vocal hooks. As usual Allen’s vocals are stunning – if there’s a better metal vocalist out there at the moment I’ve not heard him. Don’t be led into thinking they’ve gone soft though, this is a very heavy album – just listen to Kiss Of Fire for proof with some stunning instrumental interplay and even some blastbeats from drummer Jason Rullo who never fails to impress me with his incredible technique. Of course the rest of the band live up to the high standards they’ve previously set themselves too. There are times however, like on Swansong where they lay back a bit and this could fit comfortably on some of their earlier albums like V.

This album is stunning from start to finish making picking favourite tracks futile. Back in 2011 I rated Iconoclast as their best yet, in truth Paradise Lost was just as good but Underworld is the equal of both of them making a trilogy of albums the equal of any metal band. Album of the year? Could well be.

SYMPHONY X Underworld

Album · 2015 · Progressive Metal
Cover art Buy this album from MMA partners
The Angry Scotsman
The New Jersey Prog Metal Masters are back with their newest album "Underworld"

The album is an in between Paradise Lost and Iconoclast. It is clearly grounded in the bands new style: heavy and intense, (there are even a few blast beats thrown in one part!) darker, less progressive and less shred riffing/neoclassical insanity of their old days...however "Underworld" drifts a little more towards the style of "Paradise Lost" rather than "Iconoclast" meaning this album is a little more progressive, features more keyboard, less "hardcore" vocals and is just more varied in style.

While I am a fan of Iconoclast, I greatly appreciate the drift away from there and back to a more classic sound. Don't misunderstand, this is firmly within the band's new sound and you should not expect The Odyssey or V or Divine Wings here, but there are plenty of classic Symphony X riffs, melodies, sounds and staples to please any fan.

Style aside, all the musicianship is superb, as is to be expected, the songwriting tight and well composed, the audio quality is great and I particularly love the sound of the bass. The songwriting of Symphony X is what always struck me, their ability to create songs with great flow, surprise, technicality and musicianship but without wasting any of our time, and they have done so yet again. There are still moments that surprise you, and all the instruments, while getting to showcase the skill of the musicians, work together.

"Underworld" is not a perfect album, there are some weak moments, and there is nothing here really unexpected, but it's another great output that continues to walk the line of pleasing fans and originality, technicality and musician ship, heaviness and progressiveness, and they walk the line superbly. The vocals of Russell Allen are brilliant as always, displaying a great range, there are riffs galore, and Jason Rullo, (one of my all time favorite drummers) continues to increasingly show off his drumming prowess. Michael Romeo still solos like the best of them, and the composition is a bit more progressive than Iconoclast, with some truly beautiful movements sprinkled throughout.

Standout tracks are: Without You, Kiss of Fire and Legend.

Symphony X is one of the greatest metal bands of their time, and continue to prove it with yet another strong output. "Underworld" should be a great addition for Symphony X fans, and please prog metal fans. Excellent album.

FOUR STARS

SYMPHONY X Symphony X

Album · 1994 · Progressive Metal
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siLLy puPPy
The eponymous debut album by SYMPHONY X came about after the release of founder and guitarist Michael Romeo’s solo project called “The Dark Chapter” where he hooked up with keyboardist Michael Pinnella. The two hit it off with that project which was successful in Japan and they decided to form a real band in its wake shortly thereafter and to this day are the only two members to appear on every SYMPHONY X album. This is one of those debut albums that gets a bad rap because of the poor production. It is also the only album to feature Rod Tyler on vocals before the much more dynamic Russell Allen took the reigns.

While i have a soft spot for debut albums that don’t quite live up to the better ones that follow, i can’t say that i don’t agree with the general consensus with this one. While the musicianship is already extremely strong on this album with sweeping arpeggios and neoclassical thunder gracing the album’s duration and Rod Tyler’s vocals not being nearly as bad as we are led to believe, the main problem with this one is not only the lackluster production but really the songwriting isn’t up to snuff quite yet. The dynamic interplay of progressive power metal parts just doesn’t quite fire on all pistons.

This very well could have been considered a much better album if it was their only release but SYMPHONY X would improve their sound significantly on the next two albums which would leave this one in the dust. While this is a decent power metal album, the progressive parts hadn’t evolved to an interesting point with the12:07 minute final track “A Lesson Before Dying” being the notable exception and despite the outstanding musical talent clearly heard here things just aren’t jiving together in the cohesive manner that SYMPHONY X is now so famous for. I’m also not sure if Rod Tyler had the vocal range that could have propelled the band into what they became because he seems to be struggling on some of the higher notes. Far from a bad release, it is far from a great one as well. A decent beginning that served as a launching pad for their career and one that most fans will surely encounter sooner or later.

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martindavey87 wrote:
1915 days ago
My second favourite band of all time! (After Dream Theater)

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