GORDIAN KNOT

Progressive Metal • United States
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Gordian Knot is a progressive rock/metal band directed by bass guitarist Sean Malone.

At times its shifting lineup has included Steve Hackett of Genesis, Bill Bruford of King Crimson and Yes , Ron Jarzombek from Watchtower and Spastic Ink as well as Jim Matheos of Fates Warning, several of Malone's former bandmates from Cynic and John Myung from Dream Theater.

The music of Gordian Knot is a highly professional mélange of progressive rock and -metal, Fusion, instrumental music à la Robert Fripp's Guitar Craft (replacing the clean guitar sound with distorted sounds) and his solo-work (compare e.g. Gordian Knot's song "Grace" with Fripp's "Evening Star").

Gordian Knot manage to incorporate several overlapping layers of complex melodies and harmonies into a unified whole without sounding too complex or "forced" in any way. The music of Gordian Knot also relies heavily on beautiful, diatonic guitar-melodies (although sometimes encompassing later-resolved dissonances to
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GORDIAN KNOT Discography

GORDIAN KNOT albums / top albums

GORDIAN KNOT Gordian Knot album cover 4.24 | 18 ratings
Gordian Knot
Progressive Metal 1998
GORDIAN KNOT Emergent album cover 3.80 | 15 ratings
Emergent
Progressive Metal 2003

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GORDIAN KNOT Reviews

GORDIAN KNOT Emergent

Album · 2003 · Progressive Metal
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Sinkadotentree
GORDIAN KNOT's second record continues where the first one left off with those contrasts of that heavy style versus the atmospheric passages. I do prefer the debut when we're talking about those laid back sections because of the intricate sounds from the Sick, Warr guitar and Chapman Stick. The heavier sections i feel rock harder on "Emergent" and man i'm so impressed as usual with Jim Matheos who guests on here but also Steve Hackett who lets it rip on the guitar like i've never heard him do before. Bill Bruford is incredible as well which is no surprise of course. We also get CYNIC members Sean Reinert, Paul Masvidal and Jason Gobel helping out. I appreciate the detailed info in the liner notes as it tells us who solos and when on each track. Both GORDIAN KNOT albums are essential in my opinion. Complex, atmospheric and heavy instrumental music played at the highest level.

GORDIAN KNOT Gordian Knot

Album · 1998 · Progressive Metal
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Sinkadotentree
Talk about a star-studded cast of musicians ! Man i love this project. Names like Sean Malone and Sean Reinert will bring the legendary CYNIC to mind but we also get Trey Gunn(KING CRIMSON), Glenn Snelwar(AT WAR WITH SELF), Ron Jarzombek(SPASTIC INK, WATCHTOWER) and guest John Myung(DREAM THEATER) on Chapman Stick. Some interesting sounds here with Malone also playing a Stick and Gunn playing his Warr guitar. And while this is complex music we also get lots of melody. Some heavy sections but lots of atmosphere as well. I don't know why but this all-instrumental album just makes me feel good. It's an absolute pleasure to spin this record and i can't recommend this one enough.

GORDIAN KNOT Emergent

Album · 2003 · Progressive Metal
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kluseba
This album is for a very special and particular public: open-minded progressive rock fans that don't mind if an album has a jazzy sound and world music influences. I consider myself as a very open-minded person and that's why I gave this album several tries.

It is not easy to get an approach to this album even if the musicians are all very talented and trying to impress and surprise you. But if you take your time to give this album a chance, you will discover many details and interesting passages. The songs really grow on you, but when you listen to this stuff first, you will feel mixed up as there are many random sounds and no chorus, no melodies, no vocals that you could keep in mind. There is a great nothing in your head when you listen to this album for the first time and you might think that band really somehow plays whatever it wants like in a jam session.

There are indeed some songs that exaggerate on this point. The so-called intro "Arsis" is a jazzy tuning in of a bass guitar mixed with some moments of silence. "Grace" is announced as a live song but has nothing of a live atmosphere and presents some random structures and strange melodies in over eight minutes that can become really long and boring if you don't play an instrument yourself or could appreciate the employed techniques. The strange "The brook the ocean", my second favourite opus on this album, works surprisingly well with its random sounds and reminds me a little bit of Genesis' "The waiting room" or Pink Floyd's "On the run" with a little bit more moderation.

There are also some more rhythmic and straighter songs like "Muttersprache" and "Some brighter thing" that are easier to appreciate and could almost please to some purist metal heads. My favourite song is though the very diversified and mystic "A Shaman's whisper" that includes many world music elements and interesting sound structures.

I would say that this album is very interesting from a technical and artistically point of view but it lacks of a straight line and decides to present many particular styles instead of only one particular style which adds a certain compilation and jam mood to the album. It is amazing to listen to this album to learn an instrument or to use this album as an ambient record while you are cooking, reading or simply relaxing, but even though there are many different styles presented on this album, I wouldn't call it profound. A little bit less of all would have been more intense and inspiring in my opinion. That's why I consider this album as an interesting experience worth listening to but not as a masterpiece as many people call it.

But at least and without the glimpse of a doubt and to sum this up for you this album is simply: different!

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Zarahuztra wrote:
more than 2 years ago
Emergent
Sensory Records (Audio CD 2003)

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