Alternative Metal

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Alternative metal is a genre of heavy metal that gained popularity in the early 1990s. Most notably, alternative metal bands are characterized by heavy guitar riffs; typically, these riffs have a pronounced experimental edge, including unconventional lyrics, odd time signatures, more syncopation than typical metal, unusual technique, a resistance to conventional approaches to heavy music and an incorporation of a wide range of influences outside of the metal music scene.

Alternative Metal Inclusive Genres:

Funk Metal

Nu-Metal

Rap Metal

Source: http://en.wikipedia.org/wiki/Alternative_Metal

Sub-genre collaborators:
  • mlkpad14

alternative metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 60 min. caching

ALICE IN CHAINS Dirt Album Cover Dirt
ALICE IN CHAINS
4.47 | 99 ratings
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FAITH NO MORE Angel Dust Album Cover Angel Dust
FAITH NO MORE
4.25 | 77 ratings
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SUICIDAL TENDENCIES The Art of Rebellion Album Cover The Art of Rebellion
SUICIDAL TENDENCIES
4.44 | 13 ratings
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SYSTEM OF A DOWN Toxicity Album Cover Toxicity
SYSTEM OF A DOWN
4.19 | 89 ratings
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MUDVAYNE L.D. 50 Album Cover L.D. 50
MUDVAYNE
4.40 | 12 ratings
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INCUBUS (CA) S.C.I.E.N.C.E. Album Cover S.C.I.E.N.C.E.
INCUBUS (CA)
4.58 | 7 ratings
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SYSTEM OF A DOWN Mezmerize Album Cover Mezmerize
SYSTEM OF A DOWN
4.16 | 56 ratings
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SOUNDGARDEN Badmotorfinger Album Cover Badmotorfinger
SOUNDGARDEN
4.15 | 55 ratings
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MUSHROOMHEAD XX Album Cover XX
MUSHROOMHEAD
4.61 | 6 ratings
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EXTREME Extreme II: Pornograffitti Album Cover Extreme II: Pornograffitti
EXTREME
4.17 | 27 ratings
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MUDVAYNE The End of All Things to Come Album Cover The End of All Things to Come
MUDVAYNE
4.24 | 13 ratings
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GODSMACK Awake Album Cover Awake
GODSMACK
4.24 | 12 ratings
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alternative metal Music Reviews

MUDVAYNE The End of All Things to Come

Album · 2002 · Nu Metal
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Warthur
Unfailingly catchy, Mudvayne's second album stands as a rebuke to anyone who'd argue that the nu metal scene lacks songwriting chops - you just don't get infectious hooks like this by sheer accident. The main barrier to enjoyment, to me, are Chüd's vocals. It's not that they are bad as such - and lyrically speaking the album is at least a bit smarter than the swear-happy lazy cliches of all too many nu metal also-rans.

It's just that the vocals, whilst competently delivered, just don't do very much for me. The general approach varies between a fairly generic semi-spoken style (especially in the more melodic sections) and a fairly generic semi-shouted style; rinse, repeat. It could be that his vocal approach has ended up becoming a victim of its own success. with enough subsequent alternative metal bands following that style that it no longer seems as fresh as it used to.

The upshot of this is that just as Mudvayne's music hooks me in, the vocals push me away again. If you aren't that fussy about vocals then tack on an extra half-star or two.

STUCK MOJO The Great Revival

Album · 2008 · Alternative Metal
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martindavey87
One year after their return from a seven year hiatus and Stuck Mojo are at it again. Back with Lord Nelson on vocals, the southern born killers released 'The Great Revival', which pushes the envelope further with their more rock-inspired sound and even more non-metal influences creeping into the compositions. Safe to say, if you didn't like their previous album, you'll hate this one.

While 'The Great Revival' features the trademark Stuck Mojo sound, there's a complete smorgasbord of genres mashed together in various places, with hints of country, soul, gospel and pop music all finding their way onto the record. There's a lot of singing on here, including female vocals, and as a whole there's a very "bubbly", radio-friendly vibe about this album (don't expect to hear any of these on the radio, though).

Of course, none of this is bad per se, but if you're a long-time fan of the band who isn't open-minded to different things, this certainly won't win many people over. However, despite all the changes to their sound, this is, in my opinion (and hey, this is my review after all), a really good album. I love when bands try new things, and as a long-time fan of guitarist Rich Ward, I'm a sucker for anything he releases.

Songs like '15 Minutes of Fame', 'Friends' (yep, I like that song), 'Now That You're All Alone' and 'Invincible' are all solid rap rock songs. They may not have the heaviness or aggression of Stuck Mojo's earlier albums, but there is still an abundance of Rich Ward's signature riffs that will please the metal fans.

As is the case with any artist, experimentation can prevent stagnation. Sometimes it works, sometimes it doesn't. Props to Stuck Mojo for trying new things, and as far as I'm concerned it worked out. So why only three stars? Admittedly, this is probably still their weakest album, and while it is good, their earlier material is just so damn awesome!

END OF GREEN Void

Album · 2017 · Alternative Metal
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Kev Rowland


End of Green have been deploying their own styles of Goth, Doom, Metal, doleful Alternative metal for some twenty-five years, and with their ninth full-length album they are still desperate to find hope: based on this, I don’t think they’re going to find it any time soon, although they’re not going to give up hope just yet. Michelle Darkness sings touching and intimate dirges about aging, loss and loneliness, and on “Darkside of the Sun” he comes across so much like Pete Steele that I had to look to see if it was a Type O number. This is dark music, with a sense of bleakness permeating every note, yet Michelle is also trying to be optimistic as he says in “Unseen”, "Together, we are less alone.”

What is apparent throughout this album is that it is packed full of quality and thoughtfulness, this isn’t something that has been rushed, but instead each lyric has had the sweat poured over it, and then the music has been polished to ensure that it is all working together at its optimum. It is gothic, it is dark, yet there is that slight tinge of light that makes one think that although the band are inhabiting a very dark place indeed, there may be some light for them the other day of the cellar door. I wouldn’t recommend playing this album under the influence of anything, as this is music that needs to be played in the light of day, yet “Crossroads” shows that they can be lighter when they want to be. Commercial, yet never compromising this is a mature album that shows that even though they have been around for quarter of a century they are showing no sign whatsoever of slowing down yet.

BODY COUNT Born Dead

Album · 1994 · Alternative Metal
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UMUR
"Born Dead" is the 2nd full-length studio album by US, California based metal act Body Count. The album was released through Virgin Records in September 1994. It features the same lineup, who recorded the band´s self-titled debut full-length studio album from 1992. Said debut album earned Body Count quite a bit of infamy as a concequence of the "Cop Killer" track, but also lots of attention because they were an all black band playing heavy metal (which is still a rarity). The album became quite successful in terms of sales, and what some people might have thought was a one off project, became a bit more than that, as Body Count opted to continue and recorded "Born Dead".

Stylistically "Born Dead" is quite different to it´s successful predecessor. It´s audible that it´s the same band playing, but Body Count sounds harder edged, more riff oriented, and more "metal" on "Born Dead", than they did on the more hardcore tinged debut. I´m not sure if it´s part of the explanation, but as opposed to the debut album, which was almost solely composed by lead guitarist Ernie-C (with lead vocalist Ice-T handling most of the lyrics), both bassist Mooseman, and rhythm guitarist D-Roc, are credited for writing or co-writing several tracks on "Born Dead". In addition to the original material on the album, "Born Dead" also features a cover of "Hey Joe" (which was originally featured on the Jimi Hendrix tribute album "Stone Free (1993)").

However to my ears the major difference here is how the vocals are performed and how the lyrics are written. While the debut album contained several tracks, which featured "storytelling" type lyrics (probably as a result of Ice-T usually performing rap vocals), the lyrics on "Born Dead" generally feature less words, and are more anthemic in nature, with the same words being repeated over and over again. Ice-T sounds pretty pissed here too, and the otherwise quite charming humour from the debut is more or less gone on this album.

The sound production is sharper, more heavy, and darker too, and it all adds up to a pretty aggressive and raw sophomore album by Body Count. Unfortunately the new musical direction doesn´t elevate the band´s music to a higher level. On the contrary the lack of the humourous storytelling lyrics and the endless repetition of the lyrics on many tracks, make "Born Dead" slightly hard to get through in one spin. A great riff, a clever lyric line, and a cool rhythm pop up now and again, but overall "Born Dead" is a disappointment compared to the strong debut album and a 3 star (60%) rating is warranted.

BUCKETHEAD Pike 271 - The Squaring Of The Circle

Album · 2017 · Alternative Metal
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siLLy puPPy
BUCKETHEAD (as Bucketheadland) / Pike 271 - The Squaring Of The Circle / 28th release of 2017 / All instrumental / Contains 6 tracks / Clocks in at 29 minutes 27 seconds / everything played by Buck-buck-buckethead 3: >

“The Squaring of the Circle” (7:29) begins with clean echoey guitar and then quickly bursts into distorted guitar with bass and a lazy subordinate drumbeat. Hmmmm…. i think i’ve heard this before like a million times by now. This is basically one of those by-the-numbers generic BH tracks that repeats a few chords over and over. Adds a bluesy solo that crescendoes and alternates a few slow echoey parts. Been here. Done this. Yawn

“Osirion" (4:31) ups the tempo a bit with heavier riffs but offers a more off-kilter approach. The riffs are slightly weirdly timed with a jazzy drum beat to back them up. The bass is subordinate this time. A much more interesting track even though the tones and timbres are identical to the first track thus displaying a perfect example of it works / it don’t work that BH can often delight / frustrate within the span of a single track’s difference. It really boils down to the melodic construct as the chords aren’t quite as repetitive and this one offers a few more elements to amuse the alert

“Scalp Assail” (6:14) with an amusing title like this one would expect something a bit bizarre. Well………………………………………………………………………………………………it is a bit. Not OMG weird but the track is a bit schizofrenetic and meanders all over the place like a rollercoaster in BUCKETHEADLAND. Despite the twists and turns it’s not one of those bizarre detachments from all musical history rather it’s a ride through alternative metal riffage, progressive metal adventurism and slower parts that use that echo guitar sequence. This is a very cool track that employs all the metal mojo BH is known for with the ability to layer different time sigs in a polyphonic orchestral way despite being limited to guitar, bass and drums

“Fork” (3:03) almost sounds like an AC/DC anthem at first with power chords providing the melody but…………………………………………………………..it forkin’ turns into a forkin’ BH type riff and then forkin’ add some weird forkin’ elements such as forkin’ for fork’s sake. Rather tame by BH standards but yet has a nice forkin’ charm that captivates me. I forkin’ like it ! ¡ !

“Mosaic Silk” (4:10) is a rather mundane distorted hard rocker that has a generic riff, some chord changes and not much else. This is another one that is not very exciting and seems to have been simplified for those who don’t have a large musical vocabulary. OK but not unyawnable

“Decake" (4:00) is different as it sounds like a mystery theme. It has a bouncy theme show type riff that once joined by the metal riffs has a bizarre echoey persona. While the track structure is fairly simple it more than makes up for it with a heavy distorted palette of guitar effects. Many trademark BH riffs are here as well as effects but the overall impressive is a dark and murky mix of heavy alternative mud that exists in an alternative metal universe. Pretty cool

This one has interesting tracks except the first one. I’m constantly amazed at the chicken lover’s ridiculously large palette of musical ideas however something undetectable keeps this from being considered OMG excellent in my book. The cool elements aren’t enough to make this a great PIKE. Oh well, there’s enough here to selective check out though :o

alternative metal movie reviews

GREEN JELLŸ Cereal Killer

Movie · 1992 · Alternative Metal
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Unitron
What would happen if Art Clokey, Jim Henson, and Gerry Anderson got together and created some films while on a sick acid trip?

Most likely, Cereal Killer would be created.

Green JellŸ, known as Green Jello at this time before they had to change the name, was probably one of the only bands to make a "video-music album". Yeah, you can go listen to the "Cereal Killer Soundtrack", but you really won't get the same experience. These songs don't really work unless you're watching the utterly ridiculous and zany videos along with them. The videos contain all sorts of use of claymation, puppetry, and weird costumes backed by a soundtrack blending thrash metal, hardcore punk, funk metal, classic heavy metal, and whatever else they wanted to make.

Oh, I forgot to mention that the lyrics are completely absurd along with the videos. You have their famous "Three Little Pigs", which is about a rocking pig, stoned pig, rich pig, and Rambo gunning down the big bad wolf. The title cut is about cereal mascots going to war, with the FruitLoops toucan slaughtering all the other mascots. Finally, the cover of Sex Pistols' "Anarchy in the U.K." is about the town of Bedrock from The Flintstones with the lyrics of 'Want to destroy Mr. Slate, Cause I wanna be Fred Flintstone'.

If you just want to hear some good music, there's always the soundtrack. However, if you want a good laugh at a party, invite your friends to come watch Cereal Killer. This is a hilarious metal musical for all to see.

Hope you found this review helpful, feel free to comment!

SLIPKNOT (sic)nesses

Movie · 2010 · Nu Metal
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Kingcrimsonprog
Most Slipknot fans won’t need very much convincing, a new live DVD has been released an you very probably plan t buy it, but for anyone on the fence about whether or not to get it, I highly recommend this package, on is own merits and not just out of blind dedication to the band.

‘(sic)nesses,’ is a pretty great package, documenting their 2009 headline performance at the UK’s Download Festival in front of 80,000 excited fans. Also included is a documentary (curiously on disc one, with the concert on disc 2) from Shaun ‘Clown,’ Crahan and all the music videos from the band’s ‘All Hope Is Gone,’ album cycle.

Performance wise, everything you expect to happen at a Slipknot concert is there, so don’t expect to be disappointed in that regard. One can expect to see people hanging off things, jumping off things and throwing things at regular intervals; in addition to a spinning in mid air drum kit, Different band members fretting the notes for the guitarists, different band members hitting a keg with a baseball bat, Clown and Criss’s strap-on marching drums during ‘The Blister Exists,’ and ‘Psycho Social,’ and of course Sid getting into the midst of everything, including the crowd whenever possible.

Without a doubt the entire concert is made on the strength of the crowds passionate reaction and that undefinable live energy that just makes the concert feel amazing. Seeing 80,000 plus people singing along to very heavy music is almost life affirming.

If you were dissapointed by the band’s live performances on their live album ‘9.0 Live,’ or the bonus live material from ‘Voliminal,’ specifically the mix, Corey’s vocals and the disjointed feeling caused from material being taken from various concerts and are unsure whether or not to buy ‘(sic)nesses,’ then I’d like to reassure you that it is of a much higher quality than the previously mentioned releases, the whole concert is much more impressive and intense, Corey’s vocal performance is noticeably stronger and the mix is a lot more suitable.

The audiovisual quality of the release is in absolutely no question, the tech crew behind it have done an absolutely sterling job recording, mixing, filming and editing it and the whole viewing experience is of as high a quality as you would expect from a band of Slipknot’s size, even considering that this was a festival performance which is where a lot of big bands release their weaker DVDs due to the reduced amount of control available. Put simply this DVD looks and sounds fantastic, better even than you’d expect.

The only negative things I have to say are mere nitpicking, such as a perceived shortage of material from the ‘Iowa,’ album and that the documentary is very much in the Shaun Crahan style (as seen on the main Voliminal film and the All Hope is Gone bonus DVD) which I don’t personally care for but of course, you could indeed love this style. These minor and circumstantial niggles do nothing to detract from the sheer quality of the release. It may sound cheesy, but ‘(sic)nesses,’ proves why people love Slipknot so much.

MUDVAYNE All Access to All Things

Movie · 2003 · Nu Metal
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Kingcrimsonprog
Mudvayne’s second concert DVD, All Access To All Things features performances from Metallica’s 2003 Summer Sanitarium tour; filmed across three shows at three locations, Seattle, Salt Lake City and San Francisco. The DVD features 50 minutes worth of live performances adding up to a total of ten songs as well as forty minutes of behind the scenes footage like interviews on the tour bus or in the dressing room as well as the making of their music video for ‘World So Cold,’ which is available as a bonus feature.

The performances are of a pretty great quality and the sound and visuals are of an acceptable standard. The two greatest faults are that the bass drum sound is rather poor, but this is to be expected at a big outdoor show and is made up for by the fact that the rest of the sound is very good. The other flaw is that on about three songs, the editing becomes distracting for about a minute or so when it is decided that a bunch of really quick cuts are necessary.

Apart from these two minor flaws, All Access to All Things is an enjoyable DVD worthy of a place in any Mudvayne fan’s collection. The performances are tight, the behind the scenes sections are relatively interesting, (but thankfully you are given the option to watch just the concert, which is great for repeat viewings) and the track listing is good. Matt, Greg and Ryan absolutely nail every second of the performance, playing both tightly and energetically, and Chad adds some brilliant improvised vocals at the end of ‘Nothing To Gein,’ and ‘World So Cold,’

Chad can really pull it off live, delivering the clean vocals really well and the heavier vocals almost as well with very few exceptions, chiefly on the faster songs from LD.50 where it would be impossible for anyone to sing that fast, that close together without losing their breath. On this DVD the band appear without the make up which was the trademark of their early career and are playing in daylight at big outdoor events across three different shows.

If this is not to your tastes, you may want to consider Mudvayne’s first concert DVD ‘Live In Peoria,’ which features the band wearing makeup, indoors in a smaller venue, at night and all from a single concert.

In summary; if you don’t mind that the live sections are not from one single concert and can forgive the bass drum sound, you will find a very enjoyable DVD that stands up even now.

FAITH NO MORE You Fat Bastards / Who Cares A Lot?

Movie · 2006 · Alternative Metal
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Stooge
The Brixton Academy show captures the band in 1990, just as they were beginning to explode in an “Epic” fashion. Supporting their 1989 release “The Real Thing”, the setlist contains all but “Surprise! You’re Dead!” and “The Morning After” from that album. Two tracks from the pre-Patton era are performed “As The Worm Turns” and “We Care A Lot”, both of which are a good fit with Patton’s voice. This concert is well shot, and the band performs great. It makes me wish for a more extended Faith No More show to be released in the future.

The other part of the package is mainly to showcase their promotional videos. Music video compilations aren’t normally my cup of tea, but at least they integrate some other things into the mix to keep it interesting. You get snippets of interviews, behind the scenes footage, and outtakes to bridge some of the music videos. The music videos span going all the way to the Chuck Mosely days through to Album of the Year, ranging in quality to low budget/amateur rank (“Everything’s Ruined”, the Mosely era ones) to great production values (“Stripsearch”). However, I believe there are some official videos missing from the collection (“Ricochet” comes to mind). I guess having “Greatest Videos” in the title covers their a$$es in that regard.

This is a great package for those new to Faith No More, and it has strong re-play value.

KORN Korn: Steal This DVD - The Unauthorized Biography

Movie · 2006 · Nu Metal
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Larry Sakin
Documentaries about rock bands work on a formula. First, we have the all important formative years of the band, where we learn how the group struggled to learn their craft. Interviews with the band members, record company hacks, managers and DJs that cleared the way for eventual superstardom follow, giving the viewer a portrait of the turmoil, joy, and excesses that come with success. And finally, we have the where-are- they-now or what’s-to-happen with them sequence, which is supposed to answer the all important questions fans are supposed to have.

Steal This DVD, an unauthorized biography of the band Korn, is another in a long line of heavily formulaic views of a band that changed the rock world forever. But there are some differences here. At least with the other documentaries, you can listen to the bands music while the grand story unfolds, and possibly hear early interpretations of the songs that catapulted the band onto rock n’ roll radio. But because of some sticky licensing problems, viewers of Steal This DVD won’t even attain this modicum of satisfaction. The background music is eerily similar to that of Korn, but is just another copycat band grinding away.

So what we’re left with is a cut-and-paste production of other people interviewing the band, a lot of still photos of individual group members, and a great deal of detail on growing up in Bakersfield, California.

I’ve been to Bakersfield, and believe me, it’s no mystery why a group of guys from that dusty Central Valley area would produce the intensely angry funk-metal chords Korn is known for. Still, it occurs to me that major fans of Korn would already know how the damaging effects of a conservative California city impacted these superheroes of nu-metal. In fact, it’s hard to imagine there is any content on Steal This DVD that might illuminate Korn fans any more about the dark mystique that surrounds the band.

And if you don’t know very much about the group and their humble beginnings, maybe the time is right to really listen to singer-songwriter Jonathan Davis’ lyrics, because everything you need to know is right there. Davis has joined the ranks of songwriters who willingly split open their veins and bleed their madness onto an empty page, much like Kurt Cobain before him.

So I’m not really sure who the producers of Steal This DVD are looking to market this documentary to. Maybe they think there are enough die-hard fans out there that obsessively collect anything with the Korn brand on it, or that there are even more naive kids so unfamiliar with what makes Korn the brilliant band they are and need some kind of instructional DVD to help them “get it.” Whatever their direction may be, I think the producers are in for a huge surprise.

It would be so much better if the people who pumped these damned things out really thought like real fans do. They’d actually produce some interesting and entertaining packages that music lovers would appreciate. But unfortunately, the entertainment business too often conforms to the “biggest bang for a buck” theory, and cashes in by promoting anything that has a big-named group attached to it.

Consider this a caveat emptor, Korn fans. This trashy documentary won’t satisfy you until the next Korn release. Save your money, and listen to Life Is Peachy instead.

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