Alternative Metal

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Alternative Metal, or Alt Metal for short, is a sub-genre of metal music that has it's roots in the mid-1980s. It's sound comes from the mixing of metal with elements that are uncharacteristic to the metal genre, such as funk and hip-hop, but not in such an experimental way as to be considered Avant-Garde Metal. Some of these alternative metal fusions gave risen to some distinct sub-genres of it's own, with Nu Metal being a notable metal movement from the mid-1990s.

Alternative Metal Sub-Genres

Funk Metal

Nu Metal

Rap Metal

Sub-genre collaborators (+ Child subs and Heavy Alternative Rock):

alternative metal top albums

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ALICE IN CHAINS Dirt Album Cover Dirt
ALICE IN CHAINS
4.47 | 118 ratings
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FAITH NO MORE Angel Dust Album Cover Angel Dust
FAITH NO MORE
4.38 | 97 ratings
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DEFTONES Ohms Album Cover Ohms
DEFTONES
4.73 | 7 ratings
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SOUNDGARDEN Badmotorfinger Album Cover Badmotorfinger
SOUNDGARDEN
4.25 | 68 ratings
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TOOL Ænima Album Cover Ænima
TOOL
4.20 | 96 ratings
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DEFTONES White Pony Album Cover White Pony
DEFTONES
4.29 | 24 ratings
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LIVING COLOUR Stain Album Cover Stain
LIVING COLOUR
4.40 | 13 ratings
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SYSTEM OF A DOWN Toxicity Album Cover Toxicity
SYSTEM OF A DOWN
4.15 | 100 ratings
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KATATONIA The Fall Of Hearts Album Cover The Fall Of Hearts
KATATONIA
4.25 | 22 ratings
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NOTHINGFACE Violence Album Cover Violence
NOTHINGFACE
4.53 | 7 ratings
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TREMONTI All I Was Album Cover All I Was
TREMONTI
4.50 | 7 ratings
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FISHBONE Give a Monkey a Brain and He'll Swear He's the Center of the Universe Album Cover Give a Monkey a Brain and He'll Swear He's the Center of the Universe
FISHBONE
4.55 | 6 ratings
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alternative metal Music Reviews

CHEVELLE Niratias

Album · 2021 · Alternative Metal
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ssmarcus
Alt-metal veterans Chevelle are back with their fifth studio album... to debut in the top 10? Huh? When did they drop all these mega successful albums? Where the hell have I been? Surely most of those must have been released in the early to mid 'oughts - right? Well... no. Apparently this is already the third top 10 since 2014!

While I fondly remember growing up listening to Chevelle's 2002 debut Wonder What's Next, much of its charm faded fast as I grew to appreciate more technically sophisticated metal and progressive music. Too heavy to be remain commercially relevant but too simplistic for proper metal fans, I hardly would have expected Chevelle to survive rock's fall from commercial dominance in the almost two decades since their debut. And yet here they are, nine albums in and more successful than just about any of their alt-metal and post-grunge peers could ever have hoped to be. How did Chevelle do it?!

I am not familiar enough with band's back catalogue or business history to fully answer this question. But Chevelle's latest release, NIRATIAS, which demonstrates the band's commitment to growth as musicians and songwriters, firmly solidifies, in my book, Chevelle's place amongst modern hard rock's elite "survivors," approaching the inner circle of artists like The Foo Fighters, Deftones, and Tool.

As the album's cover art and psyched-out title suggest, NIRATIAS, an acronym for Nothing Is Real And This Is A Simulation, is an album with near progressive ambition. On tracks like "Mars Simula" and "Self Destructor," big and melodic riffs are accompanied by playfully soaring vocals. The riffing and bass on "Peach" and "Ghost and Razor" are unmistakably but tastefully Tool inspired. So epic and triumphant was the track "Remember When," I was praying the band would, by the end, segue into a reprisal of the "Send the Pain Below" chorus.

The record's weakness lies with the various pyschedelic interludes and piano-based spoken word closing track. While the verdict is still out on the artistic merit of these passages, they do not substantially detracts from the overall experience of listening to this record.

ARCHITECTS For Those That Wish To Exist

Album · 2021 · Alternative Metal
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ssmarcus
I think we can all agree that what the world really needed right now was yet another rock band yelling at us about what's wrong with us and the world. While all of us struggle, both individually and collectively through our overwhelmed political institutions, to withstand nature's latest device for knocking off humans, I am grateful to have Architects reminding us to pay attention to the world's real problems. For decades now, successful musical artists have an established tradition of warning their listeners of the imminent environmental collapse to befall us. As we the sheeple are just too caught up in the undertow of our own selfishness and quest for survival, its up to the artist, detached as he or she might be from frivolous shortsightedness, to educate and inspire us to action. For Those that Wish to Exist, with its totally savage takedown of apathy, will undoubtedly be regarded by history as the turning point.

As important and relevant as the messaging might be, it is further enhanced by the musical breakthroughs explored by the band on this release. By repeating the same formula in nearly every song, the message of imminent doom and the complete moral failure of the human race is drilled into the deepest recesses of the listener's brain. And, in 2021, who would expect a modern metal act to incorporate more and more industrial and electronic accompaniments to an otherwise standard metalcore foundation? Musically speaking, I really don't think it would be hyperbole to crown Architects as the Coldplay of metal. This is music for the masses of consumers looking for an experience of emotion without having to put in any of the work.

I thought about scheduling this review to post on April 1st but realized readers may think I was being sarcastic in my assessment of this record. So here it is a week late for your reading and listening pleasure...

AVATAR Hunter Gatherer

Album · 2020 · Alternative Metal
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Kev Rowland
One never knows what one is going to get with Avatar, as while they may have started life as yet another Swedish death metal act, they have broadened their horizons greatly since then. Their last album, 2018’s ‘Avatar Country’ was the second-largest independent album in North America upon its debut, reaching #4 (Hard Music Albums), # 8 (Rock Albums), and #25 (Billboard 200 Current Albums) with one major rock outlet even declaring it a heavy metal ‘Sgt. Pepper’s’. While I can never see myself going that far, there is no doubt there is something both strange and compelling about their music.

In 2020 they released their eighth studio album, ‘Hunter Gatherer’, which saw them record with all of them playing in the studio together as if they were onstage, and then putting it down on two-inch tape. When they go for it they really hit hard, but in “A Secret Door” we get groove/death metal along with Roger Whittaker-style whistling, guitars being played like mandolins, huge riffs and hooks which sees them move into the likes of Linkin Park. It is commercial but given what they are doing it really shouldn’t, as there is no way this mess should work, yet it does. Some bands have tried to move out of the Swedish death scene and failed miserably, yet these guys really have managed to bring something together which is mixing loads of many styles and somehow having it all make total sense while also never really settling. One never knows what is going to happen next as they can be in full flight and then drop into some keyboards or just blast along and never change, coming across more as power metal than anything else, but always with a heavy bottom end. Fans of the band have become used to never knowing what each album is going to sound like, and while I cannot speak for the whole of the back catalogue I can see that this one is worth checking out as it brings together nu metal, groove metal, melodic death, industrial, and the kitchen sink.

PRIMUS Frizzle Fry

Album · 1990 · Funk Metal
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SilentScream213
Primus help launch a new decade of metal with a release going against a lot of what 80’s metal was. Frizzle Fry was not exactly a parody album, but it combined silly and nonsensical themes, goofy vocals, and technical prowess.

Straight from your first glimpse of the cover, Frizzle Fry looks like an absolute joke. What you find inside is only halfway so, because in the songwriting and ability department, Primus take themselves very seriously. It’s no secret that it’d take a real expert to not only play, but come up with this stuff. There’s Math Rock and Experimental influence all over this thing. However, one thing Primus is not quite good at is writing a good riff, or a good guitar solo, or really anything musically memorable. The songs do their thing, dance around chaotically with some impressive technique and then leave nothing to remember them by.

The vocals, lyrics, and themes are a big weakness here for me. It’s all just too silly, never clever enough to make me laugh but annoying enough to take away from the music. The vocal style doesn’t make use of any nice hooks or melodies either, further instigating the issue of songs having no memorably strong moments.

ETHEREAL TRAGEDY Screaming For Freedom

Album · 2017 · Alternative Metal
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siLLy puPPy
ETHEREAL TRAGEDY is a somewhat mysterious band since there’s not very much info about it. This band formed as far back as 2005 in Villahermosa, Mexico as a gothic metal band but over the years switched over to a melodic death metal group. They released two demos in 2006-07 but didn’t release anything else until 2017 when they dropped two albums or EPs onto the world depending on how you consider them.

Both albums / EPs hover around the 30 minute mark. One is titled “Locked Down” and this one, the slightly longer one is SCREAMING FOR FREEDOM and features six tracks with the last track simply being an acoustic version of the second track “Control Denied” which was released with a video. Despite emerging from the extreme southern state of Tabasco in Mexico, this band is obviously going for the international market and crafts lyrics in English only.

As a quartet, the instruments presented are two guitars, bass and drums. While classified as melo-death, this band really presents a mishmash of garage rock, punk, and more thrashy metal sequences with death metal growly vocals but lead vocalist Don Moe Gonzalez also engages in clean vocals and the backing vocals often provide clean vocals that contrast with the growly leads. Tracks like “Locked Down” are more in the alternative metal realms with down-tuned guitars and a bit of keyboard backing. The riffs are somewhat like Tool however the vocals are more in the vein of Pearl Jam.

This is one of those bands that trying too hard to sound commercial and crossover. The clean vocals are fairly weak and the musicianship is fairly amateur and that’s being kind. This is very melodic and is the kind of weak metal crap you would hear in those movie theater commercials. The drumming is particularly awful as dude only knows how to play a steady beat and nothing else! While my adventurous exploration of world travel through sound often reveals a few diamonds in the rough, so too do the gods of sound deliver some real awful crap. I’m sorry to say that ETHEREAL TRAGEDY is very aptly named.

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SLIPKNOT (IA) Day Of The Gusano

Movie · 2017 · Nu Metal
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Kingcrimsonprog
***This review is regarding the single disc, UK Blu-Ray version only. Which contains the full uninterrupted concert only, with no special features or documentary footage.***

Now, you might be thinking ‘I’ve already got three Slipknot videos with concert footage on them’ if you already own Disasterpeices live in London from the Iowa touring cycle, (Sic)nesses live at Download festival 2009 on their first headline performance there during the All Hope Is Gone touring cycle, and the 2nd disc of the documentary release Voliminal Inside The Nine which had a smattering of live tracks from different dates and locations during the Vol. 3 touring cycle.

So what has Day Of The Gusano got to separate it from the others and make it worth buying as well? Well; first off, it is their first official concert video with the new rhythm section of Jay and Alex on drums and bass. Its their first ever show in Mexico City and the fans are energetic and grateful. Its their first video of a Knotfest performance and features all the associated spectacle and backdrops. It has songs from the .5 The Gray Chapter album, which obviously none of the previous videos will have had.

Comparing it to their other DVDs, there are 11 songs here that aren’t on Disaterpieces, including the rarely played ‘Metabolic’ off of Iowa, and ‘Me Inside’ & ‘Prosthetics’ off of the debut. There are 6 songs here that aren’t on (Sic)nesses at Download ’09. Compared to Voliminal‘s concert section, well, its a full length concert in a single location not just 9 random tracks from various locations, and none of it is in black & white.

So, onto ‘Gusano itself. (If you didn’t know already or bother to google that, its Spanish for ‘Maggots’ by the way, which makes sense, since y’know, they call their fans ‘Maggots’ and its filmed in Mexico). The audio visual quality of the release is really high. The picture quality, camera work, variety of shots, editing and general watching experience of the concert are the best that Slipknot have had to date. It is beautiful to look at, and there’s nothing distracting or interrupting about the editing. The performance visually has lots of pyro and fireworks and big backdrops and set pieces, fancy lighting. There’s generally lots going on up there on stage… its big and flashy and never boring.

The mix and production are very good. The only niggle is that Corey’s vocals are a bit lower in the mix than any previous live efforts from the band, but that’s real nitpicking. Otherwise, the instruments are really clear and well balanced, you can make the kick drum out clearly in all situations, and its even easier to hear Craig and Sid’s stuff than usual too which helps you notice them a bit better. If there’s a key riff or drum fill or whatever its given priority and generally its all beefy, heavy and just plain well put together.

The band themselves’ performance will always make or break a concert though. All the audio visual quality in the world, with the most expensive fireworks and lighting can’t hide a crappy performance. Slipknot have been through different phases in that regard. Old bootlegs off of the first album cycle show them as a sort of messy raw jumble. On Iowa they were a tight well-oiled million dollar perfect live-band (I remember seeing them live in Belfast on that cycle and its still one of my favourite ever concert experiences all these years later). On Volume 3 they flipped between the two but generally they were let down by Corey’s vocals (both times I saw them on that cycle and indeed both their 9.0 Live album and Voliminal DVD from that cycle all suffered from Corey’s vocals not being as great as usual). On All Hope‘ however, they came back blazing and were incredible and put in career defining performances and Corey sounded like one of the world’s greatest ever frontmen.

Luckily, here, the band are really on top form. This is a fiery, energetic, fun performance that everybody seems into. There are no complaints about the new line up and they do a great job of trying to fill some pretty massive, childhood-defining, shoes. (Heck, Jay arguably plays ‘Vermilion’ better live here than on any of the other three officially released versions of it). The veteran members are all super practiced, tight and precise. Corey is really strong here, arguably the second-best that he’s ever been on an official release next to Download ’09. (There are some minor questions about that on ‘Sarcastrophe’ and ‘Prosthetics’ maybe, which are a bit sketchy perhaps, but for the majority of it he really, really nails it). Its also nice to see him making an effort to speak Spanish which he does rather a lot and appears really humble and grateful.

The one bit where all Slipknot concerts drag is during ‘Spit It Out’ when the band get all the audience to squat down so they can all jump (the fuck) up at the same key moment. The actual process of cajoling them all to squat down can be a bit boring to watch or listen to if you aren’t actually there yourself sometimes, but luckily here it really doesn’t drag on too long and they payoff is great; the image of the gigantic Mexican crowd all bouncing in unison is really rather impressive.

So just to go through the list: It looks great. It sounds great. The band play great. The setlist is different enough from previous live releases to be worth it. That setlist itself is also pretty great, doing a good job of pleasing fans with the songs they’d expect to hear (Old fans could never see a set without ‘(sic)’ or ‘Surfacing’ and newer fans would never accept a set without ‘Duality’ and ‘Psychosocial’ for example) with pleasing them by spicing things up a bit and not just repeating themselves every time. On a personal note as well, its just so damn nice that they played ‘Metabolic’ live. I’ve been banging on for years about it and how its my favourite Slipknot song and they’ve finally put it out on something. I’m very pleased about that. Underrated song!

Anyway, that’s just personal preference. Everyone has their pros and cons to any setlist by any band. I’m sure some people are gutted ‘Sulfur’ and ‘Left Behind’ are missing considering they were big singles. I myself am kind of surprised ‘Skeptic’ is missing. With its catchy-ass chorus its absolutely built for big audience sing-alongs. I’d have thought that would be in every live set ever following Paul’s death, but I guess maybe its too personal for them lyrically or something like that.

Overall; this is a damn fine release from the band and not one to miss out on. Not even if you’ve already got a lot of live material by them already, as discussed at the beginning. Its probably their best video album on purely video terms, and its really worthy of inclusion in your collection in the other aspects like tracklisting and performance. If you are desperate to see the documentary, don’t get this version, but if you, like me, only really want the concert then this is the perfect version (at the lowest price).

GREEN JELLŸ Cereal Killer

Movie · 1992 · Alternative Metal
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Unitron
What would happen if Art Clokey, Jim Henson, and Gerry Anderson got together and created some films while on a sick acid trip?

Most likely, Cereal Killer would be created.

Green JellŸ, known as Green Jello at this time before they had to change the name, was probably one of the only bands to make a "video-music album". Yeah, you can go listen to the "Cereal Killer Soundtrack", but you really won't get the same experience. These songs don't really work unless you're watching the utterly ridiculous and zany videos along with them. The videos contain all sorts of use of claymation, puppetry, and weird costumes backed by a soundtrack blending thrash metal, hardcore punk, funk metal, classic heavy metal, and whatever else they wanted to make.

Oh, I forgot to mention that the lyrics are completely absurd along with the videos. You have their famous "Three Little Pigs", which is about a rocking pig, stoned pig, rich pig, and Rambo gunning down the big bad wolf. The title cut is about cereal mascots going to war, with the FruitLoops toucan slaughtering all the other mascots. Finally, the cover of Sex Pistols' "Anarchy in the U.K." is about the town of Bedrock from The Flintstones with the lyrics of 'Want to destroy Mr. Slate, Cause I wanna be Fred Flintstone'.

If you just want to hear some good music, there's always the soundtrack. However, if you want a good laugh at a party, invite your friends to come watch Cereal Killer. This is a hilarious metal musical for all to see.

Hope you found this review helpful, feel free to comment!

SLIPKNOT (IA) (sic)nesses

Movie · 2010 · Nu Metal
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Kingcrimsonprog
Most Slipknot fans won’t need very much convincing, a new live DVD has been released an you very probably plan t buy it, but for anyone on the fence about whether or not to get it, I highly recommend this package, on is own merits and not just out of blind dedication to the band.

‘(sic)nesses,’ is a pretty great package, documenting their 2009 headline performance at the UK’s Download Festival in front of 80,000 excited fans. Also included is a documentary (curiously on disc one, with the concert on disc 2) from Shaun ‘Clown,’ Crahan and all the music videos from the band’s ‘All Hope Is Gone,’ album cycle.

Performance wise, everything you expect to happen at a Slipknot concert is there, so don’t expect to be disappointed in that regard. One can expect to see people hanging off things, jumping off things and throwing things at regular intervals; in addition to a spinning in mid air drum kit, Different band members fretting the notes for the guitarists, different band members hitting a keg with a baseball bat, Clown and Criss’s strap-on marching drums during ‘The Blister Exists,’ and ‘Psycho Social,’ and of course Sid getting into the midst of everything, including the crowd whenever possible.

Without a doubt the entire concert is made on the strength of the crowds passionate reaction and that undefinable live energy that just makes the concert feel amazing. Seeing 80,000 plus people singing along to very heavy music is almost life affirming.

If you were dissapointed by the band’s live performances on their live album ‘9.0 Live,’ or the bonus live material from ‘Voliminal,’ specifically the mix, Corey’s vocals and the disjointed feeling caused from material being taken from various concerts and are unsure whether or not to buy ‘(sic)nesses,’ then I’d like to reassure you that it is of a much higher quality than the previously mentioned releases, the whole concert is much more impressive and intense, Corey’s vocal performance is noticeably stronger and the mix is a lot more suitable.

The audiovisual quality of the release is in absolutely no question, the tech crew behind it have done an absolutely sterling job recording, mixing, filming and editing it and the whole viewing experience is of as high a quality as you would expect from a band of Slipknot’s size, even considering that this was a festival performance which is where a lot of big bands release their weaker DVDs due to the reduced amount of control available. Put simply this DVD looks and sounds fantastic, better even than you’d expect.

The only negative things I have to say are mere nitpicking, such as a perceived shortage of material from the ‘Iowa,’ album and that the documentary is very much in the Shaun Crahan style (as seen on the main Voliminal film and the All Hope is Gone bonus DVD) which I don’t personally care for but of course, you could indeed love this style. These minor and circumstantial niggles do nothing to detract from the sheer quality of the release. It may sound cheesy, but ‘(sic)nesses,’ proves why people love Slipknot so much.

MUDVAYNE All Access to All Things

Movie · 2003 · Nu Metal
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Kingcrimsonprog
Mudvayne’s second concert DVD, All Access To All Things features performances from Metallica’s 2003 Summer Sanitarium tour; filmed across three shows at three locations, Seattle, Salt Lake City and San Francisco. The DVD features 50 minutes worth of live performances adding up to a total of ten songs as well as forty minutes of behind the scenes footage like interviews on the tour bus or in the dressing room as well as the making of their music video for ‘World So Cold,’ which is available as a bonus feature.

The performances are of a pretty great quality and the sound and visuals are of an acceptable standard. The two greatest faults are that the bass drum sound is rather poor, but this is to be expected at a big outdoor show and is made up for by the fact that the rest of the sound is very good. The other flaw is that on about three songs, the editing becomes distracting for about a minute or so when it is decided that a bunch of really quick cuts are necessary.

Apart from these two minor flaws, All Access to All Things is an enjoyable DVD worthy of a place in any Mudvayne fan’s collection. The performances are tight, the behind the scenes sections are relatively interesting, (but thankfully you are given the option to watch just the concert, which is great for repeat viewings) and the track listing is good. Matt, Greg and Ryan absolutely nail every second of the performance, playing both tightly and energetically, and Chad adds some brilliant improvised vocals at the end of ‘Nothing To Gein,’ and ‘World So Cold,’

Chad can really pull it off live, delivering the clean vocals really well and the heavier vocals almost as well with very few exceptions, chiefly on the faster songs from LD.50 where it would be impossible for anyone to sing that fast, that close together without losing their breath. On this DVD the band appear without the make up which was the trademark of their early career and are playing in daylight at big outdoor events across three different shows.

If this is not to your tastes, you may want to consider Mudvayne’s first concert DVD ‘Live In Peoria,’ which features the band wearing makeup, indoors in a smaller venue, at night and all from a single concert.

In summary; if you don’t mind that the live sections are not from one single concert and can forgive the bass drum sound, you will find a very enjoyable DVD that stands up even now.

FAITH NO MORE You Fat Bastards / Who Cares A Lot?

Movie · 2006 · Alternative Metal
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Stooge
The Brixton Academy show captures the band in 1990, just as they were beginning to explode in an “Epic” fashion. Supporting their 1989 release “The Real Thing”, the setlist contains all but “Surprise! You’re Dead!” and “The Morning After” from that album. Two tracks from the pre-Patton era are performed “As The Worm Turns” and “We Care A Lot”, both of which are a good fit with Patton’s voice. This concert is well shot, and the band performs great. It makes me wish for a more extended Faith No More show to be released in the future.

The other part of the package is mainly to showcase their promotional videos. Music video compilations aren’t normally my cup of tea, but at least they integrate some other things into the mix to keep it interesting. You get snippets of interviews, behind the scenes footage, and outtakes to bridge some of the music videos. The music videos span going all the way to the Chuck Mosely days through to Album of the Year, ranging in quality to low budget/amateur rank (“Everything’s Ruined”, the Mosely era ones) to great production values (“Stripsearch”). However, I believe there are some official videos missing from the collection (“Ricochet” comes to mind). I guess having “Greatest Videos” in the title covers their a$$es in that regard.

This is a great package for those new to Faith No More, and it has strong re-play value.

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