Alternative Metal

MetalMusicArchives.com — the ultimate metal music online community, from the creators of progarchives.com

Alternative Metal, or Alt Metal for short, is a sub-genre of metal music that has it's roots in the mid-1980s. It's sound comes from the mixing of metal with elements that are uncharacteristic to the metal genre, such as funk and hip-hop, but not in such an experimental way as to be considered Avant-Garde Metal. Some of these alternative metal fusions gave risen to some distinct sub-genres of it's own, with Nu Metal being a notable metal movement from the mid-1990s.

Alternative Metal Sub-Genres

Funk Metal

Nu Metal

Rap Metal

Sub-genre collaborators (+ Child subs and Heavy Alternative Rock):

alternative metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

ALICE IN CHAINS Dirt Album Cover Dirt
ALICE IN CHAINS
4.51 | 105 ratings
Buy this album from MMA partners
FAITH NO MORE Angel Dust Album Cover Angel Dust
FAITH NO MORE
4.41 | 87 ratings
Buy this album from MMA partners
LIVING COLOUR Stain Album Cover Stain
LIVING COLOUR
4.48 | 12 ratings
Buy this album from MMA partners
TOOL Ænima Album Cover Ænima
TOOL
4.18 | 85 ratings
Buy this album from MMA partners
SOUNDGARDEN Badmotorfinger Album Cover Badmotorfinger
SOUNDGARDEN
4.17 | 63 ratings
Buy this album from MMA partners
CHEVELLE Wonder What's Next Album Cover Wonder What's Next
CHEVELLE
4.67 | 6 ratings
Buy this album from MMA partners
SYSTEM OF A DOWN Toxicity Album Cover Toxicity
SYSTEM OF A DOWN
4.14 | 94 ratings
Buy this album from MMA partners
KATATONIA The Fall Of Hearts Album Cover The Fall Of Hearts
KATATONIA
4.28 | 17 ratings
Buy this album from MMA partners
MUDVAYNE L.D. 50 Album Cover L.D. 50
MUDVAYNE
4.28 | 16 ratings
Buy this album from MMA partners
KATATONIA Viva Emptiness Album Cover Viva Emptiness
KATATONIA
4.14 | 32 ratings
Buy this album from MMA partners
FAITH NO MORE The Real Thing Album Cover The Real Thing
FAITH NO MORE
4.08 | 74 ratings
Buy this album from MMA partners
DEFTONES White Pony Album Cover White Pony
DEFTONES
4.19 | 18 ratings
Buy this album from MMA partners
This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

alternative metal online videos

alternative metal New Releases

.. Album Cover
Anti:Society
Album
NUCLEAR IDIOTS
Buy this album from MMA partners
.. Album Cover
Alter Ego
Album
TEMPEST RISING
Buy this album from MMA partners
.. Album Cover
Ghosts
Single
TEMPEST RISING
Buy this album from MMA partners
.. Album Cover
Breathe
Single
TEMPEST RISING
Buy this album from MMA partners
.. Album Cover
We Are Not Your Kind
Album
SLIPKNOT (IA)
Buy this album from MMA partners
.. Album Cover
Absolute Dark
Album
LONERAVEN
Buy this album from MMA partners
.. Album Cover
Forsaken
Single
LONERAVEN
Buy this album from MMA partners
.. Album Cover
Timeline
Album
HARTA
Buy this album from MMA partners
.. Album Cover
Kas Kalpo Tev?
Single
HARTA
Buy this album from MMA partners
.. Album Cover
Atrunas
Single
HARTA
Buy this album from MMA partners
.. Album Cover
You Would Find A New Beginning
Album
NEW ORDER OF SANITY
Buy this album from MMA partners
.. Album Cover
Never Young
Album
LOSER
Buy this album from MMA partners
.. Album Cover
Dance On My Grave
Single
LOSER
Buy this album from MMA partners
.. Album Cover
SIGIL Soundtrack
Boxset / Compilation
BUCKETHEAD
Buy this album from MMA partners
.. Album Cover
Trauma
Album
I PREVAIL
Buy this album from MMA partners
.. Album Cover
Howdilly Twodilly
Album
OKILLY DOKILLY
Buy this album from MMA partners
.. Album Cover
I, the Mask
Album
IN FLAMES
Buy this album from MMA partners
.. Album Cover
The Sun Burns Black
Album
MIRRORS OF TIME
Buy this album from MMA partners
.. Album Cover
When The World Becomes Undone
Album
A PALE HORSE NAMED DEATH
Buy this album from MMA partners
.. Album Cover
Vultures
Single
A PALE HORSE NAMED DEATH
Buy this album from MMA partners
.. Album Cover
Resist
Album
WITHIN TEMPTATION
Buy this album from MMA partners

alternative metal Music Reviews

TOOL Undertow

Album · 1993 · Alternative Metal
Cover art Buy this album from MMA partners
siLLy puPPy
While TOOL gets much of the credit for keeping the metal universe relevant during the early 90s at least in commercial terms, the truth is that the band was simply riding the wave of the harder edged alternative rock bands like Jane’s Addiction, Alice In Chains and Faith No More that were finding commercial success however as the glam metal world experienced a sudden upheaval and suddenly grunge was the dominate commercial force with Nirvana and Soundgarden suddenly becoming household names, TOOL was right there beside them. The band of Maynard James Keenan (vocals), Adam Jones (guitar, sitar), Pal D’Amour (bass) and Danny Carey (drums) gained momentum on the 1992 debut EP “Opiate” with a fiery aggressive brand of alternative metal that focused on lengthy progressive cyclical grooves but on the band’s full-length debut UNDERTOW the progressiveness had really blossomed into a totally unique sound that implemented crazy time signatures that once taken further on future albums like “Ænima” and “Lateralus” would make TOOL one of the hottest bands of the entire 90s.

Love em or hate em, one thing is is for sure. When TOOL debuted with UNDERTOW there was nothing that sounded like the dark, angry and lengthy complex sprawling soundscapes that TOOL had crafted. While bands like Alice in Chains and Soundgarden were still reliant on blues rock constructs for the compositions, TOOL completely eschewed the familiarities of what came before and crafted a mysterious mix of metal, grunge and even post-rock however the music itself sounds like none of those genres but usually gets lumped into progressive metal or in the case of UNDERTOW simply alternative metal. Having settled on Zoo Records, where both Keenan and Carey experienced a surprise gold album as a part of the comedy metal act Green Jellÿ, the album struck a nerve with the public with the creepy stop-animated videos for “Sober” and “Prison Sex” and shot up to the top 20 albums in no time. As of 2010, the album has been certified double platinum which shows TOOL’s

Unlike “Opiate,” a hard hitting more straight forward slice of alternative metal, UNDERTOW displayed a more focused sprawled out series of guitar and bass riffs augmented by Carey’s percussive delineations that often took on the characteristics of an African drum circle or an Indian tabla session. Eastern elements occasionally creep in as heard with the sitar addition on “Bottom” (Henry Rollins also appeared as a guest vocalist on this one).There is a resolute industrial grittiness to the music as well coming to full roost on the album’s closer “Disgustipated” which included Henry Rollins’ guitarist Chris Haskett playing sledge hammers. The final track “Disgustipated” displayed another factor that would make TOOL standout from the pack namely social commentary in the form of spoken narration, extended noise effects, darkened whispered singing styles and a propensity to end an album with a series of noises and silence before a final musical statement which nixed the main guitar and bass sounds. In this case at 6:45 the sounds of crickets are heard for just over seven minutes. This was actually a popular but annoying trend of 90s alternative music.

While UNDERTOW was somewhat of a rough draft for the more artistic statements that followed, the band’s basic stylistic approach had been laid out here. The rhythm section had already developed the crazy polyrhythms, Carey’s drumming style had already adopted the tabla percussive style at certain points and although the musical flow is a more nonchalant shuffle, the time signatures offbeats have awoken to realize the far reaching potentials. Another proclivity of TOOL’s albums is that they insist on lengthy albums that take up as much playing time as possible. UNDERTOW clocks in at 69:13 and even subtracting the final several minutes of cricket chirping time is still over an hour’s run. While steeped in the experimental elements that would continue to expand their horizons into the stratosphere, UNDERTOW is still firmly planted in the world of alternative metal without all the crazy artsy extras that decorate “Ænima,” therefore the album becomes a bit tedious to experience in a single listening session. Overall not a bad debut at all but in the end UNDERTOW lacks the excitement of what was to come and i didn’t discover this debut until after the rest so i’ve never been blown away by it.

A PALE HORSE NAMED DEATH When The World Becomes Undone

Album · 2019 · Alternative Metal
Cover art Buy this album from MMA partners
UMUR
"When The World Becomes Undone" is the 3rd full-length studio album by US alternative/doom/goth metal act A Pale Horse Named Death. The album was released through Long Branch Records in January 2019. It´s the successor to "Lay My Soul To Waste" from 2013 and features one lineup change since the predecessor as guitarist Matt Brown has been replaced by Joe Taylor. A Pale Horse Named Death was formed in 2010 by former Type O Negative and Life of Agony drummer Sal Abruscato, who has switched to vocals and guitar on this project. The Type O Negative connection has been further strengthened with the addition of the other former Type O Negative drummer Johnny Kelly to the ranks.

Stylistically the material on "When The World Becomes Undone" features heavy riffs and rhythms, which partially fall in doom metal territory and partially fall in alternative metal country (think Black Sabbath meets Alice In Chains). The vocals are melancholic and there is a generally dark atmosphere to the album. In other words "When The World Becomes Undone" continues the style and sound of the two predecessors. It´s pretty basic vers/chorus structured songs, and the songwriting isn´t exactly adventurous, but there are some fairly memorable moments on the album. Featuring 13 tracks and total playing time of 61:59 minutes, it´s a bit too long for its own good, and definitely overstays its welcome by about 20 minutes. The album could have been much stronger if A Pale Horse Named Death had cut some of the least memorable tracks from the tracklist and had only released the best tracks on a 40 minutes long album.

"When The World Becomes Undone" features a decent sounding production, which suits the material well, and the musicianship is pretty strong too, although Abruscato isn´t a particularly strong or distinct sounding singer. So decent sized checkmarks to those features. It´s the songwriting which doesn´t reach more than standard heights and regarding the development of style and sound it´s like the band are treading waters. It´s more of the same, and it would have been nice to hear something a little different. A 3 star (60%) rating is warranted.

BODY COUNT Manslaughter

Album · 2014 · Rap Metal
Cover art Buy this album from MMA partners
martindavey87
Body Count’s discography has always been a story of up’s and down’s, a great album followed by a disappointing one, followed by a... you get the idea. And after 2006’s uninspired ‘Murder 4 Hire’, the band went on hiatus. With frontman rapper Ice-T keeping busy with his solo music and acting career, it would be eight years until the crossover thrash, rap rock pioneers would return, and the trend continues, because 2014’s ‘Manslaughter’ is a fantastic return to form for the band.

Featuring some of their most polished and well-written tracks, ‘Manslaughter’ shows that age hasn’t slowed these guys down, and in fact, they sound more energetic and enraged than ever before. The production is amazing, really emphasizing the bands precision playing and incredibly tight guitar riffs, making this by far the heaviest Body Count have ever sounded, and the lyrics and rapping are probably more consistent than they’ve ever been, fitting wonderfully with the music, and still rapping about themes that are as relevant and relatable today as they’ve ever been.

With the likes of ‘Talk Shit, Get Shot’, ‘Pray for Death’, ‘Pop Bubble’, ‘Back to Rehab’, ’99 Problems BC’, ‘Bitch in the Pit’ and an updated cover of Suicidal Tendencies ‘Institutionalized’, this is some of the strongest material Body Count have put out. And while they’ve often been considered a band that courts controversy and is hard to take seriously, the truth is that ‘Manslaughter’ is a very coherent and well put together album.

IN FLAMES I, the Mask

Album · 2019 · Alternative Metal
Cover art Buy this album from MMA partners
Kev Rowland
It is safe to say that I wasn’t a fan of the last In Flames album, ‘Battles’, where I said “Now, change isn’t necessarily bad, and it can often be good, but then there are also the concerns that the band haven’t changed so much as having left the planet altogether and gone into a new universe. Possibly one where they have been starved of oxygen which could explain what they are doing now.” So, when I realised there was a new album out, I wasn’t exactly overjoyed at the prospect of listening to it. Between this album and the last they have changed the rhythm section, and one wonders just how much that has had an impact on the overall sound as although this is not a return to the classic sound which made them so many fans, it is certainly a huge leap to the better.

Okay, so it is still alternative metal as opposed to the melodic death with which they made their name, and the overall sound seems quite compressed and being kept under tight control as opposed to being allowed to roam free and find the right spot. They still sound as if they are angry young Americans as opposed to a Swedish act who have been together for nearly 30 years and should really know better by now. But the riffs are tight, the guitar interplay works, and I was surprised at just how much I enjoyed the album. I found myself playing it without gritting my teeth and bearing it just for the sake of a review, which is a massive difference between the last release and this one. There is no way that In Flames will ever have the impact they did when they burst onto the scene all those years ago, but if they keep producing music like this then old fans may at least tolerate what they are doing, and they may even gain some new ones. I won’t be so hesitant when I next see a new album by the band, and that at least is progress.

FLAW Vol. IV Because Of The Brave

Album · 2019 · Nu Metal
Cover art Buy this album from MMA partners
Kingcrimsonprog
I really enjoyed the 2001 debut album Through The Eyes from Kentucky Nu Metal band Flaw, they were always one of the more underrated bands from that particular subgenre and the quality of their debut is up there with any of their more famous peers. I saw them live in 2002 and they were really good. Maybe the market was just saturated, at the time, maybe they didn’t get the right exposure, who knows? Maybe the manager didn’t land them the right tour…who knows? All I know is it sure as hell wasn’t for lack of brilliant songs that they aren’t as big as they should be. The follow up, Endangered Species was pretty good, but it came out when Nu Metal was falling off the map and hardly anyone heard it. I wanted it but didn’t ever find it in any music stores at the time, and this was before the internet was an obvious way to get albums. I’m sure you could, but I didn’t think of it yet.

Cut another 15 years forward to 2019, the band have gone through line-up changes (Wikipedia lists 19 ex-members, that’s up there with Cradle Of Filth and Annihilator for turnover), solo albums, a self-produced album and a reunion/comeback. The second album since their comeback, Vol. IV Because Of The Brave is now out, and it reminds me once again what a solid and dependable band Flaw are. It reminds me what an excellent vocalist Chris Volz is. It reminds me how entertaining Nu Metal can be when its done right.

It’s a decent album. 35 minutes, doesn’t overstay its welcome. Fair production job. Good solid songs. A typically excellent vocal performance from Chris Volz. There’s also a few surprises. ‘Wake Up’ for example sounds a bit more like Korn than Flaw. The album closer, ‘Lest We Forget’ is pretty interesting too. Its sort of mid paced alternative metal with spoken word kind of reminds me a tiny bit of what Queensryche were doing on American Soldier.

Highlights include the opening one-two punch of ‘Persistence’ and ‘Walk The Line’ as well as single ‘Conquer This Climb’ (which seems to be a bit more modern and almost slightly Djent flavoured for the first few seconds before it turns to the classic Flaw sound – but with a rather tasty guitar solo).

If you have any inclination to check out Flaw for the first time, then obviously, go for their by now classic debut first. This is good but its not as good as the first two albums. But if you are a fan you can relax knowing the band are still here, still putting out music, and aren’t disappointing. Overall; A welcome addition to the Flaw catalogue, if you are into that sort of thing (which I certainly am).

alternative metal movie reviews

SLIPKNOT (IA) Day Of The Gusano

Movie · 2017 · Nu Metal
Cover art Buy this album from MMA partners
Kingcrimsonprog
***This review is regarding the single disc, UK Blu-Ray version only. Which contains the full uninterrupted concert only, with no special features or documentary footage.***

Now, you might be thinking ‘I’ve already got three Slipknot videos with concert footage on them’ if you already own Disasterpeices live in London from the Iowa touring cycle, (Sic)nesses live at Download festival 2009 on their first headline performance there during the All Hope Is Gone touring cycle, and the 2nd disc of the documentary release Voliminal Inside The Nine which had a smattering of live tracks from different dates and locations during the Vol. 3 touring cycle.

So what has Day Of The Gusano got to separate it from the others and make it worth buying as well? Well; first off, it is their first official concert video with the new rhythm section of Jay and Alex on drums and bass. Its their first ever show in Mexico City and the fans are energetic and grateful. Its their first video of a Knotfest performance and features all the associated spectacle and backdrops. It has songs from the .5 The Gray Chapter album, which obviously none of the previous videos will have had.

Comparing it to their other DVDs, there are 11 songs here that aren’t on Disaterpieces, including the rarely played ‘Metabolic’ off of Iowa, and ‘Me Inside’ & ‘Prosthetics’ off of the debut. There are 6 songs here that aren’t on (Sic)nesses at Download ’09. Compared to Voliminal‘s concert section, well, its a full length concert in a single location not just 9 random tracks from various locations, and none of it is in black & white.

So, onto ‘Gusano itself. (If you didn’t know already or bother to google that, its Spanish for ‘Maggots’ by the way, which makes sense, since y’know, they call their fans ‘Maggots’ and its filmed in Mexico). The audio visual quality of the release is really high. The picture quality, camera work, variety of shots, editing and general watching experience of the concert are the best that Slipknot have had to date. It is beautiful to look at, and there’s nothing distracting or interrupting about the editing. The performance visually has lots of pyro and fireworks and big backdrops and set pieces, fancy lighting. There’s generally lots going on up there on stage… its big and flashy and never boring.

The mix and production are very good. The only niggle is that Corey’s vocals are a bit lower in the mix than any previous live efforts from the band, but that’s real nitpicking. Otherwise, the instruments are really clear and well balanced, you can make the kick drum out clearly in all situations, and its even easier to hear Craig and Sid’s stuff than usual too which helps you notice them a bit better. If there’s a key riff or drum fill or whatever its given priority and generally its all beefy, heavy and just plain well put together.

The band themselves’ performance will always make or break a concert though. All the audio visual quality in the world, with the most expensive fireworks and lighting can’t hide a crappy performance. Slipknot have been through different phases in that regard. Old bootlegs off of the first album cycle show them as a sort of messy raw jumble. On Iowa they were a tight well-oiled million dollar perfect live-band (I remember seeing them live in Belfast on that cycle and its still one of my favourite ever concert experiences all these years later). On Volume 3 they flipped between the two but generally they were let down by Corey’s vocals (both times I saw them on that cycle and indeed both their 9.0 Live album and Voliminal DVD from that cycle all suffered from Corey’s vocals not being as great as usual). On All Hope‘ however, they came back blazing and were incredible and put in career defining performances and Corey sounded like one of the world’s greatest ever frontmen.

Luckily, here, the band are really on top form. This is a fiery, energetic, fun performance that everybody seems into. There are no complaints about the new line up and they do a great job of trying to fill some pretty massive, childhood-defining, shoes. (Heck, Jay arguably plays ‘Vermilion’ better live here than on any of the other three officially released versions of it). The veteran members are all super practiced, tight and precise. Corey is really strong here, arguably the second-best that he’s ever been on an official release next to Download ’09. (There are some minor questions about that on ‘Sarcastrophe’ and ‘Prosthetics’ maybe, which are a bit sketchy perhaps, but for the majority of it he really, really nails it). Its also nice to see him making an effort to speak Spanish which he does rather a lot and appears really humble and grateful.

The one bit where all Slipknot concerts drag is during ‘Spit It Out’ when the band get all the audience to squat down so they can all jump (the fuck) up at the same key moment. The actual process of cajoling them all to squat down can be a bit boring to watch or listen to if you aren’t actually there yourself sometimes, but luckily here it really doesn’t drag on too long and they payoff is great; the image of the gigantic Mexican crowd all bouncing in unison is really rather impressive.

So just to go through the list: It looks great. It sounds great. The band play great. The setlist is different enough from previous live releases to be worth it. That setlist itself is also pretty great, doing a good job of pleasing fans with the songs they’d expect to hear (Old fans could never see a set without ‘(sic)’ or ‘Surfacing’ and newer fans would never accept a set without ‘Duality’ and ‘Psychosocial’ for example) with pleasing them by spicing things up a bit and not just repeating themselves every time. On a personal note as well, its just so damn nice that they played ‘Metabolic’ live. I’ve been banging on for years about it and how its my favourite Slipknot song and they’ve finally put it out on something. I’m very pleased about that. Underrated song!

Anyway, that’s just personal preference. Everyone has their pros and cons to any setlist by any band. I’m sure some people are gutted ‘Sulfur’ and ‘Left Behind’ are missing considering they were big singles. I myself am kind of surprised ‘Skeptic’ is missing. With its catchy-ass chorus its absolutely built for big audience sing-alongs. I’d have thought that would be in every live set ever following Paul’s death, but I guess maybe its too personal for them lyrically or something like that.

Overall; this is a damn fine release from the band and not one to miss out on. Not even if you’ve already got a lot of live material by them already, as discussed at the beginning. Its probably their best video album on purely video terms, and its really worthy of inclusion in your collection in the other aspects like tracklisting and performance. If you are desperate to see the documentary, don’t get this version, but if you, like me, only really want the concert then this is the perfect version (at the lowest price).

GREEN JELLŸ Cereal Killer

Movie · 1992 · Alternative Metal
Cover art Buy this album from MMA partners
Unitron
What would happen if Art Clokey, Jim Henson, and Gerry Anderson got together and created some films while on a sick acid trip?

Most likely, Cereal Killer would be created.

Green JellŸ, known as Green Jello at this time before they had to change the name, was probably one of the only bands to make a "video-music album". Yeah, you can go listen to the "Cereal Killer Soundtrack", but you really won't get the same experience. These songs don't really work unless you're watching the utterly ridiculous and zany videos along with them. The videos contain all sorts of use of claymation, puppetry, and weird costumes backed by a soundtrack blending thrash metal, hardcore punk, funk metal, classic heavy metal, and whatever else they wanted to make.

Oh, I forgot to mention that the lyrics are completely absurd along with the videos. You have their famous "Three Little Pigs", which is about a rocking pig, stoned pig, rich pig, and Rambo gunning down the big bad wolf. The title cut is about cereal mascots going to war, with the FruitLoops toucan slaughtering all the other mascots. Finally, the cover of Sex Pistols' "Anarchy in the U.K." is about the town of Bedrock from The Flintstones with the lyrics of 'Want to destroy Mr. Slate, Cause I wanna be Fred Flintstone'.

If you just want to hear some good music, there's always the soundtrack. However, if you want a good laugh at a party, invite your friends to come watch Cereal Killer. This is a hilarious metal musical for all to see.

Hope you found this review helpful, feel free to comment!

SLIPKNOT (IA) (sic)nesses

Movie · 2010 · Nu Metal
Cover art Buy this album from MMA partners
Kingcrimsonprog
Most Slipknot fans won’t need very much convincing, a new live DVD has been released an you very probably plan t buy it, but for anyone on the fence about whether or not to get it, I highly recommend this package, on is own merits and not just out of blind dedication to the band.

‘(sic)nesses,’ is a pretty great package, documenting their 2009 headline performance at the UK’s Download Festival in front of 80,000 excited fans. Also included is a documentary (curiously on disc one, with the concert on disc 2) from Shaun ‘Clown,’ Crahan and all the music videos from the band’s ‘All Hope Is Gone,’ album cycle.

Performance wise, everything you expect to happen at a Slipknot concert is there, so don’t expect to be disappointed in that regard. One can expect to see people hanging off things, jumping off things and throwing things at regular intervals; in addition to a spinning in mid air drum kit, Different band members fretting the notes for the guitarists, different band members hitting a keg with a baseball bat, Clown and Criss’s strap-on marching drums during ‘The Blister Exists,’ and ‘Psycho Social,’ and of course Sid getting into the midst of everything, including the crowd whenever possible.

Without a doubt the entire concert is made on the strength of the crowds passionate reaction and that undefinable live energy that just makes the concert feel amazing. Seeing 80,000 plus people singing along to very heavy music is almost life affirming.

If you were dissapointed by the band’s live performances on their live album ‘9.0 Live,’ or the bonus live material from ‘Voliminal,’ specifically the mix, Corey’s vocals and the disjointed feeling caused from material being taken from various concerts and are unsure whether or not to buy ‘(sic)nesses,’ then I’d like to reassure you that it is of a much higher quality than the previously mentioned releases, the whole concert is much more impressive and intense, Corey’s vocal performance is noticeably stronger and the mix is a lot more suitable.

The audiovisual quality of the release is in absolutely no question, the tech crew behind it have done an absolutely sterling job recording, mixing, filming and editing it and the whole viewing experience is of as high a quality as you would expect from a band of Slipknot’s size, even considering that this was a festival performance which is where a lot of big bands release their weaker DVDs due to the reduced amount of control available. Put simply this DVD looks and sounds fantastic, better even than you’d expect.

The only negative things I have to say are mere nitpicking, such as a perceived shortage of material from the ‘Iowa,’ album and that the documentary is very much in the Shaun Crahan style (as seen on the main Voliminal film and the All Hope is Gone bonus DVD) which I don’t personally care for but of course, you could indeed love this style. These minor and circumstantial niggles do nothing to detract from the sheer quality of the release. It may sound cheesy, but ‘(sic)nesses,’ proves why people love Slipknot so much.

MUDVAYNE All Access to All Things

Movie · 2003 · Nu Metal
Cover art Buy this album from MMA partners
Kingcrimsonprog
Mudvayne’s second concert DVD, All Access To All Things features performances from Metallica’s 2003 Summer Sanitarium tour; filmed across three shows at three locations, Seattle, Salt Lake City and San Francisco. The DVD features 50 minutes worth of live performances adding up to a total of ten songs as well as forty minutes of behind the scenes footage like interviews on the tour bus or in the dressing room as well as the making of their music video for ‘World So Cold,’ which is available as a bonus feature.

The performances are of a pretty great quality and the sound and visuals are of an acceptable standard. The two greatest faults are that the bass drum sound is rather poor, but this is to be expected at a big outdoor show and is made up for by the fact that the rest of the sound is very good. The other flaw is that on about three songs, the editing becomes distracting for about a minute or so when it is decided that a bunch of really quick cuts are necessary.

Apart from these two minor flaws, All Access to All Things is an enjoyable DVD worthy of a place in any Mudvayne fan’s collection. The performances are tight, the behind the scenes sections are relatively interesting, (but thankfully you are given the option to watch just the concert, which is great for repeat viewings) and the track listing is good. Matt, Greg and Ryan absolutely nail every second of the performance, playing both tightly and energetically, and Chad adds some brilliant improvised vocals at the end of ‘Nothing To Gein,’ and ‘World So Cold,’

Chad can really pull it off live, delivering the clean vocals really well and the heavier vocals almost as well with very few exceptions, chiefly on the faster songs from LD.50 where it would be impossible for anyone to sing that fast, that close together without losing their breath. On this DVD the band appear without the make up which was the trademark of their early career and are playing in daylight at big outdoor events across three different shows.

If this is not to your tastes, you may want to consider Mudvayne’s first concert DVD ‘Live In Peoria,’ which features the band wearing makeup, indoors in a smaller venue, at night and all from a single concert.

In summary; if you don’t mind that the live sections are not from one single concert and can forgive the bass drum sound, you will find a very enjoyable DVD that stands up even now.

FAITH NO MORE You Fat Bastards / Who Cares A Lot?

Movie · 2006 · Alternative Metal
Cover art Buy this album from MMA partners
Stooge
The Brixton Academy show captures the band in 1990, just as they were beginning to explode in an “Epic” fashion. Supporting their 1989 release “The Real Thing”, the setlist contains all but “Surprise! You’re Dead!” and “The Morning After” from that album. Two tracks from the pre-Patton era are performed “As The Worm Turns” and “We Care A Lot”, both of which are a good fit with Patton’s voice. This concert is well shot, and the band performs great. It makes me wish for a more extended Faith No More show to be released in the future.

The other part of the package is mainly to showcase their promotional videos. Music video compilations aren’t normally my cup of tea, but at least they integrate some other things into the mix to keep it interesting. You get snippets of interviews, behind the scenes footage, and outtakes to bridge some of the music videos. The music videos span going all the way to the Chuck Mosely days through to Album of the Year, ranging in quality to low budget/amateur rank (“Everything’s Ruined”, the Mosely era ones) to great production values (“Stripsearch”). However, I believe there are some official videos missing from the collection (“Ricochet” comes to mind). I guess having “Greatest Videos” in the title covers their a$$es in that regard.

This is a great package for those new to Faith No More, and it has strong re-play value.

Artists with Alternative Metal release(s)

alternative metal Index

Member Zone

Username:
Password:
Stay signed in

Metal Subgenres

Artists Alpha-index

MMA TOP 5 Metal ALBUMS

Rating by members, ranked by custom algorithm
Albums with 30 ratings and more
Master of Puppets Thrash Metal
METALLICA
Buy this album from our partners
Rust in Peace Thrash Metal
MEGADETH
Buy this album from our partners
Moving Pictures Hard Rock
RUSH
Buy this album from our partners
Powerslave NWoBHM
IRON MAIDEN
Buy this album from our partners
Dirt Alternative Metal
ALICE IN CHAINS
Buy this album from our partners

New Metal Artists

New Metal Releases

The Aim Of Supreme Entity Deathcore
MOVE THE MOON
Buy this album from MMA partners
Higher Ground Metalcore
PARABOL
Buy this album from MMA partners
The Less Fortunate Metalcore
THE LESS FORTUNATE
Buy this album from MMA partners
Everything Hurts Metalcore
GRAYSCALE SEASON
Buy this album from MMA partners
Abomination Deathcore
FROM THE ASHES
Buy this album from MMA partners
More new releases

New Metal Online Videos

Carcosa - Trust
CARCOSA
Bosh66· 1 day ago
More videos

New MMA Metal Forum Topics

More in the forums

New Site interactions

More...

Latest Metal News

members-submitted

More in the forums

Social Media

Follow us

Buy Metal Music Online