Alternative Metal

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Alternative metal is a genre of heavy metal that gained popularity in the early 1990s. Most notably, alternative metal bands are characterized by heavy guitar riffs; typically, these riffs have a pronounced experimental edge, including unconventional lyrics, odd time signatures, more syncopation than typical metal, unusual technique, a resistance to conventional approaches to heavy music and an incorporation of a wide range of influences outside of the metal music scene.

Source: http://en.wikipedia.org/wiki/Alternative_Metal

Sub-genre collaborators:
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alternative metal top albums

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ALICE IN CHAINS Dirt Album Cover Dirt
ALICE IN CHAINS
4.51 | 105 ratings
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FAITH NO MORE Angel Dust Album Cover Angel Dust
FAITH NO MORE
4.40 | 85 ratings
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TOOL Ænima Album Cover Ænima
TOOL
4.21 | 81 ratings
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SOUNDGARDEN Badmotorfinger Album Cover Badmotorfinger
SOUNDGARDEN
4.18 | 62 ratings
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SYSTEM OF A DOWN Toxicity Album Cover Toxicity
SYSTEM OF A DOWN
4.15 | 93 ratings
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MUDVAYNE L.D. 50 Album Cover L.D. 50
MUDVAYNE
4.30 | 16 ratings
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KATATONIA The Fall Of Hearts Album Cover The Fall Of Hearts
KATATONIA
4.29 | 16 ratings
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FAITH NO MORE The Real Thing Album Cover The Real Thing
FAITH NO MORE
4.12 | 74 ratings
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KATATONIA Viva Emptiness Album Cover Viva Emptiness
KATATONIA
4.16 | 32 ratings
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TREMONTI All I Was Album Cover All I Was
TREMONTI
4.50 | 6 ratings
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DEFTONES White Pony Album Cover White Pony
DEFTONES
4.17 | 17 ratings
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SYSTEM OF A DOWN Mezmerize Album Cover Mezmerize
SYSTEM OF A DOWN
4.06 | 58 ratings
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alternative metal online videos

alternative metal New Releases

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ALICE IN CHAINS
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Empathie
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Quick and Dirty
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Ember
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Red Cold River
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alternative metal Music Reviews

BODY COUNT Born Dead

Album · 1994 · Rap Metal
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martindavey87
Body Count’s 1992 self-titled debut album was a pretty big success for the band. Granted, that success came about due to the infamy and controversy surrounding the song ‘Cop Killer’, but the record itself was a solid effort. When renowned rapper and actor Ice-T put together a metal band, not many people thought it’d last, seeing it as a one-off endeavour. So it was no-doubt intriguing to see a follow-up released, and how did they capitalize on the success of ‘Body Count’?

They didn’t.

Released in 1994, ‘Born Dead’ takes everything that made its predecessor so good, and does away with it completely. The rapping has mostly been replaced by Ice-T constantly repeating the same phrase over and over, with very, very occasional bits of talking. The Lyrics, which once had meaning and were incredibly angry, satirical and lashing out at everything, are now dull, juvenile and pointless. The music seems pretty bland, and hell, even the skits between the tracks are gone. What previously gave the album a loose narrative and plot, is now just one uninspired song after another.

There are a couple of brief instances where the production and sound of the album suffers from dips in quality. I’d guess that this was thrown together in between Ice-T’s rapping and acting careers, as some parts sound rushed and disjointed. And a cover of the Jimi Hendrix classic ‘Hey Joe’ seems so out of place here.

However, it’s not all gloom and doom. There’s a couple of moments which take me back to Body Count’s first outing, and reminds me why this band are so good. ‘Necessary Evil’ and ‘Born Dead’ are both decent enough tracks that prevent this album from getting a one-star rating, but overall, considering all the publicity the group had garnered with their debut, this is a disappointing follow-up.

DISTURBED Indestructible

Album · 2008 · Alternative Metal
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martindavey87
Having already laid down the foundations for their post-nu metal career with 2005’s ‘Ten Thousand Fists’, Disturbed have finally shed the stigma that came with the subgenre, and established themselves as a legit and credible metal band with 2008’s ‘Indestructible’.

The band has managed to taken the groove-laden guitar style of the aforementioned subgenre whilst blending it effortlessly with an old-school metal mentality and vibe. As a result, ‘Indestructible’ is an album brimming with hooks, choruses and intense guitar work that can appeal to metal fans old and new alike, as well as more casual listeners too.

David Draiman’s melodic vocals work fantastically, his unique style has always given Disturbed their own sound. And they work in complete synergy with Dan Donegan’s guitar riffs, which perfectly capture the essence of traditional metal with the styling of nu metal. Donegan really lets rip a number of times on this album, and shows that he’s more than capable of shredding up the guitar when necessary, but can also show restraint when it’s needed.

Highlights from this release include ‘Indestructible’, ‘Inside the Fire’, ‘Perfect Insanity’, ‘The Night’, ‘Criminal’, ‘Divide’ and ‘The Curse’. The first three tracks in particular were all downloadable content for the incredibly popular 2007 video game ‘Rock Band’, which no doubt helped boost the bands popularity to no end around the time of this albums release.

With a number of stand-out tracks and an outlet for a whole new audience, ‘Indestructible’ is another strong outing by Disturbed, who have so far gone from strength-to-strength since the demise of nu metal, and have firmly cemented themselves as one of the standout metal bands of the 2000’s.

LINKIN PARK Crawling

Single · 2001 · Nu Metal
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martindavey87
‘Crawling’ is the second single released for Linkin Park’s monumental 2000 debut album ‘Hybrid Theory’. It’s a solid nu metal track which helped usher the subgenre to a worldwide platform, gaining popularity among rock and non-rock fans alike. With its quiet verses and massively dramatic and heavy chorus, it’s a simple track which highlights vocalist Chester Bennington’s incredible range.

Overall however, of the numerous singles released for the bands debut, this is probably the weakest. I do like it in the context of the album, but never really find myself playing this one on its own. A live radio performance of ‘Papercut’ accompanies the main track, and is a decent enough listen which shows a young, energetic and enthusiastic band in their early days.

‘Hybrid Theory’ is one of the albums I credit for rejuvenating a then-stagnant metal scene at the turn of the century, and is absolutely essential to any music collection. But since CD singles are a thing of the past, ‘Crawling’ is best left to the absolute most die-hard collectors.

SEVENDUST Home

Album · 1999 · Nu Metal
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martindavey87
While Sevendust’s second album, 1999’s ‘Home’, is a step up from its predecessor, it’s still a fairly average album at best. There’s a noticeable improvement in the band’s sound and performance, and a number of solid tracks make this album superior to the group’s debut.

With nu metal on the rise, Sevendust’s “alternative” brand of metal was starting to gain the band some recognition, with a good balance of groove, heaviness and melody, the Atlanta-based five-piece are starting to sound a lot more polished with their sound. In particular, vocalist Lajon Witherspoon’s interesting mixture of singing, shouting and rapping is starting to really suit the music better than before. The guitars are also sounding a lot more confident, with the twin-guitar format being utilized to full effect.

Personal highlights for me include ‘Headtrip’, ‘Rumble Fish’, ‘Licking Cream’, ‘Denial’, ‘Bender’ and the title track. While a number of songs on this album seem similar and repetitive, these ones stand out, and show a band that may have finally stumbled upon a sound that’ll give them their own identity.

‘Home’, ultimately, isn’t a bad album, and has its fair share of memorable moments. But it’s just not an album I’d consider coming back to very often. Sevendust are certainly showing potential for greater things though, and with the nu metal subgenre on the verge of taking over the world (this is back in 1999, remember), it’ll be interesting to see if the band can fulfil that potential on later releases.

DISTURBED Ten Thousand Fists

Album · 2005 · Alternative Metal
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martindavey87
Disturbed’s third studio album, 2005’s ‘Ten Thousand Fists’, sees the band finally hit their stride, adapting a more contemporary sound while somewhat maintaining their groove-based nu metal style. With that particular subgenre of music being dead and buried, this was a pivotal album for the band to show that they could hold their own outside of that scene, with an album that would appeal to fans of metal old and new alike.

Having focused on the highlights of their previous releases, catchy choruses in particular, ‘Ten Thousand Fists’ has an abundance of hooks that makes every track memorable, and with its monstrous production and simple song structures, Disturbed’s music sounds a lot more accessible and mainstream.

Guitarist Dan Donegan’s guitar playing is brilliant here. With skull-crushing precision, his riffs are heavy, yet groovy, and fit perfectly with David Draiman’s melodic vocals. In fact, Donegan lets rip in a couple of tracks with some very slick guitar solos, showing that he had the chops all along, but either left them out to further conform to nu metal trends, or simply that there was no need for them. Either way, he’s finally cutting loose, and it sounds great!

Highlights include the thunderous hit single ‘Stricken’, the huge and epic-sounding ‘Overburdened, and a cracking cover of the Genesis classic, ‘Land of Confusion’, as well as ‘Just Stop’, ‘Guarded’, ‘Sacred Lie’, and ‘Pain Redefined’. And then of course, the title track itself, which is an absolute anthem that will literally produce a sea of raised fists for a metal call-to-arms. The musicianship on these tracks is fantastic, with exceptional performances from everyone involved.

Overall, while ‘Ten Thousand Fists’ isn’t quite a masterpiece, it’s a solid album that definitely helped Disturbed shake off any nu metal remnants, and established them as a legit heavy metal act. It holds up well today, and marks the band as one of the more important acts to burst onto the scene at the turn of the century.

alternative metal movie reviews

SLIPKNOT Day Of The Gusano

Movie · 2017 · Nu Metal
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Kingcrimsonprog
***This review is regarding the single disc, UK Blu-Ray version only. Which contains the full uninterrupted concert only, with no special features or documentary footage.***

Now, you might be thinking ‘I’ve already got three Slipknot videos with concert footage on them’ if you already own Disasterpeices live in London from the Iowa touring cycle, (Sic)nesses live at Download festival 2009 on their first headline performance there during the All Hope Is Gone touring cycle, and the 2nd disc of the documentary release Voliminal Inside The Nine which had a smattering of live tracks from different dates and locations during the Vol. 3 touring cycle.

So what has Day Of The Gusano got to separate it from the others and make it worth buying as well? Well; first off, it is their first official concert video with the new rhythm section of Jay and Alex on drums and bass. Its their first ever show in Mexico City and the fans are energetic and grateful. Its their first video of a Knotfest performance and features all the associated spectacle and backdrops. It has songs from the .5 The Gray Chapter album, which obviously none of the previous videos will have had.

Comparing it to their other DVDs, there are 11 songs here that aren’t on Disaterpieces, including the rarely played ‘Metabolic’ off of Iowa, and ‘Me Inside’ & ‘Prosthetics’ off of the debut. There are 6 songs here that aren’t on (Sic)nesses at Download ’09. Compared to Voliminal‘s concert section, well, its a full length concert in a single location not just 9 random tracks from various locations, and none of it is in black & white.

So, onto ‘Gusano itself. (If you didn’t know already or bother to google that, its Spanish for ‘Maggots’ by the way, which makes sense, since y’know, they call their fans ‘Maggots’ and its filmed in Mexico). The audio visual quality of the release is really high. The picture quality, camera work, variety of shots, editing and general watching experience of the concert are the best that Slipknot have had to date. It is beautiful to look at, and there’s nothing distracting or interrupting about the editing. The performance visually has lots of pyro and fireworks and big backdrops and set pieces, fancy lighting. There’s generally lots going on up there on stage… its big and flashy and never boring.

The mix and production are very good. The only niggle is that Corey’s vocals are a bit lower in the mix than any previous live efforts from the band, but that’s real nitpicking. Otherwise, the instruments are really clear and well balanced, you can make the kick drum out clearly in all situations, and its even easier to hear Craig and Sid’s stuff than usual too which helps you notice them a bit better. If there’s a key riff or drum fill or whatever its given priority and generally its all beefy, heavy and just plain well put together.

The band themselves’ performance will always make or break a concert though. All the audio visual quality in the world, with the most expensive fireworks and lighting can’t hide a crappy performance. Slipknot have been through different phases in that regard. Old bootlegs off of the first album cycle show them as a sort of messy raw jumble. On Iowa they were a tight well-oiled million dollar perfect live-band (I remember seeing them live in Belfast on that cycle and its still one of my favourite ever concert experiences all these years later). On Volume 3 they flipped between the two but generally they were let down by Corey’s vocals (both times I saw them on that cycle and indeed both their 9.0 Live album and Voliminal DVD from that cycle all suffered from Corey’s vocals not being as great as usual). On All Hope‘ however, they came back blazing and were incredible and put in career defining performances and Corey sounded like one of the world’s greatest ever frontmen.

Luckily, here, the band are really on top form. This is a fiery, energetic, fun performance that everybody seems into. There are no complaints about the new line up and they do a great job of trying to fill some pretty massive, childhood-defining, shoes. (Heck, Jay arguably plays ‘Vermilion’ better live here than on any of the other three officially released versions of it). The veteran members are all super practiced, tight and precise. Corey is really strong here, arguably the second-best that he’s ever been on an official release next to Download ’09. (There are some minor questions about that on ‘Sarcastrophe’ and ‘Prosthetics’ maybe, which are a bit sketchy perhaps, but for the majority of it he really, really nails it). Its also nice to see him making an effort to speak Spanish which he does rather a lot and appears really humble and grateful.

The one bit where all Slipknot concerts drag is during ‘Spit It Out’ when the band get all the audience to squat down so they can all jump (the fuck) up at the same key moment. The actual process of cajoling them all to squat down can be a bit boring to watch or listen to if you aren’t actually there yourself sometimes, but luckily here it really doesn’t drag on too long and they payoff is great; the image of the gigantic Mexican crowd all bouncing in unison is really rather impressive.

So just to go through the list: It looks great. It sounds great. The band play great. The setlist is different enough from previous live releases to be worth it. That setlist itself is also pretty great, doing a good job of pleasing fans with the songs they’d expect to hear (Old fans could never see a set without ‘(sic)’ or ‘Surfacing’ and newer fans would never accept a set without ‘Duality’ and ‘Psychosocial’ for example) with pleasing them by spicing things up a bit and not just repeating themselves every time. On a personal note as well, its just so damn nice that they played ‘Metabolic’ live. I’ve been banging on for years about it and how its my favourite Slipknot song and they’ve finally put it out on something. I’m very pleased about that. Underrated song!

Anyway, that’s just personal preference. Everyone has their pros and cons to any setlist by any band. I’m sure some people are gutted ‘Sulfur’ and ‘Left Behind’ are missing considering they were big singles. I myself am kind of surprised ‘Skeptic’ is missing. With its catchy-ass chorus its absolutely built for big audience sing-alongs. I’d have thought that would be in every live set ever following Paul’s death, but I guess maybe its too personal for them lyrically or something like that.

Overall; this is a damn fine release from the band and not one to miss out on. Not even if you’ve already got a lot of live material by them already, as discussed at the beginning. Its probably their best video album on purely video terms, and its really worthy of inclusion in your collection in the other aspects like tracklisting and performance. If you are desperate to see the documentary, don’t get this version, but if you, like me, only really want the concert then this is the perfect version (at the lowest price).

GREEN JELLŸ Cereal Killer

Movie · 1992 · Alternative Metal
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Unitron
What would happen if Art Clokey, Jim Henson, and Gerry Anderson got together and created some films while on a sick acid trip?

Most likely, Cereal Killer would be created.

Green JellŸ, known as Green Jello at this time before they had to change the name, was probably one of the only bands to make a "video-music album". Yeah, you can go listen to the "Cereal Killer Soundtrack", but you really won't get the same experience. These songs don't really work unless you're watching the utterly ridiculous and zany videos along with them. The videos contain all sorts of use of claymation, puppetry, and weird costumes backed by a soundtrack blending thrash metal, hardcore punk, funk metal, classic heavy metal, and whatever else they wanted to make.

Oh, I forgot to mention that the lyrics are completely absurd along with the videos. You have their famous "Three Little Pigs", which is about a rocking pig, stoned pig, rich pig, and Rambo gunning down the big bad wolf. The title cut is about cereal mascots going to war, with the FruitLoops toucan slaughtering all the other mascots. Finally, the cover of Sex Pistols' "Anarchy in the U.K." is about the town of Bedrock from The Flintstones with the lyrics of 'Want to destroy Mr. Slate, Cause I wanna be Fred Flintstone'.

If you just want to hear some good music, there's always the soundtrack. However, if you want a good laugh at a party, invite your friends to come watch Cereal Killer. This is a hilarious metal musical for all to see.

Hope you found this review helpful, feel free to comment!

SLIPKNOT (sic)nesses

Movie · 2010 · Nu Metal
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Kingcrimsonprog
Most Slipknot fans won’t need very much convincing, a new live DVD has been released an you very probably plan t buy it, but for anyone on the fence about whether or not to get it, I highly recommend this package, on is own merits and not just out of blind dedication to the band.

‘(sic)nesses,’ is a pretty great package, documenting their 2009 headline performance at the UK’s Download Festival in front of 80,000 excited fans. Also included is a documentary (curiously on disc one, with the concert on disc 2) from Shaun ‘Clown,’ Crahan and all the music videos from the band’s ‘All Hope Is Gone,’ album cycle.

Performance wise, everything you expect to happen at a Slipknot concert is there, so don’t expect to be disappointed in that regard. One can expect to see people hanging off things, jumping off things and throwing things at regular intervals; in addition to a spinning in mid air drum kit, Different band members fretting the notes for the guitarists, different band members hitting a keg with a baseball bat, Clown and Criss’s strap-on marching drums during ‘The Blister Exists,’ and ‘Psycho Social,’ and of course Sid getting into the midst of everything, including the crowd whenever possible.

Without a doubt the entire concert is made on the strength of the crowds passionate reaction and that undefinable live energy that just makes the concert feel amazing. Seeing 80,000 plus people singing along to very heavy music is almost life affirming.

If you were dissapointed by the band’s live performances on their live album ‘9.0 Live,’ or the bonus live material from ‘Voliminal,’ specifically the mix, Corey’s vocals and the disjointed feeling caused from material being taken from various concerts and are unsure whether or not to buy ‘(sic)nesses,’ then I’d like to reassure you that it is of a much higher quality than the previously mentioned releases, the whole concert is much more impressive and intense, Corey’s vocal performance is noticeably stronger and the mix is a lot more suitable.

The audiovisual quality of the release is in absolutely no question, the tech crew behind it have done an absolutely sterling job recording, mixing, filming and editing it and the whole viewing experience is of as high a quality as you would expect from a band of Slipknot’s size, even considering that this was a festival performance which is where a lot of big bands release their weaker DVDs due to the reduced amount of control available. Put simply this DVD looks and sounds fantastic, better even than you’d expect.

The only negative things I have to say are mere nitpicking, such as a perceived shortage of material from the ‘Iowa,’ album and that the documentary is very much in the Shaun Crahan style (as seen on the main Voliminal film and the All Hope is Gone bonus DVD) which I don’t personally care for but of course, you could indeed love this style. These minor and circumstantial niggles do nothing to detract from the sheer quality of the release. It may sound cheesy, but ‘(sic)nesses,’ proves why people love Slipknot so much.

MUDVAYNE All Access to All Things

Movie · 2003 · Nu Metal
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Kingcrimsonprog
Mudvayne’s second concert DVD, All Access To All Things features performances from Metallica’s 2003 Summer Sanitarium tour; filmed across three shows at three locations, Seattle, Salt Lake City and San Francisco. The DVD features 50 minutes worth of live performances adding up to a total of ten songs as well as forty minutes of behind the scenes footage like interviews on the tour bus or in the dressing room as well as the making of their music video for ‘World So Cold,’ which is available as a bonus feature.

The performances are of a pretty great quality and the sound and visuals are of an acceptable standard. The two greatest faults are that the bass drum sound is rather poor, but this is to be expected at a big outdoor show and is made up for by the fact that the rest of the sound is very good. The other flaw is that on about three songs, the editing becomes distracting for about a minute or so when it is decided that a bunch of really quick cuts are necessary.

Apart from these two minor flaws, All Access to All Things is an enjoyable DVD worthy of a place in any Mudvayne fan’s collection. The performances are tight, the behind the scenes sections are relatively interesting, (but thankfully you are given the option to watch just the concert, which is great for repeat viewings) and the track listing is good. Matt, Greg and Ryan absolutely nail every second of the performance, playing both tightly and energetically, and Chad adds some brilliant improvised vocals at the end of ‘Nothing To Gein,’ and ‘World So Cold,’

Chad can really pull it off live, delivering the clean vocals really well and the heavier vocals almost as well with very few exceptions, chiefly on the faster songs from LD.50 where it would be impossible for anyone to sing that fast, that close together without losing their breath. On this DVD the band appear without the make up which was the trademark of their early career and are playing in daylight at big outdoor events across three different shows.

If this is not to your tastes, you may want to consider Mudvayne’s first concert DVD ‘Live In Peoria,’ which features the band wearing makeup, indoors in a smaller venue, at night and all from a single concert.

In summary; if you don’t mind that the live sections are not from one single concert and can forgive the bass drum sound, you will find a very enjoyable DVD that stands up even now.

FAITH NO MORE You Fat Bastards / Who Cares A Lot?

Movie · 2006 · Alternative Metal
Cover art Buy this album from MMA partners
Stooge
The Brixton Academy show captures the band in 1990, just as they were beginning to explode in an “Epic” fashion. Supporting their 1989 release “The Real Thing”, the setlist contains all but “Surprise! You’re Dead!” and “The Morning After” from that album. Two tracks from the pre-Patton era are performed “As The Worm Turns” and “We Care A Lot”, both of which are a good fit with Patton’s voice. This concert is well shot, and the band performs great. It makes me wish for a more extended Faith No More show to be released in the future.

The other part of the package is mainly to showcase their promotional videos. Music video compilations aren’t normally my cup of tea, but at least they integrate some other things into the mix to keep it interesting. You get snippets of interviews, behind the scenes footage, and outtakes to bridge some of the music videos. The music videos span going all the way to the Chuck Mosely days through to Album of the Year, ranging in quality to low budget/amateur rank (“Everything’s Ruined”, the Mosely era ones) to great production values (“Stripsearch”). However, I believe there are some official videos missing from the collection (“Ricochet” comes to mind). I guess having “Greatest Videos” in the title covers their a$$es in that regard.

This is a great package for those new to Faith No More, and it has strong re-play value.

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