MYRATH
Progressive Metal / Folk Metal • Tunisia

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MYRATH(which means Legacy) was formed in early 2001 under the name of XTAZY by guitarist Malek Ben Arbia (who was just 13 years old at the time) with two of his childhood friends,Fahmi Chakroun (drums)and Oualid Issaoui (guitar). The line up was completed shortly after by Zaher Ben Hamoudia (bass) and Tarek Idouani (vocals).

For the first two years MYRATH played cover songs of blues ,heavy metal and death metal bands.

In 2003 Elyes Bouchoucha (keyboards and vocals),who had just graduated from Tunis University joined the band as replacement for Tarek Idouani while Oualid Issaoui (guitar) quit the band. With this new line up MYRATH got into progressive metal and for almost 2 years they played in several concerts exclusively covering songs by SYMPHONY X which had become their favorite band at that time (and still is).

After several years of playing music written by others MYRATH gained enough experience and
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Thanks to colt for the addition and adg211288, diamondblack for the updates

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LegacyLegacy
Nightmare Records 2016
Audio CD$8.93
$4.49 (used)
Tales of the SandsTales of the Sands
Nightmare Records 2011
Audio CD$7.97
$4.78 (used)
Desert CallDesert Call
Nightmare Records 2010
Audio CD$7.47
$6.05 (used)
HopeHope
Import
Brennus / Nightmare Records 2010
Audio CD$25.00
$108.34 (used)
LegacyLegacy
Import
Imports 2016
Audio CD$22.30
$36.06 (used)
Tales of the Sands by Myrath (2011-10-11)Tales of the Sands by Myrath (2011-10-11)
Nightmare Records
Audio CD$46.98
Legacy by MYRATH (2013-08-03)Legacy by MYRATH (2013-08-03)
Imports
Audio CD$98.56
Hope by Myrath (2007-10-19)Hope by Myrath (2007-10-19)
Brennus / Nightmare Records
Audio CD$73.00
Desert Call by Myrath (2010-03-09)Desert Call by Myrath (2010-03-09)
Nightmare Records
Audio CD$46.98
Tales of the Sands by Myrath (2011-10-11)Tales of the Sands by Myrath (2011-10-11)
Nightmare Records
Audio CD$38.98
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MYRATH Discography

MYRATH albums / top albums

.. Album Cover 4.18 | 23 ratings
Hope
Progressive Metal 2007
.. Album Cover 4.05 | 21 ratings
Desert Call
Progressive Metal 2010
.. Album Cover 4.27 | 33 ratings
Tales Of The Sands
Progressive Metal 2011
.. Album Cover 4.29 | 9 ratings
Legacy
Folk Metal 2016

MYRATH EPs & splits

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MYRATH Reviews

MYRATH Legacy

Album · 2016 · Folk Metal
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siLLy puPPy
As kismet would have it, the fourth album by Tunisian progressive folk metal band MYRATH actually translates the band’s name into English, thus making a sort of multi-lingual eponymous album title. Clever. It’s been five long years that the band has been hiding in Aladdin’s lamp only hinting of releasing their album but here in 2016 they have at long last after years of gaining recognition as the world’s most sought after melodic progressive Middle Eastern metal band that they let the genie out of the bottle and the ensuing puff of smoke has had time to permeate the eardrums of rabid hungry fans worldwide.

Personally i have been one of those eager hungry fans as i have a huge appetite for all sorts of world ethnic music with Middle Eastern types such as bellydance, raï and klezmer leading the pack. Accompany these attributes with some metal guitar turned up to eleven with raucous guitar distortion, sizzling solos and frenetic percussion and you got me hooked. The first three albums by MYRATH are amazingly catchy and i find them to be recurring listens in my world. MYRATH has had the unsavory duty of being a spokesband of sort to represent an entire culture within a fairly Euro-centric style of rock genre, namely heavy metal which despite the universe it has spawned still has some rather rigid limitations on any newbies on the block coveting a fast pass into the club. Well, MYRATH more than proved themselves on their first two albums channeling their inner Symphony X and ushering an arranged marriage with the ethnic musical wonders of their North African environs, a comparison that they have successfully shed.

While LEGACY adheres to the stylistic fusionfest of previous releases, there has been a major shift in direction on this album. While the first two albums were much more into progressive metal territory, the band began to tame things down a bit on “Tales Of The Sands” creating a more lushly symphonic metal production and LEGACY not only follows in the footsteps of the previous album but takes these ideals even further. The progressive tendencies have been put on a leash, the symphonic touches have been given magic elixirs as to elevate themselves higher than the pyramids in neighboring Egypt. The production has been given the proper steroids to make every little violin lick dance like a coiling serpent on sand dunes around the seemingly alternative metal scaffolding of the song structures.

After my initial spin i was totally disappointed in this album for this went in a most commercial direction and into territory that i’m not biggest fan of. After quite a few listens now i have come around somewhat. MYRATH first and foremost are masters of melodic developments and in that department they do not let me down in the slightest. If taken for what it is and not compared to previous albums this is a really decent mix of Arabic folk songs dancing on a little doumbek a the local hafla where a metal band just happened to join the party. Once again MYRATH do indeed seamlessly meld the two worlds into a cohesive whole however this time around the metal aspects are sedated while the folk elements are highly symphonically embellished.

After all is said and done and a plethora of listens to bring me to some sort of conclusion i can only finally assert that this is my least favorite MYRATH album yet i find this very seductive like a mirage of a sand castle on a camel ride through the Sahara. There is no doubt that the musicianship and vocal performances by Zaher Zorgatti are of the utmost quality. The production is off-the-hook beautifully perfect and the symphonic elements are not in the least bit cheesy. The aggressive timbres flow into the subdued symphonics like magic and the river of melodic riptides expand into streams of musical developments like myriad minnows at the mouth of the Nile, however despite all the effort in the technical prowess on display here i just find there is too much emphasis on the ballads and crossover appeal. MYRATH is going for gold with this one hoping to expand their Tunisian tentacles into an ever expanding fan base. While that’s all fine and dandy, there seems to be lacking a balance between these kinds of tracks and those of the past that really pack a punch. While i can’t really say i dislike this album as it has really grown on me, i, at the same time, feel the album is missing some key elements that links it to their more energetic and passionate past. Definitely an album worth hearing but it gives me a sinking feeling that if they go any further down this direction they may just drop the metal aspects altogether and become good beach music for shish kabob parties in Malibu.

Also, i don’t know if it’s just my copy or a universal trait in the album release but my brand new copy has the most embarrassing period of silence between the percussive sounding opener “Jasmin” and the first full track “Believer.” Not only does it have a period of silence but has a scratching sound like the master recordings were damaged. The two tracks are obviously supposed to seamlessly blend together like a magic desert spell that unleashes your inner genies to grant you wishes of musical bliss for the hour long charm called LEGACY. It doesn’t really effect my overall impression but a huge blemish on an otherwise almost perfect production. A somewhat pleasing album but i expected more.

MYRATH Hope

Album · 2007 · Progressive Metal
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Warthur
Review Myrath and the temptation to compare them to Symphony X is overwhelming, and this is particularly the case on their debut album. Playing down the influence of traditional Middle Eastern music on their sound a little in order to demonstrate that they can recapture the Symphony X power-progressive metal sound just as effectively as anyone, Hope might not be as strikingly original as later albums like Tales of the Sands, but it does demonstrate that even early on Myrath had a keen command of their chosen musical style. Yes, Symphony X listeners may find it very familiar, but I don't think it ever becomes outright derivative, with Myrath coming up with ingenious wrinkles to the Symphony X sound that the Symph-Xers themselves haven't cottoned to. It's just kind of a shame they don't put the more original aspects of their sound front and centre here like they do on later albums.

MYRATH Hope

Album · 2007 · Progressive Metal
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siLLy puPPy
The debut album from this band from Tunisia proved that in the brave new world, great bands can emerge from the nooks and crannies of previously unthinkable places where little attention had been paid to before. MYRATH not only emerged from an unexpected country with no history of prog nor metal but little history of any famous bands whatsoever. It's really great to finally hear this debut album after hearing their excellent third album TALES OF THE SANDS.

There's no doubt that MYRATH are the Symphony X of the Sahara with some Dream Theater influences as well. At least the prog metal half of the equation. The Middle Eastern folk part which is what really sets them apart from the previously mentioned bands is woven into the tapestry of the music very well. The album begins with some exotic sounding North African music before the metal kicks in and the result is that I was instantly sucked into it. These guys really know how to craft well written and catchy tunes that leave you wanting more.

In a way they have usurped the Symphony X sound and are now doing it better then that band does. I would give this 5 stars if it was completely original but since it is so derivative no matter how good it is I'll go with 4

MYRATH Desert Call

Album · 2010 · Progressive Metal
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siLLy puPPy
A decent sophomore effort from this talented band from Tunisia. They succeed in not making a cookie cutter copy of their debut. I do think I prefer the debut slightly over this as the Middle Eastern fusion effects have been subdued here a bit as well as the prog metal having been revved up. At the same time, this sounds a little less derivative of Symphony X, so all in all it is pretty even for me.

Not all of the songs are as catchy on this one but the ones that are can be extremely addictive with “Shockwave” being at the top of the list. Something is lacking on this release for me to really love it like I do their follow-up to this, TALES OF THE SANDS. Overrall a very good second effort from this band showing the world that a great prog metal release from Africa is no flash in the pan. After hearing the next release it's obvious that they will push their sound even further and hone their musical sound into something even more interesting.

MYRATH Tales Of The Sands

Album · 2011 · Progressive Metal
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siLLy puPPy
Now THIS is some seriously good Middle Eastern / Metal fusion. I can't think of a more successful hijacking of a sound, meaning they sound like the Symphony X of the Sahara with their seriously delicious brand of prog metal blended perfectly with the Middle Eastern rhythms, scales and harmonies of their native Tunisia. The songs are seriously catchy, original, entertaining, melodic and powerful.

This band is quite talented knowing just how to mix it up. They really have a knack for the prog metal element which puts newer long established acts to shame. Moments when they choose to drop the metal and just let the accompanying congas and female vocals shine in the light for a while are part of the compositional brilliance that this band delivers consistantly. Both guitar and keyboard solos are found that add virtuosic outbursts at times.

This album really adds to their already rich fusion formula. I really look forward to their hearing future releases. If they can shed the blatant Symphony X sound and find their own then this band will surely earn the crown of top prog metal act.

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diamondblack wrote:
6 months ago
Myrath Legacy available at http://myrath.bandcamp.com/releases
Colt wrote:
more than 2 years ago
With 2 top drawer albums already under their belt Myrath are at the forefront of the modern Prog Metal scene.

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