QUEENSRŸCHE
Progressive Metal / Hard Rock / Traditional heavy metal / US Power Metal • United States

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Queensrÿche is an American progressive heavy metal band formed in 1982 in Bellevue, Washington. The band has released twelve studio albums, one EP and several DVDs, and continues to tour and record. The original lineup consisted of vocalist Geoff Tate, guitarists Chris DeGarmo and Michael Wilton, bassist Eddie Jackson and drummer Scott Rockenfield. Queensrÿche has been successful in the progressive scene, having sold over 20 million albums worldwide, including over 6 million albums in the United States. The band received worldwide acclaim after the release of their 1988 album Operation: Mindcrime, which is often considered one of the greatest concept albums of all time. Their follow-up release, Empire, released in 1990, was also very successful and included the hit single Silent Lucidity. The band has received three Grammy Award nominations for songs off both albums; Rockenfield also received a Grammy nomination outside of Queensrÿche. In 1997, guitarist and primary songwriter read more...
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Slash on Kerrang Cover 1995      Queensryche   Skid Row Slash on Kerrang Cover 1995 Queensryche Skid Row USD $10.86 Buy It Now 1h 30m
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CHRIS DEGARMO (Queensryche) - 1991 Magazine Poster CHRIS DEGARMO (Queensryche) - 1991 Magazine Poster USD $6.52 Buy It Now 4h
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QUEENSRYCHE - Live Evolution [Digipak]  (CD, Sep-2001, 2 Discs, Sanctuary (USA) QUEENSRYCHE - Live Evolution [Digipak] (CD, Sep-2001, 2 Discs, Sanctuary (USA) USD $8.27 Buy It Now 4h
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QUEENSRYCHE EMPIRE 2 LP SET EMI DJ PROMOTIONAL MADE IN BRAZIL 1st PRESSING 1990 QUEENSRYCHE EMPIRE 2 LP SET EMI DJ PROMOTIONAL MADE IN BRAZIL 1st PRESSING 1990 USD $69.99 Buy It Now 1 day
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Queensryche Self-Titled EP CD+Bonus Live Tracks NEW SEALED Remastered Metal Queensryche Self-Titled EP CD+Bonus Live Tracks NEW SEALED Remastered Metal USD $7.23 Buy It Now 1 day
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QUEENSRYCHE - Rage For Order MINI LP CD WITH OBI QUEENSRYCHE - Rage For Order MINI LP CD WITH OBI USD $16.99 Buy It Now 1 day
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QUEENSRYCHE - Dedicated to Chaos [Special Edition] [Digipak] (CD, Jun-2011) QUEENSRYCHE - Dedicated to Chaos [Special Edition] [Digipak] (CD, Jun-2011) USD $5.51 Buy It Now 1 day
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Queensryche - Storming Detroit NEW CD Queensryche - Storming Detroit NEW CD USD $11.96 Buy It Now 1 day
QUEENSRYCHE - ROAD TO PROMISED LAND CD 1994 DPRO-19917 EMI RECORDS QUEENSRYCHE - ROAD TO PROMISED LAND CD 1994 DPRO-19917 EMI RECORDS USD $34.95 Buy It Now 1 day
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Condition HumanCondition Human
Century Media 2015
Audio CD$8.76
$8.63 (used)
EmpireEmpire
Extra tracks · Remastered
EMI Records 2003
Audio CD$3.48
$0.43 (used)
Operation: MindcrimeOperation: Mindcrime
Extra tracks · Remastered
Capitol 2003
Audio CD$5.83
$3.99 (used)
Queensryche - Greatest HitsQueensryche - Greatest Hits
Import · Remastered
Emd Int'l 2007
Audio CD$4.99
$0.91 (used)
Queensryche (2013) (Deluxe)Queensryche (2013) (Deluxe)
Century Media 2013
Audio CD$12.09
$9.20 (used)
Rage for OrderRage for Order
Remastered · Extra tracks · Special Edition
Capitol 2003
Audio CD$5.81
$4.25 (used)
The WarningThe Warning
Extra tracks · Remastered
Capitol 2003
Audio CD$5.22
$7.81 (used)
QueensrycheQueensryche
Extra tracks · Remastered
Capitol 2003
Audio CD$5.25
$5.24 (used)
Empire - 20th Anniv. Edition [2 CD]Empire - 20th Anniv. Edition [2 CD]
Capitol 2010
Audio CD$19.56
$10.77 (used)
Frequency UnknownFrequency Unknown
Cleopatra 2013
Audio CD$6.98
$4.21 (used)
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QUEENSRŸCHE Discography

QUEENSRŸCHE albums / top albums

.. Album Cover 3.88 | 46 ratings
The Warning
US Power Metal 1984
.. Album Cover 4.05 | 51 ratings
Rage For Order
Traditional heavy metal 1986
.. Album Cover 4.35 | 138 ratings
Operation: Mindcrime
Progressive Metal 1988
.. Album Cover 3.58 | 62 ratings
Empire
Progressive Metal 1990
.. Album Cover 4.04 | 50 ratings
Promised Land
Progressive Metal 1994
.. Album Cover 2.88 | 32 ratings
Hear In The Now Frontier
Hard Rock 1997
.. Album Cover 2.60 | 24 ratings
Q2K
Hard Rock 1999
.. Album Cover 3.19 | 23 ratings
Tribe
Hard Rock 2003
.. Album Cover 3.28 | 42 ratings
Operation: Mindcrime II
Progressive Metal 2006
.. Album Cover 2.63 | 21 ratings
Take Cover
Hard Rock 2007
.. Album Cover 3.23 | 32 ratings
American Soldier
Hard Rock 2009
.. Album Cover 2.03 | 29 ratings
Dedicated To Chaos
Hard Rock 2011
.. Album Cover 3.91 | 21 ratings
Queensrÿche
Traditional heavy metal 2013
.. Album Cover 3.99 | 8 ratings
Condition Hüman
Traditional heavy metal 2015

QUEENSRŸCHE EPs & splits

.. Album Cover 4.06 | 40 ratings
Queensrÿche
US Power Metal 1983
.. Album Cover 2.00 | 1 ratings
Face To Face
Progressive Metal 2006

QUEENSRŸCHE live albums

.. Album Cover 4.58 | 17 ratings
Operation: LIVEcrime
Progressive Metal 1989
.. Album Cover 2.86 | 6 ratings
Live Evolution
Progressive Metal 2001
.. Album Cover 2.50 | 3 ratings
The Art Of Live
Progressive Metal 2004
.. Album Cover 3.02 | 5 ratings
Mindcrime At The Moore
Progressive Metal 2007
.. Album Cover 2.00 | 1 ratings
Extended Versions
Progressive Metal 2007

QUEENSRŸCHE demos, promos, fans club and other releases (no bootlegs)

QUEENSRŸCHE boxset & compilations

.. Album Cover 2.49 | 5 ratings
Greatest Hits
Progressive Metal 2000
.. Album Cover 2.00 | 1 ratings
Classic Masters
Progressive Metal 2003
.. Album Cover 2.14 | 2 ratings
Revolution Calling
Progressive Metal 2003
.. Album Cover 2.07 | 2 ratings
Sign Of The Times: The Best Of Queensrÿche
Progressive Metal 2007

QUEENSRŸCHE singles (26)

.. Album Cover
2.02 | 2 ratings
Take Hold Of The Flame
Progressive Metal 1984
.. Album Cover
2.00 | 1 ratings
The Warning
Progressive Metal 1984
.. Album Cover
2.00 | 1 ratings
Queen Of The Reich
Progressive Metal 1984
.. Album Cover
2.00 | 1 ratings
Gonna Get Close To You
Progressive Metal 1986
.. Album Cover
2.00 | 1 ratings
Revolution Calling
Progressive Metal 1988
.. Album Cover
2.14 | 2 ratings
Eyes Of A Stranger
Progressive Metal 1988
.. Album Cover
2.07 | 2 ratings
I Don't Believe In Love
Progressive Metal 1989
.. Album Cover
2.05 | 2 ratings
Silent Lucidity
Progressive Metal 1990
.. Album Cover
2.00 | 1 ratings
Empire
Progressive Metal 1990
.. Album Cover
2.00 | 1 ratings
Best I Can
Progressive Metal 1991
.. Album Cover
2.00 | 1 ratings
Jet City Woman
Progressive Metal 1991
.. Album Cover
2.00 | 1 ratings
Another Rainy Night (Without You)
Progressive Metal 1991
.. Album Cover
3.50 | 2 ratings
Anybody Listening?
Progressive Metal 1992
.. Album Cover
2.00 | 1 ratings
Real World
Progressive Metal 1993
.. Album Cover
2.00 | 1 ratings
I Am I
Progressive Metal 1994
.. Album Cover
2.00 | 1 ratings
Dis Con Nec Ted
Progressive Metal 1994
.. Album Cover
2.00 | 1 ratings
Bridge
Progressive Metal 1994
.. Album Cover
2.00 | 1 ratings
Someone Else
Progressive Metal 1995
.. Album Cover
2.00 | 1 ratings
spOOL
Progressive Metal 1997
.. Album Cover
2.00 | 1 ratings
Sign Of The Times
Progressive Metal 1997
.. Album Cover
2.00 | 1 ratings
Beside You
Progressive Metal 2000
.. Album Cover
2.00 | 1 ratings
Rhythm Of Hope
Progressive Metal 2003
.. Album Cover
2.00 | 1 ratings
I'm American
Progressive Metal 2006
.. Album Cover
2.00 | 1 ratings
Welcome To The Machine
Progressive Metal 2007
.. Album Cover
2.00 | 1 ratings
If I Were King
Progressive Metal 2009
.. Album Cover
2.00 | 1 ratings
Get Started
Progressive Metal 2011

QUEENSRŸCHE movies (DVD, Blu-Ray or VHS)

.. Album Cover
4.22 | 8 ratings
Operation: LIVEcrime
Progressive Metal 1991
.. Album Cover
3.52 | 4 ratings
Building Empires
Progressive Metal 1992
.. Album Cover
2.66 | 4 ratings
The Art Of Live
Progressive Metal 2004
.. Album Cover
3.67 | 5 ratings
Mindcrime At The Moore
Progressive Metal 2007

QUEENSRŸCHE Reviews

QUEENSRŸCHE Condition Hüman

Album · 2015 · Traditional heavy metal
Cover art Buy this album from MMA partners
UMUR
"Condition Hüman" is the 14th full-length studio album by US prog/power metal act Queensrÿche. The album was released through Century Media Records in October 2015. It´s the second release with lead vocalist Todd La Torre after Geoff Tate was fired from the band. "Queensrÿche (2013)" was generally well received by fans and reviewers alike, but sophomore releases are sometimes hard (and "Condition Hüman" can in some respects be considered just that).

Fortunately that´s not the case with "Condition Hüman", which is as well balanced, well written, and well performed as it´s predecessor. Stylistically the listener is also treated to music that is similar in sound, so if you enjoyed "Queensrÿche (2013)", there is a good possibility that you´ll find listening pleasure in "Condition Hüman" too. The music is melodic US power metal with occasional progressive leanings. Todd La Torre has a strong voice and a commanding delivery and the band are very well playing.

The tracks are predominantly vers/chorus structured and pretty easily accessible, but not simple by any means. The material on the 12 track, 53:21 minutes long album is generally cleverly composed, detailed, and intriguing. Queensrÿche can both pack a relatively hard punch, but also deliver lighter and more melodic playing, and they often strike a good balance between their playing styles. It´s definitely one of their strengths that they can use stylistic elements from a fair amount of musical styles, and combine them into a sound that is unmistakably the sound of Queensrÿche.

"Condition Hüman" is very well produced. The sound production is professional, clear, and powerful sounding. A perfect match for the music. Upon conclusion "Condition Hüman" is another strong release by the band, and it´s obvious that La Torre has reignited Queensrÿche´s spark. They sound inspired again and maybe most importantly they play metal again, and not dull semi-heavy hard rock like they´ve done on way too many of their post-"Promised Land (1994)" releases. A 4 star (80%) rating is deserved.

QUEENSRŸCHE Condition Hüman

Album · 2015 · Traditional heavy metal
Cover art Buy this album from MMA partners
Kingcrimsonprog
With their previous album, the self-titled one, American Progressive Metal band Queensrÿche had the eyes of the world on them due to the much publicized split with Geoff Tate and the existence of two competing Queensrÿches. There was the intrigue of a new singer, and the “they’ve gone back to their Metal roots” tagline to get everyone’s attention. Luckily, It was a brilliant album, but people would’ve been paying attention anyway. In 2015, with all the dust settled, and no more special taglines, the band have to sink or swim solely on the merits of the music.

Like their previous self-titled effort, Condition Hüman was crowdfunded, and if like me you pledged I’m sure you’ll already be very familiar with the first three tracks which the band let you download while you waited for the full album to be released. As it turns out, these three tracks are actually a pretty fair cross-section of the album proper and display the different moods explored on the record quite adequately. Opening with ‘Arrow Of Time’ which is now firmly in the band’s live setlists, the band show off their Heavy Metal roots, going for a “remember, we wrote ‘Queen Of The Ryche’ and ‘The Needle Lies’ too you know!” sort of feel. Promotional single ‘Guardian’ is next which I would say is the average sound of the album overall, so go out and listen to the song and watch the video because I think it is a pretty clear indication of what you can expect from the band nowadays. Then comes the slower, darker, less conventional ‘Hellfire’ which explores the progressive side of the band – never going so far as to have a 7-minute keyboard solo or songs about flowers developing split personalities in space, but certainly finds the Seattle group putting more thought into structuring, dynamics and unusual ideas than your average bread and butter Heavy Metal bands would. It wouldn’t feel too out of place on Promised Land beside ‘Damaged’ or even Hear In The Now Frontier beside ‘Hit The Black’ at a push but there’s a more modern feel too it… making it feel more like a logical successor to the type of music the band were writing on Operation Mindcrime II (an underrated album in my opinion).

The band do explore more of their overall discography on this one, which feels fair to me. It was unquestionably good to go back to the EP-Empire days, but it would also be a shame to outright ignore the best parts of what came afterwards and keep an artificial boundary in place forever. This album seems to be a reconciling of the previous Todd-fronted album with the post-Empire material to excellent effect; ‘Selfish Lies’ for example sounds at first like a bit the Tribe album, then goes a bit Empire-esque towards the end once the delicious album-highlight guitar solo comes in. ‘Eye9’ opens with a nice Tool-esque bassline and heavily processed vocals that reminds me of a mixture between ‘I Am I’ and ‘The Hostage’ from previous releases, but the song takes so many twists and turns in its duration it crosses all sorts of territory from American Soldier to Rage For Order, and when the (also album highlight) guitar solo came on for the first time it made my already high estimation of the song double or even triple (the lead guitar on this album is simply joyous!). Most surprising of all, ‘Just Us’ is an acoustic-flavoured, jangly Alternative Rock song that wouldn’t be out of place on either Hear In The Now Frontier or Q2K and even though the thought of that is off-putting to a lot of the fanbase, well, the rejuvenated band show us how good it can be, (and hey, when you’ve not got a full album of it, it works as a nice contrast) injecting an almost Houses Of The Holy feel into the proceedings and elevating it to something special.

The album lasts twelve tracks long, (with one of those just being an intro for the final song), and clocks in at 54 minutes, which is a lot more substantial than the trim and cheerful album which the Todd-lineup debuted with. Not only is it in the addition of more tracks that this extra length manifests itself, but the individual tracks themselves are all a little longer…the previous record’s tracks all lasted between two-and-a-half to four minutes in length and this album sees that average shift to something like between four and five, with the final track lasting almost eight. What you get for your extra invested time isn’t simple repetition or wasted time or filler… you get extra guitar solos, more thoughtful and sophisticated song writing and the ability to work in slower tempos alongside the fist-pumping Metal. You could make an argument that it isn’t as lean and focused, but you could also make the argument that there’s more depth.

Yes… my two favourite songs are predictably ‘Arrow Of Time’ and ‘All There Was,’ (which just happen to be the two most traditional songs on the record and the closest that the album comes to Speed Metal because I’m dreadfully predictable) but the band’s experimentation here is a profound success… with the record’s most progressive moment, the album-closing Title Track being not only one of the best songs on the album but one of the best songs the band have written in years and years, ending on an almost Voivod note and showing the guys still aren’t afraid to try new things.

All the background history and discography comparisons certainly get you to adjust your expectations, to guess what type of music might be here and get you interested in talking about it… but its all for nothing unfortunately, if the actual music is cack. Well, to put your mind at ease, it isn’t cack. Not by a long shot… stick on ‘Hourglass’ and just drink in those vocals, stick on one of the aforementioned guitar solos and bathe in the whip’s distinctive playing, pay close attention to the drum fills and hi-hat teasing from the unique and enjoyable Scott Rockenfield (in my opinion, one of the most important things in separating Queensrÿche from their peers). Yes, the musicianship is out of this world, with the same renewed passion and energy as the last album but more time to show off in! On top of that, the production job is better, with a more satisfying, less harsh sound and a clearer more balanced mix.

Overall; Condition Hüman was a surprise to me, but a really welcome one. I love the Todd line-up and I’ve loved their previous album so much that I still can’t stop listening to it ahead of numerous other classic releases, so when this record abandoned the formula slightly it could’ve been a bad move for this particular listener… but hey, the whole point of Queensrÿche was that they evolve between every album, never sounding the same twice. This album is not only another evolution, but a reaffirmation of everything that worked with every era of the band’s prestigious history, and its an album I’ll be listening to for a long time to come. Get yourself a copy without delay!

QUEENSRŸCHE Operation: Mindcrime

Album · 1988 · Progressive Metal
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Losimba
Concept albums usually get a half or even full star more from me than the music of the album itself deserves. This is not true for Operation: Mindcrime. But the reason is not that I dislike the concept so much, though it took my some time to fully understand the plot.

The 15 songs show a wide scale of variety both in length and style. The only thing not represented is an acoustic ballad. That said, I'm be very curious how Operation: Mindcrime would sound unplugged. I guess it would be different, but not a great deal weaker. That said, the live album Operation: Livecrime gets the same rating as the original version, but that will be another review at another time. Apart from four particularly strong songs I especially like the way the story and album are built up. First two short tracks with some hospital noises and guitar sounds before the first real song gets the album going, a feature later repeated before the Grande Finale. The plot is then quite similar to the one of Dream Theater's Scenes From A Memory, but of course Geoff Tate can claim first spoils as Operation: Mindcrime was recorded and published several years before its counterpart from the other coast. Speaking of Geoff Tate, his voice and style have improved massively compared to the first Queensryche albums, as have the performances of all instrumentalists. But back to the songs, I have always liked little inserts of speech and action like the beginning of Suite Sister Mary. This longest track of the album is on my personal favourite's playlist, as are the title track and I Don't Believe In Love, but everything is overshadowed by Eyes of A Stranger, another personal Top 10 song.

To finish my introductory musings, Operation: Mindcrime would rate at 4.8 stars if it were a normal album. Since 5 is the highest rating, I can't award 5.8 stars, so it has to be perfect 5.0 stars.

QUEENSRŸCHE Take Cover

Album · 2007 · Hard Rock
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siLLy puPPy
I'm really not a fan of cover albums unless the songs have been reworked in a very creative and unique way beyond the parameters of the original intent. QUEENSRYCHE released their tenth studio album TAKE COVER which is admittedly a clever name for an album totally devoted to their take on other's music. There's quite a range of artists COVERed here ranging from Pink Floyd to Black Sabbath to The Police and Peter Gabriel to even the O'Jays. The range of influences is great but there are a few factors which really keep me from getting excited about this album one of which is the fact i'm really not a fan of all cover songs for albums!

Firstly, Geoff Tate's vocals just don't sound right to me on some of the arrangements that were clearly constructed around the original vocalists abilities. This includes “Red Rain,” “Welcome To The Machine” and “Neon Knights.” Secondly, I don't think the band adds much to the way of creative interpretations for the most part. There are a few exceptions. I think they do take some creative license on Buffalo Springfield's “For What It's Worth” and “For The Love Of Money” from the O'Jays.

Where I think the band shine especially with Geoff Tate's vocals is where they have always been at home and that is with the more operatic type of music and that is displayed quite well on Carlo Marrale's “Odissea.” This is my favorite track on the entire album. I know some will find this album satisfying but I really have no desire to hear a whole album of QUEENSRYCHE doing covers. I do appreciate a well-crafted cover song slipped into an otherwise original album but despite being a hardcore fan (up to “Promised Land” anyways) I have no desire to ever hear this one.

QUEENSRŸCHE Hear In The Now Frontier

Album · 1997 · Hard Rock
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aglasshouse
It was true that QUEENSRYCHE took a definite and different direction when they came back around from Promised Land and exploded back into the public in '97. However, they were not the Reich that people were used to. In fact, if you tried to juxtapose their masterpiece of Operation: Mind-crime and Hear In the Now Frontier, you would not hear very many similarities. This is mainly due to the band simply taking a different direction with their musical expertise. Of course most bands perform this move during their musical career in order to explore different areas of sounds, rhythms, and composition in order to see what the public liked best and what they should continue.

Many people said no to this being QUEENSRYCHE's future. It was clear that many MANY people were more comfortable with the progressive metal path of the eighties than they were of the Hard Rocking edge that they gave themselves in this 'new' Reich. Now, I've never been a particular fan of the Reich in general, mainly due to me disliking the prog metal genre for some weird reason. However, I did quite enjoy their debut self-titled EP, which I picked up from a thrift store, as well as The Warning (which was also enjoyable, though perhaps not as much). A few weeks went by as I only had these two releases under my QUEENSRYCHE belt. I stopped back at the thrift store, and to my luck, there sat Hear In The Now Frontier, sitting on the shelf. I eagerly picked it up and left.

Listening to it, I actually quite enjoy it. 'Hit The Black' has perhaps become my favorite QUEENSRYCHE song. It is clear right off the bat that this is NOT at all the old Reich. They don't do the signature IRON MAIDEN - like screaming alto/soprano vocals, and instead have a more radio-friendly voice which I honestly enjoy more than the previous vocals. 'Sign of the Times' is another winner in my book, as well as 'Anytime/Anywhere' and 'sp00l'.

This is where the album takes a fall, however. Filler. Filler is quite abundant on the album. Perhaps they just ran out of ideas but had to fill up a total of fourteen tracks in order to please the recording company, but it is quite annoying in the way of useless, boring tracks.

Overall, this album does have some neat compositions, it's different and it is actually a nice listen. This is one of those albums that isn't liked very much by the public, but is one of those releases that I would tell any metalhead to give a chance.

Go give it a listen.

QUEENSRŸCHE Movies Reviews

QUEENSRŸCHE Mindcrime At The Moore

Movie · 2007 · Progressive Metal
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Time Signature
I remember now...

Genre: progressive metal

"Operation: Mindcrime" was, and still is, a legendary release in the world of metal, and it was appreciated not only within the sphere of progressive metal, but by fans of all sorts of different types of metal. And listening to the album, one quickly realizes why - it's simply amazing.

"Operation: Mindcrime II" is the sequel to "Operation: Mindcrime", but it was never as successful, and some people don't even like it. Personally, I like "Mindcrime II", although not as much as the original "Mindcrime", for having a more updated sound and not just being a repetition of first one.

Anyway, this live DVD gives you both albums performed live in their entirety at The Moore Theater in the band's hometown Seattle, and whether you like "Mindcrime II" or not, you are in for a treat with the performance of both albums. This show has everything that the thinking man, or person to be non-sexist, of metal should love about Queensrÿche: rock 'n' roll, drama, political messages, social commentary, special effects and artistic visual stage props. This is theatrical heavy metal at its best: accessible yet thought provoking. And it holds up all the way through, so even if you don't "Mindcrime II" as much as the first one, you are certain to be entertained by its performance on this DVD.

The concert itself is great, but considering myself a thinking man pf metal, I like informative bonus material, too, and I think the quality of the bonus material is a bit so-so... with one exception. The bonus material includes a version of "The Chase" which was recorded live in L.A. featuring Ronnie James Dio, performing live as Dr. X; in the light of his recent tragic passing, this particular bit of bonus material becomes additionally valuable, I think. And it's a great performance in itself, too.

Recommended to fans of Queensrÿche, progressive metal and traditional heavy metal and hard rock.

QUEENSRŸCHE Operation: LIVEcrime

Movie · 1991 · Progressive Metal
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Stooge
It’s become a tradition with rock and metal bands that release a concept album to perform it live from beginning to end, and that’s what the video Operation: Livecrime showcases, with Queensryche performing their landmark 1988 release.

As anyone who’s heard the Operation: Mindcrime album, the band can often have as many (or more) pop elements as metal. Seeing their stage show on DVD, this aspect is there to witness, from headset microphones to Chris DeGarmo’s chaps. I can tolerate most of the pop aspects of the band especially considering the time of the video’s initial release (1991), but some of the stage moves I find to be quite humorous and actually take away from the power of some of the songs. Thankfully, much of the prancing about stage dies down past the halfway point of the show. It must be some combination of fatigue and the realization that most of the crowd consists of males.

But seriously, this DVD is actually a pretty good release. The stage show includes effective visual aids that help piece their Mindrcime concept together, and the footage is shot with high quality. There’s a decent amount of bonus footage here as well, which includes a brief interview with singer Geoff Tate regarding the band and various aspects of the Mindcrime album. Two bonus songs are also hidden as easter eggs on the DVD, "The Lady Wore Black" and "Roads To Madness”.

Based on the rating system, this DVD is fitting of a 3 star rating. While certainly an entertaining release, I wouldn’t consider it to be essential. I’m not as drawn to watch this performance as I am to simply listen to the Mindcrime studio album.

QUEENSRŸCHE The Art Of Live

Movie · 2004 · Progressive Metal
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AtomicCrimsonRush
It must have sounded great on paper - let's make a DVD that is totally in a sepia tone and use amateur and professional footage to create an artistic concert experience.

Unfortunately, this is a washed out experience and dull to the max apart from a couple of excellent tracks.

The set is based on the 'Tribe' album which is not the best QR by any standards. There are only two tracks from 'Operation Mindcrime' - a tragedy as that is their masterpiece.

The pleasant surprise is the special guest appearances of Dream Theater, one of my all time favourite bands. They join QR to play two brilliant versions of 'Comfortably Numb' and 'Won't Get Fooled Again'. The two tracks make this worth watching to the end, but I believe you will be ffwding this DVD to those tracks after one viewing.

Without the colourful lighting and occasional 'Operation Mindcrime' track, the concert is very disappointing. No colour makes a boring experience when watching a band perform. What a waste of talent, time and energy. Get hold of 'Operation: Live-Crime' which is brilliant, and leave this 'Art(less) of Live' on the shelf.

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