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2850 reviews/ratings
PSYCHOTIC WALTZ - Into The Everflow Progressive Metal | review permalink
METALLICA - Master of Puppets Thrash Metal
METALLICA - ...And Justice for All Thrash Metal
SLAYER - South of Heaven Thrash Metal
SLAYER - Seasons in the Abyss Thrash Metal
MEGADETH - Rust in Peace Thrash Metal
MEGADETH - Countdown to Extinction Thrash Metal
NEVERMORE - Dead Heart in a Dead World Thrash Metal
DØDHEIMSGARD - 666 International Black Metal
DØDHEIMSGARD - Supervillain Outcast Industrial Metal
MOTÖRHEAD - Overkill Heavy Metal | review permalink
OPETH - Watershed Progressive Metal | review permalink
ATHEIST - Jupiter Technical Death Metal | review permalink
MORBID ANGEL - Blessed Are the Sick Death Metal | review permalink
ENSLAVED - Vertebrae Progressive Metal | review permalink
FATES WARNING - Parallels Progressive Metal | review permalink
FATES WARNING - Inside Out Progressive Metal | review permalink
CATHEDRAL - Forest of Equilibrium Doom Metal | review permalink
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Metal Genre Nb. Rated Avg. rating
1 Death Metal 621 3.46
2 Thrash Metal 393 3.56
3 Progressive Metal 247 3.71
4 Technical Death Metal 154 3.73
5 Heavy Metal 141 3.52
6 Black Metal 114 3.38
7 Hard Rock 87 3.46
8 Melodic Death Metal 77 3.75
9 Brutal Death Metal 64 3.60
10 Technical Thrash Metal 58 3.75
11 Stoner Metal 51 3.59
12 Non-Metal 49 3.53
13 Grindcore 49 3.23
14 Doom Metal 48 3.66
15 Death-Doom Metal 41 3.41
16 Metal Related 41 3.70
17 Sludge Metal 41 3.60
18 Crossover Thrash 40 3.42
19 Alternative Metal 40 3.36
20 US Power Metal 37 3.61
21 Power Metal 36 3.68
22 Groove Metal 36 3.60
23 Atmospheric Black Metal 30 3.38
24 Gothic Metal 29 3.55
25 Atmospheric Sludge Metal 28 3.75
26 Avant-garde Metal 27 3.61
27 Metalcore 25 3.56
28 Industrial Metal 24 3.63
29 Hardcore Punk 23 3.67
30 Death 'n' Roll 22 3.30
31 Symphonic Black Metal 18 3.33
32 Traditional Doom Metal 16 3.81
33 Melodic Black Metal 15 3.43
34 Deathgrind 13 3.54
35 Goregrind 11 2.73
36 Speed Metal 11 3.27
37 Proto-Metal 10 3.70
38 Stoner Rock 9 3.94
39 Glam Metal 7 3.21
40 Depressive Black Metal 7 3.43
41 Deathcore 7 3.50
42 Crust Punk 6 3.33
43 Heavy Alternative Rock 6 3.58
44 Cybergrind 5 3.80
45 NWoBHM 5 3.60
46 Drone Metal 4 3.50
47 Mathcore 4 3.25
48 Heavy Psych 3 3.50
49 Neoclassical metal 3 3.33
50 Melodic Metalcore 3 2.67
51 Folk Metal 3 3.33
52 Rap Metal 3 3.50
53 Symphonic Metal 3 3.17
54 Nu Metal 2 3.00
55 Funeral Doom Metal 2 3.50
56 Funk Metal 1 3.50

Latest Albums Reviews

CORONER No More Color

Album · 1989 · Technical Thrash Metal
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"No More Color" is the 3rd full-length studio album by Swiss thrash metal act Coroner. The album was released through Noise Records in September 1989. Coroner was formed in 1985 and released their debut full-length studio album "R.I.P." in 1987. They are widely regarded as one of the seminal thrash metal acts on the Swiss thrash metal scene along with artists like Celtic Frost, Poltergeist, and Messiah. The three-piece lineup which recorded the debut album and "Punishment for Decadence (1988)" is intact: Tommy T. Baron (Tommy Vetterli) on guitar, Ron Royce (Ron Broder) on bass and vocals, and Marquis Marky (Markus Edelmann) on drums.

On "No More Color", Coroner continues the technically well played thrash metal style of "Punishment for Decadence (1988)", but add a few more progressive ideas and a generally more adventurous approach to the compositions. None of the aggression or rawness of the predecessor is lost here though, and "No More Color" is still a pretty intense thrash metal album. The band are incredibly well playing, and there are some jaw-dropping moments featured on the album. It´s especially the guitar playing by Tommy T. Baron, which is out of this world. His tone, his dexterity, his speed, and his choice of notes are very effective and quite tasteful. Marquis Marky and Ron Royce deliver very convincing performances too and the latter´s quite distinct vocal style provides that part of the band´s music with something unique. He has a talking/singing raw vocal style, featuring an understated aggression, that´s rather unconventional.

The material on the 8 track, 34:21 minutes long album is relatively varied, while still staying within the band´s core style. So while the music features quite a few adventurous/progressive ideas and sections, it´s not like Coroner suddenly shifts into jazz rock/fusion mode or they play extented instrumental sections or anything like that (although some of the guitar solo sections go through several tempo/section changes). Everything is neatly arranged and fits well within the band´s technical thrash metal style. While I think of the whole album as one long highlight, I´ll mention tracks like "Read My Scars", "why It Hurts", and especially "Mistress of Deception" as standout tracks.

The whole thing is packed in a powerful, raw, and detailed sound production, which suits the material perfectly. Every instrument is placed perfect in the mix, which results in a sound which does the music as much justice as possible. The guitar tone is fierce, the bass has a great powerful sound, and the drums feature a powerful organic sound. The vocals are placed slightly low in the mix, but that´s always been Coroner´s style, and once you get used to it, it only adds to the uniqueness of the album.

Both "R.I.P. (1987)" and "Punishment for Decadence (1988)" are great albums, but to my ears Coroner were only honing their skills and songwriting craft on those two releases and ultimately just warming up to this beast of an album. "No More Color" is intense aggression, technical superiority, and songwriting originality in one package, and there´s really nothing like it out there. Coroner hit gold here and I consider "No More Color" a technical thrash metal masterpiece. A 5 star (100%) rating is deserved.

ANNIHILATOR Never, Neverland

Album · 1990 · Thrash Metal
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"Never, Neverland" is the 2nd full-length studio album by Canadian thrash/heavy metal act Annihilator. The album was released through Roadrunner Records in September 1990. There have been a couple of lineup changes since the band´s debut full-length studio album "Alice in Hell (1989)" as lead vocalist Randy Rampage has been replaced by Coburn Pharr and guitarist Anthony Brian Greenham was replaced by David Scott Davis. Greenham was credited for playing on "Alice in Hell (1989)", but actually didn´t perform. Instead all guitars were handled by Jeff Waters. "Alice in Hell (1989)" was a major artistic and commercial success for Annihilator and it was always going to be hard to make a follow-up to such a highly regarded release.

Stylistically Annihilator continue the thrash/heavy metal style of their debut album, only this time around slightly less savage and a good deal more sophisticated. The material on the 10 track, 44:03 minutes long album still features sharp thrashy riffing and energetic powerful rhythms, but the melodic heavy metal part of the band´s sound is more dominant here than on the predecessor. The album features many harmony guitar sections, incredibly fast-paced and melodic guitar solos, and quite a few interesting compositional details, which ensure a good deal of variation throughout the playing time.

It´s interesting to note that Annihilator have added a couple of their old demo tracks in re-recorded versions: "I Am in Command" from the "Welcome to Your Death (1985)" demo and the title track from the "Phantasmagoria (1986)" demo. They´ve also used sections from "Back to the Crypt" from the "Welcome to Your Death (1985)" demo and the intro to "Gallery" from the "Phantasmagoria (1986)" demo on the "Never, Neverland" title track. The remaining material on "Never, Neverland" was specifically written for the album.

There are several highlights to mention here (including all 5 tracks on Side 1 of the original vinyl version of the album), but I´ll give special mentions to "The Fun Palace", for its extensive use of harmony guitars, "Sixes and Sevens", for its sharp thrashy riffing and great energetic solo section, and of course the almost progressive structured title track, which features some beautiful acoustic work, brilliant solos, intriguing lyrics, and a powerful hard edged middle section. Especially Waters is on fire throughout the album playing one sharp and memorable riff after another, and his solo work is nothing short of amazing. Although I´ve read interviews with Waters where he downplays his skills and calls himself a fast-playing blues guitarist, that´s definitely not the whole truth.

Other highlights include the anti-DIU song "Road to Ruin" (which is quite ironic as Waters had quite a bit of trouble with his alcohol addiction in those days), "Stonewall", and "Imperiled Eyes". "Kraf Dinner" is a bit silly, but still a powerful and energetic track, and "Phantasmagoria", "Reduced to Ash", and "I Am in Command" are also pretty high quality material, although the those tracks (which represent the closing part of the album), don´t quite reach the excellence of the first part of the album.

So "Never, Neverland" doesn´t have any problem matching the high quality of its predecessor. In fact I dare say Annihilator upped the bar on this album and released an even stronger album than the iconic debut. Sure there are a couple of minor issues with the album like the fact that Coburn Pharr doesn´t have the most interesting or powerful voice, or that the sound production lacks a bit of bottom end (especially the drums sound a bit thin), but when it comes down to it, "Never, Neverland" is a completely unique sounding release, featuring some great material and a very well playing band, and a 5 star (100%) rating is fully deserved, despite a few smaller issues.

VEKTOR Black Future

Album · 2009 · Technical Thrash Metal
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"Black Future" is the debut full-length studio album by US thrash metal act Vektor. The album was released through Heavy Artillery Records in November 2009. Vektor formed in 2002 under the Locrian monicker but changed their name to Vektor in 2004. They released the "Nucleus" demo in 2004 and the album length "Demolition" demo in 2006. The "Hunger for Violence" demo was released in 2007, which was the last demo release before the release of "Black Future"

Stylistically Vektor play a technical/progressive type of thrash/speed metal. It´s like listening to the bastard child of Voivod and Destruction. Fast-paced and aggressive thrash metal featuring screaming high pitched vocals. The vocals are obviously loaded with effects and they sound somewhere between Chuck Schuldiner (late in his career) and Schmier from Destruction. Quite frankly they are somewhat of an aquired taste, and personally I think they are a bit hard on the ears and that they are often taken too much to the extreme (a raw sounding Mickey Mouse on helium). It´s of course my subjective opinion of the vocal style, and I´m sure others will enjoy the vocals greatly.

The instrumental part of the music is very well performed and the tracks are generally pretty long (three of them over 10 minutes in length) and features complex structures and many intriguing songwriting ideas. This is certainly progressive music. Featuring 9 tracks and a total playing time of 68:06, "Black Future" is a long album, and maybe also a bit too long for its own good. It´s not that there´s anything on the album which is sub par in quality, but about half way into the album it feels a little like you´re listening to the same stylistic elements being used again and again. The vocals don´t change much, the riffs are pretty similar on all tracks, and the atmosphere doesn´t change much either, despite Vektor´s efforts to include mellow clean guitar sections, instrumental parts, and other adventurous ideas.

"Black Future" features a raw, powerful, and well sounding production, which suits the music perfectly, and upon conclusion it´s a high quality debut album by Vektor, regardless of my personal issues with the album. A 3.5 - 4 star (75%) rating is deserved.

VICIOUS RUMORS Soldiers Of The Night

Album · 1985 · US Power Metal
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"Soldiers Of The Night" is the debut full-length studio album by US, California based power/heavy metal act Vicious Rumors. The album was released through Shrapnel Records in May 1985. Vicious Rumors was formed in 1979 and released a demo cassette tape in 1982 and a second one in 1983 before being signed to Shrapnel Records for the release of "Soldiers Of The Night". Compared to the demo lineups only lead vocalist Gary St. Pierre and guitarist Geoff Thorpe remain. New in the lineup are guitarist Vinnie Moore, bassist Dave Starr, and drummer Larry Howe. The only track from the demos which has been re-recorded for "Soldiers Of The Night" is "In Fire" (which was actually featured on both demos). The rest of the tracks on the 11 track, 38:50 minutes long album are new original material.

The material on "Soldiers Of The Night" is in a traditional heavy metal style, which is fairly standard for the time and the genre. The quality of the material is relatively high and the tracks are generally catchy and powerful heavy metal. Vicious Rumors can arguably write an effective metal tune. The musicianship is also strong and especially the guitarists play some really well played guitar solos. Lead vocalist Gary St. Pierre has a strong voice and a convincing delivery too, so all in all the performances are a great asset to the album. The inclusion of a guitar solo instrumental in "Invader" may be a bit "old school", but on a release like this it works pretty well. The remaining tracks (save for the opening intro track "Premonition") are all relatively standard vers/chorus structured material with vocals.

The sound production is not the strongest production from that time, but "Soldiers Of The Night" is not a bad sounding release either. It just could have been better sounding. Overall "Soldiers Of The Night" is a good quality heavy metal release, which may not be the most original sounding release from those days, but which is still a solid and well played album. A 3 - 3.5 star (65%) rating is deserved.

DEFILED Infinite Regress

Album · 2020 · Death Metal
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"Infinite Regress" is the 6th full-length studio album by Japanese, Tokyo based death metal act Defiled. The album was released through Season of Mist in January 2020. It´s the successor to "Towards Inevitable Ruin" from 2016 and features one lineup change since the predecessor as bassist Hiroaki Sato has been replaced by Takachika Nakajima.

Stylistically the material on "Infinite Regress" are unmistakably the sound of Defiled. Brutal technical US influenced death metal with a twist. The twist consists of the fact that Defiled are inherently old school and often have more in common with acts like Autopsy and early Deceased than they have with the more technical part of the early 90s death metal scene and artists like Suffocation and Gorguts. But...Defiled still play a very technical death metal style with loads of tempo changes, unconventional riffs, and a generally adventurous approach to songwriting, so the comparison above should not be misunderstood as if this isn´t music with at least some focus on technical playing.

One of the greatest strengths of "Infinite Regress" is the raw and organic way the music is delivered. These guys are human and they want you to know it. The raw, powerful, and organic sounding production job supports that sentiment too, and "Infinite Regress" is generally far removed from most of the more clinical and sterile sounding contemporary brutal technical death metal releases. Highlights include "Divide and Conquer" (the drumming is brilliant on this one), "Tragedy" (old school to the core), and "Centuries". Predominantly because those tracks stand out as a bit different from the remaining tracks, but all material on the album are of high quality.

Upon conclusion "Infinite Regress" is through and through a high quality death metal release. It´s not often you´ll come across death metal acts with a unique sound these days, but thankfully we still have artists like Defiled to prove to the world that intriguing, adventurous, and unconventional death metal is still being produced (while still maintaining old school death metal credibility). A 4 star (80%) rating is deserved.

Latest Forum Topic Posts

  • Posted 14 hours ago in Recently Watched Films
    Amature sci-fi movie, starring Bruce Willis. It´s a mystery of the great ones how they convinced Willis to star in this crap movie, and an even greater mystery how they pursuased him to act this bad .
  • Posted 15 hours ago in Recently Watched Films
    [QUOTE=adg211288][QUOTE=UMUR][QUOTE=Triceratopsoil]wtf did I just watch[/QUOTE] I hear the ending is pretty terrifying if you are a man [/QUOTE] The whole thing's as bizarre as it is disturbing. [/QUOTE] Well it´s not surprising since Takashi is also responsible for Ichi the Killer, which is also a truly bizarre and incredibly violent movie.
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    [QUOTE=Triceratopsoil]wtf did I just watch[/QUOTE] I hear the ending is pretty terrifying if you are a man


Please login to post a shout
martindavey87 wrote:
more than 2 years ago
Hey Jonas! How are ya man? Every where I post reviews, either here, Progarchives or RYM, whenever I go to post one I see you've posted one on that album too. It's cool comparing them! Was actually gonna message ya on here just to ask what your name is lol. Hope you're well and rock on! \m/ \m/
more than 2 years ago
Thanks! I will be slowly importing reviews that I have done for my website over here, but that will take awhile. For now, I will just be posting new reviews that I am publishing on my website. Cheers! \m/
mjayeh wrote:
more than 2 years ago
Thanx again for the shout out !!!! \m/


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