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2521 reviews/ratings
PSYCHOTIC WALTZ - Into The Everflow Progressive Metal | review permalink
METALLICA - Master of Puppets Thrash Metal
METALLICA - ...And Justice for All Thrash Metal
SLAYER - Reign in Blood Thrash Metal
SLAYER - South of Heaven Thrash Metal
SLAYER - Seasons in the Abyss Thrash Metal
MEGADETH - Rust in Peace Thrash Metal
MEGADETH - Countdown to Extinction Thrash Metal
NEVERMORE - The Politics of Ecstasy Thrash Metal
NEVERMORE - Dead Heart in a Dead World Thrash Metal
DØDHEIMSGARD - 666 International Black Metal
DØDHEIMSGARD - Supervillain Outcast Industrial Metal
CARCASS - Necroticism: Descanting the Insalubrious Death Metal
MOTÖRHEAD - Overkill Heavy Metal | review permalink
OPETH - Watershed Progressive Metal | review permalink
ATHEIST - Jupiter Technical Death Metal | review permalink
MORBID ANGEL - Blessed Are the Sick Death Metal | review permalink
ENSLAVED - Vertebrae Progressive Metal | review permalink
FATES WARNING - Parallels Progressive Metal | review permalink
FATES WARNING - Inside Out Progressive Metal | review permalink

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Metal Genre Nb. Rated Avg. rating
1 Death Metal 554 3.46
2 Thrash Metal 344 3.56
3 Progressive Metal 210 3.70
4 Technical Death Metal 133 3.70
5 Heavy Metal 120 3.52
6 Black Metal 106 3.38
7 Hard Rock 81 3.46
8 Melodic Death Metal 65 3.74
9 Brutal Death Metal 52 3.56
10 Stoner Metal 50 3.59
11 Technical Thrash Metal 49 3.77
12 Doom Metal 46 3.61
13 Grindcore 44 3.13
14 Non-Metal 41 3.57
15 Death-Doom Metal 39 3.40
16 Sludge Metal 38 3.59
17 Alternative Metal 36 3.43
18 Groove Metal 35 3.60
19 Power Metal 34 3.69
20 Metal Related 32 3.58
21 Avant-garde Metal 32 3.61
22 Crossover Thrash 32 3.41
23 Atmospheric Black Metal 28 3.36
24 US Power Metal 26 3.63
25 Atmospheric Sludge Metal 25 3.76
26 Metalcore 24 3.60
27 Industrial Metal 24 3.63
28 Gothic Metal 22 3.43
29 Hardcore Punk 19 3.61
30 Death 'n' Roll 17 3.29
31 Symphonic Black Metal 17 3.29
32 Melodic Black Metal 14 3.36
33 Traditional Doom Metal 13 3.88
34 Deathgrind 12 3.50
35 Goregrind 10 2.65
36 Speed Metal 10 3.40
37 Proto-Metal 10 3.70
38 Stoner Rock 8 4.00
39 Glam Metal 7 3.21
40 Deathcore 7 3.50
41 Depressive Black Metal 6 3.50
42 Heavy Alternative Rock 6 3.58
43 NWoBHM 5 3.60
44 Mathcore 4 3.25
45 Melodic Metalcore 4 2.63
46 Drone Metal 4 3.50
47 Folk Metal 3 3.33
48 Crust Punk 3 3.17
49 Cybergrind 3 4.00
50 Neoclassical metal 3 3.33
51 Heavy Psych 3 3.50
52 Rap Metal 3 3.50
53 Symphonic Metal 3 3.17
54 Nu Metal 2 3.00
55 Funeral Doom Metal 2 3.50
56 Funk Metal 1 3.50

Latest Albums Reviews

SEPULTURA Beneath the Remains

Album · 1989 · Thrash Metal
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"Beneath the Remains" is the 3rd full-length studio album by Brazilian thrash metal act Sepultura. The album was released through Roadrunner Records in September 1989. Sepultura was formed in 1984 and released an early death/thrash hybrid in "Morbid Visions (1986)" and followed it up by the more purely thrash metal oriented "Schizophrenia" from 1987. By that time very few outside Brazil had heard of Sepultura, but that would radically change when they were picked up by Roadrunner Records, who gave "Beneath the Remains" a worldwide release. An almost instant hit among thrash/death metal fans the world over, "Beneath the Remains" to this day remains one of the seminal thrash metal albums in the brutal end of the scale.

Stylistically the music is aggressive and energetic thrash metal with the raw barking vocals of Max Cavalera in front. While the music is thrash metal to the bone, Sepultura was often associated with the early 90s death metal scene, and there are indeed some death metal traits to be found on "Beneath the Remains". The death metal influence is predominantly a result of the Morrisound Recording sound production courtesy of Sepultura and Scott Burns. "Beneath the Remains" was recorded in Nas Nuvens Studio, Rio De Janeiro, Brazil in December 1988, but mixed at Morrisound Recording, Tampa, Florida. It´s one of the first thrash metal releases to be graced by such a meaty, brutal, and heavy sound production, and the sound made the album stand out upon release.

Of course that wouldn´t have been enough, if the songwriting didn´t follow suit. But the material on "Beneath the Remains" is generally very well written and memorable. Personally I´ve always felt that the first part of the album is slightly more memorable than the second part of the album, and especially tracks like "Inner Self", "Stronger Than Hate", "Mass Hypnosis", and the title track stand out. The quality and catchiness of the remaining tracks are really high too though. The greatest asset regarding the material is probably that it has a unique sound. Many artists can play and write moderately interesting material, but Sepultura wrote material for "Beneath the Remains", which sounds original. You know almost instantly that it´s them playing when you hear the music.

In addition to the fast-paced thrash metal riffing, and the mid-paced heavy grooves, the music also features a couple of atmospheric parts, and some blistering solo work. The latter is both fast-paced screaming chromatic solos and more melodic themes and solos. The musicianship is strong and although Max Cavalera is a pretty one-dimensional vocalist with greatly accented vocals, his voice and phrasing still suits the music well.

So upon conclusion "Beneath the Remains" is arguably what you´d call a thrash metal "classic". It´s not that there aren´t artists out there who hadn´t released more ferocious material before this album was released (Slayer, Possessed, Kreator/Sodom/Destruction, and Dark Angel, just to mention a few), but Sepultura still managed to put a more brutal twist on thrash metal that helped build a bridge to death metal without being death metal, and that was something pretty new at the time. At least in the perfected form as it´s heard on "Beneath the Remains". A 4.5 star (90%) rating is deserved.

SANCTUARY Into The Mirror Black

Album · 1989 · US Power Metal
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"Into The Mirror Black" is the 2nd full-length studio album by US power metal act Sanctuary. The album was released through CBS/Epic Records in late 1989 (Europe)/early 1990 (US and Japan). Sanctuary were formed in 1985 and released their debut full-length studio album "Refuge Denied" in 1987. The album was quite successful and also received some additional attention as a result of Dave Mustaine (Megadeth) acting as producer. A few years down the line and Sanctuary were ready with a new batch of original tracks. This time they chose Howard Benson (Motörhead, Apocalyptica, Sepultura) to produce. It´s interesting to note that Joe Barresi is credited as engineering assistent on the album. Barresi later became quite prolific and has worked with artists like Tool, Isis, Melvins, Kyuss, Soundgarden, and Enslaved.

Stylistically the music on "Into The Mirror Black" continues the US power metal style initiated on "Refuge Denied (1987)". It´s quite hard edged, pretty heavy, and even thrashy at times, but ultimately still closer to power metal than to thrash metal. In addition to heavy riffs, blistering solo work, and heavy and more up-tempo rhythms, the music features the distinct sounding vocals of Warrel Dane. While the music is both well played and well written too, it´s the vocals which make the whole difference. They are the defining element of Sanctuary´s sound, and the feature in the music which makes Sanctuary stand out on the scene. Compared to the dominant use of high pitched vocals on "Refuge Denied (1987)", Dane´s vocals on "Into The Mirror Black" are a bit more varied with use of lower registers too. He still screams and sings in a very high register when that is called for though.

Sanctuary released a promotional video for "Future Tense", which is understandable as that particular track kicks off the album in great heavy power metal style and also is among the highlights of the album. It´s apparent from the get go that the band have stepped up in all departments. Songwriting, musicianship, and production values. There is great bite, aggression, and conviction in the delivery of the music and paired with the relatively powerful sound production the album comes off as a high quality product. The lyrics are also worth reading, dealing with both politics, organized religion, and more personal issues. So "Into The Mirror Black" is all in all a great quality sophomore album by Sanctuary. Sadly it would also be their last album before disbanding in 1992. A 4 star (80%) rating is deserved.

AC/DC Rock Or Bust

Album · 2014 · Hard Rock
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"Rock Or Bust" is the 15th internationally released full-length studio album by Australian hard/heavy rock act AC/DC and the first since "Black Ice" from 2008. The album was released through Albert/Columbia Records in November 2014. Since the release of "Black Ice (2008)" and the subsequent tour there´s been one lineup change as original rhythm guitarist Malcolm Young was diagnosed with dementia and as a consequence retired from the band. He is replaced here by his nephew Stevie Young. Stevie had previously filled in for Malcolm on AC/DC´s 1988 U.S. tour, when the latter was treated for his alcohol dependency.

It wasn´t the only drama occuring during the writing and recording of "Rock Or Bust", as drummer Phil Rudd decided to turn up 10 days too late for the recording sessions and nearly got himself kicked out of the band. His eviction from AC/DC eventually happened anyway though as a consequence of Rudd being arrested in early November 2014 for attempting to procure the murder of two men and for drug possession. The most serious charges were later dropped but as Rudd did receive a house arrest sentence, he was unable to tour with AC/DC in support of "Rock Or Bust" and the band decided to recruit Chris Slade instead. Slade also played with AC/DC from 1989 to 1994 and appeard on "The Razors Edge (1990)".

Stylistically the music on "Rock Or Bust" is more or less AC/DC as they´ve always sounded, but that´s really no surprise by now. While they´ve always released quality material, development of sound stopped many years ago. You always know what you´re gonna get when you put on a new AC/DC album. It´s blues based hard rock/heavy rock with a hard rock beat, blues based heavy riffs, blistering blues based solos by Angus Young, and Brian Johnson´s unmistakable rusty voice in front. So when you can´t say much new about the musical style, it´s the quality of the songwriting that´s of most interest. Angus Young apparently constructed most of the tracks from bits and pieces left over from the recording sessions of previous albums, which would make sense since one part of the main songwriting team retired. That´s not audible at all though, if such a songwriting method should suggest a drop in quality, as the material on "Rock Or Bust" is generally both catchy, powerful, and memorable. It´s hard to argue that the songwriting style isn´t slightly one-dimensional, and while all tracks are enjoyable while they play, there are only a few really strong tracks featured on the album. That´s nothing new when it comes to AC/DC releases though.

It´s not audible that the guys in AC/DC aren´t exactly youngsters anymore either. Johnson screams/sings with as much power as he has always done, the rhythm section and new rhythm guitarist Stevie Young plays raw and intense, and the guitar solos by Angus Young are as energetic, well played, and inspired as ever. The sound production is also both powerful and raw, so upon conclusion "Rock Or Bust" is yet another quality release by AC/DC. It´s more of the same though, so depending on how you feel about that views may vary. Personally I enjoy the album a lot, but I don´t count it among their strongest releases and it doesn´t shake my foundation either, but a 3.5 star (70%) rating is still deserved.

HELSTAR Burning Star

Album · 1984 · US Power Metal
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"Burning Star" is the debut full-length studio album by US heavy metal act Helstar. The album was released through Combat Records in 1984. Helstar were formed in 1981/1982 in Houston, Texas, and released a demo in 1983 before being signed by Combat Records for the release of "Burning Star".

Stylistically the music on the album is traditional heavy metal. Artists like early Iron Maiden and Judas Priest are valid references but Helstar put an American twist on the sound. It´s not US power metal yet though, as it´s still rooted too much in traditional heavy metal for that. The band are very well playing, and I especially noticed the many incredibly well played guitar solos and the strong vocals by James Rivera. The latter has a strong voice and a commanding delivery. He sings raw heavy metal type vocals and spice it up with som piercing high pitched screams. The rhythms and the guitar riffs are fairly standard for the genre, but still of a high quality.

The sound production is unpolished and raw, which is to be expected from a heavy metal album release from 1984. The sound suits the material well. All material on the 8 track, 35:05 minutes long album are well written, powerful, and cathy and upon conclusion "Burning Star" is a strong debut album by Helstar. The average age of the band members were supposedly around 19 years at the time, which makes the album an even more impressive release. A 3.5 star (70%) rating is well deserved.


EP · 1992 · Death Metal
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"Pieces" is an EP release by Swedish death metal act Dismember. The EP was released through Nuclear Blast Records in October 1992. It bridges the gap between the band´s debut and second full-length studio albums "Like an Everflowing Stream (1991)" and "Indecent & Obscene (1993)". The success of "Like an Everflowing Stream (1991)" meant that Dismember were among the most prolific death metal acts out of Sweden in the early 90s, and Dismember did a lot of touring in the wake of that, which meant they only had time to write enough material for an EP and not for a full album, which is the reasoning behind releasing "Pieces".

The EP features 6 tracks and a full playing time of 15:56 minutes. The opening track is a short intro and the band have opted to include "Soon To Be Dead" from "Like an Everflowing Stream (1991)", but the remaining four tracks are new original material. Stylistically the new tracks continue the old school Swedish death metal style of the debut album, although they are generally slightly less catchy than the material on "Like an Everflowing Stream (1991)". The songwriting quality is still relatively high though, and the material is also performed with the right amount of rawness and authenticity (but not necessarily in the most tight manner).

Production wise "Pieces" is a raw and unpolished release. The guitar tone is buzzing and a bit messy, which sometimes means that what is being played becomes a blur, and it´s like everything is recorded a bit too high and as a consequence sounds slightly distorted. It´s of course an aquired taste if such a harsh sounding production is something you´ll appreciate, but personally I think Dismember took the rawness a bit too far on this release.

So upon conclusion "Pieces" is a step down in quality from "Like an Everflowing Stream (1991)", even though it isolated seen still is a relatively good quality old school death metal release. It´s not a release you can´t live without and I´d always recommend listening to "Like an Everflowing Stream (1991)" before this one, but still a 3.5 star (70%) rating isn´t all wrong.

Latest Forum Topic Posts

  • Posted 2 hours ago in Recently Watched Films
    [QUOTE=davegrift][QUOTE=UMUR]I enjoyed this and so did my wife: [/QUOTE] I also liked this movie.  So creepy. Reminded me a lot of Silence Of The Lambs.[/QUOTE] Yeah I guess there are similar features although Silene of The Lambs is an even darker and more disturbing movie. This is one is definitely creepy too though. Especially the opening scene and the closing finale. Hedwig and Barry bring a bit of humour and a "ligher" mood to "Split" IMO.
  • Posted 1 day ago in What languages do you speak?
    Yeah to us second language English speakers, who learned most of our English watching American movies, some Brit dialects are almost impossible to understand .
  • Posted 2 days ago in What TV shows are you watching right now?
    I´ve started watching Van Helsing. The acting isn´t always the most convincing, and the lines and actions of some of the characters are bordering the ridiculous, but it´s a fairly entertaining vampyre/apocalypse show.   If I want to Watch that type of show, I much prefer Z Nation though, which I quite frankly find pretty damn brilliant...Season 5 just arrived on Netflix


Please login to post a shout
martindavey87 wrote:
more than 2 years ago
Hey Jonas! How are ya man? Every where I post reviews, either here, Progarchives or RYM, whenever I go to post one I see you've posted one on that album too. It's cool comparing them! Was actually gonna message ya on here just to ask what your name is lol. Hope you're well and rock on! \m/ \m/
more than 2 years ago
Thanks! I will be slowly importing reviews that I have done for my website over here, but that will take awhile. For now, I will just be posting new reviews that I am publishing on my website. Cheers! \m/
mjayeh wrote:
more than 2 years ago
Thanx again for the shout out !!!! \m/


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