Death Metal

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Death metal is an extreme subgenre of heavy metal. It typically employs heavily distorted guitars, deep growling vocals, blast beat drumming, and complex song structures with multiple tempo changes.

Building from the musical structure of thrash metal, death metal emerged during the mid 1980s. It was mainly inspired by thrash metal acts like Slayer, Kreator and Celtic Frost. Along with the band Death and its frontman Chuck Schuldiner (who is often referred to as "the father of death metal"), bands like Possessed and Morbid Angel are often considered pioneers of the genre. In the late 1980s and early 1990s, death metal gained more media attention as popular record labels like Earache and Roadrunner began to sign death metal bands at a rapid rate. Since then, death metal has diversified, spawning a rich variety of subgenres.

Inclusive death metal music subgenres:

  • Brutal death metal See: http://www.metalmusicarchives.com/subgenre/brutal-death-metal
  • Melodic death metal See: http://www.metalmusicarchives.com/subgenre/melodic-death-metal
  • Swedish death metal, also referred to as Scandinavian death metal, should not be confused with melodeath. This genre is characterized by its focus on raw energy and aggression. The guitars are typically extremely distorted and downtuned, and, in addition to traditional death metal elements, artists within this subgenre also draw on hardcore punk and early thrash metal. While not restricted to Sweden, the genre is called death metal because it was largely popularized by death metal artists from Sweden, such as Carnage, Nihilist, early Entombed, Dismember, Grave, and Unleashed. Seeing that many of the prominent artists within this genre were located in around Stockholm, it is sometimes referred to as the Stockholm sound in contrast with the Gothenburg sound. While big in the 1990s, the popularity of this genre waned in the 2000s, as melodeath became more popular, but recently a number of bands based in Eastern Europe, such as Brutally Deceased and Morbider, have taken up the Stockholm sound and are bringing it back onto the scene.
  • Death-grind combines elements from death metal with element of grindcore. From grindcore, the genre inherits song brevity (with the average length being 2:30), emphasis on fast picking and blastbeating as well as the lyrical content (which means that a lot of death-grind deals with gore, pornography or socio-politics). From death metal, it inherits song complexity and focus on performance and technique, although guitar solos are not as common as in other styles of death metal. When Napalm Death started to gravitate towards death metal from pure grindcore, they developed a death-grind sound, and they are probably the most influential band in the death-grind genre. Other death-grind acts are Lock Up, Terrorizer, and Pig Destroyer. On MMA, those death-grind artists and releases that lean more towards grindcore are included under grindcore, while those that lean more towards death metal are included under death metal.
  • Technical/progressive (or tech/prog) death metal See: http://www.metalmusicarchives.com/subgenre/technical-death-metal
  • Blackened death metal combines death metal and black metal, of lyrically the focus is typically on Satanism, occultism and anti-religion. Behemoth is considered one of the most influential blackened death metal bands.
  • Death ‘n’ roll See: http://www.metalmusicarchives.com/subgenre/death-n-roll


The following subgenres are NOT listed under death metal in the MMA:

  • Grindcore: has its own sugbenre section.
  • Death-thrash: included under thrash metal.
  • Deathcore: included under metalcore.
  • Doom-death: included under doom metal.


Source: http://en.wikipedia.org/wiki/Death_metal

Written by Time Signature.

Sub-genre collaborators:
  • Nightfly (leader)
  • Vim Fuego
  • TheHeavyMetalCat

death metal top albums

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death metal Music Reviews

MENTICIDE Some Call It Educational and the Others Just Domestic Violence

Demo · 1990 · Death Metal
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UMUR
"Some Call It Educational and the Others Just Domestic Violence" is the second demo recording by Finnish, Tampere based death/thrash metal act Menticide. It´s the successor to the "Enforcer" demo from earlier that same year. Menticide formed in 1988 and released two demos in 1990 before disbanding.

Stylistically Menticide still play a hybrid thrash and death metal style, but they´ve become sligthly more dark and brutal on this demo compared to the "Enforcer" demo. The music has also become a bit slower and more heavy, although Menticide still occasionally play some fast-paced thrashy riffs and rhythms. The vocals are raw throaty growling and haven´t changed much since the first demo.

The sound production is a bit more murky and less powerful than on the first demo, which isn´t a positive in my book. Menticide are a pretty well playing band and all details of their music deserves to be heard, but that´s difficult when presented with these sound production values. So upon conclusion I´d recommend listening to the "Enforcer" demo before this one. A 2.5 star (50%) rating is warranted.

MENTICIDE Enforcer

Demo · 1990 · Death Metal
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UMUR
"Enforcer" is the first demo recording by Finnish, Tampere based death/thrash metal act Menticide. The demo was independently release in 1990. Menticide formed in 1988 and released two demos in 1990 before disbanding.

Stylistically the material on the two-track, 9:09 minutes long demo is a hybrid thrash and death metal style. To my ears it leans mostly towards death metal but the music also features thrash metal riffs and rhythms. It´s generally pretty creative music featuring many different sections and complex song structures. The vocals are hoarse throaty growling. The sound production is a bit murky and sometimes sound like it was recorded behind a closed door in another room, but other than that it´s a decent sound production suiting the music well.

Upon conclusion Menticide were probably too thrashy for their own good in an environment which craved brutal death metal, but in restrospect they play a relatively unique style of music, and they are a well playing unit too, so there are a lot of quality features on this demo. A 2.5 - 3 star (55%) rating is warranted.

MIND RIOT Plasma

EP · 1993 · Technical Death Metal
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UMUR
"Plasma" is an EP release by Finnish metal act Mind Riot. The EP was released through Subvertic in 1993. Mind Riot formed in 1990 and released the May 1991 "The March of Chaotic Priesthood" demo and the January 1992 "Exit Severed" demo before getting signed for the release of "Plasma".

The early- to mid-90s Finnish metal scene is loaded with artists who started out playing death metal but very soon changed their style to death´n´roll or alternative rock/metal, and Mind Riot is another one of those. They haven´t turned towards the alternative rock/metal style they would pursue on future releases just yet on "Plasma" though, which instead features an odd and highly experimental style of death metal. The EP features some pretty technical playing, unconventional song structures, and both male and female clean vocals in addition to the death metal growling. The clean vocals don´t sound that great though as they sound like they are a bit out of tune. The music also features a lot of dissonant riffs and some almost funky rhythm parts (I´m reminded slightly of early 90s Voivod), spaced out jazz/fusion influenced guitar solos and other odd experimental ideas.

The EP features a decent sounding production job, but the eclectic (read: directionless) nature of the songwriting is a bit of an issue. "Plasma" is all over the place, and although I can enjoy it from a musicians point of view, it´s not the most listenable release. There´s still enough quality here to warrant a 2.5 - 3 star (55%) rating though, just consider yourself warned that this is a pretty odd sounding extreme metal release, and by no means a regular death metal EP, although the music does feature normal death metal traits like brutal riffs, blast beats, and growling vocals.

BLOOD INCANTATION Hidden History of the Human Race

Album · 2019 · Death Metal
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UMUR
"Hidden History of the Human Race" is the second full-length studio album by US, Colorado based death metal act Blood Incantation. The album was released through Dark Descent Records in November 2019. It features the same quartet lineup who recorded the band´s debut full-length studio album "Starspawn" from August 2016. Three of the four members of Blood Incantation are also involved in death/doom metal act Spectral Voice and they released the "Eroded Corridors of Unbeing" debut album with that band in October 2017, so it´s been some busy years for at least some of the members of the band.

Stylistically the four tracks on the 36:20 minutes long album continue the technical/progressive yet old school oriented death metal style of the preceding releases, but Blood Incantation have improved in all departments since their debut album. The songwriting is now more memorable and less chaotic, the band are even more well playing, and "Hidden History of the Human Race" features more detailed and powerful production values than the releases which came before.

Blood Incantation are still worshippers of the cavern mode old school death metal style of Incantation, but they are so much more than that, as they add highly technical playing and progressive song structures to the mix, making their sound and overall style relatively unique for the genre. So while this at times is both brutal, grim, and murky old school death metal with abysmal deep unintelligible growling, it´s at other times progressive and atmospheric music painting a very different picture than the basis raw and brutal death metal of the band´s music.

As mentioned "Hidden History of the Human Race" features four tracks. The first three are between 5 and 7 minutes long, while closing track "Awakening From The Dream Of Existence To The Multidimensional Nature Of Our Reality (Mirror Of The Soul)" is an 18:02 minutes long track and naturally the most progressive oriented track on the album, although the remaining tracks are by no means regular death metal songs either. Every track on the album features twists and turns, challenging musical ideas, and song structures which are quite unconventional and doesn´t feature regular vers/chorus format structures (if something is repeated it´s definitely not done in an easy commercial manner).

So this is quite challenging music and "Hidden History of the Human Race" may not initially resonate with all listeners, but it´s worth giving many spins, because as challenging as it may be, it´s also quite brilliant and the tracks have a great flow. It¨s not an easy feat to write material which is not cyclical but instead almost linear in structure without losing catchiness and recognizability, but I think Blood Incantation do a great job on "Hidden History of the Human Race" doing just that. Add to that the fact that they are still pretty authentic old school death metal and don´t appear sophisticated technical for the sake of it, and there´s a further plus in the book. A 4 star (80%) rating is fully deserved.

ILLOGICIST Subjected

Album · 2004 · Technical Death Metal
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siLLy puPPy
Influenced by the early technical death metal skills of Death, Pestilence, Atheist and Cynic, ILLOGIST was formed in the Alpine city of Aosta in the northwestern region of Italy in 1997 by guitarist Luca Minieri and original drummer Remy Curtaz and soon joined bassist Roberto Zeppa and then a few other members who came and went until the original duo were left the only ones standing. After recruiting bassist Emilio Dattolo and guitarist Diego Ambrosi, ILLOGICIST was ready to record its debut release SUBJECTED which saw the light of day in 2004 on the Crash Music, Inc label. Prepare yourself for a thrashy deathened brutal ride into oblivion!

It wouldn’t take long for Remy Curtaz to jump ship after recording SUBJECTED leaving only Luca Minieri as a founding member. After recruiting drummer Sergio Ponti, ILLOGICIST embarked on a massive tour of Italy and Europe and has become a staple in European technical death metal ever since. This is a band that means business and it all started with this very debut featured a bedazzling array of nine tracks that bantered and brutalized the senses of nearly 39 minutes of punishing pummelation and raucous riffing rage. This is one of those bands that has the need for speed and SUBJECTED will, well, subject you to a ceaseless blitzkrieg frenzy of some of the most demanding death metal the genre has to dish out.

The album starts with a short intro of a faint scream from the distance before bursting into a neoclassical style of progressive technical death metal that sounds like what you could expect if Necrophagist met Death and perhaps a more thundering galloping thrash metal band like early Sadus. As far as the technical death metal riffing is concerned, ILLOGICIST delvers a relentless procession of fast-tempo speedfests that offer a dizzying array of proggy time signature deviations and hairpin curves well beyond anything Death, Atheist or Pestilence ever dreamed of however Minieri’s raspy screamed vocals do evoke a rather pissed off Chuck Schuldiner having a very bad day! The insane infusion of crazy time-signature riffage though is off the charts with a never-ending chugging in glitch time with fluid frills and fills finding their way into the nooks and crannies of this speed freak’s wet dream come true.

While the guitar neck melting finger breaking distorted bombast of the riffs is the strongest suit going for ILLOGICIST on SUBJECTED, the screamed vocals actually carry profundity as this band eschews worship of Satan or horror, gore and blood but rather engages in the abstract existential quandaries of spirituality and philosophy. In other words, this is nerd metal through and through! Also mentionable is Curtaz’s drumming ferociousness as he is as relentless at pummeling his drum kit into oblivion as is the guitar and bass freneticism. For whatever reason Curtaz never performed with other bands after departing so perhaps he had some health issue or lost interest but he certainly delivered some of the most relentless demanding time precision drumming skills not too far from the virtuosity of percussive wizards such as Virgil Donati.

The twin guitar attacks really add a ferocity well beyond what a single axe could pull making this an unforgiving wild roller coaster ride on the top of a speed train. This is really as demanding as technical and progressive death metal really gets. If these guys played any faster it would be imperceptible and considered noise (although some might think that already!) For those well steeped in the knotty angular brutality of technical death metal and love the most relentless of the lot then ILLOGICIST actually delivers a rather logical slab of molten metal on full fueled adrenaline mode for an entire album’s run with SUBJECTED. While the lineup would never remain the same for long and ILLOGICIST would deliver two more albums before disappearing from the scene, this debut is a force to be reckoned with.

death metal movie reviews

NAPALM DEATH Punishment in Capitals

Movie · 2003 · Death Metal
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Kingcrimsonprog
Punishment In Capitals is a 2002 live DVD (also available on CD) by British extreme metal icons Napalm Death, released after their triumphant Enemy Of The Music Business album won back the praise of fans and critics after their experimental string of records in the nineties.

The band play a mixture of every era in their career up to that point, the catchy nineties singles ‘Breed To Breathe,’ and ‘Greed Killing,’ sit side by side with mid era death inspired fare such as ‘Suffer The Children,’ and ‘World Keeps Turning,’ which blends against the band’s early grindcore material era like ‘Scum,’ ‘Lucid Fairy Tale,’ and the famous ‘You Suffer,’ in a set list which also leans heavily on the band’s then newest, and still arguably best album Enemy Of The Music Business.

Standout tracks include an energetic version of ‘Hung,’ as well as ‘Can’t Play Won’t Play,’ and ‘Narcoleptic,’ which was as yet unreleased at the time of recording. With a set-list of this caliber, Punishment In Capitals should be a rewarding viewing experience for most Napalm Death fans and would serve well as an introduction to the band for potential fans as well.

Interestingly, the DVD recording retains all the dead air, waiting out-of-breathe and other non-musical moments in between tracks, presenting you the gig as it actually happened and not inter-cutting the show with outside material to create some false sense of professionalism or excitement. This is a double edged sword as it is commendable but may still irritate viewers raised on slicker, fast paced major label DVD releases.

The production is fairly good in terms of audio recording quality and mix, with simple camera work and editing covering the visual side of things. Although not the most impressive looking DVD ever released, it serves well for Napalm Death to deliver an energetic a sweaty performance. My only major gripe is that for the first half of the show shots of drummer Danny Herrera are very few and far between, but this is remedied later on.

There are a fair amount of extras too, including two bootleg quality recordings in Tokyo from 1996, a six track selection from a Chilean gig in 1997 as well as a hidden Easter Egg (a live-in-a-TV-studio version of ‘If The Truth Be Known,’ accessible by making the image’s eyes glow red my navigating the menu.) In addition to the musical extras there is also a documentary, which while not masterfully crafted is worth at least one watch, covering topics such as Barney’s haircut, the effect of foreign food on the bowels and the charity for which this gig was in aide of.

Overall, Punishment In Capitals is a worthwhile DVD purchase that will give you a good selection of Napalm Death material, both in the concert itself and with a nice selection of extras. Definitely recommended viewing for fans of the band.

ZYKLON Storm Detonation Live

Movie · 2006 · Death Metal
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Kingcrimsonprog
This DVD captures Norwegian death metal band Zyklon on their 'Aeon,' era tour Live; the tracklisting on the wonderful but slightly short DVD is made up of tracks from the bands excellent first two albums.

The band are on top form and deliver the material fantastically live, They never miss a step, and are ruthlessly professional.

Song's from the band's debut album are much better here with new singer Tony 'SecthDamon,' Ingebrigtsen. Who has a better voice to match the material than Daemon did.

Furthermore the audio and visual quality is great, and apart from a little intro interrupting the first 20 seconds of fan favorite 'Core Solution,' there's very little to complain about whatsoever.

Indeed, with such a brilliant performance, a good production and an excellent track listing, this DVD is a real must-have for any Zyklon fan.

AMON AMARTH Wrath of the Norsemen

Movie · 2006 · Melodic Death Metal
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Kingcrimsonprog
Talk about value for money, from a band like Amon Amarth you wouldn’t expect them to be able to afford such a crazily generous and in depth DVD package when some of the bigger bands can’t afford anything even half this good.

The Set comes in a glorious 3 DVD digipak with detailed artwork, a full booklet and an awesome little viking crown that keeps it closed. Then you get Five full concerts (with 22, 16,13, 11 and 9 tracks respectively) and a documentary.

The main feature; a 22 track concert from Cologne in 2005 is an incredible affair with crystal clear sound, Huge guitar tones, amazingly heavy drums and nice clunky bass. The camera work is of a higher quality than even some of the biggest metal bands’ DVDs and again the sound is immense.

Then theres the performance, the band are absolutely electric delivering furious renditions of material from all eras a their career from the massive ‘Amon Amarth,’ and ‘Fate of Norns,’ to catchy closer ‘Death In Fire,’ and the crowd just lap it up.

Vocalist Johan Hegg absolutely commands the stage, engaging the crowd at every opportunity and singing his heart out while the band hammer through their classics like ‘heavy,’ is going out of style.

On top of all that you have a great light show, huge Amon Amath banners, more pyro than a kiss concert and an interlude with about thirty Viking reenactors sword fighting on stage! That feature is worth the money alone, the show is probably one of the best metal concerts on the market and I can’t stress how good the sound and picture are; then on top of all that you get the rest of the set, featuring virtually ever Amon Amarth song ever written, and performances from ‘Waken Open Air festival,’ ‘Summer Breeze Festival,’ and two more indoor concerts in Europe.

If you like Amon Amarth Buy this right now. If you don’t, you will within thirty seconds of watching this.

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