Death Metal

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Death metal is an extreme subgenre of heavy metal. It typically employs heavily distorted guitars, deep growling vocals, blast beat drumming, and complex song structures with multiple tempo changes.

Building from the musical structure of thrash metal, death metal emerged during the mid 1980s. It was mainly inspired by thrash metal acts like Slayer, Kreator and Celtic Frost. Along with the band Death and its frontman Chuck Schuldiner (who is often referred to as "the father of death metal"), bands like Possessed and Morbid Angel are often considered pioneers of the genre. In the late 1980s and early 1990s, death metal gained more media attention as popular record labels like Earache and Roadrunner began to sign death metal bands at a rapid rate. Since then, death metal has diversified, spawning a rich variety of subgenres.

Inclusive death metal music subgenres:

  • Brutal death metal See: http://www.metalmusicarchives.com/subgenre/brutal-death-metal
  • Melodic death metal See: http://www.metalmusicarchives.com/subgenre/melodic-death-metal
  • Swedish death metal, also referred to as Scandinavian death metal, should not be confused with melodeath. This genre is characterized by its focus on raw energy and aggression. The guitars are typically extremely distorted and downtuned, and, in addition to traditional death metal elements, artists within this subgenre also draw on hardcore punk and early thrash metal. While not restricted to Sweden, the genre is called death metal because it was largely popularized by death metal artists from Sweden, such as Carnage, Nihilist, early Entombed, Dismember, Grave, and Unleashed. Seeing that many of the prominent artists within this genre were located in around Stockholm, it is sometimes referred to as the Stockholm sound in contrast with the Gothenburg sound. While big in the 1990s, the popularity of this genre waned in the 2000s, as melodeath became more popular, but recently a number of bands based in Eastern Europe, such as Brutally Deceased and Morbider, have taken up the Stockholm sound and are bringing it back onto the scene.
  • Death-grind combines elements from death metal with element of grindcore. From grindcore, the genre inherits song brevity (with the average length being 2:30), emphasis on fast picking and blastbeating as well as the lyrical content (which means that a lot of death-grind deals with gore, pornography or socio-politics). From death metal, it inherits song complexity and focus on performance and technique, although guitar solos are not as common as in other styles of death metal. When Napalm Death started to gravitate towards death metal from pure grindcore, they developed a death-grind sound, and they are probably the most influential band in the death-grind genre. Other death-grind acts are Lock Up, Terrorizer, and Pig Destroyer. On MMA, those death-grind artists and releases that lean more towards grindcore are included under grindcore, while those that lean more towards death metal are included under death metal.
  • Technical/progressive (or tech/prog) death metal See: http://www.metalmusicarchives.com/subgenre/technical-death-metal
  • Blackened death metal combines death metal and black metal, of lyrically the focus is typically on Satanism, occultism and anti-religion. Behemoth is considered one of the most influential blackened death metal bands.
  • Death ‘n’ roll See: http://www.metalmusicarchives.com/subgenre/death-n-roll


The following subgenres are NOT listed under death metal in the MMA:

  • Grindcore: has its own sugbenre section.
  • Death-thrash: included under thrash metal.
  • Deathcore: included under metalcore.
  • Doom-death: included under doom metal.


Source: http://en.wikipedia.org/wiki/Death_metal

Written by Time Signature.

Sub-genre collaborators:
  • Nightfly (leader)
  • Time Signature
  • Dobbie03
  • Vim Fuego
  • Necrotica
  • The T 666
  • TheHeavyMetalCat

death metal top albums

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DEATH Symbolic Album Cover Symbolic
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NILE What Should Not be Unearthed Album Cover What Should Not be Unearthed
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death metal Music Reviews

DECAPITATED Anticult

Album · 2017 · Technical Death Metal
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Nightfly
The demise and resurrection of Decapitated is well documented in the realms of death metal with the tragic death of guitarist Waclaw "Vogg" Kieltyka’s brother Witold "Vitek" Kieltyka, drummer extraordinaire in a bus crash in 2007. Then vocalist Adrian "Covan" Kowanek has still not made a full recovery from his injuries. The previous year the band had released perhaps their best album Organic Hallucinosis, the only one to feature the vocals of Covan. Forward to 2011 and Vogg returned with a new line-up and Carnival Is Forever, an album marking a considerable change in the band’s sound that wasn’t well received by some fans.

Not surprisingly Anticult is clearly in the tradition of the last two albums but with added groove. I’ve heard a lot of talk lately that Decapitated have abandoned death metal and turned into a groove metal band. Well this clearly isn’t the case – sure, this has more groove than Blood Mantra, in fact more than any album they’ve released but go back and take a listen to Organic Hallucinosis or The Negation and you’ll find groove. Though the balance has been tipped Decapitated are still making technical death metal. The sound of Anticult is huge – very percussive and I don’t just mean Mlody’s driving drum patterns but also new boy Hubert Więcek’s bass and Vogg’s razor sharp riffs. Rafał Piotrowski’s vocals echo this with his aggressive staccato delivery. The album of course was going to live or die by Vogg’s guitar playing and he delivers on all fronts with jaw dropping riffs, licks and some incendiary soloing. Earth Scar is my pick of the bunch and as good an example as any as to define Decapitated’s current sound with driving double kicks behind precision riffing and a brutal ending with the snare mirroring the riff to perfection rounding it off.

If you still mourn for the old style Decapitated then forget it – this is a different band and they clearly aren’t planning on making any U-turns. Out the last three, including this, I’d say I’d still rate Blood Mantra as my favourite, an album I gave four stars to, but in all honesty I couldn’t award Anticult any less.

NECROT Blood Offerings

Album · 2017 · Death Metal
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Nightfly
Although they’ve been kicking around for quite a few years now, releasing three demos that were eventually brought together for the compilation album The Labrinth, Blood Offerings is in reality Necrot’s first studio album.

Necrot play old school death metal. Now these days if you’re going to release an old school death metal album it had better be good if you want any hope of being anything other than an also ran as it’s already been done to death (no pun intended) numerous times before. Fortunately Necrot haven’t wasted the last six years and released an excellent album of solid as a rock no frills death metal. Bolt Thrower immediately come to mind with their thick chunky riffs, not over-playing the speed card but most important of all memorable riffs that stay firmly in your head. Sure these guys can play fast when required but they’re smart enough to realise that an album of relentless blast beats can become a bit dull so they change the time/tempo regularly, even slowing it down to almost, but not quite, a doom pace occasionally. The old school vibe is helped by the organic production with a drum sound that sounds powerful and real. The Blade kicks things off and by death metal standards the pace is measured but packing plenty of punch with rolling kick drums and some killer hooks. It proves to be an album highlight but it’s far from downhill from here as most of the album is similarly compelling as perfectly demonstrated on Rather Be Dead which immediately follows. And so it goes – I keep expecting the quality to dip but pleasingly it doesn’t, well not to any great extent anyway, with only Beneath not hitting the spot fully. The standard of musicianship is excellent including some strong guitar solos and great drumming. The vocals are standard death fayre but well done nevertheless.

Overall then, a great start with hopefully even better to come in the future and it impressed me enough to order a vinyl copy – what better recommendation can I give. Check them out if you’re after some old school death metal that still manages to sound fresh and vibrant, you won’t be disappointed.

OBITUARY The End Complete

Album · 1992 · Death Metal
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Warthur
Having hit their brutal stride on Cause of Death, Obituary took a "if it ain't broke, why fix it?" approach to The End Complete, offering up nine more morbid meditations on the lapse into oblivion and putrescence that awaits us all. At 36 minutes it certainly can't be accused of outlasting its welcome, and to be honest this was probably a smart move - otherwise the lack of significant musical development over Cause of Death might have become an issue. As it stands, to a certain extent The End Complete boils down to "Cause of Death, only with Allen West back in the guitar position", and on balance that's all it really needed to be.

ULSECT Ulsect

Album · 2017 · Technical Death Metal
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Nightfly
As soon as Fall To Depravity, the opening track on the eponymous debut album from Dutch death metal band Ulsect kicks in, it’s pretty apparent that we’re not going to be in for an easy listen. This band features a couple of members of Dodecahedron for starters, an avant black metal band who as it happens I only discovered a few months ago. Well you could say that Ulsect are the death metal equivalent.

So what you get here is those chiming dissonant guitar riffs that seems to be quite a thing these days. Now I’m all for a bit of this sort of stuff and have albums by the likes of Deathspell Omega and Gorguts (an immediate reference) in my collection but it’s fairly easy to descend into total chaos without structure when playing this avant style. Fortunately Ulsect have the necessary chops and writing skills – they’re not new at this after all despite this being their debut, to pull it off. Kings of the atonal riff for me are Immolation but Ulsect aren’t anything like them being a much looser proposition. Their riffs chime and resonate and are soaked in atmosphere with the black metal leanings of guitarist and drummer Joris Bonis and Jasper Barendregt showing through though at times they tighten things up with some unison syncopated rhythms. This is great stuff and Ulsect create an uneasy tension in their music, seemingly on the verge of falling apart at any minute but the inventive drumming of Barendregt holding it all together nicely.

By anyone’s standards this is a very good album, all the more remarkable it being their debut. Definitely a band worth keeping an eye on for those into this sort of thing and a band I’ll watch with interest in the future.

DYING FETUS Wrong One to Fuck With

Album · 2017 · Brutal Death Metal
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Kev Rowland


Dying Fetus have created quite a stir over the years, releasing some important albums on the way, and finally having a stable line-up is paying dividends as the trio are back with what is to my poor abused ears, easily their most comprehensive album to date. John Gallagher (guitar, vocals) formed the band in 1991, with bassist/vocalist Sean Beasley joining in 2001 and “new boy” drummer Trey Williams keeping the seat warm since 2007, and there is never any room to hide in a trio and when a band has been together for ten years they know what they are doing, and that is very much the case here.

Brutal death metal is what Dying Fetus have always been about, and with both the band name and album title they are showing that there is no change this time around, and why should there be? They have obviously been influenced by Cannibal Corpse, yet Nile have also had an impact, as has Napalm Death as the guys keep their form of death metal just this side of grindcore. It is intense, it is over the top, with absolutely no room for compromise, yet somehow the ten songs all feel quite different and don’t wash out in the way that some albums tend to when they follow the same musical path throughout. There may not be much room for light on this album, but somehow the different shades of brutal black convey enough power and difference to make this album stand out.

There have been some incredibly strong and powerful death metal albums coming out recently, and this is another to be added to the list.

death metal movie reviews

NAPALM DEATH Punishment in Capitals

Movie · 2003 · Death Metal
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Kingcrimsonprog
Punishment In Capitals is a 2002 live DVD (also available on CD) by British extreme metal icons Napalm Death, released after their triumphant Enemy Of The Music Business album won back the praise of fans and critics after their experimental string of records in the nineties.

The band play a mixture of every era in their career up to that point, the catchy nineties singles ‘Breed To Breathe,’ and ‘Greed Killing,’ sit side by side with mid era death inspired fare such as ‘Suffer The Children,’ and ‘World Keeps Turning,’ which blends against the band’s early grindcore material era like ‘Scum,’ ‘Lucid Fairy Tale,’ and the famous ‘You Suffer,’ in a set list which also leans heavily on the band’s then newest, and still arguably best album Enemy Of The Music Business.

Standout tracks include an energetic version of ‘Hung,’ as well as ‘Can’t Play Won’t Play,’ and ‘Narcoleptic,’ which was as yet unreleased at the time of recording. With a set-list of this caliber, Punishment In Capitals should be a rewarding viewing experience for most Napalm Death fans and would serve well as an introduction to the band for potential fans as well.

Interestingly, the DVD recording retains all the dead air, waiting out-of-breathe and other non-musical moments in between tracks, presenting you the gig as it actually happened and not inter-cutting the show with outside material to create some false sense of professionalism or excitement. This is a double edged sword as it is commendable but may still irritate viewers raised on slicker, fast paced major label DVD releases.

The production is fairly good in terms of audio recording quality and mix, with simple camera work and editing covering the visual side of things. Although not the most impressive looking DVD ever released, it serves well for Napalm Death to deliver an energetic a sweaty performance. My only major gripe is that for the first half of the show shots of drummer Danny Herrera are very few and far between, but this is remedied later on.

There are a fair amount of extras too, including two bootleg quality recordings in Tokyo from 1996, a six track selection from a Chilean gig in 1997 as well as a hidden Easter Egg (a live-in-a-TV-studio version of ‘If The Truth Be Known,’ accessible by making the image’s eyes glow red my navigating the menu.) In addition to the musical extras there is also a documentary, which while not masterfully crafted is worth at least one watch, covering topics such as Barney’s haircut, the effect of foreign food on the bowels and the charity for which this gig was in aide of.

Overall, Punishment In Capitals is a worthwhile DVD purchase that will give you a good selection of Napalm Death material, both in the concert itself and with a nice selection of extras. Definitely recommended viewing for fans of the band.

ZYKLON Storm Detonation Live

Movie · 2006 · Death Metal
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Kingcrimsonprog
This DVD captures Norwegian death metal band Zyklon on their 'Aeon,' era tour Live; the tracklisting on the wonderful but slightly short DVD is made up of tracks from the bands excellent first two albums.

The band are on top form and deliver the material fantastically live, They never miss a step, and are ruthlessly professional.

Song's from the band's debut album are much better here with new singer Tony 'SecthDamon,' Ingebrigtsen. Who has a better voice to match the material than Daemon did.

Furthermore the audio and visual quality is great, and apart from a little intro interrupting the first 20 seconds of fan favorite 'Core Solution,' there's very little to complain about whatsoever.

Indeed, with such a brilliant performance, a good production and an excellent track listing, this DVD is a real must-have for any Zyklon fan.

AMON AMARTH Wrath of the Norsemen

Movie · 2006 · Melodic Death Metal
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Kingcrimsonprog
Talk about value for money, from a band like Amon Amarth you wouldn’t expect them to be able to afford such a crazily generous and in depth DVD package when some of the bigger bands can’t afford anything even half this good.

The Set comes in a glorious 3 DVD digipak with detailed artwork, a full booklet and an awesome little viking crown that keeps it closed. Then you get Five full concerts (with 22, 16,13, 11 and 9 tracks respectively) and a documentary.

The main feature; a 22 track concert from Cologne in 2005 is an incredible affair with crystal clear sound, Huge guitar tones, amazingly heavy drums and nice clunky bass. The camera work is of a higher quality than even some of the biggest metal bands’ DVDs and again the sound is immense.

Then theres the performance, the band are absolutely electric delivering furious renditions of material from all eras a their career from the massive ‘Amon Amarth,’ and ‘Fate of Norns,’ to catchy closer ‘Death In Fire,’ and the crowd just lap it up.

Vocalist Johan Hegg absolutely commands the stage, engaging the crowd at every opportunity and singing his heart out while the band hammer through their classics like ‘heavy,’ is going out of style.

On top of all that you have a great light show, huge Amon Amath banners, more pyro than a kiss concert and an interlude with about thirty Viking reenactors sword fighting on stage! That feature is worth the money alone, the show is probably one of the best metal concerts on the market and I can’t stress how good the sound and picture are; then on top of all that you get the rest of the set, featuring virtually ever Amon Amarth song ever written, and performances from ‘Waken Open Air festival,’ ‘Summer Breeze Festival,’ and two more indoor concerts in Europe.

If you like Amon Amarth Buy this right now. If you don’t, you will within thirty seconds of watching this.

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