Industrial Metal

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Industrial Metal is a sub-genre of metal music that is known for combining industrial dance music and various other forms of electronic music with various forms of heavy metal. While it is known as being founded in the late 80's by artists like Godflesh and Ministry, the band Killing Joke are widely known as being the forerunners, starting as a post-punk act with industrial elements. The band eventually switched to the style they helped create during the 90's, which was the peak of industrial metal's popularity. Many critically acclaimed industrial metal albums were released during this time.

While Industrial Metal bands have made use of a wide range of styles of electronic and heavy metal, there are a few styles that are more notable:

Industrial Thrash Metal was among the first forms of industrial metal, being characterized in bands such as Ministry, KMFDM, and Varga. These bands combine varying forms of electronic and industrial music, with the rapid guitar riffing and frantic drum work of thrash metal.

Industrial Black Metal is a more recent form of industrial metal, the most notable act being Samael, who switched from pure black metal to an industrial-infused sound on their album "Passage". Industrial Black Metal combines raw black metal vocals with elements of both black metal and industrial thrash. Other notable acts include Aborym, The Axis of Perdition, and Dødheimsgard. However, many industrial black metal bands are more black metal than industrial, so many industrial black metal acts are placed under black metal.

Electro-Industrial Metal is among the most popular forms of industrial metal, often combining aggressive guitar riffs with more elements of techno, alternative rock, and glitch than other forms of industrial metal. The band Skinny Puppy is known as being a notable influence on these acts. Notable acts include Nine Inch Nails, Stabbing Westward, Celldweller, and Blue Stahli.

Neue Deutsche Härte (New German Hardness) is a music scene in Germany, which is known for combining the crunching riffs of groove metal with heavy dance beats. The most notable band in this scene is Rammstien, who are known for creating some controversial music videos. Other acts in the scene include Oomph! and Megaherz.

Trance Metal, sometimes known as Dance Metal, has a much more melodic style. It often combines uplifting electronic dance/pop melodies with fast guitar riffing and double bass drumming. One of the most popular acts is Amaranthe.

Cyber Metal, taking more influence from EBM (Electronic Body Music) and Aggrotech, is usually used to describe industrial metal acts that are on the more extreme side. Cyber Metal bands typically have more use of atmospherics and harsh vocals. Notable acts include Fear Factory and Sybreed with Static-X also having made use of Cyber-Metal elements.

Some bands, like Nailbomb and Strapping Young Lad, make use of a vast selection of influences with industrial being just one of those. The former is sometimes known as industrial death metal, which is less prominent than Cyber Metal which has death metal as only one of it's influences. Both bands are placed under industrial, as industrial extreme metal gives a good idea of the band's overall sound.

Industrial metal has shown it's influence throughout the genres of metal, so there are some bands that take influence from industrial metal while being mainly a separate genre. Bands like Prong, Voivod, Meathook Seed, and Ultraspank have taken influence from industrial, but have largely stayed closer to their respective genres. Electronicore (Electronic mixed with Metalcore), despite having characteristics of industrial metal, is placed under Metalcore.

- Genre biography written by Unitron.

Sub-genre collaborators:
  • Unitron

industrial metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 60 min. caching

MINISTRY Psalm 69 Album Cover Psalm 69
MINISTRY
4.45 | 21 ratings
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NAILBOMB Point Blank Album Cover Point Blank
NAILBOMB
4.66 | 7 ratings
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STRAPPING YOUNG LAD Alien Album Cover Alien
STRAPPING YOUNG LAD
4.30 | 28 ratings
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NINE INCH NAILS Broken Album Cover Broken
NINE INCH NAILS
4.37 | 14 ratings
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GODFLESH Pure Album Cover Pure
GODFLESH
4.58 | 6 ratings
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MINISTRY The Mind Is a Terrible Thing to Taste Album Cover The Mind Is a Terrible Thing to Taste
MINISTRY
4.47 | 8 ratings
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RAMMSTEIN Mutter Album Cover Mutter
RAMMSTEIN
4.22 | 43 ratings
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STATIC-X Wisconsin Death Trip Album Cover Wisconsin Death Trip
STATIC-X
4.45 | 8 ratings
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DØDHEIMSGARD Supervillain Outcast Album Cover Supervillain Outcast
DØDHEIMSGARD
4.28 | 16 ratings
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WHITE ZOMBIE Astro-Creep: 2000 Album Cover Astro-Creep: 2000
WHITE ZOMBIE
4.25 | 13 ratings
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RAMMSTEIN Reise, Reise Album Cover Reise, Reise
RAMMSTEIN
4.15 | 35 ratings
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FEAR FACTORY Obsolete Album Cover Obsolete
FEAR FACTORY
4.15 | 22 ratings
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industrial metal Music Reviews

THORN Bitter Potion

Album · 1995 · Industrial Metal
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aglasshouse
Thorn's debut Bitter Potion is somewhat of a hidden gem of the metal pool. Formed by Soulfly drummer Roy Mayorga, Winter guitarist Stephen Flam, and bassist John Jesse, Thorn released their first album in 1995 to nothing short of terrible sales. Mostly due to this the band split for a time only to reform and release two more albums. Business aspect aside, how does this fare musically?

Bitter Potion isn't exactly as technical as most industrial metal, nor is it as sulking. It's actually quite a unique release from the scene, with abnormal time signatures and odd elements thrown in throughout. It has an overall organic style, almost stripped down. It is just three sole musicians after all, but each of them delivers a powerful performance. Roy Mayorga's thunderous slams are of course amazing as any Soulfly fan would know, and Flam is great on the strings. Jesse's vocals sound uncannily like Denis Bélanger circa 1990s, with his almost monotonous growl that I've come to enjoy very much. There are some middle-eastern influences thrown in here and there, though they are downplayed greatly so don't go in

The best music in my opinion comes from the second half of the album ('Legions of Lace' and onward is fantastic), where it's a bit more cohesive stylistically, and less bouncing all over the place. The heavy stuff is all throughout so don't worry about not having that as a main aspect.

Although rather minimalist Thorn's debut is nothing to scoff at. I recommend this to anyone who is a fan of 90's metal and searching for the odd stuff. This is perfect for you.

KMFDM Money

Album · 1992 · Industrial Metal
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Unitron
Money is the sixth studio album from industrial metal band KMFDM.

Money continues the industrial dance metal of the previous two albums, but comes closer and closer to the band's signature sound. With a delicious mix of heavy/thrash metal riffs, industrial dance, aggrotech, middle eastern scales, killer guitar solos, and a dash of funky licks to taste, Money really combines all of the band's previous elements beautifully.

There's the groovy thrashers like the title cut and the Slayer-esque riffing in "I Will Pray", a bit of industrial funk metal in "Bargeld" that really gets the groovy swing going, and the soulful "Help Us, Save Us, Take Us Away" which is probably my favorite. Dorona Alberti and Sascha Konietzko's vocals compliment each other's vocals really well in this track. Not to mention the aggressive mechanical drum beats, David Gilmour-esque guitar harmonies, and punchy metal riffs. Referring back to the title cut, this is a song with total attitude. The main riff packs a punch, along with the take-no-bullshit vocal rants of Konietzko. "Bargeld" actually kind of sounds like a metal-version of classic Orbital at times.

Money is quite a step-up from the previous album, feeling more focused yet also varied. If you want some killer industrial metal with styles to suit many tastes, check this album out. This album marked the beginning of a long string of masterpieces from the band.

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CIRCLE OF DUST Contagion

Single · 2016 · Industrial Metal
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Unitron
Ah, the 90's, The golden age of industrial metal. Bands like Ministry, Godflesh, Fear Factory, Pitchshifter, KMFDM, and many others were at the top of their game. One of the lesser known bands that were also at the top of their game was Circle of Dust with their masterpiece Brainchild. At this time, Circle of Dust fit well along the lines of Ministry-esque industrial thrash albeit with a bit more of a range of electronics. The band broke up in '98 for multiple reasons, with frontman Klayton going solo as Celldweller.

Now, Klayton is back with Circle of Dust, releasing singles until the new album is released. How does their return fare? I'd say they came, saw, and kicked ass.

Take some brutal thrashings of Slayer, a bit of classic Stabbing Westward, and some of the experimental aspects of Celldweller and you have "Contagion". Klayton's vocals are quite varied, he can go from clean Trent Rezor-esque sneers to guttural screams. The Slayer-esque riffs will tear your skin, and the rapid speed of the guitars and drums towards the end will blast your skull.

Circle of Dust has certainly come back with a bang, and brings one of the most intense industrial thrash metal songs I've heard in a while. If you like industrial, thrash, or both, do yourself a favor and check this killer track out. Can't wait for the new album.

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KMFDM Naïve

Album · 1990 · Industrial Metal
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Unitron
Naïve is the fifth studio album from industrial metal/rock band KMFDM.

After having shown metal influences since the start of their career, KMFDM made the leap into straight-up industrial metal with their fourth album UAIOE. Naïve continues the band's general sound, although there are some noticeable differences in sound while not straying away from their general sound.

Despite still sounding like KMFDM, Naïve is kind of an oddity in this point in time of KMFDM's discography, as it feels less like a continuation of UAIOE and more like a more metal-version of What Do You Know, Deutschland? or Don't Blow Your Top. Therfore, this one is a lot more dance-y with few of the crushing raw thrash segments of the previous album. With that said, there is "Go to Hell" which is a killer industrial thrash track that is probably my favorite on the album. Just try not to bang your head to the grinding riff seguing into giving the listener a brutal thrashing while chanting along to "I want to go to hell!". Not to mention the short but killer guitar solo, and the rest of the solos on the album.

Out of the more dance-y songs, nothing on the album beats the funky industrial banger that is "Friede". This song easily rivals Rammstein in the way of infectiously catchy industrial music, and this song benefits from having little guitar. "Die Now, Live Later" has a pretty good beat, as well as vocals from Christine Siewert, who also gives a great vocal performance on "Piggybank".

While the album isn't as good as UAIOE or What Do You Know, Deutschland?, Naïve is still a pretty good album. It sounds like a band not knowing which direction they wanted to go in, if they wanted to continue with the heavier direction or not. There are some killer songs, but they would really find out where they were going with the next album.

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KMFDM UAIOE

Album · 1989 · Industrial Metal
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Unitron
UAIOE is the fourth studio album from industrial metal/rock band KMFDM.

Only a year after the previous album, Don't Blow Your Top, KMFDM released UAIOE which began a trend of always having a five-letter album title. This would continue all the way until 2005's Hau Ruck. Also, this wasn't the only change for the band...

...as this shows the metal elements that have always been lurking in the band's sound come finally come upfront. Songs like "Thrash Up!", "En Esch", "Thumb Thumb", and to a certain extent "More and Faster" and the title cut are all headbang-ready thrash-y industrial metal which would characterize the majority of the band's following albums. This album isn't pure metal though, as there is quite a bit of variation here despite being just under thirty-four minutes long. There are some dub and reggae elements thrown in, especially the songs that feature Morgan Adjei on vocals. While that sounds strange on paper, it actually translates well into the industrial sound.

If some of the lyrics sound familiar, that's because some of the lyrics are taken from songs from What Do You Know, Deutschland?. "Loving Can Be an Art" takes lyrics from "Conillon", and "Thumb Thumb" takes lyrics from "Kickin' Ass". "En Esch" features some lyrics from Deep Purple's "Demon's Eye". As far as highlights go, the aforementioned "Thrash Up!", "Thumb Thumb", and "En Esch" are absolute killers. "Murder" is also worth a mention, as it has some killer middle-eastern guitar work and vocals.

If you aren't interested in funky industrial dance, this is a good album to start with if you're wanting to explore KMFDM. While not of Ministry's The Mind is a Terrible Thing to Taste caliber, this is still an excellent early industrial metal album that is definitely worth a listen. Hope you found this review helpful.

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industrial metal movie reviews

MARILYN MANSON Guns, God And Government Live In L.A.

Movie · 2009 · Industrial Metal
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Kingcrimsonprog
Marilyn Manson may divide opinion, he may be taken too seriously by some and not seriously enough by others and it just makes sense that if you don't already like Marilyn Manson then this Blu Ray isn't something you should buy. I'm not going to get into a debate with anyone about whether or not Marilyn Manson albums have been declining in quality over the years but I will say that if you think they have, then the track listing of this concert is perfectly suited to you, with all the material dating before the divisive 'The Golden Age of Grotesque' album.

You may already know this; but for those who don't, this Blu Ray is not a simple transfer of the previously released DVD 'Guns God And Government,' which featured footage from all around the world on different nights. The Blu Ray is taken entirely from one concert in LA during the same tour but also features the same bonus features as the original DVD (chiefly a documentary/montage entitled 'The Death Parade')

The concert is just over and hour and a half in length and features sixteen tracks, including the unreleased 'Astonishing Panorama of the End Times,'as well as seven tracks from the then new Holywood album in addition to a selection of live favorites from older albums. The band features John 5, Twiggy Ramirez, M.W. Gacy and Ginger Fish, in what many fans have come to consider the classic line up.

The video quality is pretty incredible and its surprising just what a huge improvement this is over the previously released DVD, especially when the house lights are up. When the lights are up, this 2002 concert looks better than many live Blu Rays filmed as recently as last year and the team behind this Blu Ray have clearly done an excellent job. In addition to the sterling video quality, the sound is utterly fantastic and as with the video it honestly rivals the majority of modern concerts on Blu Ray.

The performance is excellent, right from the start you know you are in for a theatrical and over the top experience as Manson arrives on stage in a chariot pulled by bikini girls to a stage featuring huge backdrops of crucified fetuses, crucifixes made of various rifles and revolvers, a tonne of dry ice and even naked dancers. The set also contains the infamous slit walk and 'growing,' as well as several costume changes for Manson and one or two minor costume enhancements for the rest of the group.

If you didn't already know, while the band do perform live Marilyn himself sings over a prerecorded live vocal track when he is doing anything theatrical such as the stilt walk or standing behind the pulpit and from repeat viewings I have begun to think that while he sang live over the track on the night, these vocals were erased from the mix and replaced with the live track entirely although I am not 100% certain.

The Blu Ray specs are as follows: 1080i HD Widescreen (1.78:1) LCPM Stereo, Dolby Digital 5.1, DTS HD Master Audio.

In summary this is an absolutely excellent product in and of itself, doubly so if you prefer this period in Manson's history, and an extra star is warranted if you aren't put off by the vocal track not matching up to Manson's mouth movements.

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