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Industrial metal is a heavy metal musical genre that draws from industrial music and many different types of heavy metal, using repeating metal guitar riffs, sampling, synthesizer or sequencer lines, and distorted vocals. Founding industrial metal groups include Ministry, Godflesh and Fear Factory.

Industrial metal's popularity led to some criticism from other artists associated with the industrial scene. Subsequently, it is most well-known in various European permutations. Industrial metal groups have produced many acclaimed music videos.

Inclusive Industrial Metal Genres:

Neue Deutsche Härte (New German Hardness)

Trance Metal (sometimes alternately called Dance Metal)


Sub-genre collaborators:
  • Stooge
  • Unitron

industrial metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 5 min. caching

MINISTRY Psalm 69 Album Cover Psalm 69
4.44 | 20 ratings
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SAMAEL Solar Soul Album Cover Solar Soul
4.60 | 8 ratings
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NAILBOMB Point Blank Album Cover Point Blank
4.65 | 6 ratings
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STRAPPING YOUNG LAD Alien Album Cover Alien
4.33 | 27 ratings
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GODFLESH Pure Album Cover Pure
4.58 | 6 ratings
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NINE INCH NAILS Broken Album Cover Broken
4.37 | 14 ratings
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MINISTRY The Mind Is a Terrible Thing to Taste Album Cover The Mind Is a Terrible Thing to Taste
4.47 | 8 ratings
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RAMMSTEIN Mutter Album Cover Mutter
4.22 | 42 ratings
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STATIC-X Wisconsin Death Trip Album Cover Wisconsin Death Trip
4.44 | 7 ratings
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WHITE ZOMBIE Astro-Creep: 2000 Album Cover Astro-Creep: 2000
4.24 | 12 ratings
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RAMMSTEIN Reise, Reise Album Cover Reise, Reise
4.14 | 34 ratings
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STABBING WESTWARD Ungod Album Cover Ungod
4.49 | 4 ratings
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industrial metal Music Reviews

VARGA Prototype

Album · 1993 · Industrial Metal
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Varga - Prototype

"Prototype" is the debut studio album by industrial/groove/thrash metal band Varga. Varga started out as a prog/technical thrash metal band with the release of their first demo, but by the the time of the release of their first studio album they had adapted a more industrial/groove sound. While not overly successful, they did achieve some popularity with the music videos of the singles 'Greed' and 'Freeze Don't Move'. The former was featured on the popular MTV show "Beavis and Butthead".

While the music is based in the aforementioned industrial/groove sound, Varga combines many different styles of metal including thrash, classic heavy metal, and even rap metal on 'Freeze Don't Move'. "Prototype" is quite a varied release, so one song may be groovy thrash and the next may be a grunge-y heavy metal track. I really enjoy all the songs on the album, but my personal favorites would be the thrashing songs like 'Unconscience', 'Thief', 'Bring the Hammer Down', 'The Strong' and the groove of 'Greed', 'Film at Eleven', and 'Freeze Don't Move'. 'Freeze Don't Move' sounds like a combination of Ministry and Stuck Mojo, and the mix fits really well together. There are some really sweet riffs on the album, and no songs showcase that better than 'Unconscience', 'Film at Eleven' and 'The Strong', the latter two's punching riffs always making me want to throw my fist in the air.

The lyrics are really strong, mostly dealing with political/social issues. Joe Varga's vocals fit the music perfectly, and his almost protest chant-like vocal delivery couldn't be placed better. His voice reminds me a bit of Sebastian Bach of Skid Row, but with more of an edge. He gives an especially great vocal performance during the chorus of 'Unconscience'.

Overall, I highly recommend this album to any fans of industrial, groove, or thrash. It's got great riffs, great vocals, and great variety. Certainly a perfect definition of an underrated classic. Hope you found this review helpful.

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Album · 2015 · Industrial Metal
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"Pylon" is the 15th full-length studio album by UK industrial rock/metal act Killing Joke. The album was released through Spinefarm Records in October 2015. It´s the successor to "MMXII" from 2012. Killing Joke formed in 1978 and has been through some lineup changes throughout the years, but after the death of long time bassist Paul Raven in 2007, the original lineup of Jaz Coleman (lead vocals, keyboards), Kevin "Geordie" Walker (guitars), Martin "Youth" Glover (bass), and Paul Ferguson (drums, vocals) reunited, with the addition of keyboard player Reza Uhdin. And as "Pylon" is now the third studio release featuring this lineup, it has turned out a long lived reunion.

Stylistically the music featured on the album is unmistakably the sound of Killing Joke. They´ve made adjustments to their sound over the last 20 years, but the more riff oriented and metal oriented sound they introduced on "Pandemonium (1994)" is still the blueprint on "Pylon". The band´s style has always been hard to describe, but hard pounding repeated beats, atmospheric guitars/keyboards (sometimes harder edged and raw riffing), a rumbling bass, and Jaz Coleman´s strangely monotone clean vocals and occasional more raw shouting ditto, is a valid description. At times it´s quite powerful music, but Killing Joke also masters a more atmospheric sound.

The material on the 10 track, 57:09 minutes long album is well written, and although slightly same sounding (which is not unusual for Killing Joke), quite catchy and for the most part memorable. Tracks like "Dawn of the Hive" and "New Jerusalem" set the high standard, but the remaining tracks are equal in quality. The deluxe version of the album features a second disc with more material recording during the same sessions, and those tracks are of a high quality too, and could easily have been included on the regular version of the album.

The album is relatively well produced although I could have wished for a slightly more sharp and edgy sound. Overall "Pylon" is a very well sounding release though. The musicianship is as always strong and upon conclusion "Pylon" is yet another high quality release by Killing Joke and a 4 star (80%) rating is deserved.

ROB ZOMBIE Educated Horses

Album · 2006 · Industrial Metal
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Rob Zombie - Educated Horses

"Educated Horses" is the third studio album by industrial metal musician and former White Zombie vocalist Rob Zombie. "Educated Horses" was seen as a disappointment among fans back when it came out, as it was somewhat of a departure from the techno industrial metal of the previous two albums. There's still industrial to be heard, but it's only one sound among others as this is a pretty varied release.

The album opens up in a way that you would not expect from a Rob Zombie album, with 'Sawdust in the Blood' featuring melancholic piano playing over crashing drums before opening into the first full song on the album. More of this new sound is heard on '100 Ways' which is somewhat of an intermission with a very atmospheric sound. The classical guitar work here is dark yet gentle at the same time, and it's a shame it only goes on for a bit under two minutes. More classical guitar is featured in the beginning of the song 'Death of it All' before it gets a sort of blues-y feel. The opener 'American Witch' has an addicting classic heavy metal sound, with a really driving march of a guitar riff. Like I've said before, I'm a sucker for the Phrygian scale, and '17 Year Locust' has an awesome Egyptian-sound throughout the song combined with heavy guitars and a real foot-tapping beat.

For those missing the White Zombie sound, check out the song 'Let it All Bleed Out', which is a really driving thrashing track that is kind of reminiscent of White Zombie. The last three songs on the album are all probably the heaviest songs on the album along with the aforementioned song. 'Ride' begins with dark piano before being assaulted with a crushing guitar riff. 'The Devil's Rejects' has a really dark yet catchy guitar riff and drum beat throughout, and the contrast between the dark heavy guitar and the quieter parts really fit well. The finale 'The Lords of Salem', has an industrial-twinged doom-y riff, and the lyrics wouldn't sound too out of place in a Black Sabbath album.

Overall, I feel like this is a really underrated album, and it's especially great if you're looking for something both relatively short and varied. It's not a long album, but that just keeps it from getting boring. One of my favorite Zombie albums, and I highly recommend it for any fans of Rob Zombie who are open to variation. Hope you found this review helpful.

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Album · 2015 · Industrial Metal
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Killing Joke - Pylon

"Pylon" is the fifteenth studio album by industrial metal/rock band Killing Joke. Starting out as an industrial/post-punk hybrid in the late 70's, Killing Joke are known for being a huge influence on the industrial metal style that would form in the later 80's with such bands like Ministry and Godflesh. Killing Joke later went industrial metal themselves, with hardcore punk-twinged "Extremities, Dirt, and Various Repressed Emotions" and the pure industrial metal of "Pandemonium", the latter I consider to be a classic of industrial metal. So with over 30 years of music on their hands, how does their newest release fair?

Immediately you get assaulted with heavy crunching guitar and pulsing electronics with 'Autonomous Zone', and there's even some string arrangements that harken back to "Pandemonium". The second track, 'Dawn of the Hive', is a full-on dark and apocalyptic metal assault. The mix of pulsing and chattering electronics with an orchestral atmosphere really fit right at home with the menacing riffing and the steady beat of the drums. During the bridge, it almost wanders into thrash territory with it picking up speed and it also throws in some cool electronic effects. "Euphoria" changes the pace a bit, being a softer melancholy song, but Jaz Coleman gives an amazing vocal performance especially during the chorus. 'New Jerusalem' is one of my favorites from the album, which begins with an instantly toe-tapping drum beat with background crunching guitar. It soon gets heavier and very grandiose with string arrangements flowing right with the pulsing riffs and Coleman's brooding vocals. Speaking of the drums, the drum work is especially great beyond the catchy rhythm. 'Delete' is another one of my favorites, with a really addicting guitar riff and some excellent vocals.

The single released, 'I am the Virus', was definitely a worthy pick. It's a really addicting driving track with rolling drums and chaotic guitar, sounding like it would fit right at home with 2003's self-titled album. If you get the deluxe edition, you get a second disc with five bonus tracks. These bonus tracks are amazing, being right up there with the best songs of the regular album. 'Star Spangled', which is one of my favorite of these, has even more use of orchestra sounds, so much that I would call it symphonic industrial metal. 'Panopticon' is a dark nearly nine-minute long crushing dirge of a track, with the riffing reminding me of recent Alice in Chains at times. During the middles of both songs, there are some really dark guitar sounds, that I wish went on longer.

Killing Joke has always had a lot of political/social commentary in their lyrics, but the lyrics really shine in this album. 'New Jerusalem' has some great lyrics like: "Another knob got the top job, Selling out to corporations. Culture adult entertainment, Calibrated to dumb down.". Most of the lyrics are heavy on political commentary, and on the deluxe edition, the song 'Panopticon' has some great lyrics about the effects of social media and modern technology. Jaz Coleman has a very easily-recognizable and powerful voice, and he gives some really strong vocal performances on this album, especially in the song 'New Cold War'. He really roars in this track, especially when singing the title of the song.

Overall, I feel this is definitely up there with their best albums. I love and really like most of the songs, 'Big Buzz' being the only track I don't like much. Most of the songs stick in my head, and I highly recommenced this album to any fans of industrial rock and metal. Hope you found this review helpful.

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Album · 2015 · Industrial Metal
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Blue Stahli - The Devil

'The Devil' is the fifth studio album by industrial metal/rock musician Blue Stahli. Tracks from 'The Devil' were slowly being released in chapters, and now the full album has been released.

'The Devil' features energetic industrial metal/rock songs typical of Blue Stahli, opening with the menacing 'The Beginning' before flowing into the industrial thrash of 'Not Over Til We Say So'. This is the first time Blue Stahli has incorporated thrash into his music, and it's certainly a welcome addition. The thrash mixes with melodic pop-like choruses that actually fit surprisingly well with Sick Puppies bassist Emma Anzai on vocals and bass. The last song, 'Demon', is my favorite on the album, having a nice western guitar riff that fits pretty well with the industrial sound.

Remember the mentioning of pop-like choruses, well there's sadly a lot of that on this album. That's my main issue with the album, it's way too pop-oriented. While Blue Stahli has always been on the softer side of industrial metal, he never really had pop-choruses. Not to say metal mixed with radio choruses can't work, there are some pretty good Glam Metal albums out there. However, with the electronics, it actually sounds like Dance or Pop at times, especially 'The Fall' and the ironically titled 'Rockstar'. If a song isn't ruined for me, it's forgettable and leaves my mind shortly after listening.

Overall, there really isn't much else to say. If you like Dance or House music, you will probably get some enjoyment out of it. However, since I don't like that kind of music, there were sadly only a few tracks I liked. If you are a fan of industrial metal, then I highly recommend his Self-titled or the first two 'Antisleep' albums if you have an eclectic taste. Hope you found this review helpful.

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industrial metal movie reviews

MARILYN MANSON Guns, God And Government Live In L.A.

Movie · 2009 · Industrial Metal
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Marilyn Manson may divide opinion, he may be taken too seriously by some and not seriously enough by others and it just makes sense that if you don't already like Marilyn Manson then this Blu Ray isn't something you should buy. I'm not going to get into a debate with anyone about whether or not Marilyn Manson albums have been declining in quality over the years but I will say that if you think they have, then the track listing of this concert is perfectly suited to you, with all the material dating before the divisive 'The Golden Age of Grotesque' album.

You may already know this; but for those who don't, this Blu Ray is not a simple transfer of the previously released DVD 'Guns God And Government,' which featured footage from all around the world on different nights. The Blu Ray is taken entirely from one concert in LA during the same tour but also features the same bonus features as the original DVD (chiefly a documentary/montage entitled 'The Death Parade')

The concert is just over and hour and a half in length and features sixteen tracks, including the unreleased 'Astonishing Panorama of the End Times,'as well as seven tracks from the then new Holywood album in addition to a selection of live favorites from older albums. The band features John 5, Twiggy Ramirez, M.W. Gacy and Ginger Fish, in what many fans have come to consider the classic line up.

The video quality is pretty incredible and its surprising just what a huge improvement this is over the previously released DVD, especially when the house lights are up. When the lights are up, this 2002 concert looks better than many live Blu Rays filmed as recently as last year and the team behind this Blu Ray have clearly done an excellent job. In addition to the sterling video quality, the sound is utterly fantastic and as with the video it honestly rivals the majority of modern concerts on Blu Ray.

The performance is excellent, right from the start you know you are in for a theatrical and over the top experience as Manson arrives on stage in a chariot pulled by bikini girls to a stage featuring huge backdrops of crucified fetuses, crucifixes made of various rifles and revolvers, a tonne of dry ice and even naked dancers. The set also contains the infamous slit walk and 'growing,' as well as several costume changes for Manson and one or two minor costume enhancements for the rest of the group.

If you didn't already know, while the band do perform live Marilyn himself sings over a prerecorded live vocal track when he is doing anything theatrical such as the stilt walk or standing behind the pulpit and from repeat viewings I have begun to think that while he sang live over the track on the night, these vocals were erased from the mix and replaced with the live track entirely although I am not 100% certain.

The Blu Ray specs are as follows: 1080i HD Widescreen (1.78:1) LCPM Stereo, Dolby Digital 5.1, DTS HD Master Audio.

In summary this is an absolutely excellent product in and of itself, doubly so if you prefer this period in Manson's history, and an extra star is warranted if you aren't put off by the vocal track not matching up to Manson's mouth movements.

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