Metal Related Genres

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Metal Related is a term used on Metal Music Archives (MMA) in regard to artists that, although they do not play metal themselves, still have a place within the metal scene.

On MMA the aim is to build up a complete picture of the metal music genre and its associated scene, and the Metal Related Genres umbrella sub allows the inclusion of related bands and side projects of metal musicians to be included in the site database, along with artists that exist on the fringes of the metal scene by including elements of metal in their music, but haven't ever made a fully fledged metal album. There are also sections for some of the more closely related genres to metal.

There are five sections to the metal related section on MMA: Hard Rock (encompasses heavy psych and heavier progressive rock and more), Hardcore & Crust (punk genres that can sometimes be metallic), Metal Related (releases with metal elements), Non-Metal (mostly a catch all for releases that don't otherwise fit, but also sometimes used for related bands and side-projects to be included on MMA) and Proto-Metal (artists involved in the early development of the metal genre). Each sub-genre is governed by its own rules and policies, some with dedicated teams and some handled by the site admins. More can be learned about each by listing their individual sub-genre pages.

Nothing is ever added directly to the parent Metal Related Genres page. It is merely an umbrella sub used to group the five child sub-genres in one place.

metal related genres top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

JIMI HENDRIX Are You Experienced? Album Cover Are You Experienced?
JIMI HENDRIX
4.59 | 23 ratings
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WISHBONE ASH Argus Album Cover Argus
WISHBONE ASH
4.58 | 19 ratings
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TRANSATLANTIC Bridge Across Forever Album Cover Bridge Across Forever
TRANSATLANTIC
4.61 | 15 ratings
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QUEEN Queen II Album Cover Queen II
QUEEN
4.42 | 50 ratings
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JIMI HENDRIX Axis: Bold As Love Album Cover Axis: Bold As Love
JIMI HENDRIX
4.52 | 19 ratings
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PORCUPINE TREE Deadwing Album Cover Deadwing
PORCUPINE TREE
4.37 | 56 ratings
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PORCUPINE TREE In Absentia Album Cover In Absentia
PORCUPINE TREE
4.36 | 68 ratings
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NEAL MORSE Sola Scriptura Album Cover Sola Scriptura
NEAL MORSE
4.44 | 26 ratings
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KING CRIMSON Red Album Cover Red
KING CRIMSON
4.33 | 73 ratings
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THE WHO Who's Next Album Cover Who's Next
THE WHO
4.46 | 19 ratings
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RED HOT CHILI PEPPERS Blood Sugar Sex Magik Album Cover Blood Sugar Sex Magik
RED HOT CHILI PEPPERS
4.60 | 10 ratings
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KING CRIMSON In The Court Of The Crimson King Album Cover In The Court Of The Crimson King
KING CRIMSON
4.30 | 67 ratings
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This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

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metal related genres New Releases

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Remember
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MORETOTHESHELL
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Footsteps In Iceland
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MORETOTHESHELL
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Metal Madness: Vol. 1
Boxset / Compilation
VARIOUS ARTISTS (GENERAL)
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Vortex
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TOUNDRA
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Double Vision
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ARENA
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Through the Forest Mist
Single
HEDNINGER
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Rapture
Single
UNDEROATH
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Kill Screen
EP
CRASHIE TUNEZ
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.. Album Cover
Gagarin Remixes
EP
GAGARIN
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.. Album Cover
I Wish
Single
BERRIED ALIVE
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.. Album Cover
Disillusioned
Single
A PERFECT CIRCLE
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.. Album Cover
Eat the Elephant
Album
A PERFECT CIRCLE
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III
Album
WEEDPECKER
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metal related genres Music Reviews

PORCUPINE TREE Coma Divine II

Promos, fans club and other releases (no bootlegs) · 1999 · Non-Metal
Cover art Buy this album from MMA partners
FMOTP
I consider it a tragedy that these 2 or 3 songs (I would call it 3) were not on the original COMA DIVINE album. The only reason might have been that they wouldn't fit on the CD. Luckily, that problem was rectified with the DELERIUM reissue, where you can hear the studio versions. It obviously has nothing to do with the quality of the songs. This is great music. I would guess that this EP hasn't been reviewed by others because these songs are easily available in other formats. Apparently, these tracks are also part of the COMA DIVINE reissue. I would also guess that a lot of people just don't bother with EP's or singles; I personally prefer 30 or 40 minutes of music. Prog Archives labels Porcupine Tree a "heavy prog" band, which is an apt description. PT hadn't started incorporating a lot of metal into their music yet; that wouldn't happen until a couple of albums later.

I've used up enough words not talking about this music! Anyone who listens to enough Porcupine Tree probably knows these songs, if not these versions, so I won't discuss them at length. I'm rarely effusive in my reviews (or in my life generally), but this live version of "The Moon Touches Your Shoulder" is amazing. The guitar playing is unbelievable. "Always Never" is almost as good. Two considerations prevent me from giving COMA DIVINE II a 5-star rating, which is something I rarely do. First is my opinion that "Up The Downstair", as good as it is, isn't on the same level as the other two songs. The other consideration is the possible low interest level, due to the running time, of this EP for a lot of Porcupine Tree fans. IMHO everyone with an interest in Porcupine Tree would be well served by listening to this.

TRAUN Deleted Scenes

EP · 2017 · Metal Related
Cover art Buy this album from MMA partners
siLLy puPPy
Ex-Estradasphere drummer Dave Murray’s TRAUN project only has three EPs that tell this tale:

“The world of Traun is in peril after a flying health spa arrives at the outer rim of their star system. At the helm, a despotic tycoon named Voss ignites a trade war with the neighboring planets to acquire the water he needs to fill his baths. The capitol of Traun—the Fruitless Kingdom—has launched an offensive against Spa 9, but they have not been able to evict the illicit resort, nor regain control of their water supply. At this rate, life on Traun may be on the brink of extinction. But there may be hope brewing from within the sinister relaxation empire. The daughter of Voss—the Black Metal Princess—has been devising an elaborate ruse that will hopefully save the world of Traun, restore balance, and rescue her father from his own destruction.”

There are, however, four EPs that were released and the fourth one is titled DELETED SCENES which is exactly what the name says, a bunch of leftover tracks and various different drafts of tracks from the TRAUN trilogy.

The four EPs are to be heard in this order:

The Lilac Moon The Black Metal Princess Escape From Spa 9 DELETED SCENES (bonus tracks)

Musically DELETED SCENES runs the same gamut as the other EPs with frenetic shapeshifting of genres that are classical music one second, jazz the next and maybe even some downtempo or heavy metal thrown in. They not only take the expected genre blending into extreme arenas but they also often incorporate extreme avant-prog avenues with crazy time signature changes as well as sudden start / stop tempo changes. Everything from dynamics, genres, tempos and moods mix it all up and often.

Seriously unless you really adhere to the story on TRAUN MUSIC dot com then this is really just a fourth album because i can’t figure out from the music alone that any storyline exists behind it all. It’s one of those series where you can just enjoy the music or actually add more intrigue by delving into the actual meanings behind the accompanying sounds. While the other EPs hover around the 20 minute mark, this one actually extends past the 31 minute mark making it the longest of the four. This one is just as good as the others and if you want to check these out, you really need to go for the whole shebang. Very cool stuff obviously catering to the Mr Bungle, Secret Chiefs 3, Estradasphere and Atomic Ape crowds.

TRAUN Escape From Spa 9

EP · 2017 · Metal Related
Cover art Buy this album from MMA partners
siLLy puPPy
This Dave Murray is not the guitarist from Iron Maiden but a drummer who has been involved in a number of interesting musical acts including Estradasphere, Tholus and Sculptured however before he was getting all wild and crazy in the avant-garde rock and metal universe he started out with a grander vision of what would become a project under the name The Deserts of Träun which began all the way back in the 90s. It was designed to be a conceptual sci-fi journey through several albums about the world of TRAUN which according to the website TRAUN MUSIC dot com:

“The world of Traun is in peril after a flying health spa arrives at the outer rim of their star system. At the helm, a despotic tycoon named Voss ignites a trade war with the neighboring planets to acquire the water he needs to fill his baths. The capitol of Traun—the Fruitless Kingdom—has launched an offensive against Spa 9, but they have not been able to evict the illicit resort, nor regain control of their water supply. At this rate, life on Traun may be on the brink of extinction. But there may be hope brewing from within the sinister relaxation empire. The daughter of Voss—the Black Metal Princess—has been devising an elaborate ruse that will hopefully save the world of Traun, restore balance, and rescue her father from his own destruction.”

After working with Tholus, Murray decided to bring his fantasy universe to life in musical form and recorded a rather out of sync sequel as his debut release titled “Part III: The Lilac Moon” under the moniker The Deserts Of Traun but was never happy with the weak production and video-gamish outcome therefore decided to reboot the whole series which brings us up to the modern day where he simultaneously released four EPs in 2017. Three of them are part of the series and the fourth is the leftover bonus tracks. Since the project took more than 20 years to complete, this is quite the ambitious effort and the fact that each EP hovers around the 20 minute mark make them quite accessible and the painstaking process of recording the wealth of sounds and styles with modern day technology makes these EPs substantially better than the 2003 album. Because this is a reboot, much material from that album was recycled and incorporated into the new releases.

The four EPs are to be heard in this order:

The Lilac Moon

The Black Metal Princess

ESCAPE FROM SPA 9

Deleted Scenes (bonus tracks)

``````````````````````````````````````````````````````

EP #3 - ESCAPE FROM SPA 9

This one doesn’t quite hit the 20 minute mark and most tracks are barely over a minute long but pack in an album’s worth of ideas at times. “The Deserts of Traun” begins the genre jumping journey with a sombre violin and classical piano in avant-garde fashion. “Making Haste” goes into frenetically paced jazz-fusion that alternates between slow and fast tempo. “Mayor Of Ghost Town” starts with a storm and a suspenseful mystery crime show theme style. This one has vocals and what sounds like a theremin. Police sirens and other noises jump in and out. “The Lone Coachman” spends a while in electronica land only to burst into heavy metal guitar riffing with an atmospheric backdrop droning away. “Pirate Stronghold” begins as a mellow classical string piece but turns into a cartoonish sounding form of accordion rock reminding me of Mr. Bungle.

“Lizardback” begins as a mellow acoustic guitar sequence that has a country vibe with slide guitar with some unexpected Tuvan throat singing. The title track is the longest and exceeds three minutes. It begins with some ambient noise and then bursts into crazy brutal prog with heavy guitars, electronic noises and ridiculously challenging time signatures. It goes through bursts of excitement and then calms down to nothing. The heaviest track on board and the most complex. “Vampire Invasion” is another classical / lounge jazz piano with violin in a tango type form. Some operatic vocals pop in from time to time with some death metal growls making an appearance at the end. “Flight Of The Water Baron” is a symphonic metal piece with heavy guitars, piano and then becomes a violin led classical piece and then they join forces. “The Fruitless Kingdom” is all over the place as well. Bouncy electronica cedes to mellow classical and then symphonic metal. “Mel’s Home” ends the short album with jazz funk keyboard riffs.

At this point i still find no sings of an overall theme that connects to the music but it really doesn’t matter. This music is like taking a long journey abridged into a short time span. This album is only 19 minutes plus of music but has a ridiculous amount of elements and complexity in its playing time. Very cool stuff obviously catering to the Mr Bungle, Secret Chiefs 3, Estradasphere and Atomic Ape crowds.

TRAUN The Black Metal Princess

EP · 2017 · Metal Related
Cover art Buy this album from MMA partners
siLLy puPPy
This Dave Murray is not the guitarist from Iron Maiden but a drummer who has been involved in a number of interesting musical acts including Estradasphere, Tholus and Sculptured however before he was getting all wild and crazy in the avant-garde rock and metal universe he started out with a grander vision of what would become a project under the name The Deserts of Träun which began all the way back in the 90s. It was designed to be a conceptual sci-fi journey through several albums about the world of TRAUN which according to the website TRAUN dot com:

“The world of Traun is in peril after a flying health spa arrives at the outer rim of their star system. At the helm, a despotic tycoon named Voss ignites a trade war with the neighboring planets to acquire the water he needs to fill his baths. The capitol of Traun—the Fruitless Kingdom—has launched an offensive against Spa 9, but they have not been able to evict the illicit resort, nor regain control of their water supply. At this rate, life on Traun may be on the brink of extinction. But there may be hope brewing from within the sinister relaxation empire. The daughter of Voss—the Black Metal Princess—has been devising an elaborate ruse that will hopefully save the world of Traun, restore balance, and rescue her father from his own destruction.”

After working with Tholus, Murray decided to bring his fantasy universe to life in musical form and recorded a rather out of sync sequel as his debut release titled “Part III: The Lilac Moon” under the moniker The Deserts Of Traun but was never happy with the weak production and video-gamish outcome therefore decided to reboot the whole series which brings us up to the modern day where he simultaneously released four EPs in 2017. Three of them are part of the series and the fourth is the leftover bonus tracks. Since the project took more than 20 years to complete, this is quite the ambitious effort and the fact that each EP hovers around the 20 minute mark make them quite accessible and the painstaking process of recording the wealth of sounds and styles with modern day technology makes these EPs substantially better than the 2003 album. Because this is a reboot, much material from that album was recycled and incorporated into the new releases.

The four EPs are to be heard in this order:

The Lilac Moon

THE BLACK METAL PRINCESS

Escape From Spa 9

Deleted Scenes (bonus tracks)

``````````````````````````````````````````````````````

EP #2 - THE BLACK METAL PRINCESS

Each track has a storyline about how it relates to the concept. This is detailed in great artistic form on the TRAUN dot com website. This album, much like the Estradasphere albums Murray played on, runs the gamut of dreamy psychedelic ambience, electronic wizardry and heavy metal to bursts of jazz, folk and classical plus lots of ethnic influences as well. “The Voyage Home” begins with a mopey disoriented beat with guitars that sound like they’re going in and out of tune. Very soundtrack feeling as with “The Lilac Moon.” Ends with surf guitar incorporated. “Preparing The Pit” begins with sounds of an ominous storm but becomes echoey guitar with reverb. Piano and weirdness ensue with evil sounding vocalizations joining in and then metal guitar, bass and drums. These short tracks really are all over the place and nothing hangs around for too long.

“A Stranger In The Landing” jumps into avant-garde hard bop with a Latin flare. It quickly becomes symphonic prog and then adds heavy guitar and flutters around in freeform style. This second installment is much more surreal than the first and that’s saying something! Once again it’s amazing to realize that this is a huge project with thirteen musicians delivering rock (guitar, drums, bass, keys), classical (violin, viola, bassoon, cello, upright bass), folk (accordion, acoustic guitar, flute, mandolin) and jazz (baritone and tenor sax). “An Undisclosed Location” alternates between speakeasy lounge jazz, avant-prog and 60s psychedelic pop with a few spoken words to convey storyline details. “Looking For Clues” provides a marching band feel with military drums but becomes quirky and well, very weird! It goes all over the place with dreamy pianos, rock guitar, classical. Ideas last about five seconds on this one but it all strings together. This one actually lasts more than three minutes and goes through jazz, downtempo etc. “The Terrace Computer” begins as creepy ambience and then becomes angelic harp-like ambience. This one stays fairly consistent but still has outbursts of energy but remains fairly electronic oriented with guitar coming in.

“Miriaun Crossing” is a classical piano riff with violin and remains that way for the entire near two minute run! Very tranquil and a lull in the sonic storm that is this album! “Mel Function” jumps into a loungy jazz mode with a sultry sax and a rather normal sounding generic delivery and stays that way. “Passage Through The Mire” begins with crickets chirping and arpeggiated guitars creeping in with jittery electronica. It becomes ominous soundtrack type music with a sombre cello and raspy ghoulish vocals in the horizon but morphs again into rather Middle Eastern sounding rhythms but remains somewhat on a leash although rock beats. This is rather unique but conjures up a hellish overall feel that finally unleashes the black metal aspects although they only peek in before disappearing into the classical symphonic backdrop. Excellent orchestration here with even some surf guitar coming in at the end. The title track ends with a mellow folky vibe orchestrated with piano and harp that picks up with black metal elements and freaky ghoulish vocals. This album is only 22 minutes plus of music but has a ridiculous amount of elements and complexity in its playing time. Very cool stuff obviously catering to the Mr Bungle, Secret Chiefs 3, Estradasphere and Atomic Ape crowds.

TRAUN The Lilac Moon

EP · 2017 · Metal Related
Cover art Buy this album from MMA partners
siLLy puPPy
This Dave Murray is not the guitarist from Iron Maiden but a drummer who has been involved in a number of interesting musical acts including Estradasphere, Tholus and Sculptured however before he was getting all wild and crazy in the avant-garde rock and metal universe he started out with a grander vision of what would become a project under the name The Deserts of Träun which began all the way back in the 90s. It was designed to be a conceptual sci-fi journey through several albums about the world of TRAUN which according to the website TRAUN dot com:

“The world of Traun is in peril after a flying health spa arrives at the outer rim of their star system. At the helm, a despotic tycoon named Voss ignites a trade war with the neighboring planets to acquire the water he needs to fill his baths. The capitol of Traun—the Fruitless Kingdom—has launched an offensive against Spa 9, but they have not been able to evict the illicit resort, nor regain control of their water supply. At this rate, life on Traun may be on the brink of extinction. But there may be hope brewing from within the sinister relaxation empire. The daughter of Voss—the Black Metal Princess—has been devising an elaborate ruse that will hopefully save the world of Traun, restore balance, and rescue her father from his own destruction.”

After working with Tholus, Murray decided to bring his fantasy universe to life in musical form and recorded a rather out of sync sequel as his debut release titled “Part III: The Lilac Moon” under the moniker The Deserts Of Traun but was never happy with the weak production and video-gamish outcome therefore decided to reboot the whole series which brings us up to the modern day where he simultaneously released four EPs in 2017. Three of them are part of the series and the fourth is the leftover bonus tracks. Since the project took more than 20 years to complete, this is quite the ambitious effort and the fact that each EP hovers around the 20 minute mark make them quite accessible and the painstaking process of recording the wealth of sounds and styles with modern day technology makes these EPs substantially better than the 2003 album. Because this is a reboot, much material from that album was recycled and incorporated into the new releases.

The four EPs are to be heard in this order:

THE LILAC MOON

The Black Metal Princess

Escape From Spa 9

Deleted Scenes (bonus tracks)

``````````````````````````````````````````````````````

EP #1 - THE LILAC MOON

Each track has a storyline about how it relates to the concept. This is detailed in great artistic form on the TRAUN dot com website. This album, much like the Estradasphere albums Murray played on, runs the gamut of dreamy psychedelic ambience, electronic wizardry and heavy metal to bursts of jazz, folk and classical plus lots of ethnic influences as well. Just within the first track “The Crystal Caverns” many of these genres are present. However while the first track is more on the aggressive side, the second in line “Aervallis” is more of an airy Celtic folk song with busy Disney-esque classical leanings that leap into heavy progressive rock and back to dreamy folk. It takes no time at all to realize this is a huge project with thirteen musicians delivering rock (guitar, drums, bass, keys), classical (violin, viola, bassoon, cello, upright bass), folk (accordion, acoustic guitar, flute, mandolin) and jazz (baritone and tenor sax).

“The Broken Barge” continues with a speakeasy jazz lounge feel while “Inn Of The Dreaded Hippy” is right out of the Mr Bungle playbook with crazy keyboard workouts and time signature rich prog jumping in and out of metal with every other crazy idea thrown in for good measure. “The Thieving Wall” only continues the eclectic output with crazy heavy prog rhythms angularly darting out all over the place at breakneck speed with a slight surf rock vibe. Sort of like Secret Chiefs 3 on steroids. “Greywater Hideaway” is sombre and piano rich as well as slow and sumptuous and short like all the track which all hover around the two minute mark with the exception of the opener which hits three. The title track is flute rich prog folk rock track with more Celtic feels while “Errands Of Captain Yargh” is an explosive death metal explosion with industrial overtones.

“The Old Road” is back to prog folk only in a love affair downtempo electronica. “Valeriana” begins with mandolin and sounds like Renaissance music but quickly incorporates heavy rock guitar stomping and then morphs into classical soundtrack music. Damn, it’s hard to keep up with this ever-changing sonic feast! “Brig To Nowhere” begins with a pulsating electronic noise with a guitar playing in mono in the background but it becomes extreme metal guitar chugging with steady riffing but morphs into more progressive technicalities. Occasional breaks reveal a symphonic backdrop. “Embers In Snowfall” is a slow ambient folk outro. This album is only 21 minutes plus of music but has a ridiculous amount of elements and complexity in its playing time. Very cool stuff obviously catering to the Mr Bungle, Secret Chiefs 3, Estradasphere and Atomic Ape crowds.

metal related genres movie reviews

PORCUPINE TREE Arriving Somewhere...

Movie · 2006 · Metal Related
Cover art Buy this album from MMA partners
Warthur
Focusing on the more metal-oriented material from Deadwing and In Absentia - though notably steering it back in a more rock-oriented direction in order to allow this material to sit a little more comfortably beside the "indie prog rock" stylings of Stupid Dream, Lightbulb Sun and Recordings (picks from all of which surface here). Fans of their earlier psychedelic and space rock styles might be disappointed that those aren't represented, but on the plus side there's a liberal sprinkling of rarities here such as the glorious Buying New Soul as well as Revenant, So-Called Friend and Mother and Child Divided, those three songs having only appeared on various special editions of Deadwing. Not the definitive Porcupine Tree live experience, but a pretty decent one nonetheless.

BLIND FAITH London Hyde Park 1969

Movie · 2006 · Proto-Metal
Cover art Buy this album from MMA partners
stefanbedna
Blind Faith -London Hyde Park 1969 dvd. An excellent concert.Quite simple concert.A beautiful day and a hundred thousand people in London´s central Hyde Park listens Blind Faith in their first big gig.Absolutely wonderful.For me the historic value of this concert.Rating 4,0 stars for me.Concert will be held 07/06/1969.Performers lineup eric clapton lead guitar,steve winwood phenomenal vocal and keyboards, rick grech on bass and of course phenomenal ginger baker on drums.This is an example of the unique combination of two large groups of Cream and Traffic rights in the Great introducetd in London´s Hyde Park.Really very interesting concert series watch it again on dvd.I highly recommend.

RIVERSIDE Reality Dream

Movie · 2009 · Metal Related
Cover art Buy this album from MMA partners
progshine
My polish girlfriend gave me this DVD on my anniversary in May, I really didn't know what to expect of the band live cause I only knew their studio recordings. Like I always do, I watched the bonus DVD first, I like to see backstage footage, interviews and extras much more than the proper live presentations on most of the time (maybe the only exception is Live At Wembley by QUEEN).

The first DVD is the show itself, and it's a very good recording, both audio and video, and seeing them live male me wonder how good is Mariusz Duda, cause as a bass player myself, I know how hard is to play some lines while you sing, Mariusz dows a fantastic work live, as the whole band.

I think it's a great buy for any prog rock fan, this polish band deserves more light on our '70's' world.

NEAL MORSE Live Momentum

Movie · 2013 · Non-Metal
Cover art Buy this album from MMA partners
Kev Rowland
One of the disadvantages of living at the end of the world is that these days I get most of my promos as downloads, which generally isn’t too much of a pain but here I find myself reviewing a DVD set where I haven’t actually seen the DVDs! Okay, so this has been released as a double DVD (more than 4 hours), along with a triple CD set and it is the latter that I am reviewing. This recording took place on October 11th, 2012 at The High Line Ballroom, New York, and captures the band in incredible form. I have no idea how many live recordings of Neal there are in my collection, from duetting with NDV through Spock’s Beard and Transatlantic and of course his solo work, but there are one or two. I have seen him in concert with SB as well as on the ‘Testimony’ tour and have had the privilege of interviewing him a few times as well, so I guess you can say that I am a fan.

I greatly respect the way that he decided to stand up for what he believed in (even though I don’t share those beliefs), although I still regret that SB never had the chance to tour ‘Snow’ which is easily their finest work. I have never given anything that he has been involved with a bad review, and there is no reason at all to start now as this triple CD set (2 hours 45 minutes) is as close to perfection as one could hope to hear. When it came to choosing the musicians to form the band he brought in close friends Mike Portnoy and Randy George and then used YouTube for the audition process! He ought to do that more often, as during “Sing It High” he gets it right when he says that the guys are “Sick”. Adson Sodré (guitar, vocals), Eric Gillette (guitar, keyboards, percussion, vocals) and Bill Hubauer (keyboards, violin, sax, vocals) do a stunning job. Mind you, it’s handy when you have three multi-instrumentalists in a band as it does mean that you can spread the wings. Vocally they are all in fine voice as well, just listen to “Author Of Confusion” to see what I mean.

Both Adson and Eric really riff and shred as the need requires, and this is probably the heaviest that Neal has ever sounded as he works his way through material from throughout his career: this is much more than just a live rendition of the latest album. The suites from ‘Testimony’ and ‘?’ work incredibly well and it is the longer sections that really allow Neal and the guys to shine. There are four songs more than twenty minutes long and one more than thirty!

But, for me one of the major highlights sees Neal taking a back seat, literally. One of my favourite live albums that feature Neal is ‘One Night in New York City’ by Yellow Matter Custard. This was a band put together by Mike Portnoy to play Beatles’ numbers, and the line-up was completed by Neal, Paul Gilbert and Matt Bissonette. The whole purpose of that band was to provide a new take on classic numbers and have fun at the same time. Well, on “Crazy Horses” Neal takes over on drums while Mike becomes the frontman, and everyone has an absolute blast. Mike says that when he first heard the song when he was five years old that it was the heaviest song that he had ever heard, and the band certainly do it justice. I defy you to listen to this and not smile throughout. There are some people who don’t enjoy what Neal does, and feel that he hasn’t dramatically changed since he left SB, but I sincerely hope he keeps going in this vein for the rest of his very long career as I love it.

So there you have it, a five star review for a DVD set that I haven’t even seen. But to me they are just an added bonus as this triple CD set is just mindblowing. www.insideout.de

ANATHEMA A Moment in Time

Movie · 2006 · Non-Metal
Cover art Buy this album from MMA partners
Conor Fynes
'A Moment In Time' - Anathema (5/10)

First off, might I say that the rating for this work is not based on the music itself. 'A Moment In Time' is being rated here for what it is; a piece of visual media. The songs themselves are amazing, and have been commended as such on other reviews. As far as being a vessel for such beautiful music however, this DVD really comes up short. There are so many errors that make it a sloppy creation, that could have been avoided and corrected had extra care been given.

As far as the musical arrangement goes, things are really good. As well as the band performing, there is a string quartet that plays throughout, as well as a guest appearance from a talented female vocalist. The vocal passion I generally expect from Vincent Cavanagh is a bit lacking here, but that can be forgiven. There's a nice setup here, a beautiful selection of songs, so what could go wrong?

Throughout watching 'A Moment In Time,' I find myself increasingly agitated over the camera work. The camera is fixated on the vocalist, and fails to give a visual mention to either the bass player or rhythm guitarist almost at all!

Another issue is the recording of the sound. For example, during the climax of 'Empty,' the vocals drown out completely for a few seconds. For a band that's had such a high standard of musical quality, my jaw dropped at how they could ever let a DVD release come out to the general public with that sort of negligence.

Despite it's flaws and failure as a professional DVD release however, being an Anathema fan; it's hard to not at least find some enjoyment in it, and there's an CD counterpart included as well! Two stars.

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