PAIN OF SALVATION

Progressive Metal / Non-Metal • Sweden
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Pain of Salvation is a progressive rock band from Eskilstuna, Sweden. The band is centered around lead vocalist / guitarist / composer / writer Daniel Gildenlöw.

Trademarks include concept albums focusing on social, environmental, philosophical, and emotional issues as well as songs that incorporate complex rhythms and time changes but retain flowing melodies.

The band was formed by Daniel Gildenlöw in 1984 under the nick name Reality. The band used to participate in many music contests in their homeland of Sweden. The first EP, Hereafter, was recorded in 1996 under the monicker Pain of Salvation, which has been the name of the band since 1991. The Lineup of the band was the same for their first official full length album, Entropia(1997).

After the departure of Daniel Magdic for continuing disagreements with the others over committing to the increasing demands of the band, the band recorded One Hour By The Concrete
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Perfect Element Part 1Perfect Element Part 1
Insideout Music 2010
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$14.55 (used)
Falling HomeFalling Home
IMPORTS 2015
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Remedy Lane Re:visited (Re:mixed & Re:lived)Remedy Lane Re:visited (Re:mixed & Re:lived)
Inside Out Music 2016
$8.72
$16.77 (used)
The Second Death Of Pain Of SalvationThe Second Death Of Pain Of Salvation
Double CD
Inside Out Music 2012
$10.87 (used)
One Hour By The Concrete LakeOne Hour By The Concrete Lake
Inside Out Music 2012
$59.99
$7.60 (used)
EntropiaEntropia
Extra tracks
Insideout 2000
$24.29 (used)
Original Album Collection: Discovering Pain OfOriginal Album Collection: Discovering Pain Of
Insideout Music 2016
$17.24
$26.28 (used)
BeBe
Insideout Music 2010
$11.36
$15.08 (used)
Road Salt OneRoad Salt One
Inside Out Music 2012
$17.77
$7.00 (used)
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PAIN OF SALVATION Discography

PAIN OF SALVATION albums / top albums

PAIN OF SALVATION Entropia album cover 4.26 | 58 ratings
Entropia
Progressive Metal 1997
PAIN OF SALVATION One Hour by the Concrete Lake album cover 4.16 | 55 ratings
One Hour by the Concrete Lake
Progressive Metal 1998
PAIN OF SALVATION The Perfect Element, Part 1 album cover 4.38 | 83 ratings
The Perfect Element, Part 1
Progressive Metal 2000
PAIN OF SALVATION Remedy Lane album cover 4.33 | 70 ratings
Remedy Lane
Progressive Metal 2002
PAIN OF SALVATION BE album cover 4.06 | 64 ratings
BE
Progressive Metal 2004
PAIN OF SALVATION Scarsick album cover 3.20 | 52 ratings
Scarsick
Progressive Metal 2007
PAIN OF SALVATION Road Salt One album cover 3.50 | 49 ratings
Road Salt One
Non-Metal 2010
PAIN OF SALVATION Road Salt Two album cover 3.52 | 28 ratings
Road Salt Two
Non-Metal 2011
PAIN OF SALVATION Falling Home album cover 2.83 | 9 ratings
Falling Home
Non-Metal 2014
PAIN OF SALVATION In The Passing Light Of Day album cover 4.04 | 10 ratings
In The Passing Light Of Day
Progressive Metal 2017

PAIN OF SALVATION EPs & splits

PAIN OF SALVATION Linoleum album cover 3.12 | 13 ratings
Linoleum
Non-Metal 2009

PAIN OF SALVATION live albums

PAIN OF SALVATION 12:5 album cover 4.29 | 21 ratings
12:5
Non-Metal 2004
PAIN OF SALVATION Ending Themes: On the Two Deaths of Pain of Salvation album cover 4.44 | 9 ratings
Ending Themes: On the Two Deaths of Pain of Salvation
Progressive Metal 2009

PAIN OF SALVATION demos, promos, fans club and other releases (no bootlegs)

PAIN OF SALVATION Hereafter album cover 5.00 | 2 ratings
Hereafter
Progressive Metal 1996
PAIN OF SALVATION The Painful Chronicles album cover 5.00 | 2 ratings
The Painful Chronicles
Progressive Metal 1999
PAIN OF SALVATION Fan Club CD 2006 album cover 5.00 | 2 ratings
Fan Club CD 2006
Progressive Metal 2006

PAIN OF SALVATION re-issues & compilations

PAIN OF SALVATION singles (1)

.. Album Cover
3.07 | 3 ratings
Ashes
Progressive Metal 2000

PAIN OF SALVATION movies (DVD, Blu-Ray or VHS)

.. Album Cover
4.90 | 12 ratings
Be Live
Progressive Metal 2005
.. Album Cover
3.61 | 9 ratings
Ending Themes - On The Two Deaths Of Pain Of Salvation
Progressive Metal 2009

PAIN OF SALVATION Reviews

PAIN OF SALVATION Entropia

Album · 1997 · Progressive Metal
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siLLy puPPy
The roots of PAIN OF SALVATION actually date back to 1984 when founder Daniel Gildenlöw was only 11 years old and started his first band Reality when he met another future member guitarist Daniel Magdic who would play until after the debut album. In short, Reality won a Swedish talent contest with Gildenlöw scoring the best vocalist award. In 1990 he met drummer Johan Langell and bassist Gustaf Hielm and the following year changed the band name Reality to the more familiar PAIN OF SALVATION which would find international success with its innovative string of progressive metal albums. The band spent many years practicing before Hielm left the band and was replaced by Daniel’s brother Kristoffer Gildenlöw. The fifth member Fredrik Hermansson came into the picture of hearing the band’s demo “Hereafter” and scored the position as keyboardist. The band was perched to unleash its debut album ENTROPIA in 1997.

PAIN OF SALVATION hit the ground running with its debut that featured a fully developed concept about a family surviving and coping during a war. With emotional and heartfelt lyrics, the band made a name for itself not only for highly emotive storylines brought to life by the complex vocal harmonies reminiscent of The Beatles and Queen but made even more dramatic by lead singer Daniel Gildenlöw’s broad vocal range and sense of charisma. Added to that the music was on fire. Loosely based on the Dream Theater sound that emerged in the early 90s, PAIN OF SALVATION was a bit more diverse in its scope as it covered the spectrum of influences ranging from the pop rock of The Beatles, The Moody Blues and Lou Reed to jazz, classical, ethnic music, hip hop, soul and funk not to mention heavy metal from bands like Faith No More and other technically infused bands like Fates Warning and Queensryche.

Noted for the dramatic swings from calm to heavy passages and back all fortified with heavy syncopation and polyrhythms and unpredictable mood shifts between disparate genre styles, PAIN OF SALVATION quickly stood out from the pack and ENTROPIA, a name that is a fusion of the words “entropy” and “utopia,” clearly displays the band’s knack for creating a fully functional collage effect that displayed a completely unique style. This theatrical concept album is carved up into three chapters with each act offering a creative breath of fresh air in a genre that was quickly filling up with Dream Theater clones. With moments of straight on metal, others of technical jazz-fusion wizardry with warm and tender softer ballads reminiscent of modern progressive rock, ENTROPIA hits many notes with each track exuding a charm all its own with stellar instrumental interplay that offers an infinite supply of variations that find the instrumentation morphing into new creative displays of harmonic interplay.

ENTROPIA may be PAIN OF SALVATION’s heaviest album at least consistently so although there is plenty of softer passages that allow lighter less bombastic movements to muster lush motifs. The opening “! (Forward)” displays a ferocious metal introduction with jagged riff driven rhythms, intricate melodic interplays and the operatic vocal style of Daniel G. The contrast between heavy metal and soft piano balladries is seamless as are the harsh vocal outbursts with the clean sung vocal harmonics that zigzag around seemingly random yet all ties together perfectly! The beauty of PAIN OF SALVATION in general is completely represented in full form on ENTROPIA. While tackling extreme progressive technicalities, the music never strays from the vital emotional connection that links the sounds to the dramatic storyline which narrates the conceptual story that is something right out of the neo-prog playbook from the likes of Arena, IQ and Pendragon.

All of the musicians on board are on fire. Daniel Gildenlöw and Daniel Magdic’s twin guitar attacks are highly symbiotic and the drums and keys exhibit advanced progginess as well. The flirtations with funk and trip hop at key moments offer unforeseen elements that pop up now and again and overall the album is chock full of a youthful energy that delivers the album with a fiery passion absent in so many bands who fail to ignite a level of excitement that PAIN OF SALVATION generates. While not as lauded as the band’s following “The Perfect Element I” or “Remedy Lane,” personally i find this debut to be one of the best progressive metal albums around and just as compelling as those two. A masterful debut that showed not only the top notch musicianship but a keen sense of songwriting skills that allowed a wealth of styles and sounds to come to life. Outstanding debut!

PAIN OF SALVATION Linoleum

EP · 2009 · Non-Metal
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The Crow
Prior to the release of Road Salt One and Two, Pain of salvation released this EP called Linoleum as an aperitif

It contains one song of Road Salt One (the fine Linoleum), one of Road Salt Two (the repetitive and disjointed Mortar Grind) and four tracks which were not included in these discs.

Sadly, If You Wait is a short blues-rock track with no interest. Gone is better but the production is too raw (just like the Road Salt albums) and it is boring and repetitive in the long term.

Bonus Track B is a curiosity just for fans, and finally Yellow Raven is a very dramatic version of an Uli John Roth song which is not enough to make this EP interesting if you are not a die-hard fan of the Road Salt era of this band.

My rating: **

PAIN OF SALVATION Road Salt Two

Album · 2011 · Non-Metal
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The Crow
Road Salt One was a strange album... Not pleasant for old fans of the band while having also a difficult style to find a new public, very much 70's oriented and with a rather dry production.

This second part is an exploration further in this direction, but luckily it also contains more links to the past in the form of some symphonic elements (Road Salt Theme, End Credits, To the Shoreline), a bit more of prog (The Physics of Gridlock, although I find the end of this song rather boring), an homage to the sound of their album 12:5 (Healing Now) and a better singing from Gildenlow.

Nevertheless, they continued to explore this strange 70's oriented rock (Conditioned, Eleven, Mortar Grind') which makes them sound like some kind of revival band of this decade like Ocean Color Scene or the more modern Greta Van Fleet. Not bad, but just not my cup of tea and definitely not what I expect from a band like Pain of Salvation.

However, like I said this album contains more pleasant moments than the previous one and is also a bit better in terms of songwriting.

Best Tracks: To the Shoreline (beautiful orchestral melodies for the best track of the album), 1979 (beautiful lyrics and good songwriting) and The Deeper Cut (a song which retrieves the old style of the band from the 90's and 00's)

Conclusion: Road Salt Two is better than Road Salt One in general terms and although it does not get back the old prog-metal style of the band, Gildenlow was able to replicate part of the incredible atmosphere of the first (and best) four albums of the band with a pair of really good tracks.

Sadly, despite being the best album of the band since Remedy Lane, this record also felt in no man's land being not adequate for metal fans and not really satisfying for prog-rock lovers, making Pain of Salvation to travel further into oblivion.

My rating: ***

PAIN OF SALVATION Road Salt One

Album · 2010 · Non-Metal
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The Crow
After the confusing and too experimental BE and the directly horrendous Scarsick, Pain of Salvation (or Daniel Gildenlow) returned to a better path with Road Salt One!

But fans of the older material of the band be aware, this is not a return to their roots. Some trademarks of Pain of Salvation are here, like some syncopated rhythms, a pair of polyphonic vocals and a bit o prog (No Way, Innocence), but the album is mainly blues-rock influenced by acts like Link Wray or Robin Trower with some experiments like cabaret music (Sleeping Under the Stars) and a pair of ballads (Sisters, Road Salt)

And another curious fact that this album has is some different singing of Daniel. I don't know if this man lost his voice or he just uses it differently here... But I think he shouts too much. It's even a bit unpleasant sometimes.

Nevertheless, the album has enough good moments to be considered a return to form for the band after some obscure years following the release of the grandiloquent (and maybe best work of the band) Remedy Lane.

Best Tracks: No Way (cool blues melody with a surprising instrumental interlude), Sisters (pure Pain of Salvation magic, melancholic and touching), Darkness of Mine (dark, like its title), Linoleum (will please old fans of the band) and Road Salt (truly beautiful singing here and great lyrics)

Conclusion: Road Salt One supposed a return to form for a band which lost its way with BE and Scarsick. Nevertheless, die-hard fans of the old Pain of Salvation albums will maybe also dislike this one, because it's not prog, and it's not metal.

It's another experiment of Gildenlow with new sounds for the band in the form of blues, soul, cabaret and country. It's not overall excellent, but good enough to be considered a worthy addition to the band's discography.

My rating: ***

PAIN OF SALVATION Scarsick

Album · 2007 · Progressive Metal
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The Crow
After the disappointing and unsatisfying BE, the fans of Pain of Salvation were waiting for a redemption and an album which were able to retrieve the band to the prog-metal Olympus... But then Scarsick came.

We knew that this album was secretly called The Perfect Element Pt.2, so the expectations were very high at first. But after a couple of hearings, I just could not believe my ears. What happened to our beloved technical, atmospheric and intimate prog-metal band? Where were this challenging and innovative songwriting? Where were the intricate rhythmus and nervous drums? Where the hell were all the magic gone?

Because Scarsick is an insipid collection of rap-metal songs with lousy exceptions like the ridiculous America and the horrible Disco Queen (this song is really a shame not only for Pain of Salvation. It's a shame for the music) where the prog-metal is almost gone, being replaced for a lazy and reiterative songwriting where almost all the songs starts and ends with the same bad riff and insipid vocals.

Just bad, my friends. And with the perspective given by the years, Scarsick has not improved. It's still the same lame album now as it was back in 2007.

Best Tracks: Flame to the Moth (the only track of the album which is actually good and diverse) and Enter Rain (powerful despite its repetitiveness)

Conclusion: Scarsick is the worst Pain of Salvation album. The band tried to retrieve their fan base after the dividing experiment of BE, but they just made a step further in the wrong direction, demonstrating that Daniel Gildenlow had definitely lost his grip.

It's not a surprise that Kristoffer Gildenlow gave up before recording Scarsick... And he did well in my opinion.

My rating: *

PAIN OF SALVATION Movies Reviews

PAIN OF SALVATION Ending Themes - On The Two Deaths Of Pain Of Salvation

Movie · 2009 · Progressive Metal
Cover art Buy this album from MMA partners
AtomicCrimsonRush
A great concert, and a documentary DVD packaged like a TV series: 'a groundbreaking parallel story, mixing Days of Our Lives, Lord of the Rings and Some Kind of Monster.' Clever packaging conceals what this really is, one DVD centres on the touring behind the scenes in painstaking detail, and we learn many useless but amusing things such as their fetish for toy racing cars and Monty Python DVD box sets. The documentary is at times conveyed by the band in their native tongue so subtitles are essential and thankfully available. The doco may not endure repeated viewings but its nice to meet their cute little fan club members and see their delight as they meet the band. It is essential viewing if you want to get through the quiz that has to be completed correctly in order to unlock a swag of special features. You will eventually get the questions right as they do not change and you can write down the answers by a process of elimination. You have to put up with an obnoxious ugly face telling you what a loser you are until you do of course, but it's worth it. You get a special code when you get them all right saving you the hassle of redoing the annoying quiz. But if you put in the code wrong you are sent to 'hell', complete with burning flames and evil laughter, and you have to work your way back to the title menu to get out of it. Nasty touch I must say and quite disconcerting. The features are great particularly the demo versions of 'Scarsick' tracks, deleted scenes, and some nice footage of the band, bootlegs and photo sessions are included.

This is all incidental I guess, as the main drawcard is the actual concert which is well filmed at the famed Paradiso in Amsterdam, where other prog bands have been captured on DVD such as Riverside (on ADHD special edition). The performance does not rely on flashy lights or smoke, rather it is all about the music and this is some of POS best material from their highly celebrated albums such as 'One Hour by the Concrete Lake', 'Entropia' and 'Remedy Lane'.

The sound quality is excellent and the audience reactions are well interspersed among the band crunching out one belter after another. Hildegaard has longer hair now and looks more at home with the metal when he bangs his head. Certainly the set list is not flawless, for instance 'Fandango' and 'Beyond the Pale' are missing, and there is a great focus on 'Scarsick' album, however there is enough here to satiate the appetite of most fans.

The crowd pleasers are here such as 'America', 'Nightmist', '! (Foreword)' and the fabulous infectious 'Disco Queen' that the crowd adore and its easy to see why. I love all these but the darker side of the band is impossible to ignore and may not be for all tastes. The expletive heavy 'Cribcaged' is offensive enough and I must admit I hate it when bands think they need to drop the F bomb repeatedly to hammer home a point. So Robert De Niro's cigarette and Al Pacino posters annoy the band; OK, I get it, but why do they have to degrade themselves to this type of material. It's a pity really, as the band are better than this. Look at the way they deliver 'Chain Sling' and their dark version of 'Hallelujah' to see my point. The 'Hallelujah' version is better than the original Cohen IMHO, it is that good, and the crowd sing along loudly in adoration.

The quiet melodic POS is here too on suicidal unfriendly ballads such as 'Undertow' from 'Remedy Lane' and the bittersweet 'Brickworks 1'. It is all very dark and moody and intense. Each track is sung with passion and the time sig changes of the music are admirable. The booklet gives little away, although the oppressive lyrics are here, and the storyline attached is as bogus as the rest of the packaging conveying some story of yet another motor vehicle accident, another one! This is becoming standard prog fair for concept albums these days.

The fake reviews on the so called TV series are amusing, a TV series that is cited as 'a groundbreaking parallel story, mixing Days of Our Lives, Lord of the Rings and Some Kind of Monster.' Work that out! The track listing is identical to the double CD release but its way better to watch the band in full flight as these tracks are pounded out. This is a bit of a hit and miss affair for me; some of the tracks are not as good as other PoS material particularly there is too much emphasis on 'Scarsick', whereas i think 'Remedy Lane' buries it, in fact all their other albums have far more to offer in terms of prog metal, but the energy is tangible, the crowd love it and the music is infectious. 3 stars.

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I really love this band early albums !!!!!!!

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