UMUR "Culminating Ruins" is the debut full-length studio album by French progressive death metal act Dawn of Nil. The album was independently released in May 2019. Dawn of Nil is a one-man project formed by Vincent Laugier, who performs all instruments and vocals on the album.

Stylistically the music on "Culminating Ruins" is progressive death/black metal, often atmospheric in nature (keyboards are occasionally used and the album feautures acoustic parts too). The vocals are low in the mix growling/occasional black metal screaming, and the riff- and rhythm styles vary between death metal and black metal influenced playing styles (often in the more melodic end of the spectrum). The material is structurally adventurous and there are some pretty creative songwriting ideas on the album.

It´s obvious that Laugier is both a skilled musician and knows how to compose music, but the sound production on "Culminating Ruins", do come off slightly amaturish. It´s a bit too audible that the drums are programmed, which wouldn´t be a problem if the artificial programmed drum sound was an integral part of the the soundscape and enhanced it, but here they work like a replacement for a human drummer, because a human drummer was either not available or because Laugier did not want to bring in a session musician to play the drums. It´s sometimes the curse of one-man projects that the artist has full control and often don´t realise that outside input could have enhanced their project greatly. The drums are otherwise well programmed, they just sound a little stiff and artificial.

The choice to place the vocals as low in the mix as they have been placed is another production choice I question. Maybe they are placed this low to create a mystical effect or something like that, but to my ears it does not work well. They sound like a deep growling noise in the soundscape and thereby more like an instrument than actual vocals.

So upon conclusion I´ll praise the many creative songwriting ideas on the album (and the many great epic and melodic moments) and the fact that Laugier is a capable musician, but the songs really aren´t that memorable and they generally don´t differ enough from each other (there are many great ideas, but they aren´t put together in a particularly effectful or memorable fashion), and as mentioned above the "bedroom" sound production and the programmed drums don´t do the material any favors either. I overall respect the basis of project, but to my ears the glass is only half full, and Laugier still has some way to go, before releasing what I would characterize as a fully professional sounding release. Still a 3 star (60%) rating is warranted.