TIAMAT

Gothic Metal / Death Metal / Non-Metal / Metal Related / Death-Doom Metal • Sweden
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Tiamat is a metal band that formed in Täby, Sweden in 1988. Their music has been the subject of debate, utilizing subgenres like black metal, progressive, doom/death and gothic, but more recently they have focused on what has been described as atmospheric gothic metal with ethnic, psychedelic and experimental elements.

Biography: Initially, the band played straightforward black metal under the name Treblinka. After having recorded the album Sumerian Cry in 1989, vocalist/guitarist Johan Edlund and bassist Jörgen Thullberg parted ways with the other two founding members, and subsequently changed the name to Tiamat. The Sumerian Cry album, as recorded by Treblinka, was released as Tiamat's debut album in June 1990.

After the debut, Edlund's leadership would modify the band's style with influences ranging from Mercyful Fate, Candlemass, Pink Floyd and King Crimson, with Sumerian lyrical themes. German guitarist Waldemar Sorychta would produce and contribute instrumentation to many of the band's
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TIAMAT Discography

TIAMAT albums / top albums

TIAMAT Sumerian Cry album cover 2.77 | 14 ratings
Sumerian Cry
Death Metal 1990
TIAMAT The Astral Sleep album cover 3.32 | 18 ratings
The Astral Sleep
Death Metal 1991
TIAMAT Clouds album cover 3.66 | 24 ratings
Clouds
Death-Doom Metal 1992
TIAMAT Wildhoney album cover 3.75 | 41 ratings
Wildhoney
Gothic Metal 1994
TIAMAT A Deeper Kind of Slumber album cover 3.46 | 27 ratings
A Deeper Kind of Slumber
Metal Related 1997
TIAMAT Skeleton Skeletron album cover 3.43 | 11 ratings
Skeleton Skeletron
Gothic Metal 1999
TIAMAT Judas Christ album cover 3.42 | 11 ratings
Judas Christ
Gothic Metal 2002
TIAMAT Prey album cover 3.46 | 13 ratings
Prey
Gothic Metal 2003
TIAMAT Amanethes album cover 3.47 | 12 ratings
Amanethes
Gothic Metal 2008
TIAMAT The Scarred People album cover 3.57 | 11 ratings
The Scarred People
Gothic Metal 2012

TIAMAT EPs & splits

TIAMAT Gaia album cover 3.00 | 4 ratings
Gaia
Gothic Metal 1994
TIAMAT For Her Pleasure album cover 3.25 | 2 ratings
For Her Pleasure
Non-Metal 1999

TIAMAT live albums

TIAMAT The Sleeping Beauty: Live in Israel album cover 0.00 | 0 ratings
The Sleeping Beauty: Live in Israel
Gothic Metal 1994

TIAMAT demos, promos, fans club and other releases (no bootlegs)

TIAMAT re-issues & compilations

TIAMAT The Musical History of Tiamat album cover 0.00 | 0 ratings
The Musical History of Tiamat
Death-Doom Metal 1995
TIAMAT Wildhoney / Gaia album cover 0.00 | 0 ratings
Wildhoney / Gaia
Gothic Metal 2001
TIAMAT Clouds / The Sleeping Beauty: Live in Israel album cover 0.00 | 0 ratings
Clouds / The Sleeping Beauty: Live in Israel
Gothic Metal 2001
TIAMAT The Astral Sleep / In the Eyes of Death album cover 0.00 | 0 ratings
The Astral Sleep / In the Eyes of Death
Gothic Metal 2001
TIAMAT Commandments: An Anthology album cover 0.00 | 0 ratings
Commandments: An Anthology
Gothic Metal 2007
TIAMAT The Ark of the Covenant album cover 0.00 | 0 ratings
The Ark of the Covenant
Gothic Metal 2008

TIAMAT singles (4)

.. Album Cover
3.00 | 1 ratings
Cold Seed
Gothic Metal 1997
.. Album Cover
0.00 | 0 ratings
Brighter Than the Sun
Gothic Metal 1999
.. Album Cover
3.00 | 1 ratings
Vote for Love
Gothic Metal 2002
.. Album Cover
2.50 | 1 ratings
Cain
Gothic Metal 2003

TIAMAT movies (DVD, Blu-Ray or VHS)

.. Album Cover
4.00 | 1 ratings
Church of Tiamat
Gothic Metal 2006

TIAMAT Reviews

TIAMAT The Scarred People

Album · 2012 · Gothic Metal
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"The Scarred People" is the tenth full-length studio album by Swedish metal act Tiamat. The album was released through Napalm Records in November 2012. It´s the successor to "Amanethes" from May 2008. There has been one lineup change since the preceding album as guitarist Thomas Wyreson has left and has been replaced by Roger Öjersson (who would later join Katatonia). Wyreson (originally known as Thomas Petersson) had been a member of Tiamat in three seperate periods 1990-1994, 1996-1999, and 2001-2008.

Stylistically the material on "The Scarred People" is more or less a continuation of the by now fully established gothic metal sound with the occasional psychedelic rock touches which Tiamat have played since he mid-90s. "Amanethes" brought back some of the band´s early extreme metal elements, although they were only a small part of the sound of the album. The heavier and more aggressive elements from "Amanethes" are not found on "The Scarred People" although it´s still occasionally a pretty heavy and dark gothic metal album. Tiamat as usual have written a both memorable and effective release, and the performances and the sound production values are also of a high quality.

Although I personally found "Amanethes" a bit more interesting than "The Scarred People", this is a release you don´t want to miss if you´re already a fan of Tiamat. On the other hand "The Scarred People" is not a Tiamat release which will win over those listeners who haven´t found Tiamat intereting since they left their doom/death metal roots behind now many years ago. A 3.5 star (70%) rating is deserved.

TIAMAT Amanethes

Album · 2008 · Gothic Metal
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"Amanethes" is the ninth full-length studio album by Swedish metal act Tiamat. The album was released through Nuclear Blast in May 2008. It´s the successor to "Prey" from 2003 and it´s a comeback album for the band after a 5 year long hiatus. There have been no lineup changes since the predecessor although guitarist Thomas Petersson has changed his name to Thomas Wyreson (if anyone wondered if it was a new member of the band). It would be Wyreson´s last album with Tiamat though as he left after recording "Amanethes". Wyreson was at that point on his third stint with Tiamat, having been a member of the band in the periods 1990-1994, 1996-1999, 2001-2008.

Although the last couple of albums by Tiamat have all been good quality releases featuring a gothic metal sound with touches of psychedelic rock (think mid- to late 90s Paradise Lost with touches of Pink Floyd and 80s goth rock influences), the occasionally more harder edged sound on "Amanethes" is a welcome addition to Tiamat´s sound (best heard on "Equinox of the Gods"). They haven´t included extreme metal elements like this since the early 90s. When that is said this really isn´t that extreme and it´s only on occasion that Tiamat dig deep and present the listener with a few extreme metal parts and elements, but it´s quite effective when it happens. Otherwise "Amanethes" in most other ways pretty much continues the gothic metal/psychedelic rock style which Tiamat have played since the mid-90s.

The musicianship is on a high level on all posts and although lead vocalist/guitarist Johan Edlund maybe isn´t the most skilled or distinct sounding vocalist, he still manages to deliver some both effective and memorable vocal parts and melodies. He is the classic example of getting much out of little. "Amanethes" features a well sounding production job too, and it´s a good quality release on all parameters and even manages to stand out a little from the last couple of releases because of the return of the exteme metal elements (however few and far between they are). A 3.5 star (70%) rating is deserved.

TIAMAT Prey

Album · 2003 · Gothic Metal
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"Prey" is the eighth full-length studio album by Swedish metal act Tiamat. The album was released through Century Media Records in October 2003. It´s the successor to "Judas Christ" from 2002 and features the same quartet lineup as the predecessor plus guest female backing vocals by Sonja Brandt.

Stylistically the material on "Prey" are a continuation of the goth rock/metal style of "Judas Christ (2002)". The psychadelic Pink Floyd influences which already decreased greatly on the predecessor are now only present on album closer "The Pentagram", which features a nice mellow psychedelic rock sound and some soaring Gilmourish guitar leads. The remaining tracks range from heavy and hard rocking to mid-paced, slow, and laid back gothic tinged rock/metal. Lead vocalist/guitarist/keyboard player Johan Edlund doesn´t have the most distinct sounding voice, but his delivery is pleasant and suits the music well. The tracks are well composed, relatively catchy, and feature a melancholic atmosphere. It´s not dark and depressive music, but rather a tasteful and melodic melancholic take on goth rock/metal. Similar artists would be contemporary Paradise Lost and maybe Anathema.

"Prey" is packed in a powerful, detailed, and well sounding production job, which suits the material perfectly, and upon conclusion it´s another high quality release by Tiamat. If you enjoyed the last couple of albums this is not to be missed. A 3.5 star (70%) rating is deserved.

TIAMAT Judas Christ

Album · 2002 · Gothic Metal
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"Judas Christ" is the 7th full-length studio album by Swedish band Tiamat. The album was released through Century Media Records in February 2002. It´s the successor to "Skeleton Skeletron" from 1999, and adds guitarist Thomas Petersson to the three-piece lineup, who recorded the predecessor, making Tiamat a four-piece on "Judas Christ".

Stylistically the material on "Judas Christ" continue the gothic rock/metal style of the predecessor (strongly influenced by artists like The Sisters of Mercy and The Mission). There are also still nods toward 60/70s influenced psychadelic rock and especially Pink Floyd comes to mind more than one time during the album playing time (tracks like "The Return of the Son of Nothing" and "Love Is as Good as Soma"). So while the stylistic elements which make up Tiamat´s sound are tried and true, the combination of those elements is what makes "Judas Christ" an interesting listen and which provide Tiamat with at least a relatively distinct sound.

The atmosphere of the music is predominantly dark and heavy, and in some cases hard rocking, but the most psychadelic influenced tracks usually feature a more uplifing mood and a more tranquil atmosphere ("Heaven of High" and "Too Far Gone" are two semi-acoustic tracks which despite their lyrical content are examples of that). The performances are organic and lead vocalist/guitarist/keyboard player Johan Edlund has a pleasant voice and a smooth laid back delivery. Many of the more upbeat goth rock influenced tracks feature female and male backing vocals by Danish backing singers Trille Palsgaard and Lars Nissen and it´s just another strong gothic rock element on the album.

"Judas Christ" is a well produced album, featuring a warm, organic, and powerful sounding production, suiting the material perfectly. The quality of the material is also high throughout and Tiamat are successful in combining the various elements of their sound to a whole that is greater than the sum of the parts. A 3.5 star (70%) rating is deserved.

TIAMAT Skeleton Skeletron

Album · 1999 · Gothic Metal
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"Skeleton Skeletron" is the 6th full-length studio album by Swedish band Tiamat. The album was released through Century Media Records in August 1999. It´s the successor to "A Deeper Kind of Slumber" from 1997 and features one lineup change as guitarist Thomas Petersson has jumped ship, leaving Tiamat a trio for the recording of "Skeleton Skeletron". The album features quite a few guests/session musicians though.

Tiamat had been an almost ever changing act on their preceding releases, starting out playing old school Swedish death metal on their debut album, quickly moving into death/doom metal territory on the next couple of releases, and on "Wildhoney (1994)" and especially "A Deeper Kind of Slumber (1997)", they played an atmospheric Pink Floyd influenced psychadelic tinged heavy rock/metal style, and actually completely abandoning the distorted guitars from their sound on the latter. To those who feel Tiamat strayed a bit too far from the metal path on "A Deeper Kind of Slumber (1997)", they will be glad to hear that "Skeleton Skeletron" is a heavier and more metal oriented release than its direct predecessor. The psychadelic Pink Floyd influence is also more or less gone from the soundscape and instead Tiamat play a dark gothic rock/metal influenced style and it´s now artists like The Sisters of Mercy, The Mission, and Fields of the Nephilim, which are valid references. Contemporary releases by artists like Paradise Lost and Kreator (their 1999 "Endorama" album) are also references which can be used to describe the sound on "Skeleton Skeletron".

The 10 track, 45:34 minutes long album features both heavy and atmospheric tracks and more energetic and slightly faster-paced tracks. An example of the latter is the The Sisters of Mercy influenced "Brighter Than the Sun", which is a full fledged gothic rock song, featuring deep male vocals and female vocals on the chorus. "Skeleton Skeletron" also features a heavy cover of "Sympathy for the Devil" by The Rolling Stones, which works well with the rest of the material.

"Skeleton Skeletron" is a well produced album, featuring a clear, detailed, and powerful sounding production, which suits the material well. Upon conclusion "Skeleton Skeletron" is a good quality release by Tiamat. The fact that the band seem to have suffered from an identity crisis almost since their inception isn´t that important when they churn out quality music like this. A 3.5 star (70%) rating is deserved.

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