Kingcrimsonprog

Jimmy Neeson
MMA Special Collaborator · Honorary Collaborator
Registered more than 2 years ago · Last visit 3 days ago

Favorite Metal Artists

All Reviews/Ratings

787 reviews/ratings
MASTODON - The Hunter Progressive Metal | review permalink
MASTODON - Crack The Skye Sludge Metal | review permalink
MASTODON - Blood Mountain Sludge Metal | review permalink
MASTODON - Leviathan Sludge Metal | review permalink
MASTODON - Live At The Aragon Sludge Metal | review permalink
AMON AMARTH - With Oden on Our Side Melodic Death Metal | review permalink
AMON AMARTH - Twilight of the Thunder God Melodic Death Metal | review permalink
AMON AMARTH - Wrath of the Norsemen Melodic Death Metal | review permalink
AMON AMARTH - Surtur Rising Melodic Death Metal | review permalink
ANNIHILATOR - Live at Masters of Rock Thrash Metal | review permalink
ANTHRAX - Worship Music Thrash Metal | review permalink
ARCHITECTS - The Here and Now Metalcore | review permalink
BRING ME THE HORIZON - Suicide Season Metalcore | review permalink
CARPATHIAN FOREST - We're Going to Hollywood for This Black Metal | review permalink
CHIMAIRA - Chimaira Groove Metal | review permalink
CHIMAIRA - The Infection Groove Metal | review permalink
CHIMAIRA - The Dehumanizing Process Groove Metal | review permalink
CHIMAIRA - Coming Alive Groove Metal | review permalink
CLUTCH - Live in Flint, Michigan Stoner Rock | review permalink
CLUTCH - Blast Tyrant Stoner Rock | review permalink

See all reviews/ratings

Metal Genre Nb. Rated Avg. rating
1 Heavy Metal 100 4.00
2 Thrash Metal 88 4.23
3 Power Metal 59 4.11
4 Groove Metal 55 4.36
5 Hard Rock 47 3.97
6 Stoner Metal 39 4.21
7 Nu Metal 35 3.86
8 Death Metal 34 3.74
9 Stoner Rock 32 4.39
10 Progressive Metal 30 4.25
11 Metalcore 30 4.35
12 Alternative Metal 26 3.85
13 Heavy Alternative Rock 25 4.00
14 Industrial Metal 24 3.94
15 Melodic Metalcore 23 4.37
16 NWoBHM 18 3.72
17 Sludge Metal 13 4.58
18 Melodic Death Metal 11 4.41
19 Metal Related 10 4.40
20 Non-Metal 9 3.72
21 Hardcore Punk 8 4.13
22 US Power Metal 8 3.94
23 Glam Metal 7 3.36
24 Gothic Metal 7 3.14
25 Doom Metal 6 4.33
26 Proto-Metal 6 3.83
27 Rap Metal 5 3.70
28 Black Metal 5 3.90
29 Atmospheric Sludge Metal 4 3.38
30 Symphonic Black Metal 4 3.00
31 Speed Metal 4 3.00
32 Melodic Black Metal 3 3.67
33 Grindcore 3 1.83
34 Death 'n' Roll 2 4.50
35 Heavy Psych 2 3.75
36 Crossover Thrash 1 3.50
37 Funk Metal 1 3.50
38 Deathcore 1 3.50
39 Technical Death Metal 1 4.00
40 Technical Thrash Metal 1 2.50

Latest Albums Reviews

MONSTER MAGNET Mindfucker

Album · 2018 · Stoner Rock
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Mindfucker is the tenth proper full-length studio album (if you aren’t counting redux albums and compilations). It was released on Napalm Records and released in 2018, 5 years after Last Patrol, which was the longest gap the band have had between albums to date, but the line-up stayed the same as last time.

To my mind, Monster Magnet have never made a bad album. Even their least popular album, 4-Way Diablo has my favourite ever Monster Magnet song (‘Wall Of Fire’) on it. But I do have to say that this album has been out for over half a year now and try as I might, I just can’t get into it.

Now there’s nothing majorly wrong with it per sae. It is well produced. The songs are pleasant. Nothing overstays its welcome. Nothing is bad or stupid. Nothing sounds wrong or doesn’t fit the band’s style. Everything is functional. But that’s it.

Usually, there are major moments to write home about. There are usually lyrics that make me want to tell my friends about. There are usually riffs that I want to air guitar to. There are usually inventive things the band haven’t done before. There’s usually more joy in the performance. Generally, there’s usually…more.

That’s not to say the album is worthless, ‘Brainwashed’ for example is very fun, and sounds like its tapping into the same jangly ’60s influence that ‘Dreaming Of You’ by The Coral is, only faster. ‘Want Some’ has some energy to it and would be your typical Monster Magnet rocker that they have pumping out since the fifth album. The opener and the title track are passable too.

The thing is though, its not enough. Its just an ok album. Perfectly fine. If it was your first Monster Magnet album you’d probably like it. But then when you get the other records, and you hear ‘Kiss Of The Scorpion,’ or ‘See You In Hell’ or ‘Black Balloon’ afterwards, then you’d probably shit a brick! ”Wow, how did that ok band release such amazing material!?” you would find yourself asking.

If you love the band and have to have everything they put out. Sure get it. If you just want to support the band and keep them on the road, get it. If you have limited funds and can only afford to buy the best, then maybe skip this particular entry in the history of the bull god. This band have released some of the best material in the genre ever, and you should start with their better material first.

ARCHITECTS Holy Hell

Album · 2018 · Metalcore
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This was always going to a difficult album. After the passing of Tom, who was the main songwriter, it was never going to be easy to make another record.

Last year however they dropped the excellent single ‘Doomsday’ which was one of the best singles of their career to date, and made this one of the most anticipated comeback albums of recent memory.

Think of albums like Nightmare or The Gray Chapter; when a band looses a member, especially a main songwriter, it always leaves a big mark. Holy Hell has such a mark on it. You can really hear the change in songwriter for example. The music is a bit less technical and a bit more direct. The structures are a bit more straightforward and a bit less expansive. Lyrically, there’s a clear impact. I mean, the opening track is called ‘Death Is Not Defeat’ which tells you everything you need to know.

Its not as heavy as the old Nightmare and Hollow Crown days, nor is it as light as the underrated The Here And Now, but it does it sonically somewhere between Lost Forever // Lost Together and All Our Gods Have Abandoned Us.

Like the aforementioned previous two albums, there is a big focus on melody and floaty electronics and like each album since the beginning, there are plenty of rhythmic breakdowns and a few of Sam’s trademark ‘Bleurgh!’ exclamations. It sounds pretty terrific, not just musically but also with a crystal clear production too. Highlights include the singles ‘Royal Beggars’ and ‘Modern Misery’ as well as the title-track. The best track by far though, is ‘Doomsday’ in my opinion, its one of the band’s best songs period.

It is obviously always going to be an important milestone in their career due to the circumstances of its backstory, but luckily it holds up musically. I wouldn’t jump into a sea of hyperbole and say its the best thing they’ve ever released, but it is a fitting continuation of the legacy and a very welcome addition to the catalogue. It would be a good jumping on point for a new fan and any existing fan would do well to add it to their collection. Skippable it aint.

FIVE FINGER DEATH PUNCH And Justice for None

Album · 2018 · Groove Metal
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Five Finger Death Punch albums are often fairly similar in terms of quality, musical direction and performance. Most of them feature bouncy groove-metal riffs balanced with melodic modern-metalcore loud/quiet dynamics and easy on the ear radio friendly production jobs. Maybe a ballad or two for variety.

Not all their albums are absolutely identical, and for example their debut is faster and rawer than their fifth album, but there is a general similarity between a lot of them and the basic rule of thumb is that if you like one of them, you’ll probably like them all. They do have a distinct formula if we’re being honest here.

For me, their first two albums and also Got Your Six are the strongest, and up until this point, The Wrong Side Of Heaven’ 2 and American Capitalist are the weaker ones in the catalouge, as there are possibly too many ballads and light tracks on them and not enough fast songs for my own personal tastes, but to be honest that’s all if you are getting nit picky and there’s not too much difference between them unless you sit there and analyse them.

In 2018; two years after it was actually recorded due to some record company shenanigans and legal wranglings and after a gap filling greatest-hits compilation, the band released their seventh full-length studio album, And Justice For None. You can get it in a standard edition, or one with the new songs they added to that aforementioned greatest-hits albums, the catchy single ‘Trouble’ and the cover song ‘Gone Away’ which is a reworking of a The Offspring song (which to be fair they put on the standard edition anyway in the end), as well as two further bonus tracks from the same era, ‘Bad Seed’ and ‘Save Your Breath.’

Now; remember when I said there’s too many ballads and lighter moments on the albums I’d rate as being not their best? Well, this one has two lighter songs that are both covers. It also has the ballad single ‘When The Seasons Change’ preceded by the very good but still ballady ‘I Refuse.’ It even ends on a power ballad with ‘Will The Sun Ever Rise?’ It also has the strange lighter electronic tracks ‘Stuck In My Ways’ & ‘Bloody’ which feel like a play to get on TV advertisements and are a lot lighter and less powerful than my favourite songs by the band.

Hey; I am no ballad-phobic caveman. I love power metal for goodness sake, where you can’t move for ballads. Its just, when there’s one very good ballad on an album, it is a nice piece of variety. When its like two thirds of the whole record it sort of weighs it down and they loose their efficacy. If it had only been say, ‘I Refuse’ for example, that would be fine. If there was only one cover it might’ve been aright. If they only had one song experimenting with electronics, it would have stood out. As it stands, its all a bit too much and it feels like overkill.

There are some groovier, heavier and faster tracks here. ‘Rock Bottom,’ has a rumbling menace to it, ‘It Doesn’t Matter,’ ‘Fire In The Hole’ and ‘Top Of The World’ are the traditional Five Finger Death Punch sound and the opener ‘Fake’ is pretty strong. There’s stuff to like here for sure, don’t let me make you think its a complete departure. I guess the album is a bit overlong though, and a bit unfocused. It also hits the strange ‘make-your-mind-up’ sweet spot between staying too close to the old formula at times and experimenting with new stuff too much, without really committing to either. The problem is that they don’t really suit the new stuff. Again, ‘Bloody’ is an excellent example of what I did not expect from this band. Another song that doesn’t sound like the band is the controversial lead single ‘Sham Pain’ with its lyrics basically complaining about being on tour and sounding ungrateful.

When I first got this album, it really felt like a let down after Got Your Six, and I will admit that it has grown on me a lot more with each repeat listen. If I hadn’t bought it and felt guilty about the money, I might not have listened to it quite so often and allowed it to grow on me. Even with this appreciation-raising slow burn, this is easily my least favourite album from the group. It may be due to the circumstances in which it was written and recorded, burned out and before getting clean and with the record label woes, it may have all impacted upon the quality of the record. Maybe the next one will be great. Or again, maybe its just a natural dip from a band working that hard pumping albums out and touring so often. They dipped a little on the fifth album and rose higher again on the sixth. Maybe it is just a natural fluctuation. Either way, while I am still going to be listening to this album in full over and over again to try and feel like I got my money’s worth, I feel like I won’t ever like it as much as Way Of The Fist or Wrong Side Of Heaven part 1. If you aren’t an obsessive fan, don’t feel bad if you want to skip this one, and if you are a new fan or aren’t a fan yet, I’d advise you leave this one until last, and try something like War Is The Answer first.

VOLBEAT Beyond Hell/Above Heaven

Album · 2010 · Heavy Metal
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My whole Summer this year has been about Volbeat. I started off with Outlaw Gentlemen’ and moved on to Seal The Deal’ and the next album I got was 2010’s Beyond Hell/Above Heaven as a very appreciated birthday gift.

The album is notably less slick, sheened and stadium sized than the two albums that followed it, but is on the way there. There is some really heavy material on here, such as ‘7 Shots’ and ‘Evelyn’ which have guest appearances from Kreator’s Mille Petroza and Napalm Death’s Barney Greenway respectively. The best song on the album in my opinion is undoubtedly the muscular groove metal track, ‘A Warrior’s Call’ which is totally crushing and memorable, a real fist pumping song if ever there was one. The chorus even sports the line ‘Let’s Get Ready To Rumble.’

Its not all heaviness though, Volbeat are famously diverse. The catchy single ’16 Dollars’ for example sounds like country music was the prime influence, and ‘Magic Zone’ could be a Green Day song. Its a very interesting album in that regard. There’s several songs that could be by totally different bands but somehow it all flows together seamlessly.

The album closer ‘Thanks’ is pretty noteworthy, sounding as it does a bizarre mixture of Rancid, Metallica and the theme tune from King Of The Hill. Its memorable ‘woah-oh-ah-oh’ lines and lyrics about being in Volbeat make for one seriously entertaining listen.

As with all the band’s albums I’ve tried so far, you can listen to it over and over again. A long drive or a week of commuting can be pleasantly enlivened with this record on repeat. If you have any interest in the band, don’t delay, get up on this and get ready to smile.

AMERICAN HEAD CHARGE Tango Umbrella

Album · 2016 · Alternative Metal
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Back in the good old days of Nu Metal, one of the heavier and more credible bands, without the Hip Hop moments, sexually aggressive lyrics and overly simplistic music, was American Headcharge. Influenced by the likes of Ministry and Marilyn Manson, but not very derivative, they carved out a unique path on their two sublime studio albums, The War Of Art and The Feeding. Literally one of my favourite songs by anyone ever is their 2005 banger of a single, ‘Loyalty.’

I have very fond memories of catching them at the Irish Ozzfest in the early ’00s, even though I wasn’t a massive fan at the time and they were more my brother’s thing back then. I saw them again about a decade later when I went to see Soil when I was in Uni. (Memorable as singer Martin Haycock kept holding onto the building’s pipes in a very distracting way that made him look like a heavy metal plumber.)

I was quite impressed with their first single from their reunion, 2013’s ‘Sugars Of Someday’ which while not very heavy was still catchy and memorable. You can imagine then, with nostalgia and hype, how excited I would be for their proper reunion album. 11 years after their last one.

Unfortunately, Tango Umbrella is not exactly a breathtaking life-changing masterpiece, kicking down the doors of Heavy Metal and earning the band the respect and audience that they would deserve based on the quality of their 2001-200 period. Now, I am loathe to mug-off a band that have written one of my all time favourite ever songs, and you can probably notice from most of my reviews I’m reluctant to post a bad review of anyone at all most of the time, definitely coming from the ‘if you can’t say anything nice’ school of thinking. However, this album didn’t live up to my wide-eyed expectations.

Don’t get me wrong. It doesn’t suck. Its not bad. Its just that, like Bay Area Thrash legends Forbiden‘s comeback album Omega Wave; its more of an OK album that shows great potential for what can come next, rather than an absolute barnstormer in and of itself. On first listen it comes across as functional but nothing special. Admittedly, it gets better the more you listen to it and it has grown on me a lot since I first got it, but it still doesn’t sit tall beside the older material. It doesn’t even hold up that much as a great album in and of itself, being a bit repetitive and overlong.

There are some great moments here however, such as the depressing but majestic ballad ‘A King Among Men.’ There’s also several decent tunes, like the opener ‘Let All The World Believe’ and the noteworthy ‘Perfectionist’ and ‘Suffer Elegantly.’

The problem is, it isn’t all very memorable, some of it is good but some of it isn’t quite up to the same standard. Also; on the whole… It isn’t very aggressive, it isn’t very biting and it doesn’t really make you want to move. Their debut had songs like ‘Americunt’ that could strip the paint off your walls. This is all a bit more mid paced and tame. I imagine it was quite a cathartic album for the band, but it isn’t necessarily very fun for the listener. It is by no means bad, but is definitely not their strongest record either and I can’t see it winning over very many new fans.

It is not so much for-fans-only as, if you want to support AHC and keep them going, and get to have a few more songs from them along the way, then don’t avoid it. It feels more like an excuse to keep going rather than a career defining artist statement. I’d advise you buy it, but only so they don’t break up before making the next one which’ll probably be better. If you aren’t a fan yet however, start earlier. You wouldn’t get Hollyweird as your first Poison album or Generation Swine as your first Motley Crue album and this is the same kind of thing for the next generation of once popular now maligned metal subgenres.

Latest Forum Topic Posts

  • Posted more than 2 years ago in MMA's Top Stoner Metal Albums
    Shit, that's hard. Three-way-tie for me between Welcome To Sky Valley, Blast Tyrant and Deliverance.
  • Posted more than 2 years ago in Helloween Albums (Updated 2016)
    Keeper 2, Then 1, Then Oath, Then 7 Sinners, Then God Given Right.
  • Posted more than 2 years ago in People's reaction after finding out you like metal
    I got nothing but grief for it in high school. Constant teasing, people shouting in the street from moving cars, people squaring up and starting fights, always having people talk shit behind my back. I even remember going up to a bar once and the non metal guy at the bar just looked pure hatred into my eyes and said 'get out of my face you're making me fucking sick.' That was a small, backwards town full of racists, homophobes and general idiots anyway though. In university it was just a bit more like, oh, well, I'll not be your friend but I won't actively be a dick about it. Nowadays as an adult, people just look at me like 'Why?' My stock answer is either 'Some people like horror films, if music was film, metal would be horror.' Or 'Not everyone can eat really spicy food, but that doesn't mean no-one can.' I generally don't bring it up. Recently, one of my co-workers noticed a motorhead pin on my backpack, and decided to throw the horns at me instead of greeting me for the next month or so, but not in a mean spirited way. 

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