Kingcrimsonprog

Jimmy Neeson
MMA Special Collaborator · Honorary Collaborator
Registered more than 2 years ago · Last visit 6 days ago

Favorite Metal Artists

All Reviews/Ratings

826 reviews/ratings
MASTODON - The Hunter Progressive Metal | review permalink
MASTODON - Crack The Skye Sludge Metal | review permalink
MASTODON - Blood Mountain Sludge Metal | review permalink
MASTODON - Leviathan Sludge Metal | review permalink
MASTODON - Live At The Aragon Sludge Metal | review permalink
AMON AMARTH - With Oden on Our Side Melodic Death Metal | review permalink
AMON AMARTH - Twilight of the Thunder God Melodic Death Metal | review permalink
AMON AMARTH - Wrath of the Norsemen Melodic Death Metal | review permalink
AMON AMARTH - Surtur Rising Melodic Death Metal | review permalink
ANNIHILATOR - Live at Masters of Rock Thrash Metal | review permalink
ANTHRAX - Worship Music Thrash Metal | review permalink
ARCHITECTS - The Here and Now Metalcore | review permalink
BRING ME THE HORIZON - Suicide Season Metalcore | review permalink
CARPATHIAN FOREST - We're Going to Hollywood for This Black Metal | review permalink
CHIMAIRA - Chimaira Groove Metal | review permalink
CHIMAIRA - The Infection Groove Metal | review permalink
CHIMAIRA - The Dehumanizing Process Groove Metal | review permalink
CHIMAIRA - Coming Alive Groove Metal | review permalink
CLUTCH - Live in Flint, Michigan Stoner Rock | review permalink
CLUTCH - Blast Tyrant Stoner Rock | review permalink

See all reviews/ratings

Metal Genre Nb. Rated Avg. rating
1 Heavy Metal 104 4.00
2 Thrash Metal 96 4.23
3 Hard Rock 62 3.65
4 Power Metal 60 4.12
5 Groove Metal 57 4.39
6 Stoner Metal 41 4.18
7 Nu Metal 36 3.85
8 Death Metal 34 3.74
9 Progressive Metal 32 4.22
10 Stoner Rock 32 4.39
11 Metalcore 29 4.34
12 Alternative Metal 27 3.87
13 Melodic Metalcore 26 4.29
14 Heavy Alternative Rock 26 4.00
15 Industrial Metal 24 3.94
16 NWoBHM 18 3.72
17 Sludge Metal 14 4.54
18 Melodic Death Metal 11 4.41
19 Metal Related 10 4.40
20 Non-Metal 9 3.72
21 Glam Metal 8 3.25
22 Hardcore Punk 8 4.13
23 US Power Metal 8 3.94
24 Gothic Metal 7 3.14
25 Proto-Metal 6 4.00
26 Rap Metal 5 3.70
27 Black Metal 5 3.90
28 Atmospheric Sludge Metal 4 3.38
29 Doom Metal 4 4.50
30 Speed Metal 4 3.00
31 Symphonic Black Metal 4 3.00
32 Melodic Black Metal 3 3.67
33 Grindcore 3 1.83
34 Death 'n' Roll 2 4.50
35 Heavy Psych 2 3.75
36 Funk Metal 1 3.50
37 Deathcore 1 3.50
38 Crossover Thrash 1 3.50
39 Technical Death Metal 1 4.00
40 Technical Thrash Metal 1 2.50

Latest Albums Reviews

MACHINE HEAD Civil Unrest

Single · 2020 · Groove Metal
Cover art Buy this album from MMA partners
Civil Unrest is the new single from veteran Bay Area Metal band Machine Head. It is the third non-album single made since the controversial Catharsis album and their very public split with long term band members Phil Demmel and Dave McClain.

Some comments sections on the internet are absolutely lighting up at the moment with people shocked and appalled that Machine Head have suddenly made a political song about race relations due to current events in the news. The thing is though; Machine Head writing about racism is nothing new. Machine Head writing about politics is nothing new. Machine Head writing about current events is nothing new either.

Their last album featured the track ‘Bastards’ about the current political climate in the US, prior to that the non-album single ‘Is There Anyone Out There?’ was about feeling disbelief about and disconnected from racist musicians in the news at the time. Even on their classic The Blackening album there’s a track called ‘Slanderous’ full of anti-racism lyrics. Before that, their fan favourite song ‘Imperium’ opens with the line ‘fuck your prejudice.’ Oh yeah, and all the way back to their 1994 debut album Burn My Eyes they’ve been talking about racism and current events, like Rodney King and the L.A. Riots. Heck, on the track ‘Old,’ which is basically the title track of that album, the first thee words are ‘‘1994. Corruption. Racism.’’ That’s the current, political and racism boxes all ticked in the first 30 seconds.

In short, you really shouldn’t be surprised about it!

Now that the educational portion of the review is over, we can discuss the actual music. The first track, ‘Stop The Bleeding’ features guest vocals from Killswitch Engage’s Jesse Leach. I figure Rob must have decided to do this because the guitar itself is very Killswitch sounding. The first 30 seconds of the track could almost be Killswitch if you didn’t know any better. It’s a nice, catchy up-tempo riff, with a sort of loud/quiet dynamic. Towards the end though, it sounds classically Machine Head, slow riffs, harmonics, groove that could fit on the first two albums if the tone weren’t so bright. In the way Zakk Wylde has a signature sound, so does Rob Flynn. New drummer Matt Alston also does his best job of attempting to stay true to the established Machine Head style. Definitely not a throwaway song.

The next track on here is ‘Bullet Proof’ which is a lot heavier, dirtier and nastier. Its got a similar stock market/wall street lyrical theme as ‘In Comes The Flood’ from Bloodstone & Diamonds and musically it mixes the heavier moments from Through The Ashes Of Empires (think the ”On Your Grave I Will Stand” section of ‘In The Presence Of My Enemies’), with the clean-but-not-clean moments in the style of The More Things Change, topped off with the nice guitar solo trade-offs in the style of all the albums since and including The Blackening. Its basically a career retrospective in one song. For my money, this is probably the best individual song the band have put out since Bloodstone & Diamonds.

Overall, Civil Unrest is just two short and angry songs released spontaneously in a strange year, but if it is any indication of the future, I think maybe Machine Head should be album to find their feet again after their midlife crisis of the past few years.

ORANGE GOBLIN Rough & Ready, Live & Loud

Live album · 2020 · Stoner Metal
Cover art Buy this album from MMA partners
A lot of bands seem to be delaying their new albums due to the whole COVID19 crisis that has been going on in 2020 at time of writing. Luckily other bands are filling the gap with B-Sides collections, new singles, and in the case of cult British Stoner Metal band Orange Goblin, fantastic live albums.

Rough And Ready Live And Loud is the second live album from ‘Goblin and comes hot on the heals of the touring for 2018’s superb The Wolf Bites Back album.

Now, I must confess, I am a relatively new Orange Goblin fan. I saw them live supporting Down in about 2012 at my first concert since I had moved to a new city and was in a weird phase of not really enjoying anything and so although I thought they were decent, I wasn’t in the mood to explore more. However, luckily I caught them live again a year or two ago supporting C.O.C and was blown clean away. Singer Ben Ward is such a charismatic dynamo of a singer, who revs the crowd up like nobody’s business, with such a fun attitude that I was instantly converted, and have been using all the Birthdays and Christmases ever since to go back through their back catalogue and get all their records.

Have you heard the phrase ‘’it does what it says on the tin’’ ?. Well, lets just say that Rough & Ready, Live & Loud really is an appros pos title. The production and recording style of this album is fuzzy, dirty and absolutely perfect for Stoner Rock/Metal fans. The bass tone is to die for. It isn’t too smoothed out or polished, but it isn’t too tiny, tinny and kvlt to be listenable. It feels live and sweaty, like you’re really there.

The setlist focuses a lot on the band’s three newest albums. There’s bouncy catchy moments like ‘Sons of Salem’ and ‘The Filthy And The Few,’ there’s Motorhead-leaning fast tracks like ‘The Devil’s Whip’ and ‘Renegade’ and there’s some slower stuff like ‘Mystical Knives.’

That’s not to say that it’s all new material. There’s some material from most of their albums. ‘Some You Win, Some You Lose’ from Thieving From The House Of God. Some older tracks like ‘Made Of Rats’ from Coup De Grace, ‘Shine’ and the Title Track from Time Traveling Blues and ‘Sauruman’s Wish’ from the debut album Frequencies From Planet Ten. Basically; the only albums not represented are The Big Black and Healing Through Fire.

The album artwork is really clever too, featuring images from many of the band’s previous records combined together in one image that looks like it was supposed to be that way anyway. Its fitting with the album’s subtitle, ‘25 Years Of British Rock & Heavy Metal.’

Since it is in essence a 25 year retrospective that covers most of their records in some form or other, this album would be a fine introduction for any new fans, and if you are an existing fan, all the new material gives you something different from their last live record.

I highly recommend this album. The performances on here are absolutely electric, the drums slam, the guitars crunch, the slower moments are nice and trippy, the guitar leads are blazing and when the tempo speeds up the aforementioned frontman bubbles with excitement. It’s a very uplifting record that oozes with fun. You can almost feel the sticky venue floor beneath your feet. They released a music video for this album’s version of ‘The Devil’s Whip’ which I’d recommend you try out if you want to see if this live album, or even if this band, are your cup of tea.

[Side note: If you haven’t heard the band before; but like bands like Kyuss, Fu Manchu, Monster Magnet, Nebula, Sheavy or Sleep, or indeed bands like the aforementioned Down and C.O.C, but also love Motorhead or like it when Stoner music goes fast (like High On Fire when they step on the gas pedal) then I can pretty much guarantee you’ll enjoy Orange Goblin].

TRIVIUM What The Dead Men Say

Album · 2020 · Melodic Metalcore
Cover art Buy this album from MMA partners
Florida’s Trivium have been on a bit of a career high recently, with their album-of-the-year worthy previous album The Sin & The Sentence introducing the best drummer of their career and being the best collection of songs since their breakthrough. Momentum was high, as were expectations for their ninth album, 2020’s What The Dead Men Say.

For me, The Sin & The Sentence is basically the best album the band have ever released, and not even by a slim margin. It was a highlight of the whole subgenre. This album, while maybe not just as vital, breath-taking and relentless as that was, is definitely a worthy follow-up. Like the previous album, it has an absolutely perfect production job from Josh Wilbur, tasteful minimalist artwork, jaw dropping drums from Alex Bent and a musical direction that combines all the various aspects of all the different things they’ve tried over the years and pushes it in new directions too.

Whatever era of Trivium you like, be it the melodic and classic metal sounding Silence In The Snow style, the commercial Crusade style, the catchy and simplified Vengeance Falls style, the heavy Ascendancy & In Waves style… there’s a bit of everything, with all the good points and none of the bad. Its smooth, flowing, tasteful, and punchy. Its not cheesy, disjointed or boring. Basically, it’s a continuation or the absolute rage and perfection of the Sin & The Sentence style (although maybe a bit more melodic, with a few less blast-beats. I saw someone on social media call it Silence In The Sentence and I think that fits quite nicely).

There are some huge crunchy riffs, some excellent virtuoso solos and brilliant both harsh and clean vocals. Ever since Silence In The Snow, Matt Heafy’s vocals have been a whole other level, he’s as melodic and powerful as a Traditional Metal hero, and emotive without being cheesy or sacharine. There are some damn memorable choruses here. Its also succinct, with no filler, and the songs have complexity without overstaying their welcome.

Highlights include the harsh ‘Amongst The Shadows & The Stones’ the more direct and catchy ‘The Defiant’ and best of all, ‘Sickness Unto You’ which no Trivium fan should be without.

In the past, the band had a lot of detractors for a range of different reasons, suspicious elitists who didn’t like the youthful band wearing Overkill t-shirts and playing Thrash riffs in with their Metalcore, young fans who didn’t understand the band growing and evolving with each album, fans of one era but not another. Its really nice that now the majority of people are stopping having to be defensive about liking Trivium. When the material is of this quality, you just can’t cross your arms and deny them anymore. This album is superb, and if you don’t check it out, you really are missing out.

SEPULTURA Machine Messiah

Album · 2017 · Groove Metal
Cover art Buy this album from MMA partners
Machine Messiah is an absolute rager of an album. In terms of quality, this is one of Sepultura’s best albums period. Of course you’ve got Chaos AD if your ears work, then there’s always either Arise or Roots depending on if you are a Thrash or Nu Metal fan and that’s more or less the way the Metal history books have kept it for years. Now however, this album and its follow up Quadra should rightly be considered absolutely essential Sepultura listening. (In fact, personal preference and sacrilegious though it may be, I would argue this and Quadra and joint second place behind only Chaos AD).

When you look at the cover image for this record, you could reasonably expect it to be some sort of modern version of Arise, like how some veteran bands tend to harken back to old covers when they are going back to their roots. However; stylistically, this album is a whole new kettle of fish.

There’s quite a bit of variety. The album opens with a slow and moody title track with clean vocals. Midway through there is a very proggy instrumental with melodic sweeping virtuoso guitar work. Towards the ends there are a few tracks with additional musicians, like violins and horns, creating a very cinematic and grand sound.

The core sound of the album though, is just really well written, modernised and exciting variations on the band’s signature Groove Metal style, but with much more twists and turns, syncopation, swing and outstanding levels of musicianship. The drums and lead guitars in particular are beyond impressive. Eloy Casagrande is arguably the best drummer they’ve ever had and Andreas Kisser hasn’t just stagnated as a guitarist, he has pushed himself to new heights. This is leagues above anything they were putting up in the first decade after Max left.

I’d usually like to list highlights at this point, but to be honest, there isn’t a wasted moment on the whole disc. ‘Phantom Self’ has the riffs, ‘Iceberg Dances’ and ‘Cyber God’ have the solos, ‘Vandals Nest’ and ‘Resistant Parasites’ have the drums, ‘I Am The Enemy’ and ‘Silent Violence’ have the vocal hooks, and ‘Machine Messiah’ and ‘Alethea’ just have the general cool factor. Its one of the best single collection of songs the band has ever produced.

Clocking in at a tidy 46 minutes without overstaying its welcome and featuring just 10 songs every single one of which is memorable, this is as close to a perfect album as you can get. The best thing is that it just gets better the more you listen to it. I thought it was good the first time I heard it, but the more I spin it, the more I discover. The more I discover the more I love. It just keeps on giving.

Overall, this is a superb album that I whole heartedly recommend without hesitation or caveat. In fact, if you like any other Sepultura album but don’t own this, I downright insist you check it out.

TESTAMENT Titans Of Creation

Album · 2020 · Thrash Metal
Cover art Buy this album from MMA partners
Its 2020 and the 1980s Thrash Metal legends Testament have dropped their twelfth canonical studio album (ie. not counting First Strike Still Deadly, since that is re-recordings of old material). I was pretty hyped up for this album before it even arrived as the band have been on such great form for the last decade with no weak releases in recent memory. Their latest effort is called Titans Of Creation and has the same killer production style as the last two albums and also features the same line-up as the previous album Brotherhood Of The Snake, which is actually a rare thing nowadays as they usually seem to have at least one line-up shift on each new record since the ‘90s.

Interestingly though, although it has the same line-up as the last record, it kind of sounds like there has been a shift. The album is a lot less direct and a lot more technical and musically complex than ‘Snake was. Its also about 15 minutes longer. Don’t get me wrong, there’s still no intros and no ballads, just metal fury from start to end, and there are still some blunt force all-out Thrashers on there (see the red hot ‘WW3’ or ‘Curse Of Osiris’ for example), but they do take the foot off the gas a few times to flex their musicianship rather than just sanding faces off and full speed for an hour. It ends with a biblical sounding instrumental for example. ‘Symptoms’ goes down quite a technical and melodic route, that really lets you know the current rhythm section were both also previously members of the band Death. Single ‘Night Of The Witch’ should give you some idea of the direction of the record. Songs crammed with numerous tempo shifts, complex structures, virtuoso solos, loud and flashy drumming, as well as little hints of the mid-late ‘90s Groove Metal and Death Metal-influenced Testament style creeping in at points amongst their modern-Thrash style of the last four albums. ‘City Of Angels’ takes things even further, and is probably the closest thing to Low the band have done in a very long time.

Basically, the record takes the building blocks of the few previous records’ style, but really pushes it in several different directions and adds more variety. Whether you prefer this album to previous albums will really just come down to personal preference in issues of precision and succinctness versus experimentation and breadth. In terms of quality however, it is unquestionably as good as anything the band have put out since Chuck recovered from cancer.

In terms of highlights; I think my second favourite track on the album is the off-kilter ‘Ishtar’s Gate’ which is very bass driven, has a nice eastern-sounding intro and guitar solo, and revolves around a very satisfying loud/quiet dynamic that reminds me a tiny bit of Annihilator. My favourite song however, and the catchiest song on the album, is probably ‘Dream Deceiver’ which could probably be described as the bastard son of ‘Electric Crown’ and ‘More Than Meets The Eye’ and which is somehow even better than that sounds. It is arguably the most memorable song they’ve written since 2008’s The Formation Of Damnation album (and this is coming from someone who loves the last two albums, so this is saying something!). Oh and in case you were wondering, its not a Priest cover, that was ‘Dreamer Deciever’ you’re thinking of.

Overall; a damn fine modern day effort from a world class Thrash act, still at the top of their game, that is both similar enough to recent records that if you like them you’ll love this, but differnt enough that you haven’t just heard it all before. Highly recommended.

Latest Forum Topic Posts

  • Posted more than 2 years ago in MMA's Top Stoner Metal Albums
    Shit, that's hard. Three-way-tie for me between Welcome To Sky Valley, Blast Tyrant and Deliverance.
  • Posted more than 2 years ago in Helloween Albums (Updated 2016)
    Keeper 2, Then 1, Then Oath, Then 7 Sinners, Then God Given Right.
  • Posted more than 2 years ago in People's reaction after finding out you like metal
    I got nothing but grief for it in high school. Constant teasing, people shouting in the street from moving cars, people squaring up and starting fights, always having people talk shit behind my back. I even remember going up to a bar once and the non metal guy at the bar just looked pure hatred into my eyes and said 'get out of my face you're making me fucking sick.' That was a small, backwards town full of racists, homophobes and general idiots anyway though. In university it was just a bit more like, oh, well, I'll not be your friend but I won't actively be a dick about it. Nowadays as an adult, people just look at me like 'Why?' My stock answer is either 'Some people like horror films, if music was film, metal would be horror.' Or 'Not everyone can eat really spicy food, but that doesn't mean no-one can.' I generally don't bring it up. Recently, one of my co-workers noticed a motorhead pin on my backpack, and decided to throw the horns at me instead of greeting me for the next month or so, but not in a mean spirited way. 

Shouts

Please login to post a shout
No shouts posted yet. Be the first member to do so above!

MMA TOP 5 Metal ALBUMS

Rating by members, ranked by custom algorithm
Albums with 30 ratings and more
Master of Puppets Thrash Metal
METALLICA
Buy this album from our partners
Moving Pictures Hard Rock
RUSH
Buy this album from our partners
Rust in Peace Thrash Metal
MEGADETH
Buy this album from our partners
Powerslave NWoBHM
IRON MAIDEN
Buy this album from our partners
Are You Experienced? Proto-Metal
JIMI HENDRIX
Buy this album from our partners

New Metal Artists

New Metal Releases

Garbers Days Revisited Sludge Metal
INTER ARMA
Buy this album from MMA partners
Abyss Sludge Metal
DEAF GIANT
Buy this album from MMA partners
May You Be Held Atmospheric Sludge Metal
SUMAC
Buy this album from MMA partners
St Vitus 09​/​07​/​2018 Atmospheric Sludge Metal
SUMAC
Buy this album from MMA partners
Balance Sludge Metal
OF WOLVES
Buy this album from MMA partners
More new releases

New Metal Online Videos

Limp Bizkit - Counterfeit
LIMP BIZKIT
Unitron· 6 days ago
DEAD QUIET - Foul Words
DEAD QUIET
voila_la_scorie· 7 days ago
DEAD QUIET - Dear Demon
DEAD QUIET
voila_la_scorie· 7 days ago
More videos

New MMA Metal Forum Topics

More in the forums

New Site interactions

More...

Latest Metal News

members-submitted

More in the forums

Social Media

Follow us

Buy Metal Music Online