MORBID ANGEL
Death Metal • United States

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Morbid Angel is an American death metal band from Tampa, Florida. The band formed as Ice and then as Heretic, before settling on the name Morbid Angel in 1984. The band is known as being one of the pioneers of the death metal genre, along with bands such as Possessed and Death. The band recorded their debut studio album, Abominations of Desolation, in 1986 though it went unreleased until 1991. Guitarist Trey Azagthoth also considers it to be a demo rather than an album. Because of this, Altars of Madness from 1989 is typically seen as their proper debut. Morbid Angel was the first death metal band to get signed to a major label, with 1993's Covenant being released under Giant Records, in association with Warner Brothers Records. This helped propel the band's popularity, with music videos from the album being featured on MTV's Beavis and Butthead as well as read more...
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Kingdoms DisdainedKingdoms Disdained
Silver Lining Music 2017
Audio CD$10.91
$12.27 (used)
Kingdoms Disdained (Boxset)Kingdoms Disdained (Boxset)
Silver Lining Music 2018
Vinyl$123.27
$147.53 (used)
Altars Of MadnessAltars Of Madness
Earache Records 2016
Vinyl$16.99
$15.50 (used)
CovenantCovenant
Import
Imports 2017
Vinyl$15.49
$22.24 (used)
Illud Divinum InsanusIllud Divinum Insanus
SEASON MIST AMERICA 2012
Audio CD$4.98
$3.79 (used)
DominationDomination
Giant Records / Wea 1995
Audio CD$12.23
$9.59 (used)
Gateways to AnnihilationGateways to Annihilation
Import
Imports 2008
Audio CD$8.79
$16.99 (used)
Blessed Are The SickBlessed Are The Sick
Earache Records 2003
Audio CD$13.48
$13.47 (used)
Illud Divinum Insanus: The RemixesIllud Divinum Insanus: The Remixes
Season of Mist 2012
Audio CD$3.97
$3.96 (used)
HereticHeretic
Earache Records 2003
Audio CD$11.40
$11.39 (used)
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MORBID ANGEL – Domination – YELLOW LP (LTD 200) – 2011 – NEW & SEALED MORBID ANGEL – Domination – YELLOW LP (LTD 200) – 2011 – NEW & SEALED USD $279.56 Buy It Now 2h 38m
Morbid Angel - Abominations Of Desolation (CD Used Like New) Morbid Angel - Abominations Of Desolation (CD Used Like New) USD $10.48 Buy It Now 2h 44m
Morbid Angel - Kingdoms Disdained (Vinyl) Morbid Angel - Kingdoms Disdained (Vinyl) USD $25.19 Buy It Now 3h
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Illud Divinum Insanus: The Remixes by Morbid Angel (CD, Feb-2012, 3 Discs,... Illud Divinum Insanus: The Remixes by Morbid Angel (CD, Feb-2012, 3 Discs,... USD $3.30 Buy It Now 1 day
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Covenant [PA] by Morbid Angel (CD, Jun-1993, Giant, death metal, preowned) Covenant [PA] by Morbid Angel (CD, Jun-1993, Giant, death metal, preowned) USD $6.99 (1 bids)
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MORBID ANGEL - Formulas Fatal to the Flesh CD MORBID ANGEL - Formulas Fatal to the Flesh CD USD $13.98 Buy It Now 2 days
Morbid Angel - Abominations Of Desolation [CD] Morbid Angel - Abominations Of Desolation [CD] USD $11.45 Buy It Now 2 days
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Morbid Angel Set List Melbourne Domination Tour Morbid Angel Set List Melbourne Domination Tour USD $125.51 (0 bids)
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DAGGERSPAWN Suffering Upon The Throne Of Depravity - 2009 CD - morbid angel DAGGERSPAWN Suffering Upon The Throne Of Depravity - 2009 CD - morbid angel USD $9.99 Buy It Now 2 days
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Gateways to Annihilation by Morbid Angel (Vinyl, Aug-2016, Earache (Label)) Gateways to Annihilation by Morbid Angel (Vinyl, Aug-2016, Earache (Label)) USD $15.35 Buy It Now 2 days
OFFENDING-HUMAN CONCEPT-CD-cannibal corpse-morbid angel-death-metal OFFENDING-HUMAN CONCEPT-CD-cannibal corpse-morbid angel-death-metal USD $8.09 Buy It Now 2 days
MORBID ANGEL Covenant JAPAN CD VICP-5643 1995 OBI MORBID ANGEL Covenant JAPAN CD VICP-5643 1995 OBI USD $54.81 Buy It Now 2 days
GRIND CRUSHER THE ULTIMATE EARACHE CASSETTE 1991 MORBID ANGEL CARCASS REPULSION GRIND CRUSHER THE ULTIMATE EARACHE CASSETTE 1991 MORBID ANGEL CARCASS REPULSION USD $27.96 Buy It Now 2 days
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PESSIMIST - SLAUGHTERING THE FAITHFUL ORG DIABOLIC UNHOLY GHOST MORBID ANGEL PESSIMIST - SLAUGHTERING THE FAITHFUL ORG DIABOLIC UNHOLY GHOST MORBID ANGEL USD $6.66 (0 bids)
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Covenant [PA] by Morbid Angel (CD, Jun-1993, Giant (USA)) Covenant [PA] by Morbid Angel (CD, Jun-1993, Giant (USA)) USD $8.53 Buy It Now 3 days
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Morbid Angel Alters Of Madness Vinyl LP Original Earache Album Morbid Angel Alters Of Madness Vinyl LP Original Earache Album USD $7.69 (8 bids)
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PANTERA original tour SHIRT PANTERA original tour SHIRT "Extreme Steel Tour" 2001 (Slayer, Morbid Angel) USD $19.99 (0 bids)
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NOCTURNUS tank top T size M, one-off design (morbid angel, incubus, death) NOCTURNUS tank top T size M, one-off design (morbid angel, incubus, death) USD $6.66 (0 bids)
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Morbid Angel - Kingdoms Disdained [New CD] Explicit Morbid Angel - Kingdoms Disdained [New CD] Explicit USD $16.70 Buy It Now 3 days
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MORBID ANGEL Discography

MORBID ANGEL albums / top albums

.. Album Cover 4.36 | 37 ratings
Altars of Madness
Death Metal 1989
.. Album Cover 4.17 | 41 ratings
Blessed Are the Sick
Death Metal 1991
.. Album Cover 4.20 | 35 ratings
Covenant
Death Metal 1993
.. Album Cover 4.21 | 27 ratings
Domination
Death Metal 1995
.. Album Cover 3.61 | 15 ratings
Formulas Fatal to the Flesh
Death Metal 1998
.. Album Cover 3.91 | 18 ratings
Gateways to Annihilation
Death Metal 2000
.. Album Cover 3.24 | 10 ratings
Heretic
Death Metal 2003
.. Album Cover 1.84 | 24 ratings
Illud Divinum Insanus
Death Metal 2011
.. Album Cover 4.50 | 3 ratings
Kingdoms Disdained
Death Metal 2017

MORBID ANGEL EPs & splits

.. Album Cover 3.50 | 1 ratings
Laibach Remixes
Death Metal 1994
.. Album Cover 0.00 | 0 ratings
Nevermore
Death Metal 2011

MORBID ANGEL live albums

.. Album Cover 3.30 | 6 ratings
Entangled in Chaos
Death Metal 1996
.. Album Cover 0.00 | 0 ratings
Juvenilia
Death Metal 2015

MORBID ANGEL demos, promos, fans club and other releases (no bootlegs)

.. Album Cover 0.00 | 0 ratings
Scream Forth Blasphemies
Death Metal 1986
.. Album Cover 0.00 | 0 ratings
Bleed for the Devil
Death Metal 1986
.. Album Cover 0.00 | 0 ratings
Total Hideous Death
Death Metal 1986
.. Album Cover 0.00 | 0 ratings
Thy Kingdom Come
Death Metal 1987
.. Album Cover 3.43 | 7 ratings
Abominations of Desolation
Death Metal 1991

MORBID ANGEL re-issues & compilations

.. Album Cover 0.00 | 0 ratings
Love of Lava
Death Metal 1999
.. Album Cover 1.00 | 1 ratings
Illud Divinum Insanus – The Remixes
Industrial Metal 2012
.. Album Cover 0.00 | 0 ratings
The Best of Morbid Angel
Death Metal 2016

MORBID ANGEL singles (0)

MORBID ANGEL movies (DVD, Blu-Ray or VHS)

MORBID ANGEL Reviews

MORBID ANGEL Kingdoms Disdained

Album · 2017 · Death Metal
Cover art Buy this album from MMA partners
UMUR
"Kingdoms Disdained" is the 9th full-length studio album by US death metal act Morbid Angel. The album was released through Silver Lining Music in December 2017. It´s the successor to the much discussed and critizised "Illud Divinum Insanus" from 2011. There have been quite a few lineup changes since the predecessor as lead vocalist/bassist David Vincent has been replaced by Steve Tucker. The latter was also a member of Morbid Angel in the 1997-2001 and 2003-2004 periods and has recorded three albums with the band (the last being "Heretic" from 2003). Drummer Tim Yeung has been replaced by Scott Fuller (Abysmal Dawn, Havok, Annihilated), and guitarist Destructhor has also jumped ship. He hasn´t been replaced here, so guitarist and band leader Trey Azagthoth handles all guitars on "Kingdoms Disdained".

While "Illud Divinum Insanus (2011)" probably made quite a few Morbid Angel fans scratch their head in disbelief, it was an experiment the band needed to do, but listening to "Kingdoms Disdained" it´s also obvious that Morbid Angel knew what their fans expected from them after their little experimental adventure and in that regard they chose the safe path this time around. So "Kingdoms Disdained" doesn´t feature any flirts with industrial metal or weird electronic music experiments, but instead features the trademark Morbid Angel death metal sound of the 1990s. It´s old school and brutal, but still rather complex and sophisticated death metal loaded with twisted riffs, screaming atonal solos (actually not as many as usual), brutal yet intelligible growling vocals, and quite a few tempo changes. It´s not easy listening death metal, and a few more catchy moments wouldn´t have hurt the overall accessibility of the album, but this is uncompromising death metal, so that´s more or less the premise and nothing unusual for the genre.

The material on the 11 track, 47:43 minutes long album is otherwise well written, intriguing, and powerful. Not quite in the league of their first four albums, but definitely on par with the other Tucker fronted releases and after the challenging experience of getting through "Illud Divinum Insanus (2011)", it´s great to hear the band back on track, doing what they do best. The musicianship is as always on a high level. Tucker is not quite as distinct sounding as Vincent, but he is a pretty strong and commanding growler, and new drummer Scott Fuller delivers a powerful percussive attack. He has a great, and for the genre relatively varied drumming style. Azagthoth is...well Azagthoth. A lot of praises have been spoken of his inventive riffing style and solos over the years, and I can only join the choir here, and send more praise his way. As mentioned above a few more memorable and more straight forward riffs could have made some of the tracks a little more listener friendly, but on the other hand Azagthoth clearly does exactly what he feels is right for the music, and I always praise a bold and adventurous soul like Azagthoth.

"Kingdoms Disdained" features a dark, raw, and powerful sounding production, which is surprisingly organic since it´s Eric Rutan who is credited as producer on the project. I did not enjoy some of his early production jobs, but in recent years he has become quite a skilled producer. Some of the guitar riffs could have been more clearly defined as they sound a bit murky and low in the mix, but other than that "Kingdoms Disdained" sounds pretty great.

Upon conclusion "Kingdoms Disdained" is a high quality death metal release by Morbid Angel and a clear letter of content that the experiment of "Illud Divinum Insanus (2011)" was a one-off. "Kingdoms Disdained" is not what I would characterize as a standout release in the band´s discography, but it´s an important album because of when it was released. A 3.5 star (70%) rating is deserved.

MORBID ANGEL Kingdoms Disdained

Album · 2017 · Death Metal
Cover art Buy this album from MMA partners
Unitron
The Pillars Crumbling...

Death metal pioneers Morbid Angel have finally returned with their first studio album since 2011's ill-received Illud Divinum Insanus. While I think that's a decent album for what it is, many fans didn't like the additions of an industrial sound and thought it was an overall weak effort. Frontman David Vincent has once again been replaced with the return of Steve Tucker, so fans probably didn't know exactly what to expect.

Thankfully, this is largely a return to the classic Morbid Angel sound that every old school death metal fan knows and loves. What you get is an absolute pummeling of brutal yet grooving riffing, constant machine gun drums, chaotic growls, and a couple fantastic new additions to keep it fresh. At times there are some massive syncopated grooves that wouldn't sound out of place on a Meshuggah album, and some classic rock/metal-styled guitar solos. In fact, the contrast between the crushing death metal grooves and almost 70's sounding guitar solos is my favorite part of the album.

"The Pillars Crumbling" is the best example of the aforementioned contrast. After the majority of the song crushes the listeners bones with its main crunching groove, the end of the song switches between pounding drums and kick ass solos that sound right out of a 70's or 80's guitar jam. As much as screeching death metal solos have their place, old school death metal mixes surprisingly well with even more old school guitar solos. Opener "Piles of Little Arms" also has one of these solos at the very end of the song.

Of course, the main focus of the album is absolutely crushing old school death metal of the best variety. Honestly, this is probably Morbid Angel's best album since 1993's Covenant. It's impossible to not headbang to pretty much the entire album, and it simply never lets up. Riff after riff, it's all represented well on the album cover. It's hard to pick highlights apart from "The Pillars Crumbling", which has easily become one of my favorite Morbid Angel tracks. "Garden of Disdain", "Architect and Iconoclast", and "Paradigms Warped" are a few of songs with some of the best and most massive grooves that the band has delivered. The latter especially has some killer bass lines, perfectly placed between walls of guitar sound.

Morbid Angel is back, and with one of the best modern death metal albums. Kingdoms Disdained blends the old school spirit with the brutality of bands like Nile and Meshuggah into a perfect mix. If you're looking for some crushing death metal that remembers what the genre is all about, this is an essential listen. Hope you found this review helpful, feel free to comment!

MORBID ANGEL Altars of Madness

Album · 1989 · Death Metal
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voila_la_scorie
One of those essential old school death metal albums.

Wait! ONE of those? ONE?

This little baby is apparently considered one of the most important albums in the developing death metal scene and gets mentioned alongside Death's "Scream Bloody Gore". The ethos behind the music was simple: destroy everybody! Reading the quote on Wikipedia by guitarist Trey Azagthoth, the approach to the music was to create music that would make people work a lot harder after seeing Morbid Angel perform. He wanted people to wonder what in tarnation was going on, write stuff that would make other bands go run and hide.

Morbid Angel's true debut was recorded late in 1988 and released in spring of 1989. They had previously recorded a debut album in 1986 but were unhappy with the results and went back into the studio in '88. The result is a monumental album that takes a bit of Death, Slayer, Kreator, and Bathory and surprisingly some inspiration from Pink Floyd and delivers music that is fast, tight, brutal, and fairly technical with lots of tremolo picked single-string riffs played both in lower tones and higher tones simultaneously. There are stand out heavy riffs, wild leads, abrupt stops and changes in tempo and rhythm, and basically in the sense described by Trey Azagthoth, music that took death metal in a new direction, or at least pushed it further toward technical death metal than what had been achieved before.

The Wikipedia article goes on to say how "Altars of Madness" completed stomped on the speed/thrash scene in Sweden and opened people's eyes to this new approach to extreme metal.

One of the things I like about this album is that the band adds small details to the songs to make them memorable, as opposed to a collection of all brutal and immensely crushing music. "Immortal Rites" starts off backwards and then flips around. The vocals sound like a deeper version of Quorthon of Bathory. The there is this part with what sounds like orchestral sounds and the music gets a horror movie soundtrack feel. "Visions from the Dark Side" has some slow heavy riffing that resembles early Megadeth or Metallica and "Chapel of Ghouls" drops into this haunted mansion type music in the middle before changing gears a slower Slayer "Hell Awaits" song.

It's easy to play this album through and just ride with the atmosphere but it won't take much extension of attention to catch how each song is constructed independently of the others. With some albums it's not so easy to hear the distinction from one song to the next, but Morbid Angel prove they can write songs and not just a style.

Given that the development of death metal in the mid to late eighties is still something I am discovering in small bits here and there, I can't say that I personally understand all the hype about this album. But I can identify its place in the timeline from Celtic Frost, Slayer, Possessed, and Death to later bands like Atheist, Immolation, Gorguts, and Cynic.

A monumental album in metal history? I won't argue that point. And I enjoy the album more with each subsequent listen.

MORBID ANGEL Domination

Album · 1995 · Death Metal
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siLLy puPPy
One of the most beautiful things about MORBID ANGEL is that they never stagnated in their sound despite pioneering the world of death metal and taking that final step out of the thrash world which landed them the honor of being one of the most influential death metal bands to the plaudits of the critics. Although they took the early Slayer thing and put it through the brutality blender before they emerged with their groundbreaking “Altars Of Madness,” where they churned out sonic assaults about Satanism and occult themes, they quickly became more sophisticated in not only their compositions but in their subject matter. Beginning with “Blessed Are The Sick” they evolved their lyrical content in the realms of Sumerian gods while their technical chops became ever more tight and polished without losing one little bit of the fire and fury that made them one of the most successful extreme metal bands of all the early 90s.

After cranking out three beautiful beasts of unrelenting brutality, they took a rather left field turn and began to experiment with their sound. The result was their fourth studio album DOMINATION which not only expanded their sonic palette manyfold but also saw the debut of Erik Rutan as the second guitarist / keyboardist thus making the band a quartet instead of a mere trio. This would also be David Vincent’s last album for quite some time before he would rejoin in 2004. This album is quite distinct visually speaking as it is rare to find a death metal album cover graced in green and purple. The earliest CDs came in green jewelcases and there were plans to release a “Slime Pack” but was scrapped because of the toxic slime leaking from the albums before they were ever got shipped!

DOMINATION is quite the interesting listen and shows MORBID ANGEL diversifying its sound in many different ways. The first three tracks showcase the classic death metal sound but also add a new sludgy element to the mix with slower guitar riff tempos and even less frenetic drum parts. In the composition department the guitars are more atonal, there are multiple tempo changes and break downs and there is much more emphasis on creating a dark and gloomy atmosphere instead of focusing exclusively on brutality. Of course those squealing guitar solos still emerge from nowhere and the brutal riffs are still on board but something noticeably shifted on DOMINATION. “Melting” displayed a completely new side of the band with a theatrical soundtrack like a war march through some sort of ancient siege and as far as i know is the first of its kind in the death metal world. This sort of interlude music was adopted by bands like Nile who made it a staple of Sumerian and Ancient Egyptian folklore sounds but also has been adopted by other tech death bands like Gorguts.

The influences that led to an entire career that Nile (and even for others such as Gojira) are pretty much adopted from this album and are rather apparent on tracks like “Nothing But Fear” which have complex riffing, several time signature changes and differentiations in tempo and dynamics including passages where the drumming is on blastbeat mode while the atmospheric chord changes contrast with the brutality. Basically the blueprint for Nile albums such as “Seeds Of Vengeance.” The rest of the album pretty much follows suit incorporating the expected MORBID ANGEL magic through the mix of the down-tuned darkened pummeling dual guitar riffing of Azagthoth and Rutan, Vincent’s double bass line abuse and guttural vocals with Sandoval’s blastbeat drum abuse. However with the addition of dramatic war march doom metal sequences, more atmospheric keyboard touches and unexpected detours into sludge metal means DOMINATION is the most diverse MORBID ANGEL album of the early Vincent years. Personally i also find this to be the one i find most interesting. Despite all the brutality as well as being the pioneers of the genre, the first three albums haven’t aged quite as well as i would’ve hoped. DOMINATION on the other hand has all the aggression and attitude of a quality extreme metal album without the monotony of a ceaseless fire of riffs to infinity. An under-appreciated masterpiece me thinks.

MORBID ANGEL Altars of Madness

Album · 1989 · Death Metal
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Vim Fuego
‘Altars of Madness’ was the album which made people sit up and take death metal seriously.

Early death metal was characterised by heavy Neanderthal riffs, double kick drum abusing percussion, and gargling vocals. Death’s 1988 album ‘Leprosy’ was the first to start refining this formula past its most basic, but ‘Altars Of Madness’ took it a step further. Morbid Angel proved that death metal musicians could be highly skilled, and that death metal didn’t have to be simple to be effective.

There is so much detail through the album. Each song is a multi-spiralling helix of twisted riffs, demented solos and leads and machinegun percussion. There is so much going on in each song that repeated listens are required to pick out even half of it. A song like ‘Maze of Torment’ is appropriately titled, because it shoots off in so many different directions, turning back on itself, twisting and writhing.

Trey Azagthoth had a reputation as a bit of a fruit loop, but no one could doubt his skill as a guitarist. Azagthoth routinely slashed his arm before playing, letting the blood flow over his instrument as a sacrifice to aid his skills. Owing equal debts to Eddie Van Halen, Mozart and the Ancient Ones, his playing was far from conventional. He often throws in off-kilter notes and unexpected guitar effects and noises, essential in weaving the ultra-complex web of Morbid Angel’s identity. Richard Brunelle matched Azagthoth for enthusiasm, if not quite for technique, and while his soloing style is less technical than Azagthoth’s, it is no less frenetic.

David Vincent’s voice is not as gruff as many early Death Metal vocalists, but it allows a certain fluidity a deeper voice would negate. It allows the listener to fully appreciate the band’s tales of damnation and evil.

‘Chapel of Ghouls’ is one of the oldest songs here, written along with original drummer and vocalist Mike Browning, but it stands out as a highlight. Believe it or not, it has a sing-along chorus. While much of the album takes several listens to penetrate, it is quite possible to pick up the chant “Dead- your god is dead/Fools- your god is dead/Useless prayers of lies/Behold Satan’s rise”. Judicious use of blast beats and the multifaceted Azagthoth/Brunelle solos embed this song firmly into your mind.

‘Blasphemy’ is the other real stand out track. It starts with machinegun fire, the rapidity of which Pete Sandoval matches and then surpasses with the snare. Ever wondered why his nickname is Commando? Vincent’s voice almost sounds out a melody, while the minimal use of solos (well, minimal for Morbid Angel anyway) helps create a short, punchy track.

The re-released version of the album has the track ‘Lord of All Fevers and Plague’ as a bonus. It is hard to see why the track wasn’t originally included on the album. The overall sound fits perfectly with the rest of the album. Lyrically though, it is Azagthoth’s ode to Lovecraftian demons, rather than following the satanic theme present elsewhere. There are also remixes of ‘Maze of Torment’, ‘Chapel of Ghouls’ and ‘Blasphemy’ added as bonus tracks, although the only difference between these and the originals are some slightly altered solos.

This album still sounds fresh. Although nowhere near as heavy as much of the death metal coming out today, ‘Altars Of Madness’ proved a valuable point at the time of its release, that brutality and skill need not be mutually exclusive.

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