Death Metal

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Death metal is an extreme subgenre of heavy metal. It typically employs heavily distorted guitars, deep growling vocals, blast beat drumming, and complex song structures with multiple tempo changes.

Building from the musical structure of thrash metal, death metal emerged during the mid 1980s. It was mainly inspired by thrash metal acts like Slayer, Kreator and Celtic Frost. Along with the band Death and its frontman Chuck Schuldiner (who is often referred to as "the father of death metal"), bands like Possessed and Morbid Angel are often considered pioneers of the genre. In the late 1980s and early 1990s, death metal gained more media attention as popular record labels like Earache and Roadrunner began to sign death metal bands at a rapid rate. Since then, death metal has diversified, spawning a rich variety of subgenres.

Inclusive death metal music subgenres:

  • Brutal death metal See: http://www.metalmusicarchives.com/subgenre/brutal-death-metal
  • Melodic death metal See: http://www.metalmusicarchives.com/subgenre/melodic-death-metal
  • Swedish death metal, also referred to as Scandinavian death metal, should not be confused with melodeath. This genre is characterized by its focus on raw energy and aggression. The guitars are typically extremely distorted and downtuned, and, in addition to traditional death metal elements, artists within this subgenre also draw on hardcore punk and early thrash metal. While not restricted to Sweden, the genre is called death metal because it was largely popularized by death metal artists from Sweden, such as Carnage, Nihilist, early Entombed, Dismember, Grave, and Unleashed. Seeing that many of the prominent artists within this genre were located in around Stockholm, it is sometimes referred to as the Stockholm sound in contrast with the Gothenburg sound. While big in the 1990s, the popularity of this genre waned in the 2000s, as melodeath became more popular, but recently a number of bands based in Eastern Europe, such as Brutally Deceased and Morbider, have taken up the Stockholm sound and are bringing it back onto the scene.
  • Death-grind combines elements from death metal with element of grindcore. From grindcore, the genre inherits song brevity (with the average length being 2:30), emphasis on fast picking and blastbeating as well as the lyrical content (which means that a lot of death-grind deals with gore, pornography or socio-politics). From death metal, it inherits song complexity and focus on performance and technique, although guitar solos are not as common as in other styles of death metal. When Napalm Death started to gravitate towards death metal from pure grindcore, they developed a death-grind sound, and they are probably the most influential band in the death-grind genre. Other death-grind acts are Lock Up, Terrorizer, and Pig Destroyer. On MMA, those death-grind artists and releases that lean more towards grindcore are included under grindcore, while those that lean more towards death metal are included under death metal.
  • Technical/progressive (or tech/prog) death metal See: http://www.metalmusicarchives.com/subgenre/technical-death-metal
  • Blackened death metal combines death metal and black metal, of lyrically the focus is typically on Satanism, occultism and anti-religion. Behemoth is considered one of the most influential blackened death metal bands.
  • Death ‘n’ roll See: http://www.metalmusicarchives.com/subgenre/death-n-roll


The following subgenres are NOT listed under death metal in the MMA:

  • Grindcore: has its own sugbenre section.
  • Death-thrash: included under thrash metal.
  • Deathcore: included under metalcore.
  • Doom-death: included under doom metal.


Source: http://en.wikipedia.org/wiki/Death_metal

Written by Time Signature.

Sub-genre collaborators:
  • Nightfly (leader)
  • Vim Fuego
  • TheHeavyMetalCat

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death metal Music Reviews

SORCERY Rivers of the Dead

EP · 1990 · Death Metal
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UMUR
"Rivers of the Dead" is an EP/single release by Swedish death metal act Sorcery. The EP/single was released through Thrash Records in August 1990. It follows the release of no less than three studio demos and a rehearsal demo released under the Sorcery´s Malediction monicker (all released between 1987 and 1989). "Rivers of the Dead" is Sorcery´s first label release and the last release prier to being picked up by Underground Records for the release of their debut full-length studio album "Bloodchilling Tales" (August 1991). Both tracks from this release were re-recorded and included on "Bloodchilling Tales".

Stylistically Sorcery are now heavier, more brutal and death metal leaning than on any of the previous releases by the band, where they predominantly played a blackened death/thrash metal style. It´s not wrong to say that they still do that here, but the heavier and darker production values provide the music with a more morbid and brutal death metal sound. The sound production is pretty murky and savage, but the unpolished nature of the production suits the rawness and brutality of the material well.

Upon conclusion "Rivers of the Dead" is a warts and all type of early death metal release. It came out almost simultaneously with the earliest label releases from artists like Entombed, Tiamat, and Grave, and it´s fans of the early releases of those artists who will be able to appreciate the sound of this release. A 3 star (60%) rating is warranted.

SORCERY Unholy Crusade

Demo · 1989 · Death Metal
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UMUR
"Unholy Crusade" is the fourth demo recording by Swedish death metal act Sorcery. The demo was independently released in August 1989. It´s the successor to the early 1988 "Ancient Creation" demo, although Sorcery did record a rehearsal demo in January 1989 which was released under the Sorcery's Malediction moniker. The Sorcery's Malediction rehearsal demo is not a widespread demo recording and very hard to find, but some of the tracks are included on the 2011 "Unholy Creations" compilation album, along with all the material from this demo.

Sorcery formed in 1986 and released several seminal Swedish death metal demos (including the rehearsal demo under the Sorcery's Malediction monicker) before being picked up by Underground Records for the release of their debut full-length studio album "Bloodchilling Tales" (August 1991). Sorcery subsequently put out the 1992 "Maculated" demo but eventually disbanding in 1997 without any further releases under their belts.

Stylistically "Unholy Crusade" shows a more mature Sorcery compared to the relentlessly fast-paced and fiercely aggressive material featured on the "Ancient Creation" demo. A less technically accomplished Morbid Angel isn´t the worst description. This is blackened death/thrash metal with both fast-paced and mid-paced heavy parts. The vocals are blackened snarling and if you´re only familiar with Sorcery through "Bloodchilling Tales" this sounds quite different from that album, and the two releases even share several tracks. Those tracks just sound vastly different in the subsequent studio album versions.

"Unholy Crusade" features a well sounding demo quality production job, and it´s overall a good quality demo recording from Sorcery. They have obviously honed their playing skills, their songwriting, and had access to a better recording facility and it pays dividends. A 3 - 3.5 star (65%) rating is warranted.

SORCERY Rehearsal

Demo · 1989 · Death Metal
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UMUR
"Rehearsal" is the third demo recording by Swedish death metal act Sorcery. The demo was recorded in January 1989 and at that point Sorcery had shortly renamed the band Sorcery's Malediction. They would change their name back to Sorcery in time for the August 1989 release of their fourth demo "Unholy Crusade". You can find some of the tracks from this rehearsal demo on the 2011 "Unholy Creations" compilation album.

As the title suggests this is a rehearsal recording and it´s a relatively raw and unpolished release. You can still hear what´s going on though and Sorcery are a pretty well playing band considering that this is a live rehearsal room recording. Only "Obscure Beauty" and "Kill, Kill, Kill and Kill Again" are exclusive to this demo, as the three remaining tracks ("Count of Hades", "Dragons of the Burning Twilight", and "At the Rainbow's End") would all appear in re-recorded studio versions on "Unholy Crusade".

Stylistically this is relentlessly fast-paced, aggressive, and energetic blackened death/thrash metal with a raw snarling vocalist in front. At this point Sorcery (Sorcery's Malediction) were still in that proto-death metal territory where the music is probably better described as blackened thrash than pure death metal. A 2.5 star (50%) rating is warranted.

CANCER Inverted World

Album · 2025 · Death Metal
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UMUR
"Inverted World" is the seventh full-length studio album by UK death metal act Cancer. The album was released through Peaceville Records in April 2025. It´s the successor to "Shadow Gripped" from 2018. There have been quite a few changes since "Shadow Gripped", which was a comeback album for Cancer and their first release since their 2013 reformation. While "Shadow Gripped" featured the original trio lineup of John Walker (lead vocals/guitars), Carl Stokes (drums), and Ian Buchanan (bass), "Inverted World" only features Walker and three new Spanish musicians. Walker has lived many years in Spain and is married to a Spanish woman (Raquel Walker who performs with him in Liquid Graveyard), so relocating Cancer to Spain in 2022 and hiring Spanish musicians were logical choices when the original trio lineup fell apart again.

...and if we start with the musicianship, the new cast of Spanish musicians have boosted Cancer´s sound. No disrespect to the two original guys who left, but it´s like Cancer have been given a kick in the butt with the addition of some younger performers. Walker sounds rejuvenated too and his voice and growling/snarling delivery haven´t sounded better or more vitale since the mid-1990s. The songwriting is effective and Cancer have produced some pretty memorable material too. The political/world-history themed lyrics are also interesting. "Ampute" is for example a song about the incredible horrors of the people of the Democratic Republic of the Congo (then called Congo Free State) during the late 1880s/early 1990s rule of Leopold II of Belgium, and "Test Site" tells the story of the Manhattan Project and the first Nuclear bomb test.

The material is predominantly heavy mid-to fast-paced death metal with thrash metal traits here and there, and in that respect Cancer sound a lot like they did on their first couple of relases. Of course age has given Walker more experience and more stylistic elements to pull from and his voice is also deeper and slightly more death metal oriented compared to his more raw snarling of the past.

"Inverted World" features a heavy, meaty, and powerful sounding production job, which suits the material well. I´ve been waiting to say something positive about a Cancer album for many years now, as they really haven´t produced anything much of real quality since the mid-1990s, and it´s therefore with great pleasure that I can announce that "Inverted World" is a high quality death metal release from Cancer. Finally the potential they´ve always had (and showed in the early part of their career) shines through again. The new musicians have brought energy and a few contemporary playing ideas with them, which make "Inverted World" a strong death metal release, which may be old school in the way it combines death metal and brutal thrash metal with an intelligible growling vocalist in front, but still brings enough fresh ideas and quality songwriting to the table to make it a worthy release. A 3.5 - 4 star (75%) rating is deserved.

SORCERY Ancient Creation

Demo · 1988 · Death Metal
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UMUR
"Ancient Creation" is the second demo recording by Swedish death metal act Sorcery. The demo was independently released in early 1988. It succeeds the release of the April 1987 "The Arrival" demo. Sorcery formed in 1986 and released several seminal Swedish death/thrash metal demos (one under the Sorcery's Malediction monicker) before being picked up by Underground Records for the release of their debut full-length studio album "Bloodchilling Tales" (August 1991). Sorcery subsequently put out the 1992 "Maculated" demo but eventually disbanding in 1997 without any further releases under their belts. All material from the demo is included on the 2011 "Unholy Creations" compilation album.

Stylistically the material on "Ancient Creation" is noticeably more brutal, aggressive, and relentlessly fast-paced than the blackened thrash/speed metal material on the first demo. I´d probably label "Ancient Creation" with a blackened thrash/death metal tag but they are now closer to the death metal band they would become only a few years down the line. This is really extreme and brutal music played with great energy and intensity.

Sorcery have become much better musicians in the months between the first demo and "Ancient Creation" and add to the more accomplished musicianship, that the sound production values are also of a higher quality (although still incredibly raw and unpolished) and the songwriting is more effectful and memorable, "Ancient Creation" is a good quality sophomore demo recording from Sorcery. Fans of early black metal and blackened thrash metal is probably the main target group today rather than old school Swedish death metal fans, but no matter your preferences this is a good quality release and a 3 star (60%) rating is warranted.

death metal movie reviews

NAPALM DEATH Punishment in Capitals

Movie · 2003 · Death Metal
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Kingcrimsonprog
Punishment In Capitals is a 2002 live DVD (also available on CD) by British extreme metal icons Napalm Death, released after their triumphant Enemy Of The Music Business album won back the praise of fans and critics after their experimental string of records in the nineties.

The band play a mixture of every era in their career up to that point, the catchy nineties singles ‘Breed To Breathe,’ and ‘Greed Killing,’ sit side by side with mid era death inspired fare such as ‘Suffer The Children,’ and ‘World Keeps Turning,’ which blends against the band’s early grindcore material era like ‘Scum,’ ‘Lucid Fairy Tale,’ and the famous ‘You Suffer,’ in a set list which also leans heavily on the band’s then newest, and still arguably best album Enemy Of The Music Business.

Standout tracks include an energetic version of ‘Hung,’ as well as ‘Can’t Play Won’t Play,’ and ‘Narcoleptic,’ which was as yet unreleased at the time of recording. With a set-list of this caliber, Punishment In Capitals should be a rewarding viewing experience for most Napalm Death fans and would serve well as an introduction to the band for potential fans as well.

Interestingly, the DVD recording retains all the dead air, waiting out-of-breathe and other non-musical moments in between tracks, presenting you the gig as it actually happened and not inter-cutting the show with outside material to create some false sense of professionalism or excitement. This is a double edged sword as it is commendable but may still irritate viewers raised on slicker, fast paced major label DVD releases.

The production is fairly good in terms of audio recording quality and mix, with simple camera work and editing covering the visual side of things. Although not the most impressive looking DVD ever released, it serves well for Napalm Death to deliver an energetic a sweaty performance. My only major gripe is that for the first half of the show shots of drummer Danny Herrera are very few and far between, but this is remedied later on.

There are a fair amount of extras too, including two bootleg quality recordings in Tokyo from 1996, a six track selection from a Chilean gig in 1997 as well as a hidden Easter Egg (a live-in-a-TV-studio version of ‘If The Truth Be Known,’ accessible by making the image’s eyes glow red my navigating the menu.) In addition to the musical extras there is also a documentary, which while not masterfully crafted is worth at least one watch, covering topics such as Barney’s haircut, the effect of foreign food on the bowels and the charity for which this gig was in aide of.

Overall, Punishment In Capitals is a worthwhile DVD purchase that will give you a good selection of Napalm Death material, both in the concert itself and with a nice selection of extras. Definitely recommended viewing for fans of the band.

ZYKLON Storm Detonation Live

Movie · 2006 · Death Metal
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Kingcrimsonprog
This DVD captures Norwegian death metal band Zyklon on their 'Aeon,' era tour Live; the tracklisting on the wonderful but slightly short DVD is made up of tracks from the bands excellent first two albums.

The band are on top form and deliver the material fantastically live, They never miss a step, and are ruthlessly professional.

Song's from the band's debut album are much better here with new singer Tony 'SecthDamon,' Ingebrigtsen. Who has a better voice to match the material than Daemon did.

Furthermore the audio and visual quality is great, and apart from a little intro interrupting the first 20 seconds of fan favorite 'Core Solution,' there's very little to complain about whatsoever.

Indeed, with such a brilliant performance, a good production and an excellent track listing, this DVD is a real must-have for any Zyklon fan.

AMON AMARTH Wrath of the Norsemen

Movie · 2006 · Melodic Death Metal
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Kingcrimsonprog
Talk about value for money, from a band like Amon Amarth you wouldn’t expect them to be able to afford such a crazily generous and in depth DVD package when some of the bigger bands can’t afford anything even half this good.

The Set comes in a glorious 3 DVD digipak with detailed artwork, a full booklet and an awesome little viking crown that keeps it closed. Then you get Five full concerts (with 22, 16,13, 11 and 9 tracks respectively) and a documentary.

The main feature; a 22 track concert from Cologne in 2005 is an incredible affair with crystal clear sound, Huge guitar tones, amazingly heavy drums and nice clunky bass. The camera work is of a higher quality than even some of the biggest metal bands’ DVDs and again the sound is immense.

Then theres the performance, the band are absolutely electric delivering furious renditions of material from all eras a their career from the massive ‘Amon Amarth,’ and ‘Fate of Norns,’ to catchy closer ‘Death In Fire,’ and the crowd just lap it up.

Vocalist Johan Hegg absolutely commands the stage, engaging the crowd at every opportunity and singing his heart out while the band hammer through their classics like ‘heavy,’ is going out of style.

On top of all that you have a great light show, huge Amon Amath banners, more pyro than a kiss concert and an interlude with about thirty Viking reenactors sword fighting on stage! That feature is worth the money alone, the show is probably one of the best metal concerts on the market and I can’t stress how good the sound and picture are; then on top of all that you get the rest of the set, featuring virtually ever Amon Amarth song ever written, and performances from ‘Waken Open Air festival,’ ‘Summer Breeze Festival,’ and two more indoor concerts in Europe.

If you like Amon Amarth Buy this right now. If you don’t, you will within thirty seconds of watching this.

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