Death Metal

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Death metal is an extreme subgenre of heavy metal. It typically employs heavily distorted guitars, deep growling vocals, blast beat drumming, and complex song structures with multiple tempo changes.

Building from the musical structure of thrash metal, death metal emerged during the mid 1980s. It was mainly inspired by thrash metal acts like Slayer, Kreator and Celtic Frost. Along with the band Death and its frontman Chuck Schuldiner (who is often referred to as "the father of death metal"), bands like Possessed and Morbid Angel are often considered pioneers of the genre. In the late 1980s and early 1990s, death metal gained more media attention as popular record labels like Earache and Roadrunner began to sign death metal bands at a rapid rate. Since then, death metal has diversified, spawning a rich variety of subgenres.

Inclusive death metal music subgenres:

  • Brutal death metal See: http://www.metalmusicarchives.com/subgenre/brutal-death-metal
  • Melodic death metal See: http://www.metalmusicarchives.com/subgenre/melodic-death-metal
  • Swedish death metal, also referred to as Scandinavian death metal, should not be confused with melodeath. This genre is characterized by its focus on raw energy and aggression. The guitars are typically extremely distorted and downtuned, and, in addition to traditional death metal elements, artists within this subgenre also draw on hardcore punk and early thrash metal. While not restricted to Sweden, the genre is called death metal because it was largely popularized by death metal artists from Sweden, such as Carnage, Nihilist, early Entombed, Dismember, Grave, and Unleashed. Seeing that many of the prominent artists within this genre were located in around Stockholm, it is sometimes referred to as the Stockholm sound in contrast with the Gothenburg sound. While big in the 1990s, the popularity of this genre waned in the 2000s, as melodeath became more popular, but recently a number of bands based in Eastern Europe, such as Brutally Deceased and Morbider, have taken up the Stockholm sound and are bringing it back onto the scene.
  • Death-grind combines elements from death metal with element of grindcore. From grindcore, the genre inherits song brevity (with the average length being 2:30), emphasis on fast picking and blastbeating as well as the lyrical content (which means that a lot of death-grind deals with gore, pornography or socio-politics). From death metal, it inherits song complexity and focus on performance and technique, although guitar solos are not as common as in other styles of death metal. When Napalm Death started to gravitate towards death metal from pure grindcore, they developed a death-grind sound, and they are probably the most influential band in the death-grind genre. Other death-grind acts are Lock Up, Terrorizer, and Pig Destroyer. On MMA, those death-grind artists and releases that lean more towards grindcore are included under grindcore, while those that lean more towards death metal are included under death metal.
  • Technical/progressive (or tech/prog) death metal See: http://www.metalmusicarchives.com/subgenre/technical-death-metal
  • Blackened death metal combines death metal and black metal, of lyrically the focus is typically on Satanism, occultism and anti-religion. Behemoth is considered one of the most influential blackened death metal bands.
  • Death ‘n’ roll See: http://www.metalmusicarchives.com/subgenre/death-n-roll


The following subgenres are NOT listed under death metal in the MMA:

  • Grindcore: has its own sugbenre section.
  • Death-thrash: included under thrash metal.
  • Deathcore: included under metalcore.
  • Doom-death: included under doom metal.


Source: http://en.wikipedia.org/wiki/Death_metal

Written by Time Signature.

Sub-genre collaborators:
  • Nightfly (leader)
  • Vim Fuego
  • TheHeavyMetalCat

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death metal Music Reviews

INNER THOUGHT Perspectives

Album · 1995 · Death Metal
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UMUR
"Perspectives" is the second full-length studio album by Canadian industrial death metal act Inner Thought. The album was released through Witchhunt Records in 1995. It´s the successor to "Worldly Separation" from 1993. Inner Thought is a one-man project featuring Bobby Sadzak who performs all guitars, keyboards, and drum programming. The growling/high pitched screaming vocals on this album are performed by Dennis Balesdent. The remaining instruments and occasional female vocals are performed by sessions/guest musicians.

Listening to "Perspectives" is could almost seem like Sadzak had read my review of "Worldly Separation", because some of my issues with that album have been solved on "Perspectives". The sound production is heavier and the music is generally more dark and brutal than on the debut album and less ethereal and dominated by keyboards. Of course there are still keyboards in the music and the drums are also still programmed, but Sadzak have found a better balance on "Perspectives".

The churning heavy riffs and rhythms, the aggressive growling vocals, and they atmosphere enhancing keyboards and lead guitar parts go hand and hand on this album and don´t feel disconnected. So while this isn´t a masterpiece recording by any means, it´s a good quality release which is certainly worth a listen to two. A 3 star (60%) rating is warranted.

INNER THOUGHT Disorder of Battles

EP · 1993 · Death Metal
Cover art Buy this album from MMA partners
UMUR
"Disorder of Battles" is an EP release by Canadian industrial death metal act Inner Thought. The EP was released through Witchhunt Records in 1993. It´s a companion release to Inner Thought´s debut full-length studio album "Worldly Separation".

...and companion release is the right term to use here, because you get absolutely nothing new by purchasing "Disorder of Battles" as the two tracks featured on the EP are culled directly from "Worldly Separation" and both appear here in the exact same versions as the versions featured on the album. So this is one of those completely redundant EP releases where you can´t help think what the label was thinking. They could at least have put one song on the EP, which hadn´t already appeared on the album...but no.

So upon conclusion "Disorder of Battles" is a redundant/unneccesary release, which does feature some decent quality industial death metal, but you should of course purchase the full-length studio album instead. A 3 star (60%) rating is warranted for the actual content of the EP. The idea to release the EP gets a 0,5 star (10%) rating.

INNER THOUGHT Worldly Separation

Album · 1993 · Death Metal
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UMUR
"Worldly Separation" is the debut full-length studio album by Canadian industrial death metal act Inner Thought. The album was released through Witchhunt Records in 1993. Inner Thought was formed in 1989 by Bobby Sadzak. Sadzak had been a member of Canadian thrash metal act Lethal Presence in the mid-80s, and joined Slaughter in 1987 and subsequently also co-founded post-Slaughter act Strappado with Dave Hewson. The early 90s was spend with recording and touring with Strappado, but Sadzak always had Inner Thought as a one-man project on the side and as activitives with Strappado came to a hold in 1993 he opted to spend time recording "Worldly Separation".

Stylistically this is industrial tinged death metal featuring both drum programming and an omnipresense of keyboards (and occasional samples and spoken words sections). The sound production is a bit thin, which is a shame because I´m sure that a more massive and heavy sounding production could have elevated the music to a higher state. The current sound production leaves a bit to be desired, although it´s not an amaturish sounding release.

The album is dedicated to all innocent victims of war and that theme is obvious from the lyrics and the atmosphere of the album. This is a melancholic album displaying despair at the state of the world. Heavy riffs and rhythms, growling snarling vocals, and atmosphere enhancing keyboards and lead guitars. I must admit that I enjoy this album most when it´s darkest, heaviest, og most brutal, and less when it´s too ethereal and carried by the keyboards and the programmed drums. But that´s a subjective observation and objectively evaluated this is a good quality industrial tinged death metal release. A 3 star (60%) rating is warranted.

ABORTED Vault Of Horrors

Album · 2024 · Brutal Death Metal
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UMUR
"Vault of Horrors" is the twelfth full-length studio album by Belgian death metal act Aborted. The album was released through Nuclear Blast in March 2024. It´s the successor to "Maniacult" from September 2021. The two full-length studio albums are bridged by the non-album single "Infinite Terror" from October 2022.

Stylistically the core sound of the material on "Vault of Horrors" is no surprise if you´re familiar with the previous technically well played and brutal death metal releases from Aborted, but when that is said it´s still a slightly different sounding release, because Aborted have invited various guests to perform vocals on each track on the album along with lead vocalist Sven de Caluwé. So some of the these tracks almost work like extreme metal duets. Alex Erian from Despised Icon for example lends his aggressive hardcore snarling/screaming to "Death Cult", which along with de Caluwé´s brutal growling and aggressive snarling makes for a nicely varied vocal part of the song.

When the novelty of the tracks featuring different guest vocalists is over, "Vault of Horrors" however pretty much turns out to be Aborted by the numbers. Sharp and brutal riffs and rhythms, blistering lead guitar work, and variation between fast-paced blasting and mid-paced heavy grooves. It´s all clean, a bit sterile, and if you enjoy this type of massive professional sounding production, a very well sounding album. It´s become a bit predictable what Aborted releases these days (guest vocalists or not), and a bit more grit, sleaze, and organic playing and production values, would be a welcome change on the next release. Still a 3.5 - 4 star (75%) rating is deserved.

ATAKHAMA Existence Indifferent

Album · 2005 · Death Metal
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UMUR
"Existence Indifferent" is the debut full-length studio album by Finnish death metal act Atakhama. The album was released through Woodcut Records in April 2005. Atakhama formed in 2004 after the demise of some of the member´s previous band melodic black metal act Funeris Nocturnum. Four out of the five members of the lineup actually came from Funeris Nocturnum and only lead vocalist Jimmy Salmi is completely new to the party (although he had experience from other acts previous to joining Atakhama).

Stylistically it´s like listening to a less intense Deicide meeting the more brutal grooves of Dyscarnate. Although Atakhama are a well playing unit and vocalist Salmi deliver both grutal growling and higher pitched aggressive screaming vocals with passion and conviction, they don´t quite reach the two mentioned influences in terms of quality of material. "Existence Indifferent" is still a good quality death metal release with good rhythmic variation, just a slight bit of melody when that is needed, and death metal- and thrash metal oriented riffs, and the occassional heavy grooves. The sound production is decent, but the drums do have an annoying clicky sound, and especially the bass drums sound a little wrong.

So upon conclusion "Existence Indifferent" is a decent first release from Atakhama (it would be their sole release as they disbanded soon after), but it´s nothing out of the ordinay for the genre. Well composed, well performed, and relatively well produced. A 3 - 3.5 star (65%) rating is warranted.

death metal movie reviews

NAPALM DEATH Punishment in Capitals

Movie · 2003 · Death Metal
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Kingcrimsonprog
Punishment In Capitals is a 2002 live DVD (also available on CD) by British extreme metal icons Napalm Death, released after their triumphant Enemy Of The Music Business album won back the praise of fans and critics after their experimental string of records in the nineties.

The band play a mixture of every era in their career up to that point, the catchy nineties singles ‘Breed To Breathe,’ and ‘Greed Killing,’ sit side by side with mid era death inspired fare such as ‘Suffer The Children,’ and ‘World Keeps Turning,’ which blends against the band’s early grindcore material era like ‘Scum,’ ‘Lucid Fairy Tale,’ and the famous ‘You Suffer,’ in a set list which also leans heavily on the band’s then newest, and still arguably best album Enemy Of The Music Business.

Standout tracks include an energetic version of ‘Hung,’ as well as ‘Can’t Play Won’t Play,’ and ‘Narcoleptic,’ which was as yet unreleased at the time of recording. With a set-list of this caliber, Punishment In Capitals should be a rewarding viewing experience for most Napalm Death fans and would serve well as an introduction to the band for potential fans as well.

Interestingly, the DVD recording retains all the dead air, waiting out-of-breathe and other non-musical moments in between tracks, presenting you the gig as it actually happened and not inter-cutting the show with outside material to create some false sense of professionalism or excitement. This is a double edged sword as it is commendable but may still irritate viewers raised on slicker, fast paced major label DVD releases.

The production is fairly good in terms of audio recording quality and mix, with simple camera work and editing covering the visual side of things. Although not the most impressive looking DVD ever released, it serves well for Napalm Death to deliver an energetic a sweaty performance. My only major gripe is that for the first half of the show shots of drummer Danny Herrera are very few and far between, but this is remedied later on.

There are a fair amount of extras too, including two bootleg quality recordings in Tokyo from 1996, a six track selection from a Chilean gig in 1997 as well as a hidden Easter Egg (a live-in-a-TV-studio version of ‘If The Truth Be Known,’ accessible by making the image’s eyes glow red my navigating the menu.) In addition to the musical extras there is also a documentary, which while not masterfully crafted is worth at least one watch, covering topics such as Barney’s haircut, the effect of foreign food on the bowels and the charity for which this gig was in aide of.

Overall, Punishment In Capitals is a worthwhile DVD purchase that will give you a good selection of Napalm Death material, both in the concert itself and with a nice selection of extras. Definitely recommended viewing for fans of the band.

ZYKLON Storm Detonation Live

Movie · 2006 · Death Metal
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Kingcrimsonprog
This DVD captures Norwegian death metal band Zyklon on their 'Aeon,' era tour Live; the tracklisting on the wonderful but slightly short DVD is made up of tracks from the bands excellent first two albums.

The band are on top form and deliver the material fantastically live, They never miss a step, and are ruthlessly professional.

Song's from the band's debut album are much better here with new singer Tony 'SecthDamon,' Ingebrigtsen. Who has a better voice to match the material than Daemon did.

Furthermore the audio and visual quality is great, and apart from a little intro interrupting the first 20 seconds of fan favorite 'Core Solution,' there's very little to complain about whatsoever.

Indeed, with such a brilliant performance, a good production and an excellent track listing, this DVD is a real must-have for any Zyklon fan.

AMON AMARTH Wrath of the Norsemen

Movie · 2006 · Melodic Death Metal
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Kingcrimsonprog
Talk about value for money, from a band like Amon Amarth you wouldn’t expect them to be able to afford such a crazily generous and in depth DVD package when some of the bigger bands can’t afford anything even half this good.

The Set comes in a glorious 3 DVD digipak with detailed artwork, a full booklet and an awesome little viking crown that keeps it closed. Then you get Five full concerts (with 22, 16,13, 11 and 9 tracks respectively) and a documentary.

The main feature; a 22 track concert from Cologne in 2005 is an incredible affair with crystal clear sound, Huge guitar tones, amazingly heavy drums and nice clunky bass. The camera work is of a higher quality than even some of the biggest metal bands’ DVDs and again the sound is immense.

Then theres the performance, the band are absolutely electric delivering furious renditions of material from all eras a their career from the massive ‘Amon Amarth,’ and ‘Fate of Norns,’ to catchy closer ‘Death In Fire,’ and the crowd just lap it up.

Vocalist Johan Hegg absolutely commands the stage, engaging the crowd at every opportunity and singing his heart out while the band hammer through their classics like ‘heavy,’ is going out of style.

On top of all that you have a great light show, huge Amon Amath banners, more pyro than a kiss concert and an interlude with about thirty Viking reenactors sword fighting on stage! That feature is worth the money alone, the show is probably one of the best metal concerts on the market and I can’t stress how good the sound and picture are; then on top of all that you get the rest of the set, featuring virtually ever Amon Amarth song ever written, and performances from ‘Waken Open Air festival,’ ‘Summer Breeze Festival,’ and two more indoor concerts in Europe.

If you like Amon Amarth Buy this right now. If you don’t, you will within thirty seconds of watching this.

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