martindavey87

Martin Davey
MMA Special Collaborator · Error & Omissions Team
Registered more than 2 years ago · Last visit 1 day ago

Favorite Metal Artists

All Reviews/Ratings

57 reviews/ratings
DREAM THEATER - Images and Words Progressive Metal | review permalink
DREAM THEATER - Awake Progressive Metal | review permalink
DREAM THEATER - Train of Thought Progressive Metal | review permalink
THE BLACK MAGES - The Black Mages: Battle Music of Final Fantasy Progressive Metal | review permalink
DREAM THEATER - Falling Into Infinity Progressive Metal | review permalink
DREAM THEATER - Metropolis, Part 2: Scenes From a Memory Progressive Metal | review permalink
MEGADETH - Risk Hard Rock | review permalink
METALLICA - Metallica Traditional heavy metal | review permalink
CONSORTIUM PROJECT - Consortium Project Progressive Metal | review permalink
SONATA ARCTICA - Ecliptica Power Metal | review permalink
KISS - Destroyer Hard Rock | review permalink
H-BLOCKX - Time to Move Alternative Metal | review permalink
FOZZY - Do You Wanna Start a War Traditional heavy metal | review permalink
PLATITUDE - Silence Speaks Power Metal | review permalink
METALLICA - Ride the Lightning Thrash Metal | review permalink
STUCK MOJO - Pigwalk Alternative Metal | review permalink
DREAM THEATER - When Dream and Day Unite Progressive Metal | review permalink
SAINT ASONIA - Saint Asonia Alternative Metal | review permalink
CHRIS CAFFERY - Faces Power Metal | review permalink
RED CIRCUIT - Homeland Progressive Metal | review permalink

See all reviews/ratings

Metal Genre Nb. Rated Avg. rating
1 Progressive Metal 22 3.55
2 Power Metal 7 3.14
3 Traditional heavy metal 6 2.50
4 Thrash Metal 5 2.60
5 Alternative Metal 5 3.60
6 US Power Metal 3 3.00
7 Speed Metal 2 2.00
8 Hard Rock 2 4.00
9 Nu Metal 2 2.50
10 Proto-Metal 1 2.00
11 Industrial Metal 1 2.00
12 Funk Metal 1 2.00

Latest Albums Reviews

PRIMUS Frizzle Fry

Album · 1990 · Funk Metal
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It would be an absolute understatement to say that Primus is an acquired taste. Their music is incredibly obscure, with some of the most random musical passages and the most quirky lyrics you could think of. And so it is, that their debut album is a convoluted mess of ideas thrown together with no real sense of direction, other than being random for random's sake.

While the musical ability between all the members is of a high caliber, especially bassist, singer and all-round main man Les Claypool (story goes that he was once turned down to join Metallica for being "too good"), the general compositions seem rather unfocused and boring. Nothing really stands out in this 52-minute smorgasbord of random guitar riffs and vocal melodies, which usually are delivered via something more akin to talking or just completely random noises.

If I really had to pick out any notable highlights, 'John the Fisherman', 'Too Many Puppies' and 'To Defy the Laws of Tradition' could be considered alright, but honestly, this album as a whole just gets rather boring and repetitive fast. I'm sure there are people that love songs that randomly go into renditions of 'Humpty Dumpty', but to me, it's just not cool, it's not funny, and it's not really all that clever either.

SHADOW GALLERY Carved In Stone

Album · 1995 · Progressive Metal
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'Carved in Stone' is Shadow Gallery's second album, in which the performances as a whole seem a lot tighter and polished, but the quality of the compositions don't quite surpass that of their debut. However, fans will instantly notice the improvement in production, which sounds a lot richer and "cleaner", giving the music the punch it needs, and which would go on to become the bands somewhat "signature" sound.

However, despite the improvements in production, the album is still fairly average at best. While it may contain one of Shadow Gallery's best songs ('Crystalline Dreams' is just so damn catchy!), the rest of the music can seem fairly lackluster at times. The biggest letdown has to be 'Ghost Ship', which, similar to the group's debut, is the "epic" of the album (clocking in at a total of just over 20 minutes). Broken into seven smaller parts, most of the highlights last no longer than a minute or two before going into the next section, making the whole piece feel mostly disjointed.

As for the other tracks, we have 'Cliffhanger', 'Don't Ever Cry, Just Remember', 'Warcry' and the previously mentioned 'Crystalline Dream', as well as a couple of highlights from the 'Ghost Ship' piece. These are all good songs that definitely make this album worth getting, but honestly, most of them just pale in comparison to some of the bands later material.

As per usual with Shadow Gallery, the musicianship is spectacular and Mike Baker's vocals are truly a thing of beauty. Overall though, it's just a "good" album. Nothing to write home about, but a worthy addition to the collection if it can purchased cheap enough.

BLACK SABBATH Black Sabbath

Album · 1970 · Traditional heavy metal
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Music fads come and go so quickly that it's hard to keep up with a lot of them. That's why when Black Sabbath firmly established the genre of heavy metal (whether they solely created it or not is a different debate for another time) back in 1970, it's amazing that's it's stood the test of time and is still going strong today as one of the most popular genres of music in the world.

With that said, I'm not a massive Black Sabbath fan. I respect their achievements, and rightfully so, as the genre I hold so dear wouldn't exist without them, but that doesn't change the fact that their music just doesn't quite "do it" for me.

I can appreciate how revolutionary this was back in the day, nothing as heavy, dark or doom-laden had come before. However, by the time I came around to owning this CD, it sounded rather dated and didn't quite measure up to a lot of the stuff I was listening to at the time (I was born in 1987 to put that in context). Ozzy Osbourne's vocals are very primitive and somewhat annoying to listen to (story goes that he was only invited to join the band as he owned a PA), and Tony Iommi's guitars were never quite heavy or interesting enough for me.

That being said, there are one or two decent tracks, most notably 'N.I.B.' and the title track, but in all honesty I could think of thousands of other songs I'd rather listen to.

When it all comes down to it, it's just a matter of taste. While this is arguably one of the most influential albums of all time, I respect it for that, it's just not something I enjoy listening to. The record's status as a classic is certainly not in any danger due to my opinion, and hell, if you think this is blasphemous, you should check out my review for 'Paranoid'...

DREAM THEATER Metropolis, Part 2: Scenes From a Memory

Album · 1999 · Progressive Metal
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They say an animal is most dangerous when backed into a corner, and that could not be any more evident than Dream Theater recording their magnum opus, 'Scenes from a Memory'.

With record label pressure and the business side of the music industry taking its toll on the band (and most specifically on drummer Mike Portnoy) during the release and touring of previous album 'Falling Into Infinity', it was now a time to go hard or go home. Dream Theater wanted to be left alone to write their own music, that would appeal to their own fan base, without the interjection of any record label executives who didn't understand the band, their fans, or their genre of music. It was do-or-die as the band stood on the brink of self-implosion, but they stood tall and delivered an album that is highly regarded as not only their finest work, but one of the greatest albums progressive metal has to offer.

Based around the story of a man who is a reincarnation of a girl that was murdered, and how he revisits his past life in his dreams (or something like that!), the concept is highly ambitious and complex, especially with all the different characters being voiced by James LaBrie. But it doesn't detract from the quality of the music, and with the usual awe-inspiring prowess you'd come to expect from progressive metals most famous band, this is an album where the band fire on all cylinders.

'Home', 'Fatal Tragedy', 'One Last Time' and 'Strange Déjà Vu' are some of many highlights on this album, although it's hard to pick just a few, as the album from start to finish is one giant highlight reel. And of course, the absolute peak of Dream Theater's technical ability, instrumental track 'The Dance of Eternity', will encourage listeners to throw away whatever instruments they're learning as they slowly realize how they'll never be this good.

A record that belongs in any metal or prog collection, 'Metropolis Pt. 2: Scenes from a Memory' started the upward momentum that truly put Dream Theater's careers and lives in their own hands, and has endured as one of the greatest concept albums of all time.

DREAM THEATER Falling Into Infinity

Album · 1997 · Progressive Metal
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Most fans of Dream Theater will know what was going on behind the scenes during the making of this album. If you don't, I'll give you a moment to quickly research it.

Done?

Never mind, I'll explain it to you.

The bands label, Atco Records, had been bought out by the Warner Music Group. The fine people at Warner didn't know anything about Dream Theater, their music or their market, but had only one thing in mind, and that was hit singles. Musical integrity aside, Dream Theater were being forced to write "hits", and it was putting the band in a situation that almost tore them apart.

With all the industry nonsense getting in the way of this album, and with the change of sound giving it a stale taste of a band "selling out" to make a quick buck, 'Falling Into Infinity' often finds itself being overlooked. It may not be as musically technical as 'Images & Words', or as heavy as 'Awake', but this album still maintains a lot of Dream Theater's trademark sounds, but with a lighter tone that might appeal to fans of old progressive rock, or even hard rock fans in general. In this regard, it's actually a pretty unique release in the groups discography.

As always with this band, the musicianship is unmatched. Petrucci, Portnoy, LaBrie (who damaged his vocal chords prior to recording this album) and Myung are all masters of their respective instruments. Keyboardist Derek Sherinian, making his only studio album appearance, may have seemed like an odd choice to replace Kevin Moore, but his style, mixing elements of hard rock and jazz fusion, makes him a perfect fit. And his flamboyance and showmanship really shines through on some of the more upbeat songs.

There's hard rock tracks such as 'You Not Me' and 'Burning My Soul', pop singles like 'Take Away the Pain' and 'Hollow Years', and all-out prog gems like 'Peruvian Skies', 'New Millennium' and 'Lines in the Sand'. With such an eclectic mixture of songs, this really is an exceptional album, which shows a band that can adapt to any circumstance, and overcome any challenge.

Latest Forum Topic Posts

  • Posted 11 months ago in Top-10 metal bands
    Welcome! I can't do a top ten, but I know my absolute top five are Dream Theater, Symphony X, Savatage, Andromeda and Stuck Mojo.
  • Posted 1 year ago in Does anyone here like rap metal?
    [QUOTE=UMUR][QUOTE=Unitron] I´ll be seing Clawfinger, when they perform at the CopenHell 2016 festival, but that´s only because they appear at a festival. I would never pay Money just to see them.[/QUOTE] Damn forgot about Clawfinger! They're awesome!
  • Posted 1 year ago in The Upcoming Albums Thread
    Woohoo! As far as I'm concerned, 2016 for metal can be summed up by this: martindavey872016-03-26 16:55:57

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