BLUE ÖYSTER CULT
Hard Rock / Proto-Metal • United States

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Blue Öyster Cult (often abbreviated BÖC) is an American rock band from Long Island, New York, United States, best known for such hard rock and heavy metal songs as (Don't Fear) The Reaper, Godzilla and Burnin' for You, . Since the release of their self-titled debut album in 1972, the band has sold over 24 million albums worldwide, including 7 million in the United States alone. The band's music videos, especially Burnin' for You, received heavy rotation on MTV when the music television network premiered in 1981, cementing the band's contribution to the development and success of the music video in modern pop culture. Today, BÖC's music continues to be played on AOR-friendly radio stations as well as in movies, television shows, and commercials, and even during sporting events. Blue Öyster Cult's current lineup includes long-time members Donald Buck Dharma Roeser (lead guitar, vocals) and Eric Bloom (lead vocals, rhythm read more...

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Don't Fear The Reaper: The Best Of Blue Öyster CultDon't Fear The Reaper: The Best Of Blue Öyster Cult
Remastered
Columbia / Legacy 2000
Audio CD$5.59
$2.85 (used)
On Your Feet Or On Your KneesOn Your Feet Or On Your Knees
SBME SPECIAL MKTS. 2010
Audio CD$3.97
$3.96 (used)
SpectresSpectres
SBME SPECIAL MKTS. 2010
Audio CD$3.97
$3.96 (used)
Agents Of FortuneAgents Of Fortune
SBME SPECIAL MKTS. 2011
Audio CD$3.97
$3.96 (used)
Blue Oyster CultBlue Oyster Cult
SBME SPECIAL MKTS. 2008
Audio CD$3.97
$3.96 (used)
Secret TreatiesSecret Treaties
SBME SPECIAL MKTS. 2010
Audio CD$3.97
$2.99 (used)
Tyranny And MutationTyranny And Mutation
SBME SPECIAL MKTS. 2010
Audio CD$3.87
$3.75 (used)
Extraterrestrial LiveExtraterrestrial Live
SBME SPECIAL MKTS. 2008
Audio CD$3.97
$1.77 (used)
MirrorsMirrors
SBME SPECIAL MKTS. 2008
Audio CD$3.97
$3.96 (used)
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9h
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Blue Oyster Cult Some Enchanted Evening 1978 Columbia JC 35563 VG Vinyl Blue Oyster Cult Some Enchanted Evening 1978 Columbia JC 35563 VG Vinyl USD $11.99 Buy It Now 1 day
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BLUE OYSTER CULT - LIVE IN AMERICA RECORDED IN NEW YORK -  NEW DOUBLE LP RECORD BLUE OYSTER CULT - LIVE IN AMERICA RECORDED IN NEW YORK - NEW DOUBLE LP RECORD USD $24.36 Buy It Now 1 day
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NEW - Don't Fear the Reaper by BLUE OYSTER CULT NEW - Don't Fear the Reaper by BLUE OYSTER CULT USD $25.98 Buy It Now 1 day
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SANDY PEARLMAN.UK Times Obituary. 19.8.16. BLACK SABBATH. CLASH.BLUE OYSTER CULT SANDY PEARLMAN.UK Times Obituary. 19.8.16. BLACK SABBATH. CLASH.BLUE OYSTER CULT USD $1.54 (0 bids)
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Blue Oyster Cult Agents of Fortune Vinyl Record 1976 CBS 12 Blue Oyster Cult Agents of Fortune Vinyl Record 1976 CBS 12" USD $19.99 Buy It Now 1 day
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BLUE ÖYSTER CULT Discography

BLUE ÖYSTER CULT albums / top albums

.. Album Cover 3.88 | 33 ratings
Blue Öyster Cult
Proto-Metal 1972
.. Album Cover 4.15 | 35 ratings
Tyranny And Mutation
Proto-Metal 1973
.. Album Cover 4.12 | 30 ratings
Secret Treaties
Proto-Metal 1974
.. Album Cover 2.99 | 29 ratings
Agents Of Fortune
Hard Rock 1976
.. Album Cover 2.35 | 19 ratings
Spectres
Hard Rock 1977
.. Album Cover 2.35 | 18 ratings
Mirrors
Hard Rock 1979
.. Album Cover 3.25 | 23 ratings
Cultösaurus Erectus
Hard Rock 1980
.. Album Cover 3.48 | 24 ratings
Fire Of Unknown Origin
Hard Rock 1981
.. Album Cover 2.78 | 13 ratings
The Revölution By Night
Hard Rock 1983
.. Album Cover 2.77 | 12 ratings
Club Ninja
Hard Rock 1985
.. Album Cover 3.15 | 19 ratings
Imaginos
Hard Rock 1988
.. Album Cover 2.55 | 3 ratings
Cult Classic
Hard Rock 1994
.. Album Cover 3.51 | 13 ratings
Heaven Forbid
Hard Rock 1998
.. Album Cover 2.66 | 12 ratings
Curse Of The Hidden Mirror
Hard Rock 2001

BLUE ÖYSTER CULT EPs & splits

BLUE ÖYSTER CULT live albums

.. Album Cover 3.60 | 13 ratings
On Your Feet Or On Your Knees
Proto-Metal 1975
.. Album Cover 2.74 | 10 ratings
Some Enchanted Evening
Hard Rock 1978
.. Album Cover 2.93 | 11 ratings
Extraterrestrial Live
Hard Rock 1982
.. Album Cover 2.05 | 3 ratings
Live 1976
Hard Rock 1991
.. Album Cover 2.38 | 7 ratings
A Long Day's Night Live
Hard Rock 2002
.. Album Cover 2.52 | 3 ratings
Extended Versions: The Encore Collection
Hard Rock 2004

BLUE ÖYSTER CULT demos, promos, fans club and other releases (no bootlegs)

.. Album Cover 2.09 | 3 ratings
Bad Channels
Hard Rock 1992
.. Album Cover 2.64 | 3 ratings
St. Cecilia
Proto-Metal 2001

BLUE ÖYSTER CULT re-issues & compilations

.. Album Cover 4.00 | 1 ratings
On Flame With Rock And Roll
Hard Rock 1990
.. Album Cover 5.00 | 1 ratings
Career Of Evil: The Metal Years
Hard Rock 1990
.. Album Cover 4.17 | 3 ratings
Workshop Of The Telescopes
Hard Rock 1995
.. Album Cover 0.00 | 0 ratings
Don't Fear The Reaper
Hard Rock 1997
.. Album Cover 3.00 | 1 ratings
Super Hits
Hard Rock 1998
.. Album Cover 5.00 | 2 ratings
Blue Öyster Cult / Tyranny & Mutation
Hard Rock 1999
.. Album Cover 0.00 | 0 ratings
The Best Of Blue Öyster Cult: Don't Fear The Reaper
Hard Rock 2000
.. Album Cover 0.00 | 0 ratings
Then And Now
Hard Rock 2003
.. Album Cover 0.00 | 0 ratings
Are You Ready To Rock?
Hard Rock 2003
.. Album Cover 0.00 | 0 ratings
The Essential Blue Öyster Cult
Hard Rock 2003
.. Album Cover 0.00 | 0 ratings
The Singles Collection
Hard Rock 2005
.. Album Cover 0.00 | 0 ratings
The Columbia Albums Collection
Hard Rock 2012

BLUE ÖYSTER CULT singles (18)

.. Album Cover
2.10 | 2 ratings
Career Of Evil
Proto-Metal 1974
.. Album Cover
2.14 | 2 ratings
(Don't Fear) The Reaper
Hard Rock 1976
.. Album Cover
2.05 | 2 ratings
I Love The Night
Hard Rock 1977
.. Album Cover
2.05 | 2 ratings
Goin' Through The Motions
Hard Rock 1977
.. Album Cover
2.10 | 2 ratings
We Gotta Get Out Of This Place / E.T.I.
Hard Rock 1978
.. Album Cover
2.14 | 2 ratings
Godzilla
Hard Rock 1978
.. Album Cover
2.00 | 2 ratings
Mirrors / Lonely Teardrops
Hard Rock 1979
.. Album Cover
2.00 | 2 ratings
Fallen Angel
Hard Rock 1979
.. Album Cover
2.10 | 2 ratings
Here's Johnny (The Marshall Plan) / Divine Wind
Hard Rock 1980
.. Album Cover
2.14 | 2 ratings
Burnin' For You / Vengeance (The Pact)
Hard Rock 1981
.. Album Cover
2.14 | 2 ratings
Burnin' For You
Hard Rock 1981
.. Album Cover
2.14 | 2 ratings
Burnin' For You / Dr. Music / Flaming Telepaths
Hard Rock 1981
.. Album Cover
2.07 | 2 ratings
Take Me Away
Hard Rock 1983
.. Album Cover
2.07 | 2 ratings
Shooting Shark
Hard Rock 1983
.. Album Cover
2.07 | 2 ratings
Perfect Water / Spy In The House Of Night
Hard Rock 1985
.. Album Cover
2.02 | 2 ratings
White Flags
Hard Rock 1985
.. Album Cover
2.02 | 2 ratings
Dancin' In The Ruins
Hard Rock 1985
.. Album Cover
2.14 | 2 ratings
Astronomy
Hard Rock 1988

BLUE ÖYSTER CULT movies (DVD, Blu-Ray or VHS)

.. Album Cover
4.25 | 2 ratings
Black And Blue
Hard Rock 1980
.. Album Cover
3.50 | 2 ratings
Live 1976
Hard Rock 1991
.. Album Cover
4.50 | 3 ratings
A Long Day's Night
Hard Rock 2002
.. Album Cover
3.75 | 2 ratings
Some Other Enchanted Evening
Hard Rock 2007

BLUE ÖYSTER CULT Reviews

BLUE ÖYSTER CULT Cultösaurus Erectus

Album · 1980 · Hard Rock
Cover art Buy this album from MMA partners
voila_la_scorie
I have always loved the cover of this album since I was a kid. My friend’s older brother had this on vinyl, and my interest in dinosaurs and science fiction art made this an easy eye-catcher.

Blue Oyster Cult were often said to be the American answer to Black Sabbath but I have never been able to hear that in the music. For this album here, they got Martin Birch as producer, who was already known for his work with Sabbath and Deep Purple’s “Machine Head” and who would go on to produce albums for Iron Maiden. BOC and Black Sabbath toured together, too, on what was called the Black and Blue tour. Still, the band doesn’t sound at all like Black Sabbath. But they don’t have to.

I’ll admit it took me some time to get into this album. Having been sufficiently impressed with their first three albums and having a greatest hits album plus formerly owning two other later albums on cassette, I had more expectations from this one. I kept adding it to a playlist of albums to review and then taking it off again. Finally I decided to give it my full attention and I was pleasantly surprised in parts.

“Black Blade” is a song based on the writings of Michael Moorcock. It’s hard rock pop with punk edge in parts and tells the story about an evil blade that possesses its bearer to kill. The story is a bit similar to the Heavy Metal movie theme where a mysterious green orb also causes otherwise gentle people to behave in a bloodthirsty manner. Incidentally, BOC were closely involved in the music soundtrack of Heavy Metal, and some of the songs would end up on their next release. There’s some nice eerie music with creepy sound effects in the middle. One of BOC's classic fantasy sci fi type story telling songs, Eric Bloom’s vocals are as usual full of passion. This is a great theatrical hard rock number with rhythm changes and synthesizer; like prog hard rock almost. The blade speaks at the end in metallic voice.

“Monsters” is next, and why didn't I notice this one right away? A hard rock track with an almost seventies danceable intro then suddenly goes jazz with sax and piano drums bass and no guitars. That fast boogie part contrasts great with the hard n’ heavy part and then another jazz break. What are these guys trying to prove? Then an almost boogie rock prog section, after which the song slows down with some nice piano. A new melody is introduced. The chorus fast with piano bass drums and lead guitar. Seemingly seamless and well-crafted, the song wraps up with heavy hard rock bit but with added sax and groove. Great song!

“Divine Wind” is slow with piano, guitar and a hard bass but has a menacing pace almost. “If he really thinks we're the devil / then let's send him to hell”. The music is steady and not varied like the first two tracks. Track three is a good spot for it. The backing female vocals sound a bit like heavier Pink Floyd.

“Deadline” is more pop with hard strummed guitar and synthesizer. Donald “Buck Dharma” Roeser takes the vocals. Again, the music is minimalistic but the lead guitar adds colour.

“The Marshall Plan” is a story about young Johnny who goes to rock show with Suzie but sees her leaving with the band. Johnny decides to take up the guitar and become a rock star. The “Smoke on the Water” riff sneaks in at one point, the original song recorded by producer Martin Birch. There’s a spoken part which sounds a bit cheesy as Johnny talks about his plan to play heavy music. Don Kirshner’s voice introduces the now successful Johnny. There’s a fast, upbeat hard rock instrumental with lead guitar. The music has become more varied again. The story is a bit trite but it’s a fun song.

“Hungry Boys” is a fast paced hard rock with piano and an electric drum break. It’s a typical BOC fast boogie rock number. Drummer Albert Bouchard takes the vocals.

“Fallen Angel” features bassist Joe Bouchard on vocals. His singing is rough, almost a shout, but possess a very pop rock / hard rock sound. The synth-led melody is catchy, and the guitar solo like pop-sounding Kansas. The music reminds me of the Canadian pop-rock band, Prism.

“Lips in the Hills” brings us back to the exciting rocker ability of BOC and it was the first song to really grab my attention. Eric Bloom is back on vocals again. This is hard rock BOC! Nothing complex or overly simple, just guitar rock energy and fury with a one of the band’s typical suspense story tales.

“Unknown Tongue” concludes the album. It’s hard rock with piano and yet another almost horror suspense style story piece about what sounds like a slightly twisted young lady. There’s a bit of pretty but horror movie-type piano. A good track though less involved than the first two.

While this is not my favourite Blue Oyster Cult album, it does typify what a BOC album sounds like: essentially a rock band with hard rock and heavy rock up front and occasional meanderings into traditional heavy metal and progressive trim where suitable. What is to be admired and liked is the band’s ability to produce exciting and at times very interesting songs about aliens, ghosts, science fiction and the super natural. It’s almost as if the members know not to take themselves seriously about their taking their work seriously, if that makes any sense. There’s a tongue in cheek quality to the genuine sincerity they put into their entertainment. For that, I like them. But I wish this album had a few more memorable tracks for my taste.

BLUE ÖYSTER CULT Tyranny And Mutation

Album · 1973 · Proto-Metal
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voila_la_scorie
In the early 1980’s, Blue Oyster Cult was proclaimed to be one of the heaviest bands among my friends who had older brothers who brought home heavy metal cassettes. After being blown away by Judas Priest, I bought “The Revolution by Night” and heard that heavy rocking first track “Take Me Away” but was disappointed with the rest of the album. In fact, after having purchased four BOC albums in my time and a compilation album, I have come to the conclusion that they were never really that heavy. Though original manager Sandy Pearlman wanted them to be America’s answer to Black Sabbath, I think they are in a different league. BOC managed to incorporate heavy metal guitar riffs and solos it’s true, but they just as easily shifted to boogie rock, blues-based barroom rock, and even naturally blended some more progressive tendencies sometimes all in the same song. Never really too metal; never exactly true prog. But during the 1970’s, Blue Oyster Cult established themselves among the rock band elite.

While checking out proto-metal albums from 1969 to 1973, I decided to order “Tyranny and Mutation” to see if there wasn’t any really good example of early heavy metal. What I found was that most songs include some great heavy guitar sounds, riffs, and solos but never stay heavy throughout. There’s often some more radio friendly verse that lightens the mood or perhaps a blues rock segment, some piano, etc. Furthermore, the vocal delivery of the various lead singers is often quite theatrical in a tough-guy-from-New-York-singing-about-science-fiction kind of way (English has no adjective for that). The music of BOC seemed more geared towards entertainment than head banging.

And therein laid the charm of the band’s music. This was a point that I seemed to have missed all these decades. BOC were not about serious doom metal or hard rock. They were about science fiction, about ghosts and aliens, about fighter aircraft and urban legends. They were about rock, sometimes just feeling good hard rock, sometimes about heavy rock, sometimes about a progressive journey focused more on the story than the machinery that got you there. And this album has really begun to connect me to the music of Blue Oyster Cult.

Side one is the more rock and roll part of the album and side two the more progressive; however both sides lean toward the other at times. Some of the heavier riffs occur on side two in “Wings Wetted Down” and “Mistress of the Salmon Salt (Quicklime Girl)”. But “The Red & The Black” and “Hot Rails to Hell” give us the rock and roll approach of the band. Side one's closer, “Seven Screaming Diz Busters” (love the title) crosses the rock and roll approach with the progressive side of the band. Overall, the album has a fair bit of variety. Having three or four lead vocalists and various external contributing writers also helps to make for an album that doesn’t get stale.

One of the things that has really caught my attention with this album is the music composition. The band make good use of two guitars and use keyboards effectively when they deem it essential to the music. The drumming is also very clever and I find myself really following the drums in a number of the songs. Thank you, Albert Bouchard!

This is not a really heavy album but it has its heavy moments. It’s not progressive like Yes or Genesis but it has its share of creative music composition. And once again, there is a certain charm to the vocal delivers that give it a theatrical feel. Blue Oyster Cult is about intelligent heavy metal with a sci-fi slant and with an attitude of artful pretense. Based on my appreciation for this album, I have now ordered three more classic albums with the confidence that I will enjoy them for what I know to expect this time. As a metal album this is not quite what I was looking for. However as a creative heavy rock album this could well deserve nearly five stars.

BLUE ÖYSTER CULT On Your Feet Or On Your Knees

Live album · 1975 · Proto-Metal
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Warthur
A live album recorded on the Secret Treaties tour, On Your Feet and On Your Knees captures the band at the peak of their powers. Although some of the extended soloing sections don't add a whole lot (especially when the band take an occasional left turn into blues rock) and the production isn't stellar, on the whole this is a high-energy affair with great renditions of material from the first three albums and some non-album pieces besides (the cover versions of I Ain't Got You - retitled Maserati GT here - and Born to Be Wild, and the jam Buck's Boogie). The three picks from the debut album are especially interesting here since they're given a thorough makeover, upping their energy and making them harder and somewhat more metallic than the studio versions, though at the same time I could have honestly done without the cover versions in favour of more material from Secret Treaties.

BLUE ÖYSTER CULT On Your Feet Or On Your Knees

Live album · 1975 · Proto-Metal
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AtomicCrimsonRush
"I'd like to thank my friends here who gave me this little whip, It's really lovely, I'll keep it and cherish it forever..."

"On Your Feet Or On Your Knees" is another of the all time greatest live albums that were churned out in the mid-70s. "Kiss Alive!", "Frampton Comes Alive" and UFO's "Strangers In The Night" were all powerhouse albums showing an awesome live sound, and presenting the respective songs as far superior to the studio releases with lead guitar brilliance from respectively Ace Frehley, Peter Frampton and Michael Schenker. BOC have a much more raw sound and the extended lead guitar solos are stunning; Donald "Buck Dharma" Roeser is really given a chance to ignite the atmosphere with electrical charges of guitar energy, surely he is his element on the live stage where he can be allowed to run riot on his Gibson SG lead guitar. Eric Bloom is wonderful on lead vocals, stun guitar, and synthesizer, Allen Lanier keep things cranking on keyboards, and the rhythm section of the Bouchard brothers on bass and drums gives it the drive and power it needs. The band are simply dynamic throughout the concert, and the added sections of lead guitar licks and extended codas, as well as Bloom's banter and the roar of the crowds make this an irresistible slice of proto prog, early metal history.

'The Subhuman' is a great rocking opener to set things in motion. The band sound fresh and enthusiastic, hammering out the classic from "Secret Treaties". This is followed up swiftly with 'Harvester Of Eyes' where the guitars are heavy slabs of lead generating a brilliant sound, with Bloom screaming like a banshee "right in front, to the back of your skull." This is akin to Sabbath or Purple at their best.

'Hot Rails To Hell' from "Tyranny and Mutation" is next with a spine crushing solo, and played at a blistering pace. Next is 'The Red And The Black' that had to be here, and the riffs are furious with scorching lead breaks from Dharma. The astonishing musicianship sets the bar very high but it prepares us for the blockbuster to follow.

'Seven Screaming Diz-Busters' is an 8:49 tour de force of blitzkrieg lead guitar and crunching riffs. Eric Bloom intros it by saying he likes his whip and he will cherish it forever, presumably thrown to him from someone in the crowd. This live version was my first taste of BOC 28 years ago when I heard it on the metal show. This is the version I will always cherish, too awesome for words, with the greatest riffs that lock into your skull, and then there is the towering lead solo. Dharma's guitar screams in pain and the solo is full of fret melting ferocity with vicious string bends. The interlude is Bloom telling the crowd all about how the band apparently were visited by a mysterious man who promised them they would be famous and rock legends as long as they signed a secret deal, in blood! Apparently they did and now the mystery man wants to reclaim the payment, and he is coming back for them. This is as sinister as the band gets as far as atmosphere, and it features some frenetic lead work from Dharma, and shimmering organ phrases from Lanier. The drums are attacked by Albert throughout and the bass is pulsating continually by Joe, the Bouchard brothers. The best BOC for me personally without a doubt as I love the extended lead soloing and overall atmospherics.

'Buck's Boogie' is an amazing instrumental guitar workout, and the Hammond drives it home beautifully. The lead guitar break is blues and rock revved to the max and this is a fast paced jam session to unleash what the band do best. The classic '(Then Came The) Last Days Of May' which is very popular has a nice blues melody and some beautiful lead guitar passages. 'Cities On Flame' is the live staple heard many times, a riff heavy gem from the early album, and is played with passion here. The power riffs are a delight and Bloom really belts this out with a lot of volume.

'Me 262' is an 8 minute riffer that is even better than the version on "Secret Treaties"; it really rocks hard. It is followed by 'Before The Kiss (A Redcap)' that is a nice moderate track before they unleash a blues deluge of guitar energy on the 9 minute 'Maserati GT (I Ain't Got You)'. This features Dharma on extended lead solo and it is absolutely delightful to hear him break out into huge guitar improvisations as the band lock into a bluesy groove, similar to Ten Years After's Alvin Lee in some respects.

The band are reintroduced for an encore and they launch into 'Born To Be Wild', the Steppenwolf classic. This is way better and heavier than the original and it is great to hear BOC play a cover. Of course the song has grinding organ like the original, but I love Bloom's heavy vocal treatment. There is freakout of organ and guitar in the extended solo. Dharma has a killer time of it blazing out awesome chord progressions and searing variations on the riffs. They turn a relatively simple rocker into a complex sonic guitar workout.

In my opinion, having heard 5 studio albums, and some others live, this is as good as it gets for BOC. It is a live triumph capturing the early 70s vibe, and some of the best lead guitar you are likely to hear. Every song is a tour de force that slaughters the originals for sheer unadulterated in your face rock. This is the way to experience BOC, and it is proto metal as well as having moments of invigorating prog musicianship. It comes highly recommended as a 70s live treasure; a veritable masterpiece for Blue Oyster Cult.

BLUE ÖYSTER CULT Tyranny And Mutation

Album · 1973 · Proto-Metal
Cover art Buy this album from MMA partners
AtomicCrimsonRush
7 Screaming Diz-Busteeeeeeeeeeeerrrrrrrrss!!!!!!!!!!!!!!

The classic line up of Blue Oyster Cult is undoubtedly Donald "Buck Dharma" Roeser, the extraordinary master of lead guitar, Eric Bloom, the brilliant visionary on lead vocals, stun guitars, and all synthesizers, Joseph Bouchard, wonderful on bass, and keyboards, Albert Bouchard, the powerhouse drummer, and Allen Lanier, a wizard on keyboards, and rhythm guitar. "Tyranny and Mutation" is a masterful album from 1973, that blows my mind every time I listen to it, and I have listened to it so much over the last week. It is consistently brilliant with incredible riffs and melodic beauty, every member of the band at their very best and most innovative.

It was released on vinyl under the Black and Red sides; the black being in your face proto metal riff rock, and the Red being more calm and melody driven. It begins with an astonishing song 'The Red And The Black' with Eric Bloom singing blues rock at a breakneck speed. The riffs are off the planet, and there is even a frenetic bass solo. The twin harmonised guitar leads are wonderful making this a magnificent start to this album.

'O.D.'d On Life Itself' has the same riff as The Hollies 'Long Cool Woman in a Black Dress' but it has enough variation in the song itself. This has a rocking blues rhythm that sounds a bit like early Kiss, who were a year away from their debut. There is a great lead break form Dharma and overall another BOC highlight, appearing on many of their compilations.

'Hot Rails To Hell' is also like Kiss, especially the riff, so BOC were clearly influential to Kiss. It is very heavy for the early 70s with some crazy lyrics; "burn ya' right out, burn ya' eyes out, blackened the eyes, speeding along like dynamite". The lead guitar smokes wonderfully and there is a dynamic coda with a cool 'Wipe Out' reference.

'7 Screaming Diz-Busters' is a 7 minute trip down memory lane for me as it is the first time I had ever heard the band. When I re-heard this I had chills all over me as I had heard this years ago live on a Metal show over 28 years or so! I did not know it was BOC playing at the time as the DJ did not say who it was. I had a live version from "On Your Feet or On Your Knees", but the studio version is a masterpiece. The riff is brilliant and changes constantly with a hard rock vibe. The lead break is mind blowing and the Hammond organ is killer. Allan Lanier absolutely slaughters this but those guitar licks of Dharma lift it to the stratosphere. One of the greatest BOC tracks I have heard. The lyrics are very creepy, with an extended coda "did you burn the light?"

The Red side begins with 'Baby Ice Dog' which settles into a straight hard rock riff. 'Wings Wetted Down' is pleasant with a beautiful lead break, and awesome bassline. The lyrics are sword and sorcery and then it merges into 'Teen Archer'. This has a moderate tempo, cool guitars, and wonderful vox. The riff is dynamic and the lyrics are about some chick with a bow and arrow; "all of the night, all of the day, she got she got, woah, she will, she will die!" The lead guitar and shimmering organ are sensational; quite a bright happy sound here, that's why this is the red side. The fast arpeggios on piano, and time sig change are augmented by a lead break, making this another gem. 'Mistress Of The Samon Salt (Quicklime Girl)' begins immediately and is rather a softer track, sounding like a melancholy Uriah Heep. There is a gorgeous organ, and screaming lead break.

That is one heck of an album but a real drawcard are the bonus tracks that are all mind blowing. On the Columbia/Sony Legacy remaster (2001) we have 4 more to drool over. 'Cities on Flame With Rock And Roll (live - previously unreleased)' is a raw live classic. Dharma is playing the roof off the stadium here. The new time sig is faster, dirtier and more exciting than the original version. 'Buck's Boogie (studio version - previously unreleased)' is a wondrous instrumental with an amazing fast guitar riff. '7 Screaming Diz-Busters (live - previously unreleased)' is a 14 minute eargasm of blinding riffs and dark atmosphere. The fret melting lead break is amazing and then Bloom begins dialoguing about how he met up with a sharp suited man and signed his name in blood to become a rock n roll star, and now CBS signed him up as a packt to the? gulp, is he serious? Another rocker selling his soul to the demon of rock, but one day he says I am coming to take u away after your career of evil. This is sinister stuff, and the freak out ending sends chills through me. 'O.D.'d On Life Itself (live - previously unreleased)' is as good as the studio version with a bad to the bone lead break, and supersonic riffing.

In conclusion, this is a treasure of the early 70s, every track is a gem and the album features some of the hardest rock of the 70s you are likely to hear along with Kiss, Deep Purple, UFO, Led Zeppelin and Black Sabbath. This is perhaps the best studio album for Blue Oyster Cult in their early years; and this remaster is an absolute must for connoisseurs of rock. 4 stars for original album, 5 stars for the remaster - rounded off to 4.5 stars.

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joe2m wrote:
more than 2 years ago
Blue Oyster cult is one of the most under-rated band in the history of rock. All three of their first albums is among the best of early hard rock/proto metal. One could even go as far as them being one of the gothic bands as well. Themes of melancholy, full of vampires, despair re verb throughout much of their work. When they are not going gothic they go science fiction and in many cases turn them into gothic themes. They are a difficult band to define going in many directions through out the years. This quality (or curse) has haunted them somewhat but for me, it a true strength. Not to mention one of the best guitar players that ever wielded an axe in Buck.

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