CRYONIC TEMPLE

Power Metal • Sweden
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CRYONIC TEMPLE can already look back on an eventful career. The heart of the band is singer Glen Metal, whose voice sounds very similar to that of Steve Grimmet (Grim Reaper), and guitarist Esa "Freewheeler" Ahonen (Acrope), whose traditional way of playing his instrument is marked by the drive of a K.K. Downing and the virtuosity of an Uli Jon Roth.

Glen and Esa left their previous combos, an Iron Maiden cover-band named Troopers and LEX CREDO, a prog metal outfit, in 1996, in order to put together something more professional. The name CRYONIC TEMPLE was thought up by Johan and Esa, after watching a documentation about Cryo-Technology, which permits its pro-science followers to have their bodies frozen after death in order to be revived in the far future.

Having quickly fellow musicians for their quest, the first attempt was a mixture of progressive (Rush, Queensryche, Marillion) and
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DeliveranceDeliverance
Scarlet Records 2018
$11.49
$11.48 (used)
Into The Glorious BattleInto The Glorious Battle
Scarlet Records 2017
$12.95
$15.64 (used)
In Thy PowerIn Thy Power
LMP 2005
$14.99
$6.99 (used)
Chapter IChapter I
Underground Symphony 2011
$14.23
$8.94 (used)
Blood Guts & GloryBlood Guts & Glory
Lmp 2003
$27.90
$23.72 (used)
ImmortalImmortal
Danse Macabre 2008
$54.88
$15.85 (used)
DeliveranceDeliverance
Nexus 2018
$39.67
$29.78 (used)
Immortal by Cryonic Temple (2009-01-01)Immortal by Cryonic Temple (2009-01-01)
Danse Macabre
$103.24
In Thy Power by CRYONIC TEMPLE (2005-06-07)In Thy Power by CRYONIC TEMPLE (2005-06-07)
Lmp
$38.10
Chapter I by Cryonic TempleChapter I by Cryonic Temple
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CRYONIC TEMPLE Chapter I album cover 0.00 | 0 ratings
Chapter I
Power Metal 2002
CRYONIC TEMPLE Blood, Guts & Glory album cover 4.00 | 3 ratings
Blood, Guts & Glory
Power Metal 2003
CRYONIC TEMPLE In Thy Power album cover 3.83 | 3 ratings
In Thy Power
Power Metal 2005
CRYONIC TEMPLE Immortal album cover 2.00 | 1 ratings
Immortal
Power Metal 2008
CRYONIC TEMPLE Into the Glorious Battle album cover 4.25 | 2 ratings
Into the Glorious Battle
Power Metal 2017
CRYONIC TEMPLE Deliverance album cover 4.50 | 1 ratings
Deliverance
Power Metal 2018

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CRYONIC TEMPLE Seasons in Hell album cover 0.00 | 0 ratings
Seasons in Hell
Power Metal 1997
CRYONIC TEMPLE Jailbird album cover 0.00 | 0 ratings
Jailbird
Power Metal 1998
CRYONIC TEMPLE Before the End album cover 0.00 | 0 ratings
Before the End
Power Metal 1998
CRYONIC TEMPLE The Pilgrim album cover 0.00 | 0 ratings
The Pilgrim
Power Metal 1998
CRYONIC TEMPLE Demo 1999 album cover 0.00 | 0 ratings
Demo 1999
Power Metal 1999
CRYONIC TEMPLE The Punisher album cover 0.00 | 0 ratings
The Punisher
Power Metal 1999
CRYONIC TEMPLE Warsong 2000 album cover 0.00 | 0 ratings
Warsong 2000
Power Metal 2000

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CRYONIC TEMPLE Reviews

CRYONIC TEMPLE Deliverance

Album · 2018 · Power Metal
Cover art Buy this album from MMA partners
DippoMagoo
Before 2017, Cryonic Temple was a band I had enjoyed in the past, but I had never even come close to considering them a favorite. I was introduced to them with their third album, In Thy Power, which is generally considered their best and that one and its predecessor, Blood, Guts & Glory definitely impressed me, but they never quite blew me away. Obviously, their fourth album, Immortal, was a total disaster, which led to the band going away for quite some time, but even those more acclaimed albums, while being consistently entertaining, never quite hit me in the way any of my favorite power metal albums do. Everything changed in 2017 with Into the Glorious Battle, which saw the band returning from their long hiatus with a renewed focus, as well as changing to a more melodic but still epic and intense sound. I was instantly blown away by the melodies throughout the album as well as the more dynamic and versatile songwriting compared to their past albums. Now with their latest album, Deliverance, the band has only taken things further, producing by far their most varied, yet also their consistently engaging album to date, making it a slight step above even its amazing predecessor.

Unsurprisingly, some folks were a bit disappointed with Into the Glorious Battle, as while it was an unarguably better effort than Immortal, some missed the more epic, heavier sound of their first three albums. At this point, I think it’s safe to say those days are over and they aren’t ever coming back, though, as the band has clearly moved towards a more modernized and more melodic sound, as well as breaking new lyrical ground with a multi-part Sci-Fi concept, which started on the previous album and continues with Deliverance. For those like me who loved the previous album, this one is sure to be an absolute treat, as it continues with the same melodic, guitar-driven sound, while at times getting slightly heavier and more intense, as well as occasionally being a bit more fun and pop-ish, with a couple tracks, in particular, having some pop melodies to them, as well as being more driven by keyboards and orchestras. In fact, the orchestral elements are in full force throughout this album, showing up on many tracks, and especially being noticeable during the two ballads, as well as on some of the lighter tracks. The best thing about the previous album was how it had a perfect balance between speedier tracks, slower, more melodic tracks, ballads and some nice, melodic mic paced tracks, and if anything this album is even more varied, never falling into predictable patterns and instead constantly finding ways to surprise, all while being consistently excellent the whole way through. There’s definitely a few excellent speedy tracks that should please classic power metal fans, as well as a couple ballads and a ton of surprises.

The area where I’m most pleased with this new era of Cryonic Temple is the vocals. While I enjoyed their first three albums and thought Glen Metal did a great job, I always found his vocals to be just a bit too over the top for my taste, while current singer Mattius Lilja has a softer and much more restrained voice, which puts extra emphasis on the melodies and really allows the choruses to soar, the way a great power metal vocalist should. At the same time, he does get a bit more intense at points on this album and does a great job of that as well, so it’s safe to say he fits the band’s current sound perfectly. I also notice some rather different sounding vocals at a few points on the album, which I’ll go into detail about below, but these are generally done quite well and I assume they’re done by other members of the band, as they certainly don’t sound like Mattias. Either way, though, the album has some amazing vocal melodies throughout, and they’re all performed perfectly.

After Into the Glorious Battle managed to be such a strong album in the songwriting department, I was excited to see what the band would do with a follow up, especially one that came so shortly after Thankfully, while the band has clearly continued with the sound they established on the previous album, they have managed to take things to the next level here, coming up with some even better songs than before including a few that stand out as sounding rather surprising and very different from anything they’ve done in the past.

The album gets off to an unsurprisingly strong start, with a nice intro track making way for “Rise Eternally Beyond”, which starts off with some soft guitar work before the rest of the band kicks in, along with the orchestra, and the track quickly turns into the kind of fast and fun power metal anthem fans would expect from the band. It’s a very fun and energetic track, which would have fit in perfectly on the last album, complete with verses that feel quite similar, though once the chorus hits it proves itself to be best and most melodic part of the track, with huge, soaring vocal melodies, to help kick the album off in an amazing way. The instrumental section is strong as expected and shows off the kind of excellent, very melodic guitar leads that have become an important part of the band’s sound in their current form, with some excellent leads and solos throughout the album, and this track is a great example of that. Next is “Through the Storm”, a more surprising track, with a slight cinematic feel to it. The intro to the song is quite interesting, with heavy keyboard effects as well as some rather eerie sounding voiceovers, and the song itself is much more relaxed than the opener, moving at a more laid-back pace, while still having some heavy riffs, but it feels more driven by keyboards and orchestras, especially during the chorus where we enter into pop territory but in an amazing way, with some truly epic vocal melodies. The track is quite surprising, being somewhat heavy but also fairly laid back and extremely catchy and melodic. It’s definitely one of my favorites on the album.

A more typical track follows in “Knights of the Sky”, a fast-paced guitar driven power metal track, where the excellent melodic leads are on full display. It’s another very energetic track with a strong and very catchy chorus while having more power to it than the previous track. It’s probably the most traditional power metal track on the album, and it has another great series of solos in the second half. Next is the slightly unconventional title track, which moves along at a fairly upbeat tempo, but it has more of a classic heavy metal feel to it, with some of the heaviest guitar work on the album. It’s the chorus where the song really gets weird, though, as the smooth vocals of Mattias are replaced by some wild falsetto vocals, which I initially found off-putting, but over time they’ve grown on me quite a bit, and I find the track to be quite fun overall. One of the biggest strengths of the previous album was how well written the ballads were, as it had three of them and yet all of them were excellent and served as a change of pace, without stalling the momentum at all. This holds true for both ballads on this album, the first of which is “The Loneliest Man in Space”, a nice piano-driven ballad with some added orchestral elements and soft guitars. It moves along nicely during the verses, with some strong vocals, but it’s the chorus where Mattias really shines, delivering a powerful and emotional performance, which really brings the lyrics to life. The solo in the middle is very emotional and well done as well, and overall it’s simply a very well written track, which can’t always be said about ballads on a power metal album. And yet, this is actually the slightly lesser of two on this album, which I’ll get into a bit later.

Next up is “Pain and Pleasure”, perhaps the heaviest and most intense track on the album. It’s another very fast paced track, but the riffs have a slight thrash edge to them and the vocals throughout the track are more animated and slightly wild, especially during the epic and super catchy chorus. The vocals are quite surprising compared to the rest of the album, but they’re very well done and fit the more aggressive tone of the song perfectly, which helps to make the track another instant highlight. A softer track is next in “Temple of Cryonics”, which of course comes close to being a self-titled track. Either way, it’s the most epic and cinematic feeling track on the album, with a heavy use of orchestral elements. It’s a rather soft and slow-paced track, but I wouldn’t quite call it a ballad as it has some slight heaviness to it at points, and it’s also a bit more epic and eventful than what you’d expect from a ballad. It has another strong chorus, as well as an excellent guitar solo in the middle, and while it’s not one of my personal favorites on the album, it’s an excellent track and shows how dynamic the band has become in their current form. My favorite track on the album is next in “Starchild”, an extremely fast-paced, incredibly melodic track which blazes through its verses at a frantic pace, setting the tables one of the catchiest and most melodic power metal choruses I’ve heard in quite some time. It’s seriously so damn fun and energetic, it brings a smile to my face every time, and is definitely a perfect example of the genre at its finest. The guitar solo is very melodic and well done as expected, and overall the track is simply pure power metal perfection from start to finish.

Speaking of songs with insanely fun and catchy choruses, next is “End of Days”, which has an almost dance-like beat from the keyboards at the start, and is a very upbeat track, with a slight metal edge to it. It’s a fairly fast-paced and very melodic track, with a huge chorus that has a slight pop feel to it, but it’s so damn fun and catchy I certainly can’t complain about it! Another instant highlight and one of my favorites on the album, though it certainly sounds a bit light and more modern than anything the band has done before, so some folks may hate it. The second ballad on the album is next in the form of “Swansong of the Last Emperor”. It’s mostly led by soft guitars and pianos again, though its vocal melodies and lyrics are the most inspiring elements, for sure, as it’s a very emotional track with an insanely good chorus and an excellent performance by Mattias, which takes it to the next level. Both ballads on the album are great, but this one feels just a bit more epic and more inspired. Shifting gears once again, we have “Under Attack”, a fast-paced and aggressive track, with some of the roughest riffs on the album, as well as another fun and catchy chorus. It has a great use of the orchestras in the second half and is certainly a very fun track overall. The last main track on the album is also my least favorite, that being “Blood and Shame”, a slower paced and very hard hitting the track. It has a heavy metal edge to it, for sure, and while the verses are energetic and fun enough, the chorus gets a bit rough for my tastes and lack a real melody or hook, making it the weakest on the album. It’s still a good track overall, but it’s certainly not on the level of any of the other tracks here. Lastly, there’s a bonus track called “Insomnia”, which starts off with a very Iron Maiden influenced acoustic guitar intro, before picking up speed and turning into a fun, speedy power metal track with slight traces of classic heavy metal. It’s definitely a better note to end the album on than the previous track, so I’m glad the band included it as a bonus.

Overall, Deliverance is an amazing power metal album, which shows Cryonic Temple picking up where they left off on Into the Glorious Battle, and continuing their resurgence as one of the best current bands in their genre. It has a mix of everything fans of the previous album would expect, with some of the most varied and dynamic songwriting in the band’s career, while still delivering tons of great speedy and melodic power metal. It slightly edges out its predecessor to become my favorite Cryonic Temple album to date and is definitely one of my favorite power metal albums of 2018 so far.

Originally written for Myglobalmind.com: https://myglobalmind.com/2018/07/15/cryonic-temple-deliverance-review/

CRYONIC TEMPLE Into the Glorious Battle

Album · 2017 · Power Metal
Cover art Buy this album from MMA partners
DippoMagoo
Less than four months into 2017, we already have a very strong contender for the comeback of the year! Swedish power metal band Cryonic Temple has been through some troubling times recently, after showing a ton of promise early in their career. Their first three albums were all great examples of epic power metal done right, with their 2005 release In Thy Power, in particular, showing how much potential the band had in their early days. Unfortunately, vocalist Glen Metal left the band in 2008 and was replaced by Magnus Thurin, which led to the band trying out a more aggressive, thrashy power metal sound on their fourth release, Immortal, that didn’t work well at all, and Magnus in particular stuck out like a sore thumb. I’ll be honest: I almost never dislike power metal albums, but Immortal is a rare example of such an album I really can’t stand to listen to the whole way through, due to both the vocals and lackluster songwriting. Suffice to say, I had no expectations for the band going forward, and so I’m both shocked and happy to report that roughly eight and a half years after their downfall, the band has not only returned with their fifth release, Into the Glorious Battle, but they have produced possibly their best album to date!

It’s clear the band needed some time to regroup and plan out exactly what they wanted to do after their fourth release bombed so hard, as Into the Glorious Battle feels like a different band entirely when compared against any of their previous releases. Obviously, fans of the first three albums may be disappointed, but I think it’s clear the band felt they had gone as far as they could with their old sound, which led to them experimenting and failing big time on Immortal, and so, by comparison, this album feels like they decided to rein it in a bit and go for a much more relaxed, melodic power metal sound. There’s certainly still some moments where the music gets pretty epic and there are some really impressive vocal melodies, but on the whole, this album is definitely more restrained and feels like a more traditional power metal album compared to their previous work. The guitar work is very strong throughout, though there aren’t too many heavy riffs, as the guitars are mostly used for melodic leads and solos, which are pretty much fantastic all around. This is some of the most melodic guitar work I’ve heard on a metal album in quite some time, and it’s certainly a refreshing change of pace after how rough Immortal sounded. Keyboards are also used very effectively, mostly in the background serving as atmosphere, though they do come to the front of the sound at times and sound very nice. There’s a good variety of the tracks here, with the expected up-tempo power metal tracks, as well as some more mid-paced tracks and a few ballads, and everything works out great, with all but one track fitting in perfectly, which makes sense as this is the band’s first concept album, focusing on a futuristic setting.

Obviously, the one element that had me the most nervous was the vocals. Glen Metal was a huge reason for why the band’s first three albums were so good, while Magnus Thurin was one of the main reasons why their previous album was such a failure, instantly making me wish Glen Metal was back, and so I was a bit scared the same thing could happen with new singer Mattias L. Thankfully, that is not the case. Compared to both his predecessors, Mattias has a much more relaxed vocal approach, mostly staying in mid to low range, and while he can add a lot of power when he needs to, he has a much smoother delivery than either of his predecessors, and he’s actually a big reason why this new sound works out so well. He especially excels on the calmer tracks, with his performance on the ballads being especially impressive, though he does sound excellent on the speedier tracks as well. I actually think he’s my favorite Cryonic Temple vocalist to date, though that’s more a matter of taste. In any case, he’s certainly the perfect singer for this new version of the band.

After a solid intro track, opener “Man of a Thousand Faces” kicks in and is an absolute killer track. The song has a brief orchestral intro before the excellent guitar leads kick in and the track speeds up and turns into one of the heavier, more intense tracks on the album, with great riffs during the verses, and then when chorus comes Mattias gets to show off his great voice, especially when the incredible full version of the chorus comes about 2 minutes into the song, immediately casting away any doubts that the band still has the ability to write great songs.

Next is “All the Kingsmen”, which starts off with a nice acoustic melody before the riffs take over and it turns into one of the heavier tracks on the album. It starts off mid-paced for a bit, but when the chorus kicks in it speed up and turn into a more traditional power metal track, and one that should definitely please fans of the genre. Other speedy tracks include “Mighty Eagle”, a brief but amazing track with one of the best choruses on the album, the title track, “Flying Over the Snowy Fields”, which is probably the fastest and most classic power metal sounding track on the album, “Can’t Stop the Heat” and “Heavy Burden”, which starts off as a slow, calm track before speeding up after a bit and turning into another stand out. All these tracks are excellent, with an emphasis on the great guitar work and vocals. One more somewhat speedy track that feels a bit different to me is “Mean Streak”. This is the one track of the album where melodic guitars aren’t really present, as it instead has a more classic heavy metal feel to the riffs and the chorus seems very simplistic compared to the rest of the album It’s a fun and solid track, but it feels very different. I immediately thought it was a cover track, that’s how out of place it feels, but I haven’t found anything to confirm that. Either way, it’s the one track on the album that doesn’t quite fit for me.

On the softer side, the album has three ballads in “Heroes of the Day”, “The War is Useless” and “Freedom”. Even on these tracks, there’s some great melodic guitar work, with each of them having some great solos, especially the latter as it’s a near 8-minute epic that closes the album. All three are excellent tracks and have some great vocal work from Mattias, but “The War is Useless” especially stands out for me, as it’s more of a piano led track, with some symphonic elements as well, including a lengthy orchestral section in the middle that is very nice, and it also has my favorite chorus of the three ballads. My favorite chorus on the whole album, though, is on “Prepare for War”, a mid-paced melodic metal track that speeds up a bit in an epic section towards the end. I mentioned that this album has some of the most melodic guitar work I’ve heard in quite some time, and that statement is especially true for this track, as the guitar work is just incredibly beautiful and melodic, with some of the best leads I’ve heard on a power metal track in a very long time. Easily my favorite song on the album, and probably my favorite Cryonic Temple song ever.

I wasn’t sure what to expect going in, but needless to say Into the Glorious Battle has proven to be not only an amazing comeback from a band I once thought might be gone for good but also feels like it could be the start of a new era for Cryonic Temple. I sure hope so, as it’s a nice change into a new, more melodic sound that works great for the band, and it has some of the best guitar leads I’ve heard on a power metal album in recent memory, as well as some great vocals. Highly recommended for fans of the band who thought they were done, and for any power metal fans, especially those who prefer the lighter, more melodic side of the genre.

originally written for myglobalmind.com: http://myglobalmind.com/2017/04/02/cryonic-temple-glorious-battle-review/

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