Metal Related Genres

MetalMusicArchives.com — the ultimate metal music online community, from the creators of progarchives.com

Metal Related is a term used on Metal Music Archives (MMA) in regard to artists that, although they do not play metal themselves, still have a place within the metal scene.

On MMA the aim is to build up a complete picture of the metal music genre and its associated scene, and the Metal Related Genres umbrella sub allows the inclusion of related bands and side projects of metal musicians to be included in the site database, along with artists that exist on the fringes of the metal scene by including elements of metal in their music, but haven't ever made a fully fledged metal album. There are also sections for some of the more closely related genres to metal.

There are five sections to the metal related section on MMA: Hard Rock (encompasses heavy psych and heavier progressive rock and more), Hardcore & Crust (punk genres that can sometimes be metallic), Metal Related (releases with metal elements), Non-Metal (mostly a catch all for releases that don't otherwise fit, but also sometimes used for related bands and side-projects to be included on MMA) and Proto-Metal (artists involved in the early development of the metal genre). Each sub-genre is governed by its own rules and policies, some with dedicated teams and some handled by the site admins. More can be learned about each by listing their individual sub-genre pages.

Nothing is ever added directly to the parent Metal Related Genres page. It is merely an umbrella sub used to group the five child sub-genres in one place.

metal related genres top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

JIMI HENDRIX Are You Experienced? Album Cover Are You Experienced?
JIMI HENDRIX
4.62 | 28 ratings
Buy this album from MMA partners
WISHBONE ASH Argus Album Cover Argus
WISHBONE ASH
4.59 | 20 ratings
Buy this album from MMA partners
QUEEN Queen II Album Cover Queen II
QUEEN
4.45 | 56 ratings
Buy this album from MMA partners
TRANSATLANTIC Bridge Across Forever Album Cover Bridge Across Forever
TRANSATLANTIC
4.61 | 15 ratings
Buy this album from MMA partners
JIMI HENDRIX Axis: Bold As Love Album Cover Axis: Bold As Love
JIMI HENDRIX
4.49 | 23 ratings
Buy this album from MMA partners
THE WHO Who's Next Album Cover Who's Next
THE WHO
4.45 | 22 ratings
Buy this album from MMA partners
KING CRIMSON Larks' Tongues In Aspic Album Cover Larks' Tongues In Aspic
KING CRIMSON
4.33 | 73 ratings
Buy this album from MMA partners
NEAL MORSE Sola Scriptura Album Cover Sola Scriptura
NEAL MORSE
4.40 | 27 ratings
Buy this album from MMA partners
PORCUPINE TREE Deadwing Album Cover Deadwing
PORCUPINE TREE
4.32 | 62 ratings
Buy this album from MMA partners
RIVERSIDE Second Life Syndrome Album Cover Second Life Syndrome
RIVERSIDE
4.29 | 82 ratings
Buy this album from MMA partners
MOTORPSYCHO The Death Defying Unicorn Album Cover The Death Defying Unicorn
MOTORPSYCHO
4.74 | 7 ratings
Buy this album from MMA partners
SWANS The Seer Album Cover The Seer
SWANS
4.80 | 6 ratings
Buy this album from MMA partners
This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

metal related genres online videos

metal related genres New Releases

.. Album Cover
Terra Sola
EP
ROSETTA
Buy this album from MMA partners
.. Album Cover
Nullify
Album
ICE AGES
Buy this album from MMA partners
.. Album Cover
Hyenaeh
Album
JOHN MALKOVITCH!
Buy this album from MMA partners
.. Album Cover
Time To Face This World
Promos, fans club and other releases (no bootlegs)
JOSEPH A. PERAGINE
Buy this album from MMA partners
.. Album Cover
Leaving Meaning
Album
SWANS
Buy this album from MMA partners
.. Album Cover
23%
EP
SUKKKGALL
Buy this album from MMA partners
.. Album Cover
Wake Up the Coma
Album
FRONT LINE ASSEMBLY
Buy this album from MMA partners
.. Album Cover
Tears E.P.
EP
BORIS
Buy this album from MMA partners
.. Album Cover
Mirror And Vie 3
Album
SONANCE
Buy this album from MMA partners
.. Album Cover
In Cauda Venenum
Album
OPETH
Buy this album from MMA partners
.. Album Cover
Gypsy Voodoo
Album
THE CRAZY WORLD OF ARTHUR BROWN
Buy this album from MMA partners
.. Album Cover
Scintilla
Album
CATACOMBE
Buy this album from MMA partners
.. Album Cover
Drone Activity
Live album
ULVER
Buy this album from MMA partners
.. Album Cover
Passage of Mind
Album
ICE DRAGON
Buy this album from MMA partners
.. Album Cover
The Woods
Album
A SWARM OF THE SUN
Buy this album from MMA partners
.. Album Cover
Sower Of Wind
EP
ROSETTA
Buy this album from MMA partners

metal related genres Music Reviews

BLUT AUS NORD Thematic Emanation of Archetypal Multiplicity

EP · 2005 · Metal Related
Cover art Buy this album from MMA partners
siLLy puPPy
Tucked away between the groundbreaking black metal release “The Work Which Transforms God” and the utter insanity of the following “MoRT,” BLUT AUS NORD dropped its first EP which would lead to a series of EP’s interspersed within the band’s prolific output of albums. While black metal has pretty much been the name of the game since Vindsval started the project as a one-man band back in the 90s, on this first EP verbosely titled THEMATIC EMANATION OF ARCHETYPAL MULTIPLICITY (SOUNDTRACKS FOR SCIENTISTS OF OCCULT SYNCHRETISM), not only does Vindsval (vocals, guitars) and friends W.D. Feld (drums, keyboards) and GhÖst (bass) scream their fascination with esoteric knowledge but take a brief respite away from the black metal world and instead focus on the industrial, dark ambient and dungeon synth sounds that fully blossomed with “The Work” album.

THEMATIC EMANATION is a fascinating procession of gloomy atmospheric stomps through five tracks that for the most part leave out the metal part altogether. The major exception is the track “Level-1 (Nothing Is)” which offers a sneak peak into the bizarre and morbidly twisted guitar torture that would be a prominent feature on the following “MoRT” which fancied the most extreme sound manipulations to craft one of the most psychedelic black metal experiences ever laid down to a recording. Other than that second track, THEMATIC EMANATION focuses on percussive beats and darkened thick atmospheres of impending dread and doom. In fact this could be called doom synth as it’s utterly snail-paced creepy. The EP is only slightly over 28 minutes long and for the most part delivers an interesting mix of variations on percussive beats and dark ambient with some guitars thrown in once in a while.

The sole exception to the dreary setting is the oddball of the bunch, the third track “Level-2 (Nothing Is Not)” which features a trip hop beat, a busy techno styled bass groove and tinny sounding drum machines. While not a bad track say if it were on a Prodigy album or another similar artist, it does sound like a fish out of water on this release although it does have a nice creepy middle section when the percussion and bass drop out. It’s actually danceable and would make a great Goth party remix of some sort!n The following two tracks take a more sinister approach. “Level-3 (Nothing Becomes)” is the freakiest. What sounds like Tibetan bells or chimes exhibit an irregular sort of oddly timed beat while a creepy drone slowly slinks in and out of tune while chanting emanates from dark places along with other styles of weirded out vocals. This actually sounds more like some the industrial band Coil would conjure up in their early years of pure demented glory.

“Exit (Towards The Asylum)” ends the EP with a deranged vocal chant and some weird industrial sounds and before you know it, the short playing time ends which is unusual for BLUT AUS NORD since most albums are close to the hour length. This is a pretty cool album actually. The metal is practically nonexistent save the one track but the band had the opportunity to display all the creepy accompaniments introduced on “The Work” album and allow them to shine in the limelight although light doesn’t actually reach this far down into the abyss. For a metal band, this trio deliver a really interesting take on dark ambient that is quite effective which is why the black metal albums sound so good as this is a vital part but even without the metal, these sounds are quite effective at evoking the bleakest emotive responses. This album is most easily found on the releases of “The Work Which Transforms God” that has this one as a bonus disc, however even if it weren’t so easily obtained as a tagged on freebie, i’d still go out of my way to track this down.

MR. BUNGLE California

Album · 1999 · Metal Related
Cover art Buy this album from MMA partners
siLLy puPPy
Although they only released a mere three albums in a span of nine years, MR BUNGLE never repeated what came before and strived to make each album completely different than the last and in the process created three of the most daring experimental albums that the entire 90s had to offer. After four demos that saw the band grow from a bunch of deranged teenagers in Eureka, CA cranking out substandard death metal which led to the funk metal Zappa-infused potty-mouth prog of the self-titled debut, MR BUNGLE caught a complacent world of glam metal and early grunge off guard with its 1991 slap-in-the-face whack job that mixed funk, metal, jazz and even circus music with the avant-garde laced with progressive rock sensibilities. The band continued four years later with its second no limits avant-garde extravaganza “Disco Volante” which threw out all the rules and totally allowed the creative frenzy to explode into a million directions.

The first two albums gleefully flipped the middle finger to the music establishment despite appearing on the Warner Bros. label. The goal was to create unruly difficult listening music that excelled at merging the juvenile unrefined with the technical and progressively infused compositions that adopted as many music genres as possible and made them perform unthinkable acts together in broad daylight. However, with Mike Patton getting his avant-garde noise rock itch scratched not only in Mr. Bungle and Faith No More but he also released solo albums and crafted other projects such as Fantômas which meant that when it was time to record the third MR BUNGLE album, he’d let off a lot of steam and there seemed to be nothing more to prove. In fact all the band members had matured a bit. Trey Spruance had started his spinoff band Secret Chiefs 3 inspired by the track “Desert Search For Techno Allah” and had learned the art of crafting sophisticated melodies and intricate rhythms by fusing Middle Eastern and Indian folk traditions with electronica, heavy metal, surf rock and soundtrack music. Both Trevor Dunn and Bär McKinnon went along for the ride and in the process tamed down a bit.

For the band’s third album CALIFORNIA, the band minus Theo Lengyel who left after “Disco Volante” due to creative differences, decided to forge a new path and in the process created the most accessible album of the MR BUNGLE trilogy. Instead of focusing on the goal of creating a cacophonous uproar for the sake of evoking sonic terror with mind-blowing qualities, the band instead shifted gears into the world of progressive pop which crafted intricate melodies and accentuated them rather than taking them to the slaughterhouse. Keeping in line with the band’s earlier albums, CALIFORNIA carried on the by-then tradition of genre hopping and extreme fusion but this time everything was polished like the smoothest gem stone and the aim was to make irresistible pop hooks that instantly caught your attention and only then allowed the weirdness to develop organically. Gone were the excessive time signature changes and avant-garde jazz-metal gone wild with references to sexual innuendoes and potty mouth vulgarities. In were lush orchestrated sing-along compositions that included Hawaiian traditional folk, Middle Eastern music, electro-funk, doo-wop, surf rock, circus music, psychobilly, kecak, thrash metal, lounge exotica, space age pop, jazz rock, piano rock and spaghetti westerns.

CALIFORNIA focused mainly on the sounds of 60s with the vocal surf pop of the Beach Boys and Jan & Dean providing the greatest inspiration however this was more like some psychotic alternative timeline gone wrong for 60s pop music and this was MR BUNGLE of course so the brilliant madness had to find more adaptable ways to weave itself around the pop hooks and soulful vocal led lyrics. Once again, MR BUNGLE caught a loyal fanbase completely off guard and in the process alienated the hardcore crowd that didn’t appreciate this sugary sell-out music but in the process found a whole new audience who found the first two albums to be nothing but abrasive and vituperative noise. And then there are those like me who find all three MR BUNGLE albums to be beautifully designed masterpieces which when taken in their own context will impregnate the listener with musical ecstasy.

Right from the getgo MR BUNGLE startles the listener who is expecting a throwback to “Squeeze Me Macaroni” or even some spastic jazz, metal or hybrid of the two. Instead it’s the sound of seagulls, the ocean and what sounds like the easy listening music of 1960s Burt Bacharach with lush symphonic orchestration and sweet sugary melodies. OMG! What happened? one may ask! Hold on, be patient. Around the two minute mark the melodies start to morph with bizarre key changes and pitch manipulation. Doo-wop backing vocals offer infectious counterpoints and the track while perhaps the tamest on the entire album is quite beautifully designed. An odd opener for sure but perhaps it serves as an inoculation to the stylistic shift so that the rest of the album sounds more dynamic. Things pick up with the second track “None Of Them Knew They Were Robots” which picks up the tempo immediately with what sounds like rampaging zombies trying to break down the door but then morphs into country western swing music with exotica along with some surf rock and psychedelic rock organ runs. The horn section cranks out some cool big band swing while Hawaiian slack key guitar and organ runs finish the job.

“Retrovertigo” is the ballad of the album with the slowest tempo and the track that is the least affected by the avant-garde regalia that only grow in intensity beginning with the fourth track “The Air Conditioned Nightmare” which also starts out as a ballad but after a soulful performance by Mike Patton ramps up the speed and sounds like a battle between 60s Beach Boys vocal surf, the space pop of Joe Meek along with some occasional metal guitar heft and percussive drumming outbursts. The track ratchets up the morphing of various genres sharing the stage. “Ars Moriendi” begins with guitar heft and then finds a violin cranking out a Middle Eastern riff. The album is fortified with 14 session musicians who add English horn, cello, violin, viola, accordion, trumpet, harmonica, pedal steel guitar, French horn, cymbalom, piano, timpani, tam tam and bass drum. The album is extraordinarily rich in various timbres that add the extremities that make up for the lack of the excesses of the past. Back to “Ars Moriendi,” the track goes through several stages with a Mediterranean cafe styled accordion mixing with the violin, a heavy rock guitar as well as surf rock and cartoon music. A true MR BUNGLE classic if there ever was one.

“Pink Cigarette” tackles the 60s spaghetti western sound obviously inspired the soundtrack music of Ennio Morricone at first but then becomes a tender ballad sort of track with odd little sounds inserted here and there except that the subject matter tackles the morbidity of suicide which finds a horn replicating one of those machines at the hospital that show the heartbeat and ends in that “they’re dead!” sound. “Golem II: The Bionic Vapor Boy” is the weirdest track on CALIFORNIA. It begins like a futurist A.I. robot ballet version of the Nutcracker with a windup music box sound and then proceeds into electro-funk with robot vocals and interesting bouncy grooves alongside freaky musical scales creating utterly bizarre soundscapes. It’s just all so friggin cool how they juxtapose sounds to create a larger sum of the parts! “The Holy Filament” is more reflective with piano arpeggios ushering in heavenly vocals except that the musical scales are dark and ominous. “Vanity Fair” is more jocular with a bouncy old time rock and roll feel with doo-wop backing vocals and a rather gospel-like vocal performance by Mr. Patton.

One of my favorite tracks is the closing “Goodbye Sober Day” which starts out with a rock and roll style like a late 50s prom along with heavy percussion from those serrated sticks you rub. The track morphs several times, first into a slow contemplative keyboard driven kind of lounge exotica and then eventually drifts into a mass Gregorian chant that itself cedes to a thrash metal guitar accompanied by a performance of Indonesian monkey chants and then makes full circle back to the opening style before ending the album and leaving the listener wondering once again what just happened! While the first two MR BUNGLE albums were chaotic and unpredictable and often random, CALIFORNIA is cohesive with every single element existing in a logical location and cyclical loops with recurring themes and a melodic connection are what gives CALIFORNIA its magic mojo. Ironically the album was scheduled to be released on the same day as the Red Hot Chili Peppers released their album “Californication” and thus was delayed a week because of the long time feud between Mike Patton and RHCP lead singer Anthony Kiedes.

As far as i’m concerned, MR BUNGLE hit a home run three times in a row. The band is a legend and one of my favorite artists of all time. They made the impossible seem effortless as they crafted three distinct albums that all stood on their own two feet and didn’t even have to blow away the competition because there wasn’t any! MR BUNGLE existed outside of known time and space and therefore exudes an otherworldly demeanor that would make this stuff weird anytime and anywhere. The genius of these guys is that they utilized the sensual sensibilities to appeal to your emotional state while bedazzling you with artistic wizardry and unthinkable juxtaposition of styles and sounds hitherto unheard. This would be the end of the line for MR BUNGLE as they wisely chose to retire the brand name and focus on their retrospective solo careers. Trey Spruance was already finding success with the Secret Chiefs 3 and Mike Patton continued his restless pursuit of the next avant-garde sounds in dozens of other projects. CALIFORNIA is yet another masterpiece by the crazed kids from Eureka. Nobody saw that coming.

MR. BUNGLE Disco Volante

Album · 1995 · Metal Related
Cover art Buy this album from MMA partners
siLLy puPPy
MR BUNGLE started out simply as the whacky project of a bunch of crazy high school students in Eureka, CA but against all odds managed to find its way into scoring a three album deal with Warner Bros mostly due to lead singer Mike Patton’s involvement with Faith No More which scored big with a single that hit the top ten with “Epic.” As the 80s ceded into the 90s, suddenly everything alternative was en vogue and MR BUNGLE emerged from nowhere to shocking the world with its avant-garde weirdness laced with ample doses of goofy absurdity. While once only associated with artists such as Frank Zappa, however he and his projects which were in tune with current trends and often reinvented his style to co-exist, MR BUNGLE unapologetically ignored contemporary the popular musical scene and in the contrary crafted some of the most unorthodox musical hybrids ever recorded.

The self-titled debut emerged in 1991 and immediately shocked the Faith No More fanbase since the album showcased Patton’s true restless and creative nature that went well outside the commercial paradigms of alternative rock. The debut was eclectic but still used the BUNGLERS’ eclectic mix of funk metal as the canvas to create upon. Inspired by funk and rock bands like the Red Hot Chili Peppers, Camper Van Beethoven, Oingo Boingo and Bad Manners, the sextet decorated the funk metal paradigm the with added elements of jazzy brass sounds and ska rhythms. Astonishingly the band was allowed complete freedom to explore any avenue of desire, a trait so very rare in the music business of the era. And as extremely bizarre and unorthodox as the debut was, it was simply a warm up session for what came next.

As Faith No More continued its success throughout the early 90s, MR BUNGLE was cleverly crafting its sophomore extravaganza. DISCO VOLANTE (Italian for ‘flying saucer’), a title that refers to the James Bond yacht in the film “Thunderball” emerged three years later in 1995 and took things into the stratosphere of experimental rock laced with the band’s already established genre hopping eccentricities but this time the band exploited every possible sound, style and genre they could muster up and in the process, gone was the stabilizing factor of the funk ska rock infused with jazz and metal. DISCO VOLANTE was an avant-garde free-for-all and to this day remains one of the craziest albums ever to appear on a major record label. How these guys got away with all this freedom is the biggest mystery of all. Perhaps Warner Bros saw the potential of these albums catching on over time but for most who had warmed up to the debut album were left in a state of stupor as DISCO VOLANTE seemed like an entirely new mutant strain that infected this band from some far away planet.

While the genre hopping nerd factor had already been turned up to steaming on the debut album, DISCO VOLANTE was like a volcanic eruption of everything but the kitchen sink. The band basically brought to the table all the different sounds that the six members of Mike Patton (vocals, tape, ocarina, organ), Trey Spruance (guitar, organ, keyboards, electronics, biwa), Theobald Brooks Lengyel (woodwinds), Clinton McKinnon "Bär" (tenor sax, clarinet, drums, keyboards), Trevor Dunn (bass, viol) and Danny Heifetz (drums and percussion) were influenced by. Spruance for example was into lounge exotica, electro-acoustic, noise and Middle Eastern techno while Patton was fascinated by Italian folk, the space pop of Joe Meek, theatrical music and tangos. Dunn on the other hand was fascinated in deconstructing music and sewing it back together like a sonic Frankenstein. Due to the change of musical direction the horn section had been significantly reduced and therefore band member Theobald Brooks felt like his services were no longer needed and left the band shortly thereafter. Clinton McKinnon on the other hand simply adapted to the new expanding dramatic shifts.

DISCO VOLANTE is like being bombarded with a tornado of sounds, styles and schizophrenic freedom. The tracks are literally all over the music map ranging from sludge and death metal, psycho-jazz-metal, surf rock, Middle Eastern techno, mystique concrète, tango, exotica lounge, freeform jazz, sound collages and psychedelia. The album exemplifies the ultimate expression of DIY musical freedom except that it’s all dressed up with high budget production, engineering and mixing which makes DISCO VOLANTE perhaps the most professionally recorded example of renegade rock since Frank Zappa’s unique stamp on the 70s. The album is rich with different instruments as well. Guest musicians provide the extra touches of piano, bandoneon, cymbals, bongos, jew’s harp, tabla, kanjira, sistrums, xylophone and glockenspiel. In addition to the influences aforementioned, there are many styles of ethnic music adding extra colorful textures ranging from African rhythms, Slavic folk as well as the more obvious Middle Eastern touches.

Everything about the album exudes a sort of retro feel from the 60s but in a demented alternative universe. Of all the sounds on board, only the death metal on “Merry Go Bye Bye” and the sludge metal of the introductory “Everyone I Went To High School With Is Dead” borrow from the contemporary musical world. Tracks like “Chemical Marriage” seem like the result of am acid trip gone wrong where lounge exotica music and psychedelic rock of the 60s fuse whereas “Carry Stress in the Jaw” and “Platypus” engage in knotty over-the-top feats that tackle the most extreme examples of jazz-metal distorted into overly complex constructs simply for the sake of doing so. The lyrics retain the goofiness of the debut however the contrast of the lyrics and music adds to the more surreal nature of DISCO VOLANTE. “Violenza Domestica” is like a tango soundtrack to the alternative version of Alfred Hitchcock’s “Psycho” whereas the cleverly crafted electronic of “Desert Search For Techno Allah” provided the blueprint for the entire world of Spruance’s future project Secret Chiefs 3.

Out of this amazing roller coaster ride through the demented sonic universe of MR BUNGLE, some of the tracks have proven a hard pill to swallow for even the most stalwart followers. “The Bends” is a sound collage that entertains 10 distinct sections, all completely unique and all exhibiting the most impenetrable displays of the avant-garde. Based on the the theme of the decompression sickness that describes the condition of ascending to the surface too quickly after diving underwater, the short snippets that last from one to two minutes exude the scariest sounds on the album yet retain a humorous twist with titles like “ Duet For Guitar and Oxygen Tank” and “Love on the Event Horizon.” By far the weirdest of the weird but an effective non-melodic respite from the otherwise melodic constructs that mostly keep the album from spiraling into a world where no mere mortal can comprehend what is going on. “Platypus” is a favorite as it the most jaggedly angular example of jazz and metal dancing side by side that i’ve ever heard and displays the most technical workouts of the album. It comes off a modern form of the Canterbury Scene with its whimsy and technical wizardry all fused together or even some sort of jazz-metal-in-opposition.

The biggest mind f.u.c.k. is saved for the ending. “Merry Go Bye Bye / Nothing” starts out as a catchy even kitsch example of exotica lounge music about existential universal quandaries but abruptly morphs into death metal with noisy electronics which revives the death metal antics that the band hadn’t performed since its first demo along with the chaotic electronica that Spruance fortified his Faxed Head project with. The chaotic mix goes off like a nuclear bomb designed to disturb and perplex any adventurous soul still going for the DISCO VOLANTE journey. Once the album ends it doesn’t really end at all. After a period of silence, it finishes things off with practice session snippets that erupt into an explosive pyroclastic flow of unhinged energy and potty mouthed profanities that link it to the debut. After a cacophonous roar of dissonant horns, the album leaves you in shock and you’ll never be the same.

Everything about DISCO VOLANTE is designed to contrast expectations. It feels both retro and futuristic and seemingly unrelated genres play side by side like lions and lambs at a warehouse rave. The album exists in a paradigm stubbornly outside of the commercial music world of 1995 and the album exudes an alienating effect that is somewhat like a musical VPN that disguises its era, location of creation and true genius of the members who crafted it. This album is basically just plain nuts yet it enthralls the soul with captivating technical workouts and innocent childlike melodies that evoke the most primeval attractions to music while contorting it to create mind-numbing expansions of consciousness. Despite al the odds, this album exists and the six guys involved took full advantage of this once in a lifetime opportunity to create some of the least commercial music on the planet that strangely found an audience. Even more brilliant than the debut, DISCO VOLANTE showed quite clearly that MR BUNGLE was no one trick pony and had a seemingly bottomless wellspring of ideas and influences to mine. Disturbing and beautiful, this album is exquisitely unique and mind blowing. Easily one of my favorite albums of all time.

GNAW THEIR TONGUES Issei Sagawa

EP · 2007 · Metal Related
Cover art Buy this album from MMA partners
UMUR
"Issei Sagawa" is an EP release by Dutch noise/drone/black metal act Gnaw Their Tongues. The EP was independently released in August 2007. Gnaw Their Tongues was formed in 2005 and is one of many one-man projects by prolific Dutch musician Mories.

"Issei Sagawa" is a 2 track, 9:31 minutes long release. It´s a concept release revolving around infamous Japanese murderer, cannibal, and later TV celebrity "Issei Sagawa". In 1981 while studying in France, Sagawa murdered, committed acts of necrophelia, and finally cannibalized the corpse of female Dutch co-student Renée Hartevelt. In a bizarre turn of events Sagawa was judged to be legally insane and unfit for imprisonment, and therefore was committed to indefinite confinement at an insane asylum. Sagawa´s wealthy father payed an expensive lawyer to run his case, and Sagawa ended up being deported to Japan, where he was released to freedom upon his arrival, and later became a minor TV celebrity by sharing his experiences...the cover artwork makes a bit more sense now, doesn´t it?

So that is the real life tragic story you have to have in mind while listening to the two pieces of noise/drone music on this EP. Some of Gnaw Their Tongues releases feature some black metal parts or at least some metal related sections, but not this EP which is strictly a noise/drone release. Both tracks feature long monotone and eerie droning effects, industrial noises, and voice samples. It´s actually quite an unpleasant listen, and especially the samples of someone making nasty smacking sounds in the end of "White Skin" makes my hair stand on end. It´s just incredibly disgusting...and nausea inducing.

The material is well produced and well performed too, and despite feeling a bit repetitive and one-dimensional, the songwriting is decent too and definitely gets the dread and horror atmosphere right. Mories is a genius at creating exactly this type of claustrophobic and bleak sound. A 3.5 star (70%) rating is deserved...as always enter at your own risk, and don´t say I didn´t warn you...

PENDRAGON The Window of Life

Album · 1993 · Non-Metal
Cover art Buy this album from MMA partners
siLLy puPPy
Once PENDRAGON moved on from the train wreck that they released in the form of “Kowtow,” the band developed into a neo-prog powerhouse and released some of the best albums of the genre in the 90s starting with “The World.” With the stable lineup of Nick Barrett (guitars, vocals), Clive Nolan (keyboards), Peter Gee (bass) and Fudge Smith (yep, a drummer named Fudgie!), PENDRAGON continued to exhibit a compositional maturity only matched by bands like IQ and Nolan’s other gig, Arena.

With THE WINDOW OF LIFE, PENDRAGON crafted six strong tracks that found the band’s instrumental interplay blossoming on a whole new level. Recorded at the band’s new 24 track studio, it really sounds like the musicians took their sweet time in composing the best melodic emotional displays of neo-prog prowess that they could muster up and when the album hit the market in November of 1993, the band found a surge in its popularity and has remained one of the top dogs in the neo-prog world ever since. (Reissues have four extra bonus tracks which are weak and forgettable.)

The album immediately starts out bursting with confidence as a four minute bombastic organ run augmented by a very Pink Floydian guitar solo slowly ratchets up the tension before the vocals kick in along with the walls of atmospheric synth sounds, a bleating bass and drums. The band also began to develop the modern neo-prog staple of ratcheting up the dynamics ever so gently until crescendoing in heavily distorted rock guitar bombast and cyclical looped melodic riffs that offer subtle variations complete with various guitar antics to add some spice. True a Marillion classic sound but PENDRAGON was exploring the nooks and crannies and filling the cracks with various tones and timbres.

“Ghosts” displays Clive Nolan’s keyboard techniques as he adds various timbres through the piano and other keyboard sounds. The track is more of an instant emotional connection as the intro is less dynamic and the focus is on the lyrical delivery which finds Nick Barrett’s vocal performances in top form. Less prominent is drummer Fudge Smith’s excellent and tasteful drum fills as his role is subdued by the overpowering melodic harmonies and thematic presentations but still vital for the overall dynamism of THE WINDOW OF LIFE. While much of neo-prog could be considered nothing more than progressive ballads or sophisticated AOR a lot of the time, “Breaking The Spell” is clearly the most mellow track on board with a soft introduction and a slow ratcheting up effect that slinks over the nine minute mark but never breaks mid-tempo at best.

“The Last Man On Earth” is my personal fave. It nearly hits the 15 minute mark and has some of the best melodies, most outstanding twists and turns and maintains its emotional tug throughout its run and best of all never wears out its welcome. Roughly speaking, it changes gear every couple of minutes and offers new variation on old themes. Careful listening will reveal how clever these guys are at the subtle differences that affect the emotional center in subliminal delivers. It has one of the most unique parts of the album with guest musician Simon Forster delivering a wild harmonica performance with what sounds like a banjo accompaniment towards the end.

“Nostradamus (Stargazing)” has another Floydian intro at least as far as the sonic textures and slow spacey effects are concerned but sounds very different as far as the riffs and keyboard mixes are concerned. This one was a favorite as an opener for live shows at the time. While mostly a ballad, the album turns into a veritable rocker towards the end and reminds a lot of the Fish era Marillion rockers at their best with lots of key changes and that distinct bouncy bass groove. The album closes with “Am I Really Losing You?” which as expected is a tear jerking ballad which is soft and tinny and my least favorite track on the album as it is just too cliche for its own good but also thankfully the shortest track and forgettable.

In summary, THE WINDOW OF LIFE delivers all the neo-prog goods with an excellent band back on track and on the right course to deliver a few more excellent albums that follow. Only the last track rubs me the wrong way as it’s just too sappy and predictable but the rest of the album is chock full of beautiful melodies crafted by the beautiful entwinement of instrumental harmonies that result in a beautiful display of atmospheric progressive rock in all its glory. After hearing THE WINDOW OF LIFE, it’s quite obvious as to why PENDRAGON began to stand out of the neo-prog pack that was getting bigger by the day. Despite all the excellent tracks, they flow together so well and each has its own distinct personality. Personally i’m not sure if this one or the following “The Masquerade Overture” is my favorite of the PENDRAGON lot but all i can say is that for anyone who loves the progressive space pop sounds of neo-prog can’t go wrong with this beautiful specimen of the genre.

metal related genres movie reviews

PORCUPINE TREE Arriving Somewhere...

Movie · 2006 · Metal Related
Cover art Buy this album from MMA partners
Warthur
Focusing on the more metal-oriented material from Deadwing and In Absentia - though notably steering it back in a more rock-oriented direction in order to allow this material to sit a little more comfortably beside the "indie prog rock" stylings of Stupid Dream, Lightbulb Sun and Recordings (picks from all of which surface here). Fans of their earlier psychedelic and space rock styles might be disappointed that those aren't represented, but on the plus side there's a liberal sprinkling of rarities here such as the glorious Buying New Soul as well as Revenant, So-Called Friend and Mother and Child Divided, those three songs having only appeared on various special editions of Deadwing. Not the definitive Porcupine Tree live experience, but a pretty decent one nonetheless.

BLIND FAITH London Hyde Park 1969

Movie · 2006 · Proto-Metal
Cover art Buy this album from MMA partners
stefanbedna
Blind Faith -London Hyde Park 1969 dvd. An excellent concert.Quite simple concert.A beautiful day and a hundred thousand people in London´s central Hyde Park listens Blind Faith in their first big gig.Absolutely wonderful.For me the historic value of this concert.Rating 4,0 stars for me.Concert will be held 07/06/1969.Performers lineup eric clapton lead guitar,steve winwood phenomenal vocal and keyboards, rick grech on bass and of course phenomenal ginger baker on drums.This is an example of the unique combination of two large groups of Cream and Traffic rights in the Great introducetd in London´s Hyde Park.Really very interesting concert series watch it again on dvd.I highly recommend.

RIVERSIDE Reality Dream

Movie · 2009 · Metal Related
Cover art Buy this album from MMA partners
progshine
My polish girlfriend gave me this DVD on my anniversary in May, I really didn't know what to expect of the band live cause I only knew their studio recordings. Like I always do, I watched the bonus DVD first, I like to see backstage footage, interviews and extras much more than the proper live presentations on most of the time (maybe the only exception is Live At Wembley by QUEEN).

The first DVD is the show itself, and it's a very good recording, both audio and video, and seeing them live male me wonder how good is Mariusz Duda, cause as a bass player myself, I know how hard is to play some lines while you sing, Mariusz dows a fantastic work live, as the whole band.

I think it's a great buy for any prog rock fan, this polish band deserves more light on our '70's' world.

NEAL MORSE Live Momentum

Movie · 2013 · Non-Metal
Cover art Buy this album from MMA partners
Kev Rowland
One of the disadvantages of living at the end of the world is that these days I get most of my promos as downloads, which generally isn’t too much of a pain but here I find myself reviewing a DVD set where I haven’t actually seen the DVDs! Okay, so this has been released as a double DVD (more than 4 hours), along with a triple CD set and it is the latter that I am reviewing. This recording took place on October 11th, 2012 at The High Line Ballroom, New York, and captures the band in incredible form. I have no idea how many live recordings of Neal there are in my collection, from duetting with NDV through Spock’s Beard and Transatlantic and of course his solo work, but there are one or two. I have seen him in concert with SB as well as on the ‘Testimony’ tour and have had the privilege of interviewing him a few times as well, so I guess you can say that I am a fan.

I greatly respect the way that he decided to stand up for what he believed in (even though I don’t share those beliefs), although I still regret that SB never had the chance to tour ‘Snow’ which is easily their finest work. I have never given anything that he has been involved with a bad review, and there is no reason at all to start now as this triple CD set (2 hours 45 minutes) is as close to perfection as one could hope to hear. When it came to choosing the musicians to form the band he brought in close friends Mike Portnoy and Randy George and then used YouTube for the audition process! He ought to do that more often, as during “Sing It High” he gets it right when he says that the guys are “Sick”. Adson Sodré (guitar, vocals), Eric Gillette (guitar, keyboards, percussion, vocals) and Bill Hubauer (keyboards, violin, sax, vocals) do a stunning job. Mind you, it’s handy when you have three multi-instrumentalists in a band as it does mean that you can spread the wings. Vocally they are all in fine voice as well, just listen to “Author Of Confusion” to see what I mean.

Both Adson and Eric really riff and shred as the need requires, and this is probably the heaviest that Neal has ever sounded as he works his way through material from throughout his career: this is much more than just a live rendition of the latest album. The suites from ‘Testimony’ and ‘?’ work incredibly well and it is the longer sections that really allow Neal and the guys to shine. There are four songs more than twenty minutes long and one more than thirty!

But, for me one of the major highlights sees Neal taking a back seat, literally. One of my favourite live albums that feature Neal is ‘One Night in New York City’ by Yellow Matter Custard. This was a band put together by Mike Portnoy to play Beatles’ numbers, and the line-up was completed by Neal, Paul Gilbert and Matt Bissonette. The whole purpose of that band was to provide a new take on classic numbers and have fun at the same time. Well, on “Crazy Horses” Neal takes over on drums while Mike becomes the frontman, and everyone has an absolute blast. Mike says that when he first heard the song when he was five years old that it was the heaviest song that he had ever heard, and the band certainly do it justice. I defy you to listen to this and not smile throughout. There are some people who don’t enjoy what Neal does, and feel that he hasn’t dramatically changed since he left SB, but I sincerely hope he keeps going in this vein for the rest of his very long career as I love it.

So there you have it, a five star review for a DVD set that I haven’t even seen. But to me they are just an added bonus as this triple CD set is just mindblowing. www.insideout.de

ANATHEMA A Moment in Time

Movie · 2006 · Non-Metal
Cover art Buy this album from MMA partners
Conor Fynes
'A Moment In Time' - Anathema (5/10)

First off, might I say that the rating for this work is not based on the music itself. 'A Moment In Time' is being rated here for what it is; a piece of visual media. The songs themselves are amazing, and have been commended as such on other reviews. As far as being a vessel for such beautiful music however, this DVD really comes up short. There are so many errors that make it a sloppy creation, that could have been avoided and corrected had extra care been given.

As far as the musical arrangement goes, things are really good. As well as the band performing, there is a string quartet that plays throughout, as well as a guest appearance from a talented female vocalist. The vocal passion I generally expect from Vincent Cavanagh is a bit lacking here, but that can be forgiven. There's a nice setup here, a beautiful selection of songs, so what could go wrong?

Throughout watching 'A Moment In Time,' I find myself increasingly agitated over the camera work. The camera is fixated on the vocalist, and fails to give a visual mention to either the bass player or rhythm guitarist almost at all!

Another issue is the recording of the sound. For example, during the climax of 'Empty,' the vocals drown out completely for a few seconds. For a band that's had such a high standard of musical quality, my jaw dropped at how they could ever let a DVD release come out to the general public with that sort of negligence.

Despite it's flaws and failure as a professional DVD release however, being an Anathema fan; it's hard to not at least find some enjoyment in it, and there's an CD counterpart included as well! Two stars.

Artists with Metal Related Genres release(s)

metal related genres Index

Member Zone

Username:
Password:
Stay signed in

Metal Subgenres

Artists Alpha-index

MMA TOP 5 Metal ALBUMS

Rating by members, ranked by custom algorithm
Albums with 30 ratings and more
Master of Puppets Thrash Metal
METALLICA
Buy this album from our partners
Moving Pictures Hard Rock
RUSH
Buy this album from our partners
Rust in Peace Thrash Metal
MEGADETH
Buy this album from our partners
Powerslave NWoBHM
IRON MAIDEN
Buy this album from our partners
Dirt Alternative Metal
ALICE IN CHAINS
Buy this album from our partners

New Metal Artists

New Metal Releases

The Weight Of The World Metalcore
THE FALSE SHEPHERD
Buy this album from MMA partners
1000 Ogivas De Fel Cairão Sobre Ti Sludge Metal
MY MASTER THE SUN
Buy this album from MMA partners
Slund / Pro Death Corps Grindcore
PRO DEATH CORPS
Buy this album from MMA partners
Prematre Enucleation Grindcore
PRO DEATH CORPS
Buy this album from MMA partners
Slundcore Superhero Grindcore
SLUND
Buy this album from MMA partners
More new releases

New Metal Online Videos

More videos

New MMA Metal Forum Topics

More in the forums

New Site interactions

More...

Latest Metal News

members-submitted

More in the forums

Social Media

Follow us

Buy Metal Music Online