Drone Metal

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Drone Metal blends the slower tempos and heaviness of doom metal with longer song durations. Vocals are usually growled and screamed, and an emphasis is placed on the electric guitar. Many songs lack traditional rhythm, but create a large wall of sound, drawing comparisons to post-metal.

Instrumentation featured by bands as diverse as Black Sabbath, Sleep, Swans, and Sonic Youth has had a very positive influence on the genre.

Additionally, minimalist composers inspired pioneers of the genre such as Earth, Burning Witch, and Boris. Other popular bands in this genre are Sunn O))) and Teeth Of Lions Rule The Divine.

Source: https://en.wikipedia.org/wiki/Drone_metal#Characteristics

Sub-genre collaborators (shared with Stoner Metal and Doom Metal):
  • Nightfly (leader)
  • MorniumGoatahl

drone metal top albums

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CORRUPTED El Mundo Frío Album Cover El Mundo Frío
CORRUPTED
4.38 | 8 ratings
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SUNN O))) Monoliths & Dimensions Album Cover Monoliths & Dimensions
SUNN O)))
4.17 | 18 ratings
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BORIS Amplifier Worship Album Cover Amplifier Worship
BORIS
4.09 | 22 ratings
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SUNN O))) White2 Album Cover White2
SUNN O)))
4.14 | 12 ratings
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TEETH OF LIONS RULE THE DIVINE Rampton Album Cover Rampton
TEETH OF LIONS RULE THE DIVINE
4.17 | 6 ratings
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BORIS Boris At Last: -Feedbacker- Album Cover Boris At Last: -Feedbacker-
BORIS
3.99 | 23 ratings
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THE ANGELIC PROCESS Weighing Souls With Sand Album Cover Weighing Souls With Sand
THE ANGELIC PROCESS
4.25 | 4 ratings
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SUNN O))) Black One Album Cover Black One
SUNN O)))
3.93 | 22 ratings
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BORIS Dronevil Album Cover Dronevil
BORIS
4.12 | 4 ratings
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NAKED CITY Leng Tch'e Album Cover Leng Tch'e
NAKED CITY
4.00 | 7 ratings
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SUNN O))) White1 Album Cover White1
SUNN O)))
3.88 | 16 ratings
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JESU Jesu Album Cover Jesu
JESU
3.95 | 6 ratings
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Cast Through Time
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BIG | BRAVE
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AUSTROPOSEIDON
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drone metal Music Reviews

CORRUPTED Paso Inferior

Album · 1997 · Drone Metal
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SilentScream213
You put two genres like Drone Metal and Sludge Metal together, you gotta expect something pretty rancid. Dissonant, noisy, repetitive, lethargic… those were some traits that come to mind, and they are also traits I tend not to like when combined.

The short of it is, the album sounds exactly as you might expect (at least, exactly as I did), and it’s just not my thing.

The longer story though, is there were some great details to this album I did appreciate. The density of numerous guitars in the background creating a twisted cacophony with feedback and bent notes was quite great. The atmosphere here is destructive; there’s no real emotion to it, but there is a terrifying emptiness, like the heart of a cold killer, long since surrendered to insanity.

I’m not sure what the lore behind this Japanese band is, but writing the whole album in Spanish is a very odd choice. Google translating it doesn’t make a lick of sense.

CRAWL (TX) Damned

Album · 2023 · Drone Metal
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siLLy puPPy
One-man band Michael Engel has been cranking out albums, splits and EPs for over a decade now as the ominous sounding CRAWL but found a long gap between his latest DAMNED and the 2019 release “Necrotic Fear.” While traditionally a mix of sludge and drone metal, DAMNED has pretty much abandoned any notion of sludgery for a bleaker mix of funeral doom metal plodding, drone metal monotony and dark ambient atmospheric chill effects.

DAMNED features four long plodding tracks that extend past the 37-minute mark and showcase Engel’s frightful blackened dungeon doom effect in full lo-fi regalia. Nicely paced and seemingly demonically possessed, the music exudes a horrific march into the depths of the underworld with molasses slow bass / guitar grooves accompanied by Engel’s black metal rasps that simulate a grim reaper having a very bad day.

The sludge metal of previous releases has been totally replaced by a monotonous funeral doom procession with only energetic drum rolls breaking the hypnotic spell of torturous cyclical loops playing the soundtrack of hell for eternity. The mix of the elements is perfect for the overall effect and the lo-fi exuberance perfectly scratches the itch for a droning blackened funeral from the deepest depths of the unseen darkness. Occasional keyboard melodies creep out of the underbelly of the beast.

Drone metal in general can be quite boring but CRAWL adds the right amount of tension by slowly ratcheting up the tempos while the tortured blackened screams become more frenetic as the tracks progress. The mixing is excellent and the entire effort really does harken to the earliest days when first wave black metal was giving way to the second coming. The ambience stands alone as spectacular like frightful howling winds kissed by the demonic forces that summon a war of the worlds.

In this minimalist approach CRAWL has focused on the elements that really make the horror soundtrack work on all levels. While my appetite for drone metal oriented albums rarely make it to the top of my list, when i do find the right combo of elements that work in tandem so well to craft the utmost dread and fear factor, i cannot resist the temptation to venture into the world of the snail-paced where every ounce of doom and gloom is milked for your depressive pleasure. Much better than many of the SUNN O))) releases that try to hard to cram too much in which ruins the effects. Sometimes less is more and CRAWL got that memo.

BORIS Absolutego

Album · 1996 · Drone Metal
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SilentScream213
Boris is actually one of the most notable Metal bands to come out of Japan, and one of the biggest names in Drone Metal overall. Their debut is, maybe unsurprisingly for a still rather new and unexplored genre, underwhelming. The single hour-long track is just guitar fuzz and feedback for the majority of it. Nothing resembling riffs or even rhythms – really, it’s just feedback noise (in my opinion, this doesn’t qualify as Metal, but, that’s neither here nor there). There is a midsection where drumming and vocals come in, and that’s really the only Metal part of it, hell it’s the only part that resembles music at all, but it still ain’t good. And it’s over soon enough, back to just noise.

Drone Metal – at least THIS type of Drone Metal, with no mood or rhythm or anything resembling a melody – is like a niche fetish. One that disgusts me, that I cannot and will not ever be into. But for anyone who enjoys it – I’m happy for you, get your rocks off to some wack fuzz.

EARTH Phase III: Thrones And Dominions

Album · 1995 · Drone Metal
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SilentScream213
Aimless and monotonous without creating any effective atmosphere. Guitar can be used to great effect to build atmosphere (see Doom, Post or Black Metal for that) but here it is just noise. The best this could serve is white noise in the background if you’re the kind of person who needs that, and I imagine it would actually be quite effective at that job. For a focused listen it is beyond boring, and for supplementing any other sort of activity, it is useless due to its lack of any mood or emotion. The only thing depressing about the music is how mind numbingly dull it is. One track is literally a short loop of wind and noise repeated for 12 and a half minutes.

A few of the songs like the opening track have “riffs” akin to very lethargic traditional Metal, a bit Stoner tinged or psychedelic, but just the guitar on its own is very boring for that. Even when percussion does show up, it’s almost Avant-Garde in nature, striking at seemingly random intervals with no plan or purpose. Still, the short tracks more akin to traditional music are a bit more enjoyable than the aimless droning.

EARTH Earth 2: Special Low Frequency Version

Album · 1993 · Drone Metal
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SilentScream213
Maybe the first /true/ Drone Metal album, although there’s really nothing metal about it unless metal just means “distorted guitars.” The last track has some bass and drums backing it to sound more metallic and lifelike, the rest is just very simple and slow guitar “riffs” with a ton of distortion.

Earth’s first demos actually had a slightly doomy feel to them, with a full instrument ensemble and even vocals at times. This is, for all intents and purposes, just Ambient Drone. It’s fuzz and noise that is inoffensive and stagnant for over an hour. I can see how it could be relaxing, at the best of times. Problem is, even if I want to relax with some Ambient music, I still want the music to do something. This is essentially background noise, if you lived in an amp warehouse, or a Guitar Center underwater.

Maybe there is some genius in the exact frequencies or textures here, maybe there was some grand blueprint for these no less than 15-minute tracks, or maybe there’s absolutely nothing special to it at all. Either way, it’s not for me.

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