BEASTIE BOYS

Non-Metal / Hardcore Punk • United States
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The Beastie Boys were an American east coast hip hop group from New York City, formed in 1981. The group was formed out of members of hardcore punk band The Young Aborigines, Michael Diamond (Mike D), John Berry and Kate Schellenbach, along with Adam Yauch (MCA). The band started out playing hardcore punk, opening for such bands like Bad Brains, Dead Kennedys, and The Misfits. The band released their debut EP, Polly Wog Stew in 1982 and is noted as an early example of the New York Hardcore sound. John Berry left the group later that year and was replaced by Adam Horovitz (Ad Rock).

In 1983 the band released their first hip hop single, Cooky Puss, which achieved local success. The band made a full transition to hip hop, and hired then-NYU student Rick Rubin as a DJ for their live shows. In 1984, Schellenbach was fired with Horovitz taking
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BEASTIE BOYS Discography

BEASTIE BOYS albums / top albums

BEASTIE BOYS Licensed to Ill album cover 2.12 | 4 ratings
Licensed to Ill
Non-Metal 1986
BEASTIE BOYS Paul's Boutique album cover 3.00 | 3 ratings
Paul's Boutique
Non-Metal 1989
BEASTIE BOYS Check Your Head album cover 2.75 | 2 ratings
Check Your Head
Non-Metal 1992
BEASTIE BOYS Ill Communication album cover 4.50 | 1 ratings
Ill Communication
Non-Metal 1994
BEASTIE BOYS Hello Nasty album cover 5.00 | 1 ratings
Hello Nasty
Non-Metal 1998
BEASTIE BOYS To the 5 Boroughs album cover 0.00 | 0 ratings
To the 5 Boroughs
Non-Metal 2004
BEASTIE BOYS The Mix-Up album cover 3.00 | 1 ratings
The Mix-Up
Non-Metal 2007
BEASTIE BOYS Hot Sauce Committee Part Two album cover 4.00 | 1 ratings
Hot Sauce Committee Part Two
Non-Metal 2011

BEASTIE BOYS EPs & splits

BEASTIE BOYS Polly Wog Stew EP album cover 3.00 | 1 ratings
Polly Wog Stew EP
Hardcore Punk 1982
BEASTIE BOYS Love American Style EP album cover 0.00 | 0 ratings
Love American Style EP
Non-Metal 1989
BEASTIE BOYS An Exciting Evening At Home With Shadrach, Meshach And Abednego album cover 0.00 | 0 ratings
An Exciting Evening At Home With Shadrach, Meshach And Abednego
Non-Metal 1989
BEASTIE BOYS Hey Ladies / Respect album cover 0.00 | 0 ratings
Hey Ladies / Respect
Non-Metal 1989
BEASTIE BOYS Solid Gold Classics album cover 0.00 | 0 ratings
Solid Gold Classics
Non-Metal 1989
BEASTIE BOYS Untitled album cover 0.00 | 0 ratings
Untitled
Non-Metal 1990
BEASTIE BOYS Beastie Boys - L.L. Cool J album cover 0.00 | 0 ratings
Beastie Boys - L.L. Cool J
Non-Metal 1991
BEASTIE BOYS Frozen Metal Head album cover 0.00 | 0 ratings
Frozen Metal Head
Non-Metal 1992
BEASTIE BOYS Pass the Mic EP album cover 0.00 | 0 ratings
Pass the Mic EP
Non-Metal 1992
BEASTIE BOYS Pretzel Nugget E.P. album cover 0.00 | 0 ratings
Pretzel Nugget E.P.
Hardcore Punk 1994
BEASTIE BOYS Sabotage: Free Shitty E.P. album cover 0.00 | 0 ratings
Sabotage: Free Shitty E.P.
Non-Metal 1994
BEASTIE BOYS Tour Shot! album cover 0.00 | 0 ratings
Tour Shot!
Non-Metal 1994
BEASTIE BOYS Root Down album cover 0.00 | 0 ratings
Root Down
Non-Metal 1995
BEASTIE BOYS Aglio E Olio album cover 3.50 | 1 ratings
Aglio E Olio
Hardcore Punk 1995
BEASTIE BOYS Body Movin' album cover 0.00 | 0 ratings
Body Movin'
Non-Metal 1998
BEASTIE BOYS A Secret Place / Peanut Butter & Jelly album cover 0.00 | 0 ratings
A Secret Place / Peanut Butter & Jelly
Non-Metal 1998
BEASTIE BOYS Scientists of Sound album cover 0.00 | 0 ratings
Scientists of Sound
Non-Metal 1999
BEASTIE BOYS Right Right Now Now album cover 0.00 | 0 ratings
Right Right Now Now
Non-Metal 2005
BEASTIE BOYS The Mix-Up Bonus Tracks album cover 0.00 | 0 ratings
The Mix-Up Bonus Tracks
Non-Metal 2008
BEASTIE BOYS Bring the Stripes / White Trouble album cover 0.00 | 0 ratings
Bring the Stripes / White Trouble
Non-Metal 2010
BEASTIE BOYS Brr Stick' Em album cover 0.00 | 0 ratings
Brr Stick' Em
Non-Metal 2010
BEASTIE BOYS Sabotaggio album cover 0.00 | 0 ratings
Sabotaggio
Non-Metal 2015

BEASTIE BOYS live albums

BEASTIE BOYS No Sleep Till Kawasaki album cover 0.00 | 0 ratings
No Sleep Till Kawasaki
Non-Metal 2019

BEASTIE BOYS demos, promos, fans club and other releases (no bootlegs)

BEASTIE BOYS Check Your Head Sampler album cover 0.00 | 0 ratings
Check Your Head Sampler
Non-Metal 1992
BEASTIE BOYS Body Movin' (Remixes) album cover 0.00 | 0 ratings
Body Movin' (Remixes)
Non-Metal 1998
BEASTIE BOYS Selections From Beastie Boys Anthology The Sounds Of Science album cover 0.00 | 0 ratings
Selections From Beastie Boys Anthology The Sounds Of Science
Non-Metal 1999
BEASTIE BOYS The Hiatus is Back Off, Again album cover 0.00 | 0 ratings
The Hiatus is Back Off, Again
Non-Metal 2004
BEASTIE BOYS Rhyme the Rhyme Well Video album cover 0.00 | 0 ratings
Rhyme the Rhyme Well Video
Non-Metal 2004
BEASTIE BOYS The Mix-Up Sampler album cover 0.00 | 0 ratings
The Mix-Up Sampler
Non-Metal 2007
BEASTIE BOYS Beastie Boys album cover 0.00 | 0 ratings
Beastie Boys
Non-Metal 2010
BEASTIE BOYS B-Boys In The Cut (Remixes) album cover 0.00 | 0 ratings
B-Boys In The Cut (Remixes)
Non-Metal 2011
BEASTIE BOYS Say It - Too Many Rappers album cover 0.00 | 0 ratings
Say It - Too Many Rappers
Non-Metal 2013
BEASTIE BOYS Lee Majors Come Again - Here's A Little Something For Ya album cover 0.00 | 0 ratings
Lee Majors Come Again - Here's A Little Something For Ya
Non-Metal 2013

BEASTIE BOYS re-issues & compilations

BEASTIE BOYS Some Old Bullshit album cover 0.00 | 0 ratings
Some Old Bullshit
Hardcore Punk 1994
BEASTIE BOYS The In Sound From Way Out! album cover 0.00 | 0 ratings
The In Sound From Way Out!
Non-Metal 1995
BEASTIE BOYS Gold '99 album cover 0.00 | 0 ratings
Gold '99
Non-Metal 1999
BEASTIE BOYS Anthology: The Sounds Of Science album cover 0.00 | 0 ratings
Anthology: The Sounds Of Science
Non-Metal 1999
BEASTIE BOYS Solid Gold Hits album cover 0.00 | 0 ratings
Solid Gold Hits
Non-Metal 2005
BEASTIE BOYS Beastie Boys Instrumentals - Make Some Noise, Bboys! album cover 0.00 | 0 ratings
Beastie Boys Instrumentals - Make Some Noise, Bboys!
Non-Metal 2019
BEASTIE BOYS Ultra Rare Trax 1992-1996 album cover 0.00 | 0 ratings
Ultra Rare Trax 1992-1996
Non-Metal 2019

BEASTIE BOYS singles (44)

.. Album Cover
0.00 | 0 ratings
Cooky Puss
Non-Metal 1983
.. Album Cover
0.00 | 0 ratings
Rock Hard
Non-Metal 1984
.. Album Cover
0.00 | 0 ratings
She's on It
Non-Metal 1985
.. Album Cover
5.00 | 1 ratings
Slow and Low
Non-Metal 1985
.. Album Cover
0.00 | 0 ratings
(You Gotta) Fight for Your Right (To Party!)
Non-Metal 1986
.. Album Cover
0.00 | 0 ratings
Hold It, Now Hit It
Non-Metal 1986
.. Album Cover
0.00 | 0 ratings
It's the New Style / Paul Revere
Non-Metal 1986
.. Album Cover
0.00 | 0 ratings
Brass Monkey / Posse in Effect
Non-Metal 1986
.. Album Cover
5.00 | 1 ratings
She's Crafty / No Sleep Till Brooklyn
Non-Metal 1986
.. Album Cover
0.00 | 0 ratings
No Sleep Till Brooklyn
Non-Metal 1986
.. Album Cover
0.00 | 0 ratings
Girls / She's Crafty
Non-Metal 1987
.. Album Cover
5.00 | 1 ratings
Hey Ladies
Non-Metal 1989
.. Album Cover
5.00 | 1 ratings
Shadrach
Non-Metal 1989
.. Album Cover
0.00 | 0 ratings
Finger Lickin' Good
Non-Metal 1992
.. Album Cover
0.00 | 0 ratings
Gratitude
Non-Metal 1992
.. Album Cover
0.00 | 0 ratings
Jimmy James
Non-Metal 1992
.. Album Cover
0.00 | 0 ratings
Pass the Mic
Non-Metal 1992
.. Album Cover
5.00 | 1 ratings
Professor Booty
Non-Metal 1992
.. Album Cover
5.00 | 1 ratings
So What 'Cha Want
Non-Metal 1992
.. Album Cover
0.00 | 0 ratings
Get It Together / Futterman's Rule
Non-Metal 1994
.. Album Cover
0.00 | 0 ratings
Sabotage / Get It Together
Non-Metal 1994
.. Album Cover
0.00 | 0 ratings
Sure Shot
Non-Metal 1994
.. Album Cover
5.00 | 1 ratings
Root Down
Non-Metal 1995
.. Album Cover
0.00 | 0 ratings
Hey Ladies / So What'cha Want
Non-Metal 1997
.. Album Cover
0.00 | 0 ratings
Three MC's and One DJ / Body Movin'
Non-Metal 1998
.. Album Cover
5.00 | 1 ratings
Intergalactic
Non-Metal 1998
.. Album Cover
0.00 | 0 ratings
Body Movin'
Non-Metal 1998
.. Album Cover
0.00 | 0 ratings
Start!
Non-Metal 1999
.. Album Cover
5.00 | 1 ratings
Remote Control / 3 MC's & 1 DJ
Non-Metal 1999
.. Album Cover
0.00 | 0 ratings
Negotiation Limerick File
Non-Metal 1999
.. Album Cover
0.00 | 0 ratings
Alive
Non-Metal 1999
.. Album Cover
0.00 | 0 ratings
Intergalactic (DVD)
Non-Metal 2000
.. Album Cover
0.00 | 0 ratings
In a World Gone Mad
Non-Metal 2003
.. Album Cover
0.00 | 0 ratings
Right Right Now Now
Non-Metal 2004
.. Album Cover
0.00 | 0 ratings
Ch-Check It Out
Non-Metal 2004
.. Album Cover
0.00 | 0 ratings
Triple Trouble
Non-Metal 2004
.. Album Cover
0.00 | 0 ratings
An Open Letter to NYC
Non-Metal 2004
.. Album Cover
0.00 | 0 ratings
Electric Worm / Suco De Tangerina
Non-Metal 2007
.. Album Cover
0.00 | 0 ratings
Lee Majors Come Again
Non-Metal 2009
.. Album Cover
0.00 | 0 ratings
Too Many Rappers
Non-Metal 2009
.. Album Cover
0.00 | 0 ratings
Make Some Noise
Non-Metal 2011
.. Album Cover
0.00 | 0 ratings
B-Boys in the Cut / Pop Your Balloon
Non-Metal 2011
.. Album Cover
0.00 | 0 ratings
Don't Play No Game That I Can't Win
Non-Metal 2011
.. Album Cover
0.00 | 0 ratings
Sabotage
Non-Metal 2019

BEASTIE BOYS movies (DVD, Blu-Ray or VHS)

.. Album Cover
0.00 | 0 ratings
Beastie Boys
Non-Metal 1987
.. Album Cover
0.00 | 0 ratings
The $kill$ To Pay The Bill$
Non-Metal 1992
.. Album Cover
0.00 | 0 ratings
Sabotage / Gratitude
Non-Metal 1994
.. Album Cover
0.00 | 0 ratings
Compilation Video
Non-Metal 1994
.. Album Cover
0.00 | 0 ratings
Sabotage
Non-Metal 1994
.. Album Cover
0.00 | 0 ratings
Video Anthology
Non-Metal 2000
.. Album Cover
0.00 | 0 ratings
Awesome; I...Shot That!
Non-Metal 2006
.. Album Cover
0.00 | 0 ratings
FightforyourrightrevisitedHotsaucecommitteeparttwo
Non-Metal 2011

BEASTIE BOYS Reviews

BEASTIE BOYS Licensed to Ill

Album · 1986 · Non-Metal
Cover art Buy this album from MMA partners
Unitron
ALI BABA AND THE FORTY THIEVES!

Along with Run DMC, the Beastie Boys helped pioneer the fusion of rock and hip hop that would influence many bands to come. Starting out as part of the growing New York Hardcore scene, the band pretty quickly made the transition into the even faster growing East Coast Hip Hop scene. After a self-released single and getting signed to the new Def Jam label, which would serve as a hub for several major hip hop and metal artists, Beastie Boys flew and crashed onto the album market with Licensed to Ill. It went on to become one of the best selling hip hop albums of the 80's.

As soon as the opening Rhymin' & Stealin' starts, it's no wonder. Sampling the iconic drums from Led Zeppelin's classic When the Levee Breaks as well as the equally iconic riff from Black Sabbath's Sweet Leaf, the way they're mixed together makes it a precursor to the now incredibly popular art of mashups. Add onto that the exuberant bravado of Mike D, MCA, and Ad-Rock, and you've got an incredibly fun album that's bursting with energy. Big loud drums dominate the album, as does excellent sampling and vocal flow. She's Crafty, Hold It Now Hit It, Brass Monkey, and the underrated deep cut Slow and Low are songs that'll remain in your head with great hooks of different varieties. My favorite though will always be the aforementioned Rhymin' & Stealin', it's really an explosion of sound that's impossible to not scream along to the chanting of ALI BABA AND THE FORTY THIEVES, ALI BABA AND THE FORTY THIEVES! with elements of two hard rock/metal classics backing it.

The group's goofy sense of humor is on full display, with a satirical edge. Hit singles Fight for Your Right and No Sleep 'Till Brooklyn are able to both nail the mood of 80's party rock while making fun of it at the same time as the videos show. They make fun of themselves too, as the lyrics of Rhymin' & Stealin' show, serious musicians who love to have fun.

Licensed to Ill is a classic hip hop album in every way with easy crossover appeal. Despite its massive success, Beastie Boys were not ones to let money take over creativity, and their next album would show them keep experimenting and create what is maybe one of the most layered hip hop albums of all time.

BEASTIE BOYS Licensed to Ill

Album · 1986 · Non-Metal
Cover art Buy this album from MMA partners
Vim Fuego
Yes, dear reader, this is a rap album review, but please bear with me, for a metal story is to follow. It is an ancient tale from far back in the mists of time. It is a tale of a hero bold and brave, and not really bright enough to know any better. It is a tale of fair maidens and slain dragons (or would be, if you think of the dragons in a metaphorical sense, and the maidens... er, would you consider random pictorials ripped from 1986 Penthouse magazines to be fair maidens?)

So “Licensed to Ill”? I really fucking hate this thing. I think this album is one of the worst pieces of shit I have ever had the misfortune to hear, but in all fairness to be able to write a fair review, I had to listen to it again. So...

Nope, 30 plus years haven’t improved it in my estimation. “Rhymin & Stealin” stole shit from Black Sabbath and Led Zeppelin (hmm... maybe a little poetic justice in that?) with stupid whiny lyrics all over it, and it only get worse from there. “Slow Ride” pinches the horn riff from “Low Rider”, with something of a samba beat, and might be OK without the stupid raping over it. “Girls” is puerile, misogynistic Casio-rap. OK, the idiot party anthem that is “Fight For Your Right to Party” gets a pass. Its harmless, brainless throwaway rap/rock for white teenage boys. “No Sleep ‘til Brooklyn” is even more brainless, and shorter still on rock content, but does have quite the solo at the end. And the rest of the album, well there’s always the “skip” button. There, said it. Done. If all you’re interested in is what I think of the music, you can stop reading here.

However, I owe this album a lot. If it hadn’t been for the first rap album to go to number one in the charts, I might never have become the person I am today. “Licensed To Ill” started my quest for metal. Let’s wind back the clock to 1987. Internationally, it was the year of the Black Monday stock market crash, Ronald Reagan was slowly losing his marbles in the White House, a US politician shot himself on live TV, New Zealand hosted and won the first rugby World Cup, and Canada introduced the Loonie.

This story requires something of a cast of characters - no real names used here to protect the pathetic. There’s me, the heroic but slightly nerdy (OK, VERY nerdy) protagonist of this tale, and whose embarrassing nicknames will remain unrevealed. Next is Harry, music tragic, but the best friend you’d ever want, even to this day (See my review of Slayer’s “Seasons in the Abyss” for more adventures with Harry). Then there was Fru-Ju. The name has nothing to do with Jewish heritage or anything, It’s just his name bore a similarity to Fru-Ju ice creams. There was Nerd-gel, a ladies’ man in his own mind only. There were a few others too – Brickie or Brickman, Scummy (really unfortunate name, and given to him by someone whose own nickname was Egg), Jimmy… yeah, that’ll do before this all gets out of hand.

I was 14, going on 15, and was busy preparing for School Certificate, which were the big Year 11 exams in New Zealand, roughly equivalent to O Levels or GCSE in the UK, and whatever the US does at Grade 10. Basically, this means it’s a year where you’re supposed to work and study hard at school, but you’re starting to get interested in partying and fun. It’s that year when your parents say “the rest of your life depends on how well you do at school this year”, which generally turns out to be bullshit, but you’re not old enough to know it yet.

I had found that listening to music helped me with my studies, but I was quite puzzled trying to figure out what sort of music I really liked to listen to. I had a few Dire Straits albums, and I still rate the band to this day. I had Kevin Bloody Wilson’s “Kev’s Back”, the album with the infamous “Hey, Santa Claus” song, and I had a really badly recorded copy of Twisted Sister’s “Stay Hungry”. Otherwise, it was the radio. The problem with the radio was there was the occasional good song, followed by half a dozen shit songs, before the next decent tune. It was time to expand my musical horizons. But in which direction?

The radio wasn’t much help. I thought Michael Jackson’s “Bad” lived up to its title. U2 had lost some fucking thing they were looking for, but instead of looking in the last place they left it, wrote a song about it. Paul Simon wanted people to call him Al, but we all knew his name was still Paul. Talking Heads were on an endless road to no-bloody-where, and wouldn’t shut up about it. The song which was to Rickroll millions across the world decades later was unleashed on an unsuspecting public, who were gormless enough to make it the number one hit on 23 different charts around the globe.

A friend in need is a friend indeed, and I was a friend with needs, so I asked around. And what a useless bunch of pricks these guys turned out to be.

I started with Harry, who had the most valuable of all devices, a double tape deck. On the upside, Harry had few musical boundaries, so he gave me quite an eclectic mix tape. On the downside, Harry doesn’t have a bullshit filter. Nestled alongside gems like Quiet Riot’s “Cum On Feel The Noize”, Meatloaf’s “You Took The Words Right Out Of My Mouth” and Marianne Faithful’s “Ballad of Lucy Jordan” came turds like Kylie Minogue’s “Locomotion” and something or other by Icehouse.

Next I went to Fru-Ju. He listened to the radio more than anyone else. From him I got “Showing Out (Get Fresh at the Weekend)" and “Respectable” (which we renamed “Respectyourballs” in a show of high wit) by Mel and Kim (if you’re asking “who?”, then you’ll understand the problem), “Walk Like An Egyptian” by The Bangles, and “Venus” by Bananarama. Seems he was more interested in what the singers looked like rather than what they sounded like. On the plus side, he also recommended “All You Zombies” by The Hooters.

Brickie was a bit more promising. He suggested Europe, Whitesnake, and Bon Jovi. Scummy also reckoned Whitesnake was worth a listen. Nerd-gel was no fucking help. He really didn’t know anything about music. Jimmy was new at our school that year. He was what would be called a stoner now, but we had no idea back then. He suggested some weird shit – these bands we’d never heard of. “There’s this cool song called ‘Transvestite’ by Peter and the Test Tube Babies. The Dead Kennedys are really cool. And have you heard anything by Metallica?” He didn’t have anything by any of these bands, so I remained none the wiser.

And then Nerd-gel came up with a surprise. It was a tape with a crumpled aeroplane on the cover. Yep, “Licensed to Ill”. We’d all seen the riotous video for “Fight For Your Right To Party”, and here was the album it came from. Everyone got right into it. Except me. This shit was really stupid. It lived up to the witless label “rap crap” (yeah, not clever now, not particularly clever then) as far as I was concerned. Nerd-gel turned into a prick. First, he wouldn’t me borrow his tape. I wanted to hear it properly to see if there was something I wasn’t quite getting. I think he thought it made him special or something. Then he started adopting rap culture and language, and then so did Fru-Ju. It started with baseball caps and low-slung pants. The others weren’t quite so into the culture, but they all seemed to love this album. But I didn’t.

Then came the moment. Nerd-gel had some teen pop magazine with instructions on how to be a rap fan, and was reading it out to us in the corridor one lunch time. It had all about what to wear, what to say, and what you should and shouldn’t like. The uniform is pretty well known now. The language included idiotic words like “skeezing” (had no idea what it meant then, really couldn’t give a fuck now), and new definitions for old words, like “ill” (duh!). The shit you were supposed to like I don’t remember, but one of the things you weren’t supposed to like was heavy metal, and in particular, Deep Purple. That was the final straw for me. “Smoke On The Water” had been one of my favourite songs since I was a kid. At that moment, I rejected this fake, pretend “culture” this poser was embracing, and decided metal was what was important to me. What sort of dumb-assed trend needed a fucking instruction manual, for fuck’s sake? It was faux inner city/urban bullshit. We went to a small high school in a rural town in New Zealand. What the fuck did we know of life and culture in cities like New York or L.A.? It was about as urban as the Serengeti plains or the Amazon jungle. I’d like to think that I told Nerd-gel to fuck off, but I probably didn’t. Yeah, metaphorical dragon slain, but I was still a bit pathetic...

Almost immediately, I got Harry to get me copies of Bon Jovi’s “Slippery When Wet”, and “Masters of Metal”, one of those cheapie thrown together compilations by a record label that had heard of heavy metal, but didn’t really know what to do with it. I hammered those two albums and Twisted Sister while was studying for my exams. I passed with some excellent marks, as did everyone else, except Nerd-gel. Yep, he really wasn’t too bright.

More than three decades later, I’m still living the metal life, and still exploring and enjoying metal from the world over, while the rap/hip-hop culture proved to be a five minute fad for the others. I explored Scummy and Brickie’s suggestions further. I eventually discovered the bands Jimmy had suggested. I got a bit more metal off Harry, and gave him plenty more back in return.

Nerd-gel and Fru-Ju turned into right cunts the next year at school (quote from Jimmy: “What the fuck crawled up their asses?”), and along with Scummy weren’t around for the last year at high school. Brickie turned out to be incredibly studious, and worked flat out the rest of the time he was at high school, while Harry, Jimmy, and I enjoyed ourselves, but still did enough to pass.

So what happened to this merry bunch of nerds?

Last I saw Nerd-gel, he was working in a petrol station (that was more than 20 years ago, so he’s probably moved on from that. He was still a cunt though). Fru-Ju went off to boarding school for his final year, spent his time at university drunk, or at least he was every time I saw him, and is now a manager in one branch of his family’s business. Last time I saw him he was pissed as a fart in a restaurant with some woman (his wife, I suppose?) ranting at him.

Brickie did really well at university, and went into finance. I heard he’d had some serious stress related health problems in his early 20s. Last time I saw Scummy, he was a regional sales manager for an electrical appliance supplier. Jimmy took a gap year in 1990 instead of going straight to university like I did. He still hasn’t got there quite yet. It turns out I drive past the company where he is a manager on my way to work.

Harry and I partied too hard. Even though he did a bit better than me in our University entrance exams, he went back and repeated the final year of high school. He’s now an engineer who jets round the country, servicing high tech medical equipment in hospitals.

As for me, I went to university, and took five and a half years to complete a three year degree. I have since moved on to be an astronaut, rocket scientist, spy, and movie stuntman (what? It’s my story! Ah fuck it. I meant teacher, journalist, shop assistant, farm worker, and now technical writer). I discovered an absolute fuckton of metal on my mostly merry journey through this weird old life, and I owe so much of it to one crappy yet ground-breaking rap album.

So, thank you Beastie Boys. I hate your music, but I love what you have done for me.

BEASTIE BOYS Hello Nasty

Album · 1998 · Non-Metal
Cover art Buy this album from MMA partners
Unitron
"One two one two, this is just a test"

Hello Nasty is like no other hip hop album I've heard, it's like an exploration in various sounds and samples but always with the Beastie Boys' fun loving attitude. Its got such a busy sound with everything going on, but it's never overwhelming even with the 22 songs on the album.

The Move, Remote Control, Just a Test, Intergalactic, and Putting Shame in Your Game are probably my favorites, Just a Test especially being one of the B-boy's most underrated songs. They've got such great flow, and their rap bravado is contrasted by fantastic moody and ominous samples, and it gives it such a cool sound. The electro-rap of Intergalactic rightfully was the album's biggest hit, and it's impossible to not love the delivery of "let the beat...mmmDRRROP".

One of the strangest parts of the album are the neo-psychedelic songs that are completely devoid of hip hop, though there's a psychedelic element throughout the album. These songs include Song for the Man, Song for Junior, and I Don't Know, and they all fit in and sound great.

Hello Nasty is a bit of a grower, but once it hit, it hit. One of the best of both the B-boy's and hip hop as a whole.

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