Alternative Metal

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Alternative Metal, or Alt Metal for short, is a sub-genre of metal music that has it's roots in the mid-1980s. It's sound comes from the mixing of metal with elements that are uncharacteristic to the metal genre, such as funk and hip-hop, but not in such an experimental way as to be considered Avant-Garde Metal. Some of these alternative metal fusions gave risen to some distinct sub-genres of it's own, with Nu Metal being a notable metal movement from the mid-1990s.

Alternative Metal Sub-Genres

Funk Metal

Nu Metal

Rap Metal

Sub-genre collaborators (+ Child subs and Heavy Alternative Rock):

alternative metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

FAITH NO MORE Angel Dust Album Cover Angel Dust
FAITH NO MORE
4.38 | 103 ratings
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ALICE IN CHAINS Dirt Album Cover Dirt
ALICE IN CHAINS
4.36 | 127 ratings
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DEFTONES Ohms Album Cover Ohms
DEFTONES
4.66 | 8 ratings
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TREMONTI Cauterize Album Cover Cauterize
TREMONTI
4.75 | 6 ratings
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TOOL Ænima Album Cover Ænima
TOOL
4.21 | 101 ratings
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NOTHINGFACE Violence Album Cover Violence
NOTHINGFACE
4.52 | 9 ratings
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SYSTEM OF A DOWN Toxicity Album Cover Toxicity
SYSTEM OF A DOWN
4.19 | 103 ratings
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DEFTONES White Pony Album Cover White Pony
DEFTONES
4.29 | 24 ratings
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LIVING COLOUR Stain Album Cover Stain
LIVING COLOUR
4.35 | 15 ratings
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KATATONIA The Fall Of Hearts Album Cover The Fall Of Hearts
KATATONIA
4.27 | 23 ratings
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TREMONTI All I Was Album Cover All I Was
TREMONTI
4.50 | 8 ratings
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MUDVAYNE L.D. 50 Album Cover L.D. 50
MUDVAYNE
4.23 | 22 ratings
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alternative metal New Releases

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Dimorphous Display
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LOATHE
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Requiem
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KORN
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alternative metal Music Reviews

BUCKETHEAD Pike 303 - Castle of Franken Berry

Album · 2022 · Alternative Metal
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siLLy puPPy
BUCKETHEAD’s first PIKE of 2022 has taken some inspiration from the awful sugary monster breakfast cereal that has those sickening sweet artificial strawberry flavors mixed with those foodlike substances called marshmallows. CASTLE OF FRANKEN BERRY is the 303rd PIKE installment released on the 11th of January, 2022 and features the chicken lover pulling his usual shtick of playing all the instruments.

This one clocks in at just over 27 minutes and features only two tracks. The first is the near 19-minute “Enter The Sky Walker” which features a long drawn out bluesy hard rock approach. Sounding something like an instrumental early 80s AC/DC track with more 70s hard rock blues licks added in from time to time. This is one of those repetitive by the numbers type tracks with a time length that doesn’t justify the ideas presented. Sure an atmospheric breakdown here and there but overall a lengthy instrumental jam that provides decent background music but not very interesting particularly if you’re like me and have heard every album BH has created.

The title track is much shorter at 8 minutes and 19 seconds. This one is much heavier jumping into metal territory. Faster tempos and more crushing riffs start it out but then it sort of loses a bit of steam but offers a lot more variety in the first two minutes than the tedious opener does. This one showcases a lot more of BUCKETHEAD’s riffing prowess at high speeds. There’s a thrash metal quality to the riffing styles but doesn’t really go full on thrash with the drums and bass. Come to think of it this entire PIKE is missing some of the background atmospheric touches that many recent PIKEs have employed. This one is a lot more interesting than the first track but still a little too long for what it has to offer however if you really dig these chunky riffs than why not have an extended version?

After 2021’s final PIKE which was my favorite in a long time, this one is a bit of a let down. While the second track is quite enjoyable, the first one just feels a bit underwhelming for my tastes and considering it’s 2/3 of the PIKE, the entire PIKE experience is somewhat lessened for my listening enjoyability. Fortunately nothing about this PIKE reminds me of the artificially flavored crap breakfast cereal that has been poisoning children for decades! While BUCKETHEAD proves he can continue some great riffs on his first PIKE of 2022, unfortunately he also showcases his inconsistency in quality and lack of creativity. Good album. Nothing more.

BUCKETHEAD Pike 302 - Cyborgs, Robots & More

Album · 2021 · Alternative Metal
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siLLy puPPy
Something about BUCKETHEAD’s infections with robots seems to bring out the best in his musical abilities and finally after quite some time, the chicken lover has finally hatched an egg that’s interesting (at least to my ears!) Emerging from the coop on the very final hours on the last day of 2021, PIKE 302 - CYBORGS ROBOTS & MORE unleashes my favorite sounds of the entire year! Woohoo!!!!

This PIKE slinks past the 29-minute mark and in that regard not too overly different than what has been the case for years. This one features four tracks with the longest being the opening “Cyborg” which hits the 13 1/2 minute mark and features a somewhat new sound to BUCKETHEADLAND. This one has taken the world of alternatives metal and added some interesting new chops to the mix including some new atmospheric backdrops. Just when i think BH has lost all his musical mojo he proves he is still able to unleash something new and actually relevant to the world of heavy rock / metal. This is also the most progressive music BH has released in 2021 with lots of time signature changes and an expanded compositional flow. The mix is pretty spectacular as well with lots of echoes, guitar tones and an infinite supply of creative prowess. Why in the world do i have to endure a sea of mediocrity to wait for these moments of glory? Signed - pissed fan :/

“Robot” follows suit with the same strange atmospheric mix of interesting guitar distortion, keyboard backings and drum, bass and guitar action. Finally BH isn’t afraid to offer some guitar antics that allow his true genius to emerge. The syncopation of the drums with the guitar parts, bass and atmospheric keys is off the chart here! This is part metal, part psychedelic rock and part freak show! OMG two tracks in a row that really rock my world at BUCKETHEADLAND? Pinch me i must be dreaming!

Just when i think the PIKE sure has to derail like they usually do lately, “& More” actually continues my interest! Whew :D While less bold and experimental than the previous offering, it still provides a satisfying guitar based groove that utilizes both power chords and heavy licks. It works and sets itself apart from what came before!

“Woodens Warm-ups” takes the choppy guitar palm-muted effects into different territory yet. Interesting melodies, synergy of guitar, bass, drums and atmospheric keys and an unpredictable journey into a fully fueled compositional approach that isn’t predictable! OMG, can this be true? While this is my least favorite track on this PIKE it’s by no means a throwaway track. It continues the flow of what sets this PIKE apart with satisfying results.

Wow! This PIKE is exactly the reason i stick around and keep listening. Yeah, i’m not thrilled that i have to endure seas of mediocrity to get to nice gems like this one but isn’t that really what life is all about? Sure it’s more annoying in terms of music but i signed up for the review every BH album so here i am. This one is by far my favorite of 2021. Very interesting in how BH mixed the different instruments and the compositions themselves are of high quality. While not a bonafide masterpiece by any means, this is certainly one i will return to in the future. Thanks for laying this golden egg, Buck Buck!

BUCKETHEAD Pike 300 - Quarry

Album · 2021 · Alternative Metal
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siLLy puPPy
And here we are! Another lovely day at BUCKETHEADLAND and yet another PIKE dropped by the chicken lover named BUCKETHEAD. This one is somewhat of an achievement since PIKE 300 represents a milestone in this egg dropping from coop!

PIKE 300 - QUARRY comes just in time for Christmas but given that it’s digitally released only, don’t expect it wrapped and put under the tree. This is yet another all instrumental affair and features 5 tracks that simply are titled “Q1,” “Q2,” “Q3,” “Q4” and “Q5.” I have another Q and that would be “WTF?”

These PIKEs have started feeling like Groundhog Day quite some time ago as the PIKEs released in 2021 have generally been nothing more than recycled ideas that seem to roll off the PIKE assembly line like jars of peanut butter! This is another one of those alternative metal PIKEs that simply generates some grungy riffing, a few break downs and various shifts in direction.

“Q1” does the typical bluesy heavy rock guitar riffing dance and a little more on the metal side than recent PIKEs that were just hard rock. At 8 1/2 minutes it’s the longest track but the lengthy time length isn’t really justified. “Q2” pretty much sounds like hitting replay. Everything the same except a different melody. “Q3” just keeps the guitar riff party going. Same tempo, same guitar, bass and drum interplay. Really same same same!

And THEN guess what?!!!! You got it - “Q4” keeps it going!!! Surprise, surprise however at least on this one there are some quieter sections with some palm muted micro-riffs but basically another grungy alt metal guitar workout. And then just because you didn’t ask for it, “Q5” and another version of basically what sounds like five songs with minor variations!

OK, is it obvious i’ve grown tired of the ceaseless recycling of ideas that have been presented ad nauseam from the chicken lover? Well i find these newer PIKEs to be extremely booooooring! Are fans really continuing to buy these just because it’s BH? I wish i could recommend this for any reason but really it only offers five tracks doing the same alt metal shtick that have been featured on dozens of PIKEs at this point. Completists only (i’m not one.)

KATATONIA Dead End Kings

Album · 2012 · Alternative Metal
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Necrotica
"At night, walking on the tracks, change my perspective..."

That is, indeed, a lyric from the album. However, it's also a quick summation of when I realized Katatonia's greatest strengths as a band. One cloudy evening, many years ago, I parked my car and proceeded to walk to a bass lesson by my jazz instructor. As I crossed the tracks, I listened to Dead End Kings for the very first time on my phone and headphones. As I looked at my surroundings, every color seemed to melt into a muted blend of gray and black through the sheer power of musical atmosphere. The mix of crunchy downtuned guitar riffing and cinematic keyboards found in opener "The Parting" felt like a gradual descent into a different state of being altogether; hell, I felt like I was just teleported somewhere else entirely. Now, keep in mind that I was already a fan of Katatonia by this point. I was a big fan of Viva Emptiness and The Great Cold Distance and the way they combined crushing alternative metal riffs with a melancholic vibe. But something about this experience was distinctly different.

On the more concrete side of things, the most notable aspect of Dead End Kings is that it symbolizes Katatonia's evolution into a progressive rock/metal act. There were always hints here and there, but this is the first time we get to hear those moments in a more fleshed-out way. Tempos are more varied, the rhythms are a bit more intricate, and as stated before, some cinematic synthesizers have been thrown in (and utilized more effectively than on Night is the New Day, as far as I'm concerned). Some songs practically ditch metal altogether, such as the soft palm-muted electric guitar chug of "The One You Are Looking For Is Not Here" or the melodious, textured doom rock (if "doom rock" is a real tag) of "Undo You." A few other experiments are brought on board too, like the strange piano-led swing rhythm of "Leech," the snare drum dominance of the more technically-challenging "Hypnone," and the fantastic inclusion of electronic ornaments to the music of "The Racing Heart." And what does all of this do for the band's sound? Exactly what it should be doing: giving us one of the most atmospheric releases yet by this band. It should probably be clear by this point that when I wrote: "Katatonia's greatest strength's," atmosphere was at the top of that list. And the reason Dead End Kings remains one of my favorite Katatonia albums is because the progressive elements gave them even more ways to experiment with the general atmosphere of their music. Add on top of this some of their most dynamic traditional bangers, such as "Ambitions" and "Dead Letters," and the experience is practically impossible to not recommend. A night on the tracks changed my perspective indeed.

PUYA Puya

Album · 1995 · Nu Metal
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Unitron
One of the reasons why I love nu metal is because you never know what different musical elements to expect in any different artist. Puya takes the groovy nu metal base sound, and blends it seamlessly with funky latin jazz and various kinds of hispanic music. It's probably the only metal album in existence where a conga line could fit right alongside a moshpit.

Throughout the whole album the band is complimenting funky bass licks, thrashing and groovy riffs, fat horns, energetic vocals that switch between hardcore rapping, gang vocals, and some great melodies here and there. It's just so damn fun, and whenever I hear this I wish more metal bands would experiment with the funkier and smoother sides of jazz instead of dissonant improv stuff. Siguelo Pa Llá is by far the most infectious, sounding like a funk metal band collided with an old bossa nova band and came out all the better for it. Bembelé starts out sounding like something from the amazing soundtrack to Lupin the 3rd, and Chisme has such smooth swaggering horns right out of a 70's jazz funk classic.

Jazz funk and metal is a match made in heaven, just not enough have realized it.

alternative metal movie reviews

SLIPKNOT (IA) Day Of The Gusano

Movie · 2017 · Nu Metal
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Kingcrimsonprog
***This review is regarding the single disc, UK Blu-Ray version only. Which contains the full uninterrupted concert only, with no special features or documentary footage.***

Now, you might be thinking ‘I’ve already got three Slipknot videos with concert footage on them’ if you already own Disasterpeices live in London from the Iowa touring cycle, (Sic)nesses live at Download festival 2009 on their first headline performance there during the All Hope Is Gone touring cycle, and the 2nd disc of the documentary release Voliminal Inside The Nine which had a smattering of live tracks from different dates and locations during the Vol. 3 touring cycle.

So what has Day Of The Gusano got to separate it from the others and make it worth buying as well? Well; first off, it is their first official concert video with the new rhythm section of Jay and Alex on drums and bass. Its their first ever show in Mexico City and the fans are energetic and grateful. Its their first video of a Knotfest performance and features all the associated spectacle and backdrops. It has songs from the .5 The Gray Chapter album, which obviously none of the previous videos will have had.

Comparing it to their other DVDs, there are 11 songs here that aren’t on Disaterpieces, including the rarely played ‘Metabolic’ off of Iowa, and ‘Me Inside’ & ‘Prosthetics’ off of the debut. There are 6 songs here that aren’t on (Sic)nesses at Download ’09. Compared to Voliminal‘s concert section, well, its a full length concert in a single location not just 9 random tracks from various locations, and none of it is in black & white.

So, onto ‘Gusano itself. (If you didn’t know already or bother to google that, its Spanish for ‘Maggots’ by the way, which makes sense, since y’know, they call their fans ‘Maggots’ and its filmed in Mexico). The audio visual quality of the release is really high. The picture quality, camera work, variety of shots, editing and general watching experience of the concert are the best that Slipknot have had to date. It is beautiful to look at, and there’s nothing distracting or interrupting about the editing. The performance visually has lots of pyro and fireworks and big backdrops and set pieces, fancy lighting. There’s generally lots going on up there on stage… its big and flashy and never boring.

The mix and production are very good. The only niggle is that Corey’s vocals are a bit lower in the mix than any previous live efforts from the band, but that’s real nitpicking. Otherwise, the instruments are really clear and well balanced, you can make the kick drum out clearly in all situations, and its even easier to hear Craig and Sid’s stuff than usual too which helps you notice them a bit better. If there’s a key riff or drum fill or whatever its given priority and generally its all beefy, heavy and just plain well put together.

The band themselves’ performance will always make or break a concert though. All the audio visual quality in the world, with the most expensive fireworks and lighting can’t hide a crappy performance. Slipknot have been through different phases in that regard. Old bootlegs off of the first album cycle show them as a sort of messy raw jumble. On Iowa they were a tight well-oiled million dollar perfect live-band (I remember seeing them live in Belfast on that cycle and its still one of my favourite ever concert experiences all these years later). On Volume 3 they flipped between the two but generally they were let down by Corey’s vocals (both times I saw them on that cycle and indeed both their 9.0 Live album and Voliminal DVD from that cycle all suffered from Corey’s vocals not being as great as usual). On All Hope‘ however, they came back blazing and were incredible and put in career defining performances and Corey sounded like one of the world’s greatest ever frontmen.

Luckily, here, the band are really on top form. This is a fiery, energetic, fun performance that everybody seems into. There are no complaints about the new line up and they do a great job of trying to fill some pretty massive, childhood-defining, shoes. (Heck, Jay arguably plays ‘Vermilion’ better live here than on any of the other three officially released versions of it). The veteran members are all super practiced, tight and precise. Corey is really strong here, arguably the second-best that he’s ever been on an official release next to Download ’09. (There are some minor questions about that on ‘Sarcastrophe’ and ‘Prosthetics’ maybe, which are a bit sketchy perhaps, but for the majority of it he really, really nails it). Its also nice to see him making an effort to speak Spanish which he does rather a lot and appears really humble and grateful.

The one bit where all Slipknot concerts drag is during ‘Spit It Out’ when the band get all the audience to squat down so they can all jump (the fuck) up at the same key moment. The actual process of cajoling them all to squat down can be a bit boring to watch or listen to if you aren’t actually there yourself sometimes, but luckily here it really doesn’t drag on too long and they payoff is great; the image of the gigantic Mexican crowd all bouncing in unison is really rather impressive.

So just to go through the list: It looks great. It sounds great. The band play great. The setlist is different enough from previous live releases to be worth it. That setlist itself is also pretty great, doing a good job of pleasing fans with the songs they’d expect to hear (Old fans could never see a set without ‘(sic)’ or ‘Surfacing’ and newer fans would never accept a set without ‘Duality’ and ‘Psychosocial’ for example) with pleasing them by spicing things up a bit and not just repeating themselves every time. On a personal note as well, its just so damn nice that they played ‘Metabolic’ live. I’ve been banging on for years about it and how its my favourite Slipknot song and they’ve finally put it out on something. I’m very pleased about that. Underrated song!

Anyway, that’s just personal preference. Everyone has their pros and cons to any setlist by any band. I’m sure some people are gutted ‘Sulfur’ and ‘Left Behind’ are missing considering they were big singles. I myself am kind of surprised ‘Skeptic’ is missing. With its catchy-ass chorus its absolutely built for big audience sing-alongs. I’d have thought that would be in every live set ever following Paul’s death, but I guess maybe its too personal for them lyrically or something like that.

Overall; this is a damn fine release from the band and not one to miss out on. Not even if you’ve already got a lot of live material by them already, as discussed at the beginning. Its probably their best video album on purely video terms, and its really worthy of inclusion in your collection in the other aspects like tracklisting and performance. If you are desperate to see the documentary, don’t get this version, but if you, like me, only really want the concert then this is the perfect version (at the lowest price).

GREEN JELLŸ Cereal Killer

Movie · 1992 · Alternative Metal
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Unitron
What would happen if Art Clokey, Jim Henson, and Gerry Anderson got together and created some films while on a sick acid trip?

Most likely, Cereal Killer would be created.

Green JellŸ, known as Green Jello at this time before they had to change the name, was probably one of the only bands to make a "video-music album". Yeah, you can go listen to the "Cereal Killer Soundtrack", but you really won't get the same experience. These songs don't really work unless you're watching the utterly ridiculous and zany videos along with them. The videos contain all sorts of use of claymation, puppetry, and weird costumes backed by a soundtrack blending thrash metal, hardcore punk, funk metal, classic heavy metal, and whatever else they wanted to make.

Oh, I forgot to mention that the lyrics are completely absurd along with the videos. You have their famous "Three Little Pigs", which is about a rocking pig, stoned pig, rich pig, and Rambo gunning down the big bad wolf. The title cut is about cereal mascots going to war, with the FruitLoops toucan slaughtering all the other mascots. Finally, the cover of Sex Pistols' "Anarchy in the U.K." is about the town of Bedrock from The Flintstones with the lyrics of 'Want to destroy Mr. Slate, Cause I wanna be Fred Flintstone'.

If you just want to hear some good music, there's always the soundtrack. However, if you want a good laugh at a party, invite your friends to come watch Cereal Killer. This is a hilarious metal musical for all to see.

Hope you found this review helpful, feel free to comment!

SLIPKNOT (IA) (sic)nesses

Movie · 2010 · Nu Metal
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Kingcrimsonprog
Most Slipknot fans won’t need very much convincing, a new live DVD has been released an you very probably plan t buy it, but for anyone on the fence about whether or not to get it, I highly recommend this package, on is own merits and not just out of blind dedication to the band.

‘(sic)nesses,’ is a pretty great package, documenting their 2009 headline performance at the UK’s Download Festival in front of 80,000 excited fans. Also included is a documentary (curiously on disc one, with the concert on disc 2) from Shaun ‘Clown,’ Crahan and all the music videos from the band’s ‘All Hope Is Gone,’ album cycle.

Performance wise, everything you expect to happen at a Slipknot concert is there, so don’t expect to be disappointed in that regard. One can expect to see people hanging off things, jumping off things and throwing things at regular intervals; in addition to a spinning in mid air drum kit, Different band members fretting the notes for the guitarists, different band members hitting a keg with a baseball bat, Clown and Criss’s strap-on marching drums during ‘The Blister Exists,’ and ‘Psycho Social,’ and of course Sid getting into the midst of everything, including the crowd whenever possible.

Without a doubt the entire concert is made on the strength of the crowds passionate reaction and that undefinable live energy that just makes the concert feel amazing. Seeing 80,000 plus people singing along to very heavy music is almost life affirming.

If you were dissapointed by the band’s live performances on their live album ‘9.0 Live,’ or the bonus live material from ‘Voliminal,’ specifically the mix, Corey’s vocals and the disjointed feeling caused from material being taken from various concerts and are unsure whether or not to buy ‘(sic)nesses,’ then I’d like to reassure you that it is of a much higher quality than the previously mentioned releases, the whole concert is much more impressive and intense, Corey’s vocal performance is noticeably stronger and the mix is a lot more suitable.

The audiovisual quality of the release is in absolutely no question, the tech crew behind it have done an absolutely sterling job recording, mixing, filming and editing it and the whole viewing experience is of as high a quality as you would expect from a band of Slipknot’s size, even considering that this was a festival performance which is where a lot of big bands release their weaker DVDs due to the reduced amount of control available. Put simply this DVD looks and sounds fantastic, better even than you’d expect.

The only negative things I have to say are mere nitpicking, such as a perceived shortage of material from the ‘Iowa,’ album and that the documentary is very much in the Shaun Crahan style (as seen on the main Voliminal film and the All Hope is Gone bonus DVD) which I don’t personally care for but of course, you could indeed love this style. These minor and circumstantial niggles do nothing to detract from the sheer quality of the release. It may sound cheesy, but ‘(sic)nesses,’ proves why people love Slipknot so much.

MUDVAYNE All Access to All Things

Movie · 2003 · Nu Metal
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Kingcrimsonprog
Mudvayne’s second concert DVD, All Access To All Things features performances from Metallica’s 2003 Summer Sanitarium tour; filmed across three shows at three locations, Seattle, Salt Lake City and San Francisco. The DVD features 50 minutes worth of live performances adding up to a total of ten songs as well as forty minutes of behind the scenes footage like interviews on the tour bus or in the dressing room as well as the making of their music video for ‘World So Cold,’ which is available as a bonus feature.

The performances are of a pretty great quality and the sound and visuals are of an acceptable standard. The two greatest faults are that the bass drum sound is rather poor, but this is to be expected at a big outdoor show and is made up for by the fact that the rest of the sound is very good. The other flaw is that on about three songs, the editing becomes distracting for about a minute or so when it is decided that a bunch of really quick cuts are necessary.

Apart from these two minor flaws, All Access to All Things is an enjoyable DVD worthy of a place in any Mudvayne fan’s collection. The performances are tight, the behind the scenes sections are relatively interesting, (but thankfully you are given the option to watch just the concert, which is great for repeat viewings) and the track listing is good. Matt, Greg and Ryan absolutely nail every second of the performance, playing both tightly and energetically, and Chad adds some brilliant improvised vocals at the end of ‘Nothing To Gein,’ and ‘World So Cold,’

Chad can really pull it off live, delivering the clean vocals really well and the heavier vocals almost as well with very few exceptions, chiefly on the faster songs from LD.50 where it would be impossible for anyone to sing that fast, that close together without losing their breath. On this DVD the band appear without the make up which was the trademark of their early career and are playing in daylight at big outdoor events across three different shows.

If this is not to your tastes, you may want to consider Mudvayne’s first concert DVD ‘Live In Peoria,’ which features the band wearing makeup, indoors in a smaller venue, at night and all from a single concert.

In summary; if you don’t mind that the live sections are not from one single concert and can forgive the bass drum sound, you will find a very enjoyable DVD that stands up even now.

FAITH NO MORE You Fat Bastards / Who Cares A Lot?

Movie · 2006 · Alternative Metal
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Stooge
The Brixton Academy show captures the band in 1990, just as they were beginning to explode in an “Epic” fashion. Supporting their 1989 release “The Real Thing”, the setlist contains all but “Surprise! You’re Dead!” and “The Morning After” from that album. Two tracks from the pre-Patton era are performed “As The Worm Turns” and “We Care A Lot”, both of which are a good fit with Patton’s voice. This concert is well shot, and the band performs great. It makes me wish for a more extended Faith No More show to be released in the future.

The other part of the package is mainly to showcase their promotional videos. Music video compilations aren’t normally my cup of tea, but at least they integrate some other things into the mix to keep it interesting. You get snippets of interviews, behind the scenes footage, and outtakes to bridge some of the music videos. The music videos span going all the way to the Chuck Mosely days through to Album of the Year, ranging in quality to low budget/amateur rank (“Everything’s Ruined”, the Mosely era ones) to great production values (“Stripsearch”). However, I believe there are some official videos missing from the collection (“Ricochet” comes to mind). I guess having “Greatest Videos” in the title covers their a$$es in that regard.

This is a great package for those new to Faith No More, and it has strong re-play value.

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