Technical Thrash Metal

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technical thrash metal top albums

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VOIVOD Dimension Hatröss Album Cover Dimension Hatröss
VOIVOD
4.37 | 54 ratings
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CORONER No More Color Album Cover No More Color
CORONER
4.38 | 44 ratings
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VEKTOR Terminal Redux Album Cover Terminal Redux
VEKTOR
4.31 | 31 ratings
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CRYPTOSIS Bionic Swarm Album Cover Bionic Swarm
CRYPTOSIS
4.38 | 11 ratings
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VEKTOR Outer Isolation Album Cover Outer Isolation
VEKTOR
4.19 | 44 ratings
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VOIVOD Killing Technology Album Cover Killing Technology
VOIVOD
4.18 | 46 ratings
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MEKONG DELTA Dances of Death (And Other Walking Shadows) Album Cover Dances of Death (And Other Walking Shadows)
MEKONG DELTA
4.33 | 12 ratings
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WATCHTOWER Control And Resistance Album Cover Control And Resistance
WATCHTOWER
4.17 | 31 ratings
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MADROST The Essence of Time Matches No Flesh Album Cover The Essence of Time Matches No Flesh
MADROST
4.38 | 8 ratings
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CORONER Mental Vortex Album Cover Mental Vortex
CORONER
4.14 | 38 ratings
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VEKTOR Black Future Album Cover Black Future
VEKTOR
4.09 | 47 ratings
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MEKONG DELTA Lurking Fear Album Cover Lurking Fear
MEKONG DELTA
4.25 | 8 ratings
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Static Horizon
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CRYPTOSIS
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Reign Of Infinite
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CRYPTOSIS
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Celestial Death
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CRYPTOSIS
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technical thrash metal Music Reviews

CRYPTOSIS Celestial Death

Album · 2025 · Technical Thrash Metal
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UMUR
"Celestial Death" is the second full-length studio album by Dutch thrash metal act Cryptosis. The album was released through Century Media Records in March 2025. It´s the successor to "Bionic Swarm" from March 2021, although the two full-length studio albums are bridged by the December 2023 "The Silent Call" EP.

While the material on "Celestial Death" is in some ways a continuation of the technical/progressive thrash metal style of "Bionic Swarm", Cryptosis have increased the progressive songwriting and mindset on "Celestial Death". It´s overall a much more polished, sophisticated, and above all keyboard driven release, almost to the point of being a symphonic oriented technical/progressive thrash metal release. The album features an epic atmosphere and the music is often multi-layered with guitars and keyboards filling every space of the soundscape. The keyboards are quite dominant on this one along with the raw shouting/semi-growling vocals. The guitars are often in the back of the mix and the same can be said about the drums and the bass. In that respect the mix is a bit uneven, and to my ears louder guitars and less keyboards would have made "Celestial Death" a more well balanced release. The sound production unfortuately ends up making the material sound less powerful and raw than it could have been.

With the negatives out of the way, "Celestial Death" is still a high quality release from Cryptosis, featuring high level musicianship, solid songwriting, and despite my issues with the production, a professional sound production. It´s definitely the sound of a band who have evolved and who aren´t afraid to try new things, and the adventurous mindset is admirable. I do hope they ease on the use of keyboards on the next album though, but it´s just my subjective opinion. A 3.5 star (70%) rating is deserved.

CRYPTOSIS Celestial Death

Album · 2025 · Technical Thrash Metal
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Nightfly
Bionic Swarm was one of my favourite albums of 2021. Technical thrash, not unlike Vektor. A dynamic album packed with great riffs, strong hooks and excellent musicianship. Four years later Cryptosis are back with album number two, Celestial Death.

One of my most anticipated albums of recent years, I’ll come out with it straight away and say my initial impression was one of disappointment, though it has grown on me somewhat since. Whilst still in the cyber thrash territory of Bionic Swarm the most obvious change is the greater dominance of keyboards, especially mellotron. Synths and mellotron were present last time around but didn’t overshadow the razor sharp guitar work of Laurens Houvast. He’s not totally obliterated, but his riffs often (not always, especially later in the album) merge into the barrage of keyboards taking the edge off them. Having said that, though still solid, on the whole they lack the memorability of last time and nothing here blows me away like Decypher, Prospect Of Immortality or Transcendence did.

Having got the negatives out the way Celestial Death is still a fine album and if I’d not previously heard Bionic Swarm I’d probably be singing its praises a lot more. There’s still plenty of good songs on offer like the blackened thrash of Ascending and Reign Of Infinite, perhaps my favourite here. More progressive elements, largely down to the keyboards are on display which never a bad thing as far as I’m concerned. The melodies are still there but require a few more plays to reveal themselves and that melancholic vibe I liked about the debut is still there too as is the excellent musicianship.

You’ve probably grasped by now that I’m not as blown away by Celestial Death as much as Bionic Swarm but all respect to Cryptosis for showing some growth. After my initial disappointment and having had time to digest the album better with repeated plays I’m still happy with and enjoying this. Writing this review helped me focus on its strengths and I’m still more than eager to hear where they go next.

OBSOLETE Animate//Isolate

Album · 2021 · Technical Thrash Metal
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UMUR
"Animate//Isolate" is the debut full-length studio album by US death/thrash metal act Obsolete. The album was released through Unspeakable Axe Records in April 2021. It´s the follow-up release to the 2018 "The Rumored Death of Atlas" EP, which was the band´s first release.

The 9 tracks on the 35:11 minutes long album feature a technical death/thrash metal style. Sometimes leaning more towards the thrash metal side of things and sometimes leaning more towards death metal. It´s not a clear cut case. I also hear the occasional nod towards black metal and also some vintage speed/heavy metal riffs. So this is a combination of many stylistic elements. The vocals are predominantly raw and snarling. The tracks are relatively technical in execution and the song structures are a little more challenging than your regular vers/chorus based songwriting formula.

"Animate//Isolate" features a well sounding and powerful production job, and the musicianship is high throughout, so upon conclusion it´s a high quality debut release by Obsolete. A few more memorable moments and more focus on cathiness could have elevated the album to an even higher level, but it´s still a release worthy of a 3.5 star (70%) rating.

CRYPTOSIS The Silent Call

EP · 2023 · Technical Thrash Metal
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UMUR
"The Silent Call" is an EP release by Dutch technical/progressive thrash metal act Cryptosis. The EP was released through Century Media Records in December 2023. It follows the release of Cryptosis' debut full-length studio album "Bionic Swarm" (March 2021). "The Silent Call" features two new original compositions and two live tracks. The two latter are tracks found in their studio versions on "Bionic Swarm".

Both "The Silent Call" and "Master of Life" could well have been included on "Bionic Swarm" as they are much in the same sci-fi themed technical/progressive thrash metal style (featuring almost symphonic sounding keyboards) as the material featured on the full-length studio album. The two live tracks feature a very well sounding recording quality, and if I didn´t know it, I would have thought that these were studio recordings. The occasional "hey, "hey, "hey" from the audience also reveals that it´s indeed live recordings though. With the amount of keyboards used, I´m assuming that Cryptosis use a lot of backing tracks (they are a trio and probably don´t handle keyboards on stage), which explans the relatively polished live sound, but the guitars, bass, drums, and vocals also sound really good in the mix.

So if you enjoyed "Bionic Swarm" this is definitely a nice little stop-gap release between "Bionic Swarm" and the March 2025 second full-length studio album "Celestial Death". A 3.5 star (70%) rating is deserved.

AFTERMATH (US) There Is Something Wrong

Album · 2019 · Technical Thrash Metal
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UMUR
"There Is Something Wrong" is the second full-length studio album by US, Illinois based thrash metal act Aftermath. The album was released through Zoid Entertainment in May 2019. Aftermath formed in 1985 and released no less than four demos in the years 1986-1990 before forming their own label Zoid Recordings for the release of "Eyes Of Tomorrow" in 1994. As Aftermath disbanded with no further releases under their belt (other than a 1996 promo tape) it appeared that "Eyes Of Tomorrow (1994)" would be their sole album release. They existed under the Mother God Moviestar monicker from 1996-1999, but weren´t heard of again until 2014 when Aftermath was ressurrected.

25 years between your debut and your sophomore album releases is a long time for any band, but for an artist like Aftermath, who were only mildly successful in their initial run and for the most part should probably be considered a footnote in 1980s/1990s thrash metal history, 25 years is a very long time. Since there is probably zero economic incentive to record and release "There Is Something Wrong", it´s safe to assume/conclude that this release was purely created for the love of the music, and that´s of course always worthy of praise.

That assumption is also audible when listening to "There Is Something Wrong", which is anything but a commercially oriented release. It´s politically charged/conspiracy theory themed thrash metal featuring industrial elements and samples, and some pretty strong hardcore/crossover leanings too. It´s relatively progressive in nature, but probably not progressive in the way most people understand the term. The musicianship is strong and lead vocalist Charlie Tsiolis has expanded his repetoire in the 25 years since "Eyes Of Tomorrow (1994)". He performs both raw thrash/hardcore vocals and spoken sections. The riffs are thrashy, chugging (many breaks), or hardcore punk oriented, and the drums often utilize double bass playing. I was actually a bit surprised to learn that a human drummer recorded the drums on "There Is Something Wrong", because honestly the drums sound a little lifeless and programmed.

"There Is Something Wrong" features one of those digital sounding productions, which could have prospered from a few organic analogue strokes. The drums are produced in a way that only enhances my assumption that they are programmed (even though Ray Schmidt is credited for playing the drums).

Although "There Is Something Wrong" is a very different sounding release to "Eyes Of Tomorrow (1994)" and the two albums could easily have been released by two different artists, the adventurous songwriting approach and the progressive song structures are something the two albums have in common. "There Is Something Wrong" is upon conclusion an album I find interesting more than I find it great (which is also how I feel about "Eyes Of Tomorrow (1994)"). I applaud the boldness of Aftermath and the experimental nature of their music, but the tracks just don´t grap me and there is a lack of memorable moments to elevate the album from interesting to a great listening experience. A 3 star (60%) rating is warranted.

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