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Blut aus Nord is a black metal band from Mondeville, France.

The name "Blut aus Nord" is [grammatically incorrect] German and literally translates to "Blood From North".

The band started in 1994 as a solo project, with Vindsval playing all instruments under the name Vlad. He released two demos under this title before changing the projects name to Blut Aus Nord before the release of Ultima Thulée in 1995. The next three albums were recorded with the aid of session musicians: It is only recently that the group has had any permanent members apart from Vindsval (who also played in The Eye and Children of Maani).

The project's most critically acclaimed release is The Work Which Transforms God, a concept album which - in spite of being mostly instrumental with none of the lyrics made public - is meant to challenge the listener's prejudices and preconceptions about reality, life and
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Hallucinogen (North American Exclusive Transparent Purple with Milky Merge 2LP)Hallucinogen (North American Exclusive Transparent Purple with Milky Merge 2LP)
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Memoria Vestusa III - Saturnian PoetryMemoria Vestusa III - Saturnian Poetry
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BLUT AUS NORD Discography

BLUT AUS NORD albums / top albums

BLUT AUS NORD Ultima Thulée album cover 4.00 | 12 ratings
Ultima Thulée
Atmospheric Black Metal 1995
BLUT AUS NORD Memoria Vetusta I: Fathers of the Icy Age album cover 4.00 | 8 ratings
Memoria Vetusta I: Fathers of the Icy Age
Atmospheric Black Metal 1996
BLUT AUS NORD The Mystical Beast of Rebellion album cover 3.41 | 6 ratings
The Mystical Beast of Rebellion
Atmospheric Black Metal 2001
BLUT AUS NORD The Work Which Transforms God album cover 3.77 | 9 ratings
The Work Which Transforms God
Atmospheric Black Metal 2003
BLUT AUS NORD MoRT album cover 4.31 | 5 ratings
Black Metal 2006
BLUT AUS NORD Odinist: The Destruction of Reason by Illumination album cover 3.56 | 5 ratings
Odinist: The Destruction of Reason by Illumination
Atmospheric Black Metal 2007
BLUT AUS NORD Memoria Vetusta II: Dialogue With the Stars album cover 3.69 | 12 ratings
Memoria Vetusta II: Dialogue With the Stars
Atmospheric Black Metal 2009
BLUT AUS NORD What Once Was... Liber I album cover 2.50 | 5 ratings
What Once Was... Liber I
Atmospheric Black Metal 2010
BLUT AUS NORD 777 - Sect(s) album cover 3.90 | 10 ratings
777 - Sect(s)
Black Metal 2011
BLUT AUS NORD 777 - The Desanctification album cover 3.81 | 10 ratings
777 - The Desanctification
Atmospheric Black Metal 2011
BLUT AUS NORD What Once Was... Liber II album cover 3.75 | 2 ratings
What Once Was... Liber II
Atmospheric Black Metal 2012
BLUT AUS NORD 777 - Cosmosophy album cover 4.25 | 2 ratings
777 - Cosmosophy
Atmospheric Black Metal 2012
BLUT AUS NORD What Once Was... Liber III album cover 3.50 | 1 ratings
What Once Was... Liber III
Black Metal 2013
BLUT AUS NORD Memoria Vetusta III: Saturnian Poetry album cover 4.00 | 1 ratings
Memoria Vetusta III: Saturnian Poetry
Atmospheric Black Metal 2014
BLUT AUS NORD Deus Salutis Meæ album cover 3.50 | 2 ratings
Deus Salutis Meæ
Black Metal 2017
BLUT AUS NORD Hallucinogen album cover 0.00 | 0 ratings
Atmospheric Black Metal 2019

BLUT AUS NORD EPs & splits

BLUT AUS NORD Decorporation... album cover 0.00 | 0 ratings
Black Metal 2004
BLUT AUS NORD Thematic Emanation of Archetypal Multiplicity album cover 4.00 | 1 ratings
Thematic Emanation of Archetypal Multiplicity
Metal Related 2005
BLUT AUS NORD Dissociated Human Junction album cover 0.00 | 0 ratings
Dissociated Human Junction
Atmospheric Black Metal 2007

BLUT AUS NORD live albums

BLUT AUS NORD demos, promos, fans club and other releases (no bootlegs)

BLUT AUS NORD re-issues & compilations

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BLUT AUS NORD The Mystical Beast of Rebellion

Album · 2001 · Atmospheric Black Metal
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BLUT AUS NORD formed all the way back in 1994 as the solo project of Vindsval but as a black metal band only managed to release two albums in the 90s however on “Ultima Thulée” and “Memoria Vetusta I: Fathers of the Icy Age,” what began as a somewhat traditional atmospheric black metal project slowly developed into more progressive and experimental realms outside the orthodoxies of the typical Darkthrone inspired second wave. While its questionable if the project was intended to be a permanent ongoing one or just one of many to see which experiments find the biggest audience, after 1996’s “Memoria Vetusta I,” Vindsval set the project aside for five whole years while he dabbled in other bands such as “Children Of Maani” and “The Eye.”

After all was said and done, it seemed that the BLUT AUS NORD albums were gaining the most traction so that was the trajectory Vindsval has remained on ever since. It wouldn’t be until 2001 that BLUT AUS NORD would officially release the third album THE MYSTICAL BEAST OF REBELLION and for the first time session musicians were given credit. Vindsval handled the usual guitar and vocal combo pack, W.D. Feld performed on drums and keyboards whereas Nahaim handled bass duties. This third offering was basically a transition album from the project’s second wave black metal roots to the more esoteric experiments that followed. This album has appeared in two significantly different forms.

The original release with the darkened hues of brown and mysterious symbolic faces on the album cover consisted of only six tracks, each titled “The Fall” followed by “Chapter” and the accompanying Roman numeral. Often considered one of the weakest early BLUT AUS NORD albums due to the inconsistent quality, the album was re-released in 2010 with a completely different album cover. That one displayed a strange MYTHICAL BEAST that looks like what i would imagine to be a were-goat if such a thing existed. This re-release contains a second album or disc that adds an additional three tracks but due to the more progressive and experimental nature, these three tracks approach the 40 minute mark and essentially constitute a new album. I highly recommend this version if you set out to purchase this album as it’s this second bonus album that is far superior to the ho hum original track listing.

The original album is very much a mixed bag. In fact mostly an empty bag. The first four tracks almost sound like the same mix of repetitive guitar riffs and chord progressions with only minor variations undetectable to the passive listener. Sounding more like early Darkthrone than anything of the 21st century progressive era of BLUT AUS NORD, it’s almost as if Vindsval resurrected some demos out of the vault just to take up space. Not a stellar idea for an album that emerged five years after its predecessor. Hardly anything to get excited about given the quickened evolution of the black metal paradigms splintering into disparate factions. About as exciting as a faux bloodbath in Easter egg dye. It’s amazingly dull and monotonous. Only the beastly calls in between tracks stand out as something to pinpoint one’s attention upon. If there’s ever a black metal album that can put you to sleep, the first four tracks of this one should do the trick.

Luckily the album redeems itself from being a total waste of time with track 5, “The Fall: Chapter V” which suddenly transmogrifies into a bona fide interesting listening experience. The beastly calls announce the change and instead of a quickened buzzsaw guitar riff-fest in hyperdrive, the tempo is slowed down into a doomy dirge-like dread and the beast grunts continue as the track plods along with heavy distorted guitars, a murky hidden bass and a lazy drumbeat slowly build the gloomy atmospheric cloud covers and then begin to ratchet up the tension with bizarre guitar antics. Some kinds of guitar bends and a huge improvement in vocals over the generic nature of the earlier tracks. The finale “The Fall: Chapter VI” continues the developments and is equally enthralling however the album ends with an irritating 3 minutes of silence. I HATE THAT!!!!!


Given the lackluster selections presented on the original mostly demo quality release of THE MYTHICAL BEAST OF REBELLION, it was a wise decision for Vindsval to make it worthwhile for newbies to add a bunch of bonus material and i’m happy to say that this bonus material is far superior to anything on the original release. Stylistically these three newer tracks are intended to supplement the original material by keeping the theme intact. Therefore we get “The Fall: Chapter 7.7” followed by the two more same titles that tack on “7.77” and “7.777” which adds a little twist. These tracks display the same doomy plodding of the “Chapters V” and “VI” but takes those ideas to the logical conclusions. The tracks retain the same snail’s pace trot but are fortified with extremely angular riffs with jangly dissonance indicating that the emergence of Deathspell Omega’s popularity since the first release in 2001 clearly played a role in Vindsval’s approach.

The three tracks comprise a complete album’s worth of material. “Chapter 7.7” slinks over the eight minute mark, “Chapter 7.77” oozes past the nine and the grand finale “Chapter 7.777” clocks in at 21 seconds past the 19 minute mark however as lengthy as these tracks are, they all share the same characteristics. All slowly stomp down black metal alley with jagged razor sharp guitar angularities and deeply buried raspy vocals not so prominent as on the original release. The progressive elements are subtle but distinctly complex as the tritone attack of the guitars, bass and drums drift in and out of sync while darkened atmospheric overcasts keep the darkened doom effect in full obscureness. Overall both discs of this collection are extremely repetitive and hypnotic however it’s this second newer one that offers more subtle variations that keep the listening experience more active and also at this point BLUT AUS NORD has mastered the art of sonic terror, which has remained a steadfast trait of the underground extreme metal scene of France.

The original release of THE MYTHICAL BEAST OF REBELLION is perhaps the weakest album in the project’s lengthy canon and only worthy of 2 stars, however the second disc is an intricately designed slab of blackened doom metal worthy of a 4 star rating so if i had to average the two albums together then it’s an obvious 3 stars. I cannot stress though how imperative it is to only purchase the version of this album with the bonus tracks. I simply pretend that the second disc is what the original album was supposed to be and ignore what actually was put out in 2001. Still though even the original isn’t a complete waste of time, only about 2/3 of it is. Vindsval would completely resurrect BLUT AUS NORD from hibernation and never again allow so much time to lapse between albums. His next album “The Work Which Transforms God” took things to an even more sophisticated level and brought the project into the big boys club of extreme metal and things would never be the same.

BLUT AUS NORD Memoria Vetusta I: Fathers of the Icy Age

Album · 1996 · Atmospheric Black Metal
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Sure the Scandinavian nations were the first dementors of doom and din to usher in the first raging sonic fury of the black metal universe starting all the way back in the 80s when Bon Jovi was still “Living On A Prayer,” but as the 21st century wrested control over an expired millennium, it seems that the nation of France was poised to take the reins and steer the black metal beast into far more bizarre experimental arenas. Initiated by the Satanic theologies of Deathspell Omega, France has since consistently generated some of the most far-reaching examples of avant-garde and progressive black metal ranging from the medieval melancholy of Peste Noire to the psychedelic ambient surreality of Murmuüre.

The Mondeville based BLUT AUS NORD is amongst the early pioneers of more progressively infused black metal. Basically the solo project of Vindsval, the project started out in 1993 with two demo releases appearing before the 1995 debut “Ultima Thulée” which joined the wolf pack of black metal artists who were quickly expanding the subgenere’s range into an ever diversified sound spectrum. Defiantly ahead of the pack, the albums of the 1990s may not quite be as complex as the one’s that followed but on the second BLUT AUS NORD album titled MEMORIA VETUSTA I: FATHERS OF THE ICY AGE the blueprints were designed for a diversified soundscape to expand its tentacles into ever progressive pastures.

By incorporating icy atmospheres and expansive progressive meanderings, Vindsval was well on his way to becoming one of the 21st century’s masterminds of black metal evolution. MEMORIA VETUSTA I: FATHERS OF THE ICY AGE basically picks up where “Ultima Tulée” left off with the ideas presented evolving into more majestic monstrous black metal magic. All instruments once again played exclusively by Vindsval, MEMORIA VETUSTA I stands out in the sea of anti-Christian rage and Viking metal odes of yore and tackles the more esoteric subject matter that revolves around metaphysical subjects and all things deeply occult. The compositions are extended into massive sprawls of buzzsaw guitar distortion oscillating over the horizons of frigid winter landscapes accompanied by murky bass lines, percussive bombast and atmospheric cloud covers.

Upon first listen, BLUT AUS NORD can sound a lot like any other black metal band from the second wave of the 90s. Tremelo picking guitar style distorted to high heaven, buried raspy vocals screaming out from the suffocating din and an energetic percussive bombast that while not exactly blastbeating, still offers a veritable drum kit workout or two. Where BLUT AUS NORD stands out at this period of time is in the sophistication of how the compositions are constructed. Eschewing the simple straightforward approach, BLUT AUS NORD tackled more labyrinthine song structures that wend and win through various passages with an infinite supply of riffing variations and occasional outbursts into folky medieval sounding clean vocals that evoke a connection to the Viking metal scene of the north.

For those who are initiated, there actually is a storyline buried in the raw lo-fi outbursts of noise laden orotundity but for those not inclined to follow the epic tales of wolves and dwarfhills, then a completely ignorant approach is even more mystifying and probably even more gratifying as many of these storylines don’t pass the muster under closer scrutiny. Along for the ride on the undulating peaks and troughs of the guitar riffs are higher register guitar licks that often threaten to burst into fully fueled solos but they always stop short and simply repeat the melody in a more pronounced manner above the raging riff machine from whence it spawns.

All in all, MEMORIA VETUSTA I: FATHERS OF THE ICY AGE is a very mature second offering from one of France’s most enduring examples of progressively infused black metal and an excellent bridge into the more avant-garde and experimental releases to follow. Loaded with sophisticated twists and turns and icy atmospheres guiding the journey through a never-ending journey, BLUT AUS NORD’s earliest albums may not tackle the same eeriness that the later more acclaimed albums touch upon but are excellent examples of black metal in their own right. Musically, MEMORIA VETUSTA I falls somewhere between the intense fury of early Emperor albums and the slower tempos of Greek pioneers such as Rotting Christ. The compositions exhibit sophistication and variations but unleash them subtlety and in a very reserved manner. This is the type of music that engages in a stampeding repetition and just changes things up a little every now and then until you realize that everything has become something else. Best of all, this is a consistent album from beginning to end.


Album · 2006 · Black Metal
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Whereas Blut Aus Nord's preceding album to this, The Work Which Transforms God, presented a series of compositions that juxtaposed dark industrial ambient sections with eruptions of black metal fury, here they take their experiment further. On MoRT, just as the distinctions between tracks break down (each reduced to a single chapter in one massive piece), so too does the distinction between the black metal, industrial, and ambient aspects of the group's sound, yielding a unique sonic landscape through which tormented vocals in the style of Tibetan throat singing warble.

It certainly isn't for everyone, and it's no surprise that people have an extreme reaction to it one way or another, but for my money it's one of the most rewarding sonic experiments arising from the black metal scene I have heard.

BLUT AUS NORD Ultima Thulée

Album · 1995 · Atmospheric Black Metal
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The French black metal band BLUT AUS NORD has always pretty much been the project of Vindsval which began all the way back in 1994 with a couple demos under the Vlad moniker being released, but soon after the name of the project was changed to the grammatically incorrect German phrase meaning “Blood From North.” On this debut album Vindsval handles all vocal and guitar duties but he also employs the percussive and keyboard skills of W.D. Feld, so this debut is more or less a duo rather than a solo project. ULTIMA THULÉE (a term that denotes any place beyond the known borders of the world in medieval geography) finds Vindsval and Feld riding the second wave of Norwegian black metal like a gazillion other bands of the era. Before BLUT AUS NORD cemented itself as more of a real band project and before the extremely avant-garde jangly and nightmarish atmospheric dissonance that the band would become famous for, we get a couple of more or less standard second wave black metal releases.

This debut sounds to me a lot like early Enslaved meets Darkthrone with the aggressive guitar delivery complete with blastbeats, gnarly tortured shrieks and muddy lo-fi production with only meagre progressive leanings. The band’s knack for atmospheric embellishments also begins here and includes lots of scary keyboards however on this one they haven’t quite found their unique niche and sound a lot like early Burzum especially from the “Hvis Lyset Tar Oss” and “Filosofem” era. The album flows fairly well throughout its entirety and despite not dripping in originality is quite competently performed and a decent listen that i personally find appealing. Of course, this album gets overlooked for the very reason of not holding a candle to the more sophisticated developments which begin on “The Mystical Best Of Rebellion” but ULTIMA THULÉE is a solid black metal release that lovers of atmospheric black metal with heavy doses of dark ambient and dungeon synth should check out and is an interesting chapter of this unique band’s musical history.

BLUT AUS NORD The Work Which Transforms God

Album · 2003 · Atmospheric Black Metal
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Mingling eerie ambient instrumental sections with brutal traditional black metal and capped off with the doomy epic of Procession of the Dead Clowns, The Work Which Transforms God finds Blut Aus Nord really showing their range. It's sufficiently rooted in black metal that if you don't like the chilly aesthetic of that scene you probably won't enjoy the album, and black metal purists might find the ambient sections boring, but if you're up for a blend of dark ambient and darker metal it's a confident, credible release which sets the scene for further experimentation from Blut Aus Nord later on down the line.

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