Avant-garde Metal

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Avant-garde metal, experimental metal, or art metal is a subgenre of heavy metal music characterised by the use of innovative, avant-garde elements, large-scale experimentation, and the use of non-standard sounds, instruments, and song structures.

The term avant-garde metal refers to bands and musicians who "incorporate new and innovative elements in metal, who break conventions, tear down walls, violate borders." The genre has also been described as "the art of creating deep and strange atmospheres by experimenting with new instruments and sounds, strange vocals, unconventional song structures, rhythms and harmonies, unusual lyrics or uncommon artwork" or alternatively, "progressive, psychedelic, surrealistic, phantasmagoric, expressionistic, dissonant or extravagant interpretations of extreme metal."

Source: http://en.wikipedia.org/wiki/Avant-garde_metal

Sub-genre collaborators (shared with Progressive Metal):
  • siLLy puPPy
  • DippoMagoo
  • Sisslith
  • adg211288


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avant-garde metal Music Reviews

FLEURETY The White Death

Album · 2017 · Avant-garde Metal
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UMUR
"The White Death" is the third full-length studio album by Norwegian avant-garde/black metal act Fleurety. The album was released through Peaceville Records in October 2017. It´s the successor to "Department of Apocalyptic Affairs" from 2000, so it´s been quite a few years since the last album. Fleurety haven´t been completely inactive though releasing no less than four EPs in the years between 2009 and 2017. Fleurety formed in 1991 and initially played black metal, but eventually drifted towards an avant-garde metal style in the late 90s/early 00s.

The duo lineup of Svein Egil Hatlevik (vocals, drums, percussion, Keyboards) and Alexander Nordgaren (guitars) is still intact from the last album. Fleurety is helped be several session musicians who perform bass, backing vocals, female vocals, keyboards, and flute.

While the musical direction of "The White Death" can still be labelled avant-garde metal, there is a huge difference between the abstract melancholic/often eerie sounding blackened avant-garde rock/metal style of "The White Death" and the all-over-the-place odd avant-garde metal style of "Department of Apocalyptic Affairs". If you didn´t know it you wouldn´t have guessed that it´s the same band releasing the two albums, but you can of course also add Fleurety´s debut full-length studio album "Min tid skal komme" to that pile as it´s a full-on black metal release, which sounds nothing like either "Department of Apocalyptic Affairs" nor "The White Death". So, Fleurity is indeed a shape-shifting creature.

There are a few nods here and there to the band´s black metal past ("Lament of the Optimist" for example features blast beating black metal sections) but "The White Death" is predominantly not a black metal release (a track like "Future Day" for example sounds like a combination of Comus and Dead Can Dance). It´s dark, abstract, and melancholic/eerie sounding avant-garde rock/metal which often consists of just a simple beat, some dissonant guitar riffs/keyboards, and some vocals. Other times there are more musical layers, and it´s definitely an interesting and challenging release. The album is not easily compared to other contemporary releases and Fleurity don´t sound like any other artist either, but artists like Virus, Dødheimsgard, Ved Buens Ende, and Code can maybe at least lead you in the direction of what to expect on "The White Death".

The album features a dusty, raw, organic, and somewhat stripped-down production style, and it suits the material well. To my ears "The White Death" isn´t a perfect release, but it´s much more consistent in style than the eclectic sounding "Department of Apocalyptic Affairs". For avant-garde metal fans eclectic sounding releases usually aren´t an issue and I´m sure there are many who find "Department of Apocalyptic Affairs" a more accomplished and challenging affair than "The White Death", but the more consistent and accessible sound of "The White Death" has other qualities, which make it appealing. A 3.5 star (70%) rating is deserved.

FLEURETY Department of Apocalyptic Affairs

Album · 2000 · Avant-garde Metal
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UMUR
"Department of Apocalyptic Affairs" is the second full-length studio album by Norwegian black/avant-garde metal act Fleurety. The album was released through Supernal Music in 2000. It´s the successor to "Min tid skal komme" from 1995, although the two full-length studio albums are bridged by the 1999 "Last-minute Lies" EP. Fleurety consists of the duo of Alexander Nordgaren (guitars), Svein Egil Hatlevik (drums, synths, vocals), but in addition to the core duo "Department of Apocalyptic Affairs" also features a host of prolific guest appearances from artists like Maniac (Mayhem, Gravetemple, Sinsaenum, Tormentor), Garm (Ulver, Borknagar, Arcturus), Einar Sjursø (Virus, Infernö), and Hellhammer (Mayhem, Shining, Arcturus, The Kovenant), among others.

"Department of Apocalyptic Affairs" opens with "Exterminators" and right off the bat it´s audible that Fleurety have completely changed since the black metal days of "Min tid skal komme". If you´re familiar with the musical direction of the "Last-minute Lies" EP, the avant-garde metal style of "Department of Apocalyptic Affairs" probably won´t come as a surprise, but if you come to "Department of Apocalyptic Affairs" directly from listening to "Min tid skal komme" and expect that "Department of Apocalyptic Affairs" will sound anything like the debut album you will as a minimum be very surprised and in some instances (depending on your tastes and open mindedness) very disappointed by the highly experimental and ever changing avant-garde metal style of "Department of Apocalyptic Affairs".

The vocals vary between semi-jazzy female clean vocals, male clean vocals (of many different types), and more aggressive snarling male vocals. In that respect Fleurety have brought back a few of the extreme metal elements they had otherwise left behind on "Last-minute Lies", but other than a few heavy riffs and punchy rhythms here and there and the aggressive raw vocals, there isn´t much here which reveals that only 5 years before Fleurety were a black metal playing unit. It´s fellow contemporary countrymen Ulver, Atrox, and to a lesser extent Manes that Fleurety have something in common with. The bass, guitars, drums, and vocals are complimented by programmed drums and effects, keyboards, and saxophone, making "Department of Apocalyptic Affairs" quite the interesting affair in terms of instrumentation.

"Department of Apocalyptic Affairs" features a decent quality production job, but the distorted guitars at times sound a bit powerless. I´m not sure they are meant to be massive and heavy, but it would have been nice with a bit more punch and power when the music occasionally features heavy riffs. Heavy riffs aren´t the dominant musical element of the album though. That´s instead dissonant lead- and (dis)harmony themes, odd jazzy interludes, and all sorts of other weirdness and abrupt musical shifts. To my ears most tracks have a musical red thread, but there are moments where the avant-garde nature of the compositions almost overpower the songwriting and become weird for the sake of it. Upon conclusion "Department of Apocalyptic Affairs" is a bold sophomore studio album from Fleurety. They certainly don´t cater to their original fanbase with this one, but I respect that this was their musical statement at that point in their career. A 3.5 star (70%) rating is deserved.

ORANSSI PAZUZU Muuntautuja

Album · 2024 · Avant-garde Metal
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UMUR
"Muuntautuja" is the sixth full-length studio album by Finnish experimental/psychedelic black metal act Oranssi Pazuzu. The album was released through Nuclear Blast in October 2024. It´s the successor to "Mestarin kynsi" from 2020 and there have been no lineup changes since the last album. Oranssi Pazuzu have since their inception in 2007 (and their debut album "Muukalainen puhuu" from 2009) been one of the more darkly exotic and interesting bands from the Finnish metal scene. Although not mainstream succssful, they are a well known artist on the experimental/psychedelic black metal scene.

...and listening to "Muuntautuja" it´s understandandable why that is. Oranssi Pazuzu create a blackened psychedelic music journey with heavy nods toward early 70s Krautrock and space rock. Artists like Hawkwind and Can haven´t lived in vain. There´s a lot of slow building repetition on the tracks, which provides an abstract hypnotic effect and the many layers of sounds, instruments, and vocals, give the music depth and longivity. The snarling blackened vocals provide aggression to the music, but there is generally a nice punchy forward drive to the music, although the pace overall isn´t high. The songriting is of a high quality and Oranssi Pazuzu are generally a very creative and adventure seaking band. Although they certainly have a core style, they add little twists here and there, which means a lot to a listener.

"Muuntautuja" features an organic, powerful, raw, and detailed sounding production, which suits the material well. It´s an album for those Oranssi Pazuzu who felt that the band had maybe wandered a bit too far in the more abstract noisy psychedelic rock/space rock direction on the last couple of releases, because "Muuntautuja" is arguably one of the band´s most accessible releases. It´s a bit more advanced than their debut album, but I get some of the same raw drive emotions from this release that I also got from the debut. Upon conclusion "Muuntautuja" is another high quality release from Oranssi Pazuzu, who once again prove that they are one of the most intereresting Finnish artists out there. A 4 star (80%) rating is deserved.

FREDRIK THORDENDAL'S SPECIAL DEFECTS Sol Niger Within

Album · 1997 · Avant-garde Metal
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UMUR
"Sol Niger Within" is the debut full-length studio album by Swedish music artist Fredrik Thordendal. The album was released under the Fredrik Thordendal's Special Defects monicker and it was released through five different labels on different markets. The Avalon Records version, which was released in Japan features one 43:34 minutes long track, while all other versions feature the long track broken down into 29 shorter songs. Thordendal is known as the guitarist and one of the founders of Swedish technical metal act Meshuggah and "Sol Niger Within" bridges the gab between Meshuggah´s second- and third full-length studio albums "Destroy, Erase, Improve" (1996) and "Chaosphere" (1998).

Those familiar with the two mentioned Meshuggah albums won´t be surprised with the increasingly angular odd-metered heavy riffs and rhythms, Holdsworthian jazz/fusion guitar solos, and the generally abstract almost avant-garde futuristic take on playing heavy music. It´s the evolution you also hear from the still thrash/groove metal oriented "Destroy, Erase, Improve" to "Chaosphere". The vocals on "Sol Niger Within" are some sort of spoken raw snarling and there are also some spoken word sections featured on the album. Guitars, bass, synths, and vocals are predominantly performed by Thordendal (although the album features quite a few guest performances), while the drums are performed by Swedish drummer Morgan Ågren (Karmakanic, Casualties of Cool, Kaipa, Devin Townsend).

Some tracks feature recognisable structures and some repetition, while others feel very abstract and linear, and "Sol Niger Within" definitely isn´t an easily accessible listen. So, if you find Meshuggah a hard listen, this will probably prove an even more challenging and maybe even difficult listening experience. Even Meshuggah fans may find this a bit too abstract, but when that is said "Sol Niger Within" features a lot of interesting songwriting ideas and moments, and while it´s certainly an avant-garde metal release, it´s not completely inpenetrable.

As an artistic statement "Sol Niger Within" arguably shows the genius and uniqueness of Thordendal and it´s overall an entertaining, highly experimental, and intriguing listen. As the album often lacks a solid structure or something for the listener to hold on to for very long, it´s as described above a pretty difficult listen though, and as a result it´s probably only an album for a select few open-minded listeners. A 3.5 star (70%) rating is deserved.

DØDHEIMSGARD Black Medium Current

Album · 2023 · Avant-garde Metal
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UMUR
"Black Medium Current" is the sixth full-length studio album by Norwegian avant-garde/progressive black metal act Dødheimsgard. The album was released through Peaceville Records in April 2023. It´s the successor to "A Umbra Omega" from March 2015. Eight years also passed between the release of "Supervillain Outcast" (released in March 2007) and "A Umbra Omega", so the long time between albums isn´t unusual for Dødheimsgard. There have been a few linuep changes since the predecessor as lead vocalist/guitarist Aldrahn has left and along with him also drummer Sekaran aka Terghl. The latter has been replaced by Myrvoll, but Aldrahn has not been replaced. Instead band leader Vicotnik has taken over the vocal duties in addition to handling guitars, synthesizers, effects, and programming. Tommy "Guns" Thunberg (lead guitars) and L.E. Måløy (bass, piano, cello, theremin, effects) remain from the lineup who recorded "A Umbra Omega" along with Vicotnik.

In essence "Black Medium Current" continues the progressive/avant-garde black metal style of "A Umbra Omega", but Dødheimsgard have grown as composers and musicians since the latter mentioned release. The compositions are more fluent and natural in structure, less abstract and more atmospheric. It´s also less technical and experimental than the predecessor. In the case of "Black Medium Current" that´s not a complaint though, but instead a praise, because some of the songwriting ideas on "A Umbra Omega" didn´t always work. It often felt like Dødheimsgard wanted to do more than they were capable of or reached the limits of their songwriting abilities. "Black Medium Current" is more economic in that sense and it´s an important factor when evaluating why this is such a strong release. Dødheimsgard have found the right balance between epic atmospheres, odd avant-garde songwriting ideas, progressive song structures, and their as always strong musicianship. Vicotnik steps up with no problems delivering both strong raspy black metal vocals and various types of melancholic, sorrowfilled, and sometimes desperate sounding clean vocals (even occasionally bordering deranged). The many choirs, harmony- and backing vocals provide interesting textures to that part of the music, and it´s hard not to be impressed by how intriguing and well performed "Black Medium Current" is (both the vocals and the instrumental part of the music). The lyrics are performed in both Norwegian and English.

Stylistically it´s hard to describe exactly how Dødheimsgard sound, because they sound very much like their own. It´s difficult to reference other artists, but the progressive mindset of artists like Opeth, Ihsahn, and Enslaved aren´t all wrong (Hail Spirit Noir should also be mentioned as a possible valid reference), but still not completely true. The slight industrial influence which Dødheimsgard have previously flirted with is minimal on "Black Medium Current", although a track like "Interstellar Nexus" still features a touch of it. "Black Medium Current" is the type of album which needs to be listened to, to truly be able to understand how it sounds. The many different influences and musical elements combined offers the listener a unique listening experience, which just isn´t easily described.

It´s a long album featuring no less than 9 tracks and a total playing time of 69:36 minutes, but not a second of that playing time is wasted on anything non-essential. The album is loaded with epic melancholic atmospheres, interesting changes in texture and dynamics within- and between tracks, and a generally otherworldly/alien approach to writing music. The way the futuristic synths sometimes come in and change the tracks, or surprising moments like the absolutely brilliant closing minutes to album opener "Et Smelter" or the epic melodic choir middle section of "Tankespinnerens Smerte" prove not only the brilliance of Dødheimsgard, but also bring great emotional impact. Atmospheric album closer "Requiem Aeternum" is definitely an example of the latter too.

"Black Medium Current" features a clear, detailed, and powerful sounding production. It´s not a raw black metal oriented sound production, and the most harsh black metal parts of the music sound relatively civil and even a bit polished (not sterile though), but that type of sound production perfectly fits the material on this release. Upon conclusion "Black Medium Current" is a high quality release from Dødheimsgard, proving once again that they are one of the most interesting and unique progressive/avant-garde black metal acts out there. A 4.5 star (90%) rating is deserved.

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