Non-Metal

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Not every band on Metal Music Archives exclusively plays within a metal or metal related sub-genre. Some start as such only to later leave their old sound behind, others become relevant to the site later in their careers. Some bands like to release one-off experiments. The Non-Metal tag on MMA is used to cover releases that are completely removed from metal music in style, so in a sense is a catch-all sub-genre for releases that don't fit anywhere else.

Sometimes, artists will be added under non-metal exclusively due to being related to the metal genre and scene by association with metal artists, such as the symphonic prog act Transatlantic who feature the former Dream Theater drummer Mike Portnoy, the ambient project Neptune Towers by Darkthrone's Fenriz or the folk band Fejd, who have members who are/have been with a couple of different metal bands (Fejd later became metal themselves, but were accepted on MMA long before that). Such artists are typically covered by the metal media due to this association with the scene, and are as such included on MMA for the same reasons.

Mostly however this tag will be used for releases belonging to other genres by metal (or other metal related) artists, such as Opeth's progressive rock albums Damnation and Pale Communion or Elvenking's folk/folk rock album Two Tragedy Poets.

- Written by adg211288 (August 2015).

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non-metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

SWANS The Seer Album Cover The Seer
SWANS
4.78 | 9 ratings
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PENDRAGON The Masquerade Overture Album Cover The Masquerade Overture
PENDRAGON
4.62 | 13 ratings
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MOTORPSYCHO The Death Defying Unicorn Album Cover The Death Defying Unicorn
MOTORPSYCHO
4.74 | 7 ratings
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ELOY Ocean Album Cover Ocean
ELOY
4.44 | 17 ratings
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MEAT LOAF Bat Out Of Hell Album Cover Bat Out Of Hell
MEAT LOAF
4.45 | 15 ratings
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PENDRAGON The Window of Life Album Cover The Window of Life
PENDRAGON
4.50 | 12 ratings
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ZZ TOP Tres Hombres Album Cover Tres Hombres
ZZ TOP
4.42 | 16 ratings
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BEARDFISH Sleeping in Traffic: Part Two Album Cover Sleeping in Traffic: Part Two
BEARDFISH
4.89 | 5 ratings
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SPOCK'S BEARD The Light Album Cover The Light
SPOCK'S BEARD
4.45 | 13 ratings
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SPOCK'S BEARD Brief Nocturnes and Dreamless Sleep Album Cover Brief Nocturnes and Dreamless Sleep
SPOCK'S BEARD
4.47 | 12 ratings
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KILLING JOKE Night Time Album Cover Night Time
KILLING JOKE
4.48 | 11 ratings
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KILLING JOKE Killing Joke (Debut) Album Cover Killing Joke (Debut)
KILLING JOKE
4.35 | 14 ratings
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This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

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non-metal New Releases

.. Album Cover
Lemon
Single
THE CALLOUS DAOBOYS
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.. Album Cover
Motorpsycho
Album
MOTORPSYCHO
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.. Album Cover
Master of the Nebulous Reach
Album
MIDNIGHT ODYSSEY
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.. Album Cover
Bubbling Under The Surface
EP
GENOPHOBIC PERVERSION
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non-metal Music Reviews

MOTORPSYCHO Trust Us

Album · 1998 · Non-Metal
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UMUR
"Trust Us" is the sixth full-length studio album by Norwegian alternative/psychedelic rock act Motorpsycho. The album was released through Stickman Records (Europe)/Sony Music (Norway) in March 1998. It´s the successor to "Angels and Daemons at Play" from February 1997, so there is just over a year between the two album releases. Despite the relatively short time between the two albums, Motorpsycho have had time to write and record material enough to release a double album, featuring over 80 minutes of music. Trygve Seim (reindeer antler, flutes, saxophone, clarophone) has been added to the list of guest/sesson musicians, but the core of the band is still Bent Sæther ( vocals, bass, guitars, piano, percussion, harmonium, marimba, vibraphone, trident, mellotron, sitar, taurus, drums), Hans Magnus Ryan (guitars, vocals, mandolin, harmonium, rhodes piano, taurus, mellotron, piano, bells), and Håkon Gebhardt (drums, acoustic guitar, glockenspiel, mellotron, harmonium, percussion).

Stylistically the material on "Trust Us" pretty much continues the alternative rock/psychedelic rock style of "Angels and Daemons at Play (1997)". Sometimes a little more psychedelic and jam oriented than other moments which are more structured. Motorpsycho are a well playing unit and they obviously master both the improvised jamming and the more conscise songwriting parts. But when that is established the vocals have always been the weak link of Motorpsycho and they continue to be that on "Trust Us". Not in a manner which destroys the listening experience, but they do sound weak and it often feels like they are just there singing without a recognisable vocal melody. So maybe it´s not just that the voices of the two vocalists aren´t that strong or distinct sounding, but maybe also that the band just don´t write that great vocal melodies.

With that out of the way, Motorpsycho should still be praised for their organinic and powerful instrumental performances. "Trust Us" is also a well produced release, so it´s in the songwriting department that Motorpsycho are still lacking something at this point in their career. Six albums into a music career and I expect more, but I understand why others enjoy it more than I do. The combination of 90s alternative/indie rock with 70s psychedelia has been done by many other contemporary artists (The Flaming Lips, Mercury Rev, and some of Radioheads early recordings are valid references) and it´s just a hard sound to nail.

"Vortex Surfer" is the most well known track from "Trust Us" and I agree that it´s slow layer building is effective, but the weak vocals almost ruin the track. Upon conclusion "Trust Us" is a good quality rock album from Motorpsycho if you (unlike me) are able to appreciate the vocals. I´ll play nice and give this a 3 star (60%) rating, but but you can add 0,5 star ekstra if you imagine that I could enjoy the vocals.

JOURNEY Departure

Album · 1980 · Non-Metal
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vmagistr
I've been enjoying Journey´s music for years, I even gave them one of my first review attempts fifteen years ago. When it comes to american music, I generally like stuff that has something in common with blues, jazz or metal, and I've never fallen for the sleeker form of their radio rock, but Journey won me over. It might have something to do with the fact that two of the mainstays of the band's early lineups (guitarist Neal Schon and keyboardist Greg Rollie) had some history with Santana, or maybe it's also that Steve Perry's late seventies/early eighties voice amuses me like only few others in the business.

The common denominator of most of the songs on their sixth studio album, Departure, is Perry's vocals in particular, which soar effortlessly to over-the-top heights and build arching arcs, and Schon's smoky guitar, which, as needed, took care of a wild guitar solo here, a Gary Moore-style flourish there, and an energetic backing track a little further out. Keyboardist Greg Rollie quite often takes hammond organ in action, whose bubbling sound can hardly be matched by any synthesizer in the right arrangement, and in a few cases he also shines with a harmonica - which, by the way, is the third reason why I'm into this album. Also fine are the rich backing vocals, which (except for drummer Smith) were capable all the band members.

Any songs I enjoy? Of the wilder rockers, definitely the hits Any Way You Want It, Line of Fire or Precious Time, the quieter - and all the more composed - stuff like Someday Soon or People and Places is also great. I'm also quite happy with the "drifting" dance-floor stuff in the style of Stay Awhile, on the other hand I could easily do without the sweet melodies in Good Morning Girl. In the riff one-off Where Were You Schon tries to vary the figures that the more commercial of the young British metal bands of the time liked to build on, and in the hit Walks Like a Lady the band goes probably the furthest towards what makes Journey a distinctly American affair.

I've been sort-of friends with Journey's music for most of their career. I enjoy their jazz-rock-smeared beginnings, the turn to more likable rock and the pompous synth period, from the post-union era I was pleased at the time with the Revelation record featuring new voice Arnel Pineda. Then I let them out of my sight for a long time (judging by the wild personnel changes of recent years, the "dictator" role usurped by the last of the founding members, Neal Schon, doesn't exactly suit well to the band), but I love returning to their classic period. I rank the Departure album among the better of the records they made at that time

MINISTRY With Sympathy

Album · 1983 · Non-Metal
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martindavey87
The 1983 debut album by industrial metal pioneers Ministry, ‘With Sympathy’, for whatever reason, was released in Europe under the name ‘Work For Love’. I don’t know why, nor do I know why the track list was rearranged, with one song even being given a new name. But what I do know, is that I’m too cheap to find a CD copy of ‘With Sympathy’, as they are very rare to find, and very expensive. While still fairly costly, ‘Work For Love’ was much more affordable.

Regardless of titles, the main thing is the music, and what a surprise I got with this one. Known for their relentless guitar riffs and jackhammer beats, this first album by Ministry is more in the vein of synth pop or new wave. It’s more of an 80’s dance album than the furiously aggressive metal I was expecting.

But you know what… it’s still pretty damn catchy!

The songs can get a bit samey, the lyrics a bit goofy, and band founder Al Jourgensen sings with a fake accent, but ultimately, they’re still pretty decent. ‘Work For Love’, ‘Do the Etawa’ (a re-titled ‘What He Say’), ‘Say You’re Sorry’, ‘Revenge’ and ‘I Wanted to Tell Her’ are all particular highlights, but in all fairness, the album is fairly short and flows quite nicely. Now… onto the heavier stuff…

STORM CORROSION Storm Corrosion

Album · 2012 · Non-Metal
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Warthur
Intriguing prog collaboration between Mikael Åkerfeldt of Opeth and Steven Wilson of Porcupine Tree. With those creative minds involved, you might expect something like Opeth's Damnation, which they both worked on, and whilst this feels like it's in similarly haunting territory, it's not quite the same. Somehow, it simultaneously manages to be more ambient and more folk-oriented than that album, taking the duo's music into meditative realms far from the energetic tumult both their regular bands are known for evoking. Weighing in at just under 48 minutes, it wisely doesn't outstay its welcome, and represents a fascinating experiment in two prolific musicians crafting something which clearly has both of their fingerprints on it - there'll be moments which remind you of the quieter passages in your favourite Opeth or Porcupine Tree albums - but at the same time lands somewhere neither of them would have arrived at on their own.

BLOOD INCANTATION Timewave Zero

EP · 2022 · Non-Metal
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UMUR
"Timewave Zero" is an album length EP release by US, Colorado based music act Blood Incantation. The EP was released through Century Media Records in February 2022. It bridges the gap between Blood Incantation´s second- and third full-length studio albums "Hidden History of the Human Race" (2019) and "Absolute Elsewhere" (2024). Blood Incantation are known for flirting with progressive rock, space rock, and psychedelic rock which they mix with their old school but still technically well played type of death metal. On this particular release though, they have opted to release something which is pretty far from their core sound.

"Timewave Zero" sees all four members of Blood Incantation switching to synthesizers and produce an ambient, atmospheric, and minimalistic sound, which isn´t far removed from some of the most well known 70s releases from Tangerine Dream. There is minimal use of guitars (they are for example heard during the third movement of the "Ea" track) and percussion during the playing time, and zero death metal or in fact any type of heavy metal related elements. The regular version of the EP features two 21 and 19 minutes long tracks, while some editions also feature the 27:37 minutes long "Chronophagia" bonus track. The digital version of the EP splits the two longer tracks from the regular version of the EP into eight sub-division tracks.

Considering the fact that Blood Incantation are usually a very creative band, it´s no surprise that they felt the need to release an ambient music release too, but while "Timewave Zero" is a pleasant and atmospheric ambient release, which transports my mind to the loneliness and coldness of space, it´s still overall a slightly tedious and uneventful listen. Everything is build on slow and sustained synth chords/notes with only little development throughout the tracks and honestly this is best listened to as background music or maybe for meditation purposes. It´s not a bad quality product, I just expect a bit more from a band like Blood Incantation. A 2.5 star (50%) rating is warranted.

non-metal movie reviews

PENDRAGON Past And Presence

Movie · 2007 · Non-Metal
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Warthur
Pendragon's Past and Presence captures a very special concert put on by Pendragon in celebration of the band's history. Recorded in Poland as a special treat for their very appreciative Polish fanbase, the concert saw a host of past members of the band making special guest appearances - with all the current and ex-Pendragon members present taking to the stage for show closer Stan and Ollie (a good call, since the song was essentially written as a goof-off piece to round off the band's sets with a happy party number, much like Marillion's Margaret).

Aside from 2AM from Kowtow (present as one of several encores), the songs here are all vintage Pendragon from their very earliest days - you have all the tracks from The Jewel and the Fly High Fall Far EP here, plus some delicious rarities otherwise only available in inferior versions on the Once Upon a Time In England compilations. Two decades have come and gone since the band recorded the versions of the songs we're most familiar with, and the additional experience really does show. Many of the songs here blow the original studio versions out of the water - even songs which sounded pretty decent on the original recordings, such as The Black Knight.

I'd go so far as to say that this show is, perhaps, the best way to experience Pendragon's material from before The World came out. Certainly, I would strongly encourage people to pick up the limited edition version which comes with a 2CD audio version of the show, because the audio stands up really well on there and I actually find I listen to the CD more than I watch the actual show. The main limitation here is that the material in question is a bit rough and naive, but the band couldn't really fix that without abandoning the idea of a nostalgia show.

ANATHEMA A Moment in Time

Movie · 2006 · Non-Metal
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Conor Fynes
'A Moment In Time' - Anathema (5/10)

First off, might I say that the rating for this work is not based on the music itself. 'A Moment In Time' is being rated here for what it is; a piece of visual media. The songs themselves are amazing, and have been commended as such on other reviews. As far as being a vessel for such beautiful music however, this DVD really comes up short. There are so many errors that make it a sloppy creation, that could have been avoided and corrected had extra care been given.

As far as the musical arrangement goes, things are really good. As well as the band performing, there is a string quartet that plays throughout, as well as a guest appearance from a talented female vocalist. The vocal passion I generally expect from Vincent Cavanagh is a bit lacking here, but that can be forgiven. There's a nice setup here, a beautiful selection of songs, so what could go wrong?

Throughout watching 'A Moment In Time,' I find myself increasingly agitated over the camera work. The camera is fixated on the vocalist, and fails to give a visual mention to either the bass player or rhythm guitarist almost at all!

Another issue is the recording of the sound. For example, during the climax of 'Empty,' the vocals drown out completely for a few seconds. For a band that's had such a high standard of musical quality, my jaw dropped at how they could ever let a DVD release come out to the general public with that sort of negligence.

Despite it's flaws and failure as a professional DVD release however, being an Anathema fan; it's hard to not at least find some enjoyment in it, and there's an CD counterpart included as well! Two stars.

Artists with Non-Metal release(s)

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