QUEENSRŸCHE

Heavy Metal / Progressive Metal / Hard Rock / US Power Metal / Metal Related • United States
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Queensrÿche is an American progressive heavy metal band formed in 1982 in Bellevue, Washington. The band has released twelve studio albums, one EP and several DVDs, and continues to tour and record. The original lineup consisted of vocalist Geoff Tate, guitarists Chris DeGarmo and Michael Wilton, bassist Eddie Jackson and drummer Scott Rockenfield. Queensrÿche has been successful in the progressive scene, having sold over 20 million albums worldwide, including over 6 million albums in the United States. The band received worldwide acclaim after the release of their 1988 album Operation: Mindcrime, which is often considered one of the greatest concept albums of all time. Their follow-up release, Empire, released in 1990, was also very successful and included the hit single Silent Lucidity. The band has received three Grammy Award nominations for songs off both albums; Rockenfield also received a Grammy nomination outside of Queensrÿche. In 1997, guitarist and primary songwriter read more...
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Queensryche - Greatest HitsQueensryche - Greatest Hits
Remastered
Emd Int'L 2007
$5.73
$1.92 (used)
Operation: MindcrimeOperation: Mindcrime
Extra tracks · Reissued · Remastered
Capitol 2003
$7.14
$2.45 (used)
EmpireEmpire
Extra tracks · Reissued · Remastered
EMI Records 2003
$5.60
$2.24 (used)
Rage for OrderRage for Order
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Capitol 2003
$5.73
$10.99 (used)
Condition HumanCondition Human
Century Media 2015
$9.51
$6.11 (used)
WarningWarning
Extra tracks · Reissued · Remastered
Capitol 2003
$5.73
$4.99 (used)
VerdictVerdict
Century Media Int'L 2019
$22.52
$24.81 (used)
The VerdictThe Verdict
Century Media 2019
$12.49
$23.93 (used)
QueensrycheQueensryche
Extra tracks · Remastered
Capitol 2003
$5.95
$5.10 (used)
Empire (180 Gram Audiophile Vinyl/Limited Anniversary Edition/Gatefold Cover)Empire (180 Gram Audiophile Vinyl/Limited Anniversary Edition/Gatefold Cover)
Friday Music 2018
$40.62
$30.79 (used)
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QUEENSRŸCHE Discography

QUEENSRŸCHE albums / top albums

QUEENSRŸCHE The Warning album cover 3.80 | 54 ratings
The Warning
Heavy Metal 1984
QUEENSRŸCHE Rage For Order album cover 3.83 | 60 ratings
Rage For Order
Heavy Metal 1986
QUEENSRŸCHE Operation: Mindcrime album cover 4.33 | 157 ratings
Operation: Mindcrime
Progressive Metal 1988
QUEENSRŸCHE Empire album cover 3.55 | 70 ratings
Empire
Progressive Metal 1990
QUEENSRŸCHE Promised Land album cover 3.91 | 56 ratings
Promised Land
Progressive Metal 1994
QUEENSRŸCHE Hear In The Now Frontier album cover 2.86 | 36 ratings
Hear In The Now Frontier
Hard Rock 1997
QUEENSRŸCHE Q2K album cover 2.42 | 27 ratings
Q2K
Hard Rock 1999
QUEENSRŸCHE Tribe album cover 3.11 | 27 ratings
Tribe
Hard Rock 2003
QUEENSRŸCHE Operation: Mindcrime II album cover 3.22 | 47 ratings
Operation: Mindcrime II
Progressive Metal 2006
QUEENSRŸCHE Take Cover album cover 2.45 | 22 ratings
Take Cover
Hard Rock 2007
QUEENSRŸCHE American Soldier album cover 2.96 | 36 ratings
American Soldier
Heavy Metal 2009
QUEENSRŸCHE Dedicated To Chaos album cover 1.98 | 32 ratings
Dedicated To Chaos
Hard Rock 2011
QUEENSRŸCHE Queensrÿche album cover 3.80 | 26 ratings
Queensrÿche
Heavy Metal 2013
QUEENSRŸCHE Condition Hüman album cover 4.02 | 14 ratings
Condition Hüman
Heavy Metal 2015
QUEENSRŸCHE The Verdict album cover 3.92 | 5 ratings
The Verdict
Heavy Metal 2019

QUEENSRŸCHE EPs & splits

QUEENSRŸCHE Queensrÿche album cover 3.74 | 49 ratings
Queensrÿche
Heavy Metal 1983
QUEENSRŸCHE Face To Face album cover 2.00 | 1 ratings
Face To Face
Hard Rock 2006

QUEENSRŸCHE live albums

QUEENSRŸCHE Operation: LIVEcrime album cover 4.66 | 19 ratings
Operation: LIVEcrime
Progressive Metal 1989
QUEENSRŸCHE Live Evolution album cover 3.58 | 6 ratings
Live Evolution
Heavy Metal 2001
QUEENSRŸCHE The Art Of Live album cover 2.50 | 3 ratings
The Art Of Live
Progressive Metal 2004
QUEENSRŸCHE Mindcrime At The Moore album cover 3.56 | 5 ratings
Mindcrime At The Moore
Progressive Metal 2007
QUEENSRŸCHE Extended Versions album cover 2.00 | 1 ratings
Extended Versions
Progressive Metal 2007

QUEENSRŸCHE demos, promos, fans club and other releases (no bootlegs)

QUEENSRŸCHE re-issues & compilations

QUEENSRŸCHE Greatest Hits album cover 2.87 | 6 ratings
Greatest Hits
Progressive Metal 2000
QUEENSRŸCHE Classic Masters album cover 2.00 | 1 ratings
Classic Masters
Progressive Metal 2003
QUEENSRŸCHE Revolution Calling album cover 3.50 | 2 ratings
Revolution Calling
Progressive Metal 2003
QUEENSRŸCHE Sign Of The Times: The Best Of Queensrÿche album cover 2.75 | 2 ratings
Sign Of The Times: The Best Of Queensrÿche
Progressive Metal 2007

QUEENSRŸCHE singles (26)

.. Album Cover
2.00 | 1 ratings
Queen Of The Reich
US Power Metal 1983
.. Album Cover
2.00 | 1 ratings
Warning
Heavy Metal 1984
.. Album Cover
2.25 | 2 ratings
Take Hold Of The Flame
Heavy Metal 1984
.. Album Cover
2.00 | 1 ratings
Gonna Get Close To You
Heavy Metal 1986
.. Album Cover
3.50 | 2 ratings
Eyes Of A Stranger
Progressive Metal 1988
.. Album Cover
2.00 | 1 ratings
Revolution Calling
Progressive Metal 1988
.. Album Cover
2.75 | 2 ratings
I Don't Believe In Love
Heavy Metal 1989
.. Album Cover
2.00 | 1 ratings
Empire
Heavy Metal 1990
.. Album Cover
2.50 | 2 ratings
Silent Lucidity
Hard Rock 1990
.. Album Cover
2.00 | 1 ratings
Best I Can
Hard Rock 1991
.. Album Cover
2.00 | 1 ratings
Jet City Woman
Heavy Metal 1991
.. Album Cover
2.00 | 1 ratings
Another Rainy Night (Without You)
Heavy Metal 1991
.. Album Cover
2.00 | 1 ratings
Anybody Listening?
Heavy Metal 1992
.. Album Cover
2.00 | 1 ratings
Real World
Progressive Metal 1993
.. Album Cover
2.00 | 1 ratings
I Am I
Progressive Metal 1994
.. Album Cover
2.00 | 1 ratings
Disconnected
Progressive Metal 1994
.. Album Cover
2.00 | 1 ratings
Bridge
Progressive Metal 1994
.. Album Cover
2.00 | 1 ratings
Someone Else
Metal Related 1995
.. Album Cover
2.00 | 1 ratings
spOOL
Hard Rock 1997
.. Album Cover
2.00 | 1 ratings
Sign Of The Times
Hard Rock 1997
.. Album Cover
2.00 | 1 ratings
Beside You
Heavy Metal 2000
.. Album Cover
2.00 | 1 ratings
Rhythm Of Hope
Progressive Metal 2003
.. Album Cover
2.00 | 1 ratings
I'm American
Progressive Metal 2006
.. Album Cover
2.00 | 1 ratings
Welcome To The Machine
Progressive Metal 2007
.. Album Cover
2.00 | 1 ratings
If I Were King
Progressive Metal 2009
.. Album Cover
2.00 | 1 ratings
Get Started
Hard Rock 2011

QUEENSRŸCHE movies (DVD, Blu-Ray or VHS)

.. Album Cover
4.39 | 10 ratings
Operation: LIVEcrime
Progressive Metal 1991
.. Album Cover
3.88 | 4 ratings
Building Empires
Progressive Metal 1992
.. Album Cover
2.69 | 5 ratings
The Art Of Live
Heavy Metal 2004
.. Album Cover
4.21 | 5 ratings
Mindcrime At The Moore
Progressive Metal 2007

QUEENSRŸCHE Reviews

QUEENSRŸCHE Promised Land

Album · 1994 · Progressive Metal
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UMUR
"Promised Land" is the 5th full-length studio album by US power/heavy/progressive metal act Queensrÿche. The album was released through EMI Records in October 1994. Queensrÿche had a relatively lengthy recording break after the release of the multi-platinum selling success of "Empire (1990)", but they returned on "Promised Land" with the same lineup and a new ‌inspired concept.

"Empire (1990)" was a fairly accessible and commercial oriented release, which provided Queensrÿche with great success and worldwide recognition. Following up a release like that was always going be a difficult task (just as it was a daunting task following up the artistic achievement of "Operation: Mindcrime (1988)"), but Queensrÿche took the bold and adventurous path, instead of releasing "Empire (1990)" number two. "Promised Land" is generally a much more progressive and experimental release than it´s predecessor, although progressive in this respect shouldn´t be understood as if the band have now have started playing long instrumental sections or that they focus on odd time signatures. It´s an experiment within the confines of their own sound, and overall they succeed pretty well. Stylistically this is still at it´s core heavy metal/rock with only the occasional progressive metal leaning.

"Promised Land" is a bit of a fragmented release though, featuring quite a few different atmospheres and music styles. Tracks like "Damaged" and "disconnected" are both dark and very heavy songs. The former probably features THE most heavy riff ever on a Queensrÿche release and it´s an absolutely brilliant composition. But then there are also tracks like "Out of Mind", "Bridge", "Lady Jane", and "Someone Else?", which are power ballads (in the case of the latter it´s a pure piano and vocal ballad, and probably the weakest and least interesting track on the album. It´s definitely not a good way to close the album), and tracks like "I Am I" and the title track are of a more experimental nature, both featuring middle eastern music influences, and the latter featuring saxophone. "My Global Mind" and "One More Time" are rather forgettable heavy rock tracks, which don´t stand out much. To my ears the album is frontloaded with the best material, and especially the last three tracks on the album leave you with the impression that the quality has dropped markedly since the high quality opening to the album. For all the greatness of tracks like "Damaged", "Out of Mind", and "Lady Jane", "Promised Land" simply features too many tracks which aren´t remarkable enough.

As always the musicianship are on a high level on all posts. The instrumental work is delivered with great skill and with an adventurous spirit, and Geoff Tate also delivers a strong vocal performance. "Promised Land" features a dark and heavy production job, which suits the material perfectly, so it´s in the songwriting department and overall tracklist flow, that the album doesn´t score perfectly in my book. It´s actually a bit hard to rate an album, which maybe features some of the best material written by Queensrÿche, when said material sits among some of the most lacklustre and uninspired material written by the same artist. Despite these issues I still find "Promised Land" highly recommendable, although I almost always skip around 30% of the album, when I give it a listen (including the way too long intro track "9:28 A.M."). A 3.5 star (70%) rating is deserved.

QUEENSRŸCHE Empire

Album · 1990 · Progressive Metal
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UMUR
"Empire" is the 4th full-length studio album by US power/heavy/progressive metal act Queensrÿche. The album was released through EMI Records in August 1990. It´s Queensrÿche´s most commercially successful release selling 3 million copies (triple Platinum status in those days) and spawning a top 10 Billboard charts hit in "Silent Lucidity". While "Operation: Mindcrime (1988)" was the band´s big breakthrough on the heavy metal scene, "Empire" was their mainstream breakthrough...

...and listening to the album it´s obvious why that is. "Silent Lucidity" is a Pink Floyd influenced power ballad, which resonated well with hard rock audiences in the early 90s, but the rest of the material on the album are also predominantly mainstream oriented heavy rock/metal tracks, which could easily have been played on the radio. Tracks like "Jet City Woman", "Another Rainy Night (Without You)", and "Hand On Heart", are almost ridiculously catchy and obviously aimed at the most heavy rock loving AOR audience. Queensrÿche flirt a little with progressive ideas on "Best I Can" and on "Anybody Listening?", but it´s only an influence and not a dominant trait on the album. Compared to the slightly more hard edged and dark themed predecessor, "Empire" is generally a more light-hearted release, and the only track on the album with a really dark atmosphere and heavy riffs is the title track. Not that tracks like "The Thin Line" and "Della Brown" doesn´t feature serious lyrical subjects and darker moods, but overall "Empire" is a fairly accessible release with a focus on "regular" vers/chorus structures and quite a few lyrics dealing with love and romance.

It´s a polished release with a pretty sterile and clear sounding production, courtesy of Peter Collins, who also produced "Operation: Mindcrime (1988)". The album could have prospered from just a slight organic touch, but it is still arguably a well produced release. As always the musicianship are on a high level on all posts. A tight playing rhythm section, plenty of great guitar work, and a well singing Geoff Tate in front.

Featuring 11 tracks and a full playing time of 63:23 minutes, "Empire" ends up feeling a bit too long for its own good. Many of the tracks feature similar structures and compositional ideas, and not enough of them stand out as particularly remarkable although there of course are some standout tracks like "Silent Lucidity", the title track, "Della Brown", "Best I Can", and "Jet City Woman" (damn that is one catchy chorus). So upon conclusion af 3.5 star (70%) rating isn´t all wrong.

QUEENSRŸCHE Operation: Mindcrime

Album · 1988 · Progressive Metal
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UMUR
"Operation: Mindcrime" is the 3rd full-length studio album by US power/heavy/progressive metal act Queensrÿche. The album was released through EMI Records in May 1988. It´s the successor to "Rage For Order" from 1986 and as something new in the band´s repetoire at the time, it´s a concept album/rock opera, telling the story of the recovering drug addict/political activist turned brainwashed hitman Nikki, who becomes involved in a revolutionary group lead by the mysterious Dr. X. It´s a story of questionable morality, political corruption, abuse of religious authority, exploitation of the weak, love and murder. While Queensrÿche were already relatively successful before "Operation: Mindcrime", this was the album which turned them into a highly commercially successful act too...

...and it´s obvious why that is when listening to the material on the 15 track, 59:14 minutes long album. There´s so much quality in all departments of "Operation: Mindcrime", that had the album, and the band, not achieved the high degree of the success that it did, it would have been a near crime.

Stylistically the music is US power/heavy metal with the occasional progressive leanings. It´s predominantly the 10:41 minutes long and highly impressive "Suite Sister Mary" (featuring female vocal contributions from Pamela Moore, a choir, and orchestration), which can be applied the progressive metal label, but there are other sporadic moments throughout the album, where that label also apply. Mostly this is US power/heavy metal though, featuring hard rocking riffs, melodic lead guitar work, a powerful and tight playing rhythm section, and one of the most powerful and skilled vocalists of the era in front. There are no words big enough to describe Geoff Tate´s vocal contributions on the album. Not only does he possess a powerful and distinct sounding voice, he is also an incredibly pathos filled singer. His delivery is commanding and every word of the lyrics are performed with conviction and great passion. He is also quite the versatile singer in the respect that he can sing both deep and really high notes with a natural ease.

The album is structured so there are short interlude samples, effects, or narrative attached to many of the "regular" length tracks, and there are also a couple of shorter atmospheric interludes/intros, which function as individual tracks. "Operation: Mindcrime" features many great rockers like "Revolution Calling", "Speak", "Spreading The Disease", and "The Needle Lies", epic tracks like "The Mission" and "Suite Sister Mary", but also more melodic and accessible material like "Breaking the Silence" and "I Don´t Believe in Love". The heavy title track also deserves a mention as one of the highlights of the album. So the material is relatively varied, although there is a clear stylistic thread throughout the album.

"Operation: Mindcrime" was produced by Peter Collins who had recently produced the two Rush albums "Power Windows (1985)" and "Hold Your Fire (1987)", and he has put his audible mark on the sound of the album (especially the drums feature a very characteristic sound). The sound production is powerful and detailed, and considering that it was recorded in 1987 and released in 1988, this is a very well sounding heavy metal release.

So upon conclusion this is a perfect release by Queensrÿche (and to my ears the peak of their career). The concept story works, the songwriting and the tracklist order are varied and keep the listener intrigued throughout, the musicianship is outstanding, and the sound production is professional and brings out the best in the material. There´s not a single sub par moment on the album and a 5 star (100%) rating is deserved.

QUEENSRŸCHE Rage For Order

Album · 1986 · Heavy Metal
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UMUR
"Rage For Order" is the 2nd full-length studio album by US, Washington based power/progressive metal act Queensrÿche. The album was released through EMI Records in July 1986. It´s the successor to "The Warning" from 1984 and features the same lineup as the debut album. Queensrÿche achieved moderate commercial success with "The Warning (1984)" and scored the support slot as the opening act for Kiss on their "Animalize (1984)" tour. Something which further enhanced their profile. EMI Records smelled the potential for greatness and started interfering, demanding that the band employ a more glam oriented image, hence the change of wardrobe and hairstyle since the more sinister and dark leather clad look of the band on the debut album.

Stylistically quite a few things have happened too, but despite the change of image, "Rage For Order" doesn´t have anything to do with glam metal. Instead the band´s US power/heavy metal style has taken a progressive direction and keyboards have been given a prominent role in the soundscape. There´s even some programming featured on the album, and the keyboards and the programming effects provide "Rage For Order" with a futuristic almost sci-fi tinged sound. The basis of the music is still US power/heavy metal though. Melodic lead guitars, beautiful clean/acoustic guitar sections, hard rocking riffs and rhythms, and Geoff Tate´s strong high pitched vocals in front.

The material on the 11 track, 45:47 minutes long album is generally well written, but not all tracks stand out equally much. The album opens strong enough with "Walk In The Shadows" and especially "I Dream In Infrared". "The Whisper" and the Dalbello cover "Gonna Get Close To You" (from her 1984 album "Whomanfoursays") work pretty well too (the latter is quite mainstream oriented, but Queensrÿche put their own spin on the song), but it´s like the album fades a bit after that. Here and there a memorable vocal line, guitar lead, or rhythm pattern appear, but even after years of listening to the album I still can´t remember what each track sound like, when I look at the tracklist. Some tracks are simply that unremarkable.

One of the strongest assets of "Rage For Order" is the strong musicianship. The instrumental part of the album is very well played with intricate layers of keyboards, guitars, bass, and drums, but it´s the incredibly powerful vocals by Geoff Tate, which elevates the album to a higher level. "Rage For Order" features a detailed, but not that powerful sounding production. Especially the rhythm guitars lack a bit of punch, but it´s an overall issue, that the music sounds a bit too polished and not raw enough. So "Rage For Order" is an album which leaves me a bit biased. A 3 - 3.5 star (65%) rating is deserved.

QUEENSRŸCHE The Verdict

Album · 2019 · Heavy Metal
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UMUR
"The Verdict" is the 15th full-length studio album by US prog/power metal act Queensrÿche. The album was released through Century Media Records in March 2019. It´s the successor to "Condition Hüman" from 2015 and the third studio album by Queensrÿche featuring lead vocalist Todd La Torre after Geoff Tate was fired from the band. Drummer Scott Rockenfield had a child and after the touring cycle supporting "Condition Hüman (2015)" chose to take a leave from the band to care for his child. However when it became time to record "The Verdict", Rockenfield did not feel ready to begin playing with Queensrÿche again, and as the rest of the band felt it was time to record a new album, they had to look for an alternative solution on the drum post. Fortunately La Torre is not only a brilliant vocalist but is also a very capable drummer, and therefore the band opted to let La Torre record the drums for the album, instead of bringing in a session drummer.

Stylistically the material on "The Verdict" continue the melodic US power/heavy metal style of the two direct predecessors (which also feature La Torre on vocals). All three albums are actually very similiar in sound and style, and while I was relatively satisfied with the first couple of La Torre-fronted Queensrÿche releases, we´ve come to a point, where it would have been nice with an album which doesn´t sound almost one to one like the last couple of releases.

No one can dispute the high quality of the music though (including me). Queensrÿche are a very well playing act and La Torre is a top tier heavy metal vocalist. "The Verdict" is well produced too, featuring a relatively powerful and detailed sound, which suits the music well. So it´s the songwriting which lacks the last catchiness and memorable hooks. Some tracks of course stand out more than others, and the band also try a few new things on the album, but there are simply too many tracks on the album which are very similar in style and sound, and which don´t stand out. A 3.5 star (70%) is still deserved though.

QUEENSRŸCHE Movies Reviews

QUEENSRŸCHE Mindcrime At The Moore

Movie · 2007 · Progressive Metal
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Time Signature
I remember now...

Genre: progressive metal

"Operation: Mindcrime" was, and still is, a legendary release in the world of metal, and it was appreciated not only within the sphere of progressive metal, but by fans of all sorts of different types of metal. And listening to the album, one quickly realizes why - it's simply amazing.

"Operation: Mindcrime II" is the sequel to "Operation: Mindcrime", but it was never as successful, and some people don't even like it. Personally, I like "Mindcrime II", although not as much as the original "Mindcrime", for having a more updated sound and not just being a repetition of first one.

Anyway, this live DVD gives you both albums performed live in their entirety at The Moore Theater in the band's hometown Seattle, and whether you like "Mindcrime II" or not, you are in for a treat with the performance of both albums. This show has everything that the thinking man, or person to be non-sexist, of metal should love about Queensrÿche: rock 'n' roll, drama, political messages, social commentary, special effects and artistic visual stage props. This is theatrical heavy metal at its best: accessible yet thought provoking. And it holds up all the way through, so even if you don't "Mindcrime II" as much as the first one, you are certain to be entertained by its performance on this DVD.

The concert itself is great, but considering myself a thinking man pf metal, I like informative bonus material, too, and I think the quality of the bonus material is a bit so-so... with one exception. The bonus material includes a version of "The Chase" which was recorded live in L.A. featuring Ronnie James Dio, performing live as Dr. X; in the light of his recent tragic passing, this particular bit of bonus material becomes additionally valuable, I think. And it's a great performance in itself, too.

Recommended to fans of Queensrÿche, progressive metal and traditional heavy metal and hard rock.

QUEENSRŸCHE Operation: LIVEcrime

Movie · 1991 · Progressive Metal
Cover art Buy this album from MMA partners
Stooge
It’s become a tradition with rock and metal bands that release a concept album to perform it live from beginning to end, and that’s what the video Operation: Livecrime showcases, with Queensryche performing their landmark 1988 release.

As anyone who’s heard the Operation: Mindcrime album, the band can often have as many (or more) pop elements as metal. Seeing their stage show on DVD, this aspect is there to witness, from headset microphones to Chris DeGarmo’s chaps. I can tolerate most of the pop aspects of the band especially considering the time of the video’s initial release (1991), but some of the stage moves I find to be quite humorous and actually take away from the power of some of the songs. Thankfully, much of the prancing about stage dies down past the halfway point of the show. It must be some combination of fatigue and the realization that most of the crowd consists of males.

But seriously, this DVD is actually a pretty good release. The stage show includes effective visual aids that help piece their Mindrcime concept together, and the footage is shot with high quality. There’s a decent amount of bonus footage here as well, which includes a brief interview with singer Geoff Tate regarding the band and various aspects of the Mindcrime album. Two bonus songs are also hidden as easter eggs on the DVD, "The Lady Wore Black" and "Roads To Madness”.

Based on the rating system, this DVD is fitting of a 3 star rating. While certainly an entertaining release, I wouldn’t consider it to be essential. I’m not as drawn to watch this performance as I am to simply listen to the Mindcrime studio album.

QUEENSRŸCHE The Art Of Live

Movie · 2004 · Heavy Metal
Cover art Buy this album from MMA partners
AtomicCrimsonRush
It must have sounded great on paper - let's make a DVD that is totally in a sepia tone and use amateur and professional footage to create an artistic concert experience.

Unfortunately, this is a washed out experience and dull to the max apart from a couple of excellent tracks.

The set is based on the 'Tribe' album which is not the best QR by any standards. There are only two tracks from 'Operation Mindcrime' - a tragedy as that is their masterpiece.

The pleasant surprise is the special guest appearances of Dream Theater, one of my all time favourite bands. They join QR to play two brilliant versions of 'Comfortably Numb' and 'Won't Get Fooled Again'. The two tracks make this worth watching to the end, but I believe you will be ffwding this DVD to those tracks after one viewing.

Without the colourful lighting and occasional 'Operation Mindcrime' track, the concert is very disappointing. No colour makes a boring experience when watching a band perform. What a waste of talent, time and energy. Get hold of 'Operation: Live-Crime' which is brilliant, and leave this 'Art(less) of Live' on the shelf.

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