Cybergrind

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Cybergrind is a genre mixing Electronic and Grindcore. Bands that play this style make use of synths, computers, and drum machines in addition to the usual guitars and bass, while some bands use synths, MIDI files, and drum machines exclusively.

Many Cybergrind bands tend to have little to no influence or relation to metal. Japan's Catasexual Urge Motivation formed in 1992 is generally considered the first Cybergrind group with a drum machine nicknamed Cyber E.M.F. Other notable Cybergrind bands include the United States Agoraphobic Nosebleed formed in 1994, and Australia's The Berzerker formed in 1995.

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AGORAPHOBIC NOSEBLEED Altered States of America Album Cover Altered States of America
AGORAPHOBIC NOSEBLEED
4.17 | 8 ratings
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AGORAPHOBIC NOSEBLEED A Joyful Noise Album Cover A Joyful Noise
AGORAPHOBIC NOSEBLEED
4.00 | 3 ratings
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THE LOCUST New Erections Album Cover New Erections
THE LOCUST
4.00 | 2 ratings
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GRINDER The Black EP Album Cover The Black EP
GRINDER
3.91 | 2 ratings
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THE LOCUST The Locust Album Cover The Locust
THE LOCUST
3.75 | 2 ratings
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AGORAPHOBIC NOSEBLEED Agoraphobic Nosebleed (1)

EP · 1996 · Cybergrind
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UMUR
"Agoraphobic Nosebleed" is an EP release by US grindcore act Agoraphobic Nosebleed. The EP was released through Bovine Records in 1996 and is a re-release of the band´s 30 song demo from 1995. It´s the band´s first label release. Agoraphobic Nosebleed was formed in 1994 in Springfield, Massachusetts and at that point it was a one-man project featuring Scott Hull (guitars, programming). The vocals on the EP are delivered by various vocalists.

Agoraphobic Nosebleed are often referred to as a drum-machine grindcore band, as a consequence of the drums being programmed. That´s just one of the components which make up their sound though, and often people focus way too much on that feature when describing the music. So let´s get it out of the way. Yes the drums are programmed and no it´s not that apparent as Hull is a skilled programmer, and the drums are produced in a way where they sound relatively "normal".

Stylistically the music on the 30 track EP is aggressive and fast grindcore with raw distorted shouting vocals. Often the tracks are only a few seconds or maybe half a minute long, and it´s a release that is best enjoyed in full instead of track by track. It´s a relatively one-dimensional release but you´re still kept on your toes throughout the playing time as a consequence of the short bursts of insane brutality and raw aggression. The few times the pace is slowed down a bit, it feels like welcome breathers, but those moments are few and far between. The lyrics are typically sparse and often repeated words instead of longer meaningful sentences, but you´ll get an idea of what they are about from songtitles like "Eyes Like Two Pissholes in the Snow", "Fucking Move, Prick", and "If You Thought Elvis Was Good Live (Wait 'Til You See Him Dead)". These guys are pissed, but still deliver their message with a bizarre gleam in the eye.

The sound production is decent for the genre, and suits the music well. Raw, unpolished, and "In Your Face" like it´s supposed to sound. Overall it´s not the most exciting or original sounding grindcore release out there, but it´s obvious there´s some thought and talent behind the compositions and that counts for something. A bit more variation and more compositions which last for more than a few seconds could also have been nice, but as it is, the EP is still an interesting listen, and a 3 star (60%) rating is warranted.

UNICORN HOLE Twenty Pieces O' Shit From Twenty O' Seven

Album · 2007 · Cybergrind
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siLLy puPPy
UNICORN HOLE - Definition : Not so different than one's corn hole, only referring to a Unicorn's corn hole. Spewing rainbows & other fantasy type%^ish.

Grindcore and South Park worship with electronic embellishments all under one roof!

Cybergrind anybody? UNICORN HOLE has some of the best!

20 fucking awesome examples of immaturity jetting by in less than 10 minutes!

Screamed vocals, grind^core metal freneticism fucking with you mind!

ELECTRONIC wankery in full effect!

Song titles that take longer to read than track lengths!

From South Carolina, so hurricane strength intensity!

Chiptune? Metalcore? Grindcore? Me not know :o

Summary:

This is basically a declaration of not giving a flying fuck.

This core designed album is about giving the middle finger to everythoing.

Fuck conventions, even metal ones.

Electronic based grindcore with dripping attitude.

Not too bad really.

Definitely a rainbow killer.

Mission accomplished.

Fuck yeah.

Blip.

:/

GRINDER The Black EP

EP · 2017 · Cybergrind
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Vim Fuego
You know what? I was going to try to review “Dirt” by Alice In Chains, but I can’t. I can’t give it an objective review in any way, shape or form. I tried to listen to it for the first time the other day, got thoroughly bored with it, so I stopped.

Age and attitude has a lot to do with it. Alice In Chains was supposed to be the more metal side of the grunge movement, but I’m too old and cynical to buy into the teen angst it embodied. Even when I was a teenager I had more important things to do than to wallow in self-pity, like working to help keep the family farm afloat, while getting myself an education so I wouldn’t be trapped trying to scratch a living from the land. Yes, “Dirt” is meant to follow the emotional descent of someone falling into the clutches of an eventually fatal heroin habit, but that world, and those emotions, are alien to me. While I understand mental illness and depression, I just don’t get self-pity and addiction.

“Dirt” may have been exotic and fresh when it was first recorded in 1992, but a quarter of a century has been unkind. What little of the music I do recall sounded flat and dull. Perhaps it is the radio-friendly imitators and mimics which have spoiled Alice In Chains’ aura, or perhaps it is rose-tinted spectacles which keep this album held in such a high regard. Whatever it is, I didn’t like it enough to listen to it all the way through, and you can’t give half an album a fair review.

Just as I was considering something drastic, like mowing the lawn or doing the dishes because they were more interesting than “Dirt”, this little gem popped up on YouTube. “The Black EP” by Grinder is essentially the antithesis of “Dirt”. It is short, sharp, and silly. What could be less serious than coffee-themed grindcore with a real, genuine grinder on vocals? Yes, Grinder’s vocalist is a coffee grinder.

For anyone outside the grindcore sphere of influence, this may sound utterly inane and childish. Perhaps it is. However, jump online and check out even just a handful of grindcore demos and the thing which strikes you almost immediately is how atrociously recorded the vocals are. Grunts, groans, shrieks, growls, and even screams can end up sounding like a gurgling drain or a boiling kettle. It seems to be a hard task to keep already tortured vocals anywhere near intelligible when all other instruments around are raging at, for want of a better expression, full noise.

So Grinder offers nothing but a fun gimmick. The song titles are completely meaningless because the vocals are nothing but the sound of coffee beans having the caffeine powdered out of them, and possibly the resulting beverage percolating in the fires of hell. The music itself though is well above average for this style of release. There is the obligatory insane drum programming, set to an inhuman tempo, overlaid with crushing guitar and bass noise. There’s a couple of funny coffee-related samples, and song titles like “Beans of Prey” and “Hot Water Death Bath”.

What does it all mean? Fuck all. Why listen to it? Pure escapism. Is it better than Alice In Chains’ “Dirt”? I think so. Will anyone else? Probably not, but fuck ‘em. They can write their own review.

PLEASEEATTHEFUCKINGSANDWICHBITCH PETFSB 4

Album · 2016 · Cybergrind
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Unitron
PleaseEatTheFuckingSandwichBitch gave me a great impression of how varied the cybergrind genre can be with the debut album, and was more on the instrumental side. PETFSB 4 includes more vocals, in a mix of distorted and glitched screams/growls as well as digitized voices. This does not sacrifice much of the interesting bits of the music though.

"Redneck 420" plays mostly in digitized grind, but the best part of the song actually comes in a short and strangely fitting bridge. It's a pretty simple little sci-fi melody of bleeps and bloops with a cool bassline, but damn is it catchy. Not to mention it's pretty feel good, which creates a pretty hilarious contrast when it's immediately followed up with a return to grind with the growled line of "Okay motherfuckers!". My personal favorite track on the album is the cleverly titled instrumental "PayEmilyTenFlyingShrimpBooks 4", which is an incredibly catchy track in the vein of the debut album.

Overall, PETFSB 4 is a pretty good follow-up to the debut, my only complaint is that I would have liked a bit more room for the instrumentals to shine. Not that you can't hear it, but the digitized voices (Not the growls) can get a bit overbearing sometimes. This is a minor complaint though, so If you're a fan of cybergrind, I highly recommend this album and PETFSB 1. Hope you found this review helpful, feel free to comment!

PLEASEEATTHEFUCKINGSANDWICHBITCH PETFSB

Album · 2016 · Cybergrind
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Unitron
Time to Grind 'n' Roll_

I think we've all been there, where we find a band with such a ludicrous band or album name that we can't help but check out. Please Eat the Fucking Sandwich Bitch is one of those bands, but it can be rare for these bands with ridiculous names to be any good. Is PETFSB one of the better bands of their kind, or are they another mediocre group with a wild name?

For a cybergrind band, a sub-genre of grindcore, PETFSB is quite varied. Mixed in with noisy digitized breakdown-grindcore that sounds like the original Doom soundtrack on steroids, are songs that would actually sound right at home on a Sega Genesis, SNES, or classic MS-DOS game. Among the best examples of this are tracks like 'Get Funkey' and the chillout beat of 'Hoe'. The noisy songs are pretty good too, especially 'OMG DUh' and the crunchy bit-crushed 'HardGrind'. '$iick' may very well be my favorite, which sounds less like grindcore and more like a 16-bit remix of a thrash metal song.

That's about all there is to say, a quite varied album. However, I think this is more for the metalheads that love retro video games as well. Listening to this makes me want to play some Doom II and have this in the background, while someone who isn't into old games like that may not get as much enjoyment out of it. I'd say it's worth a listen, especially if you're into all of those 8-bit versions of metal songs.

Hope you found this review helpful, feel free to comment!

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