Doom Metal

MetalMusicArchives.com — the ultimate metal music online community, from the creators of progarchives.com

Doom metal is an extreme form of heavy metal music that typically uses slower tempos, low-tuned guitars and a much 'thicker' or 'heavier' sound than other metal genres. Both the music and the lyrics intend to evoke a sense of despair, dread, and impending doom. The genre is strongly influenced by the early work of Black Sabbath, who formed a prototype for doom metal with songs such as "Black Sabbath" and "Into the Void". During the first half of the 1980s, a number of bands from England (Pagan Altar, Witchfinder General) and the United States (Pentagram, Saint Vitus, Trouble) defined doom metal as a distinct genre.

Source: http://en.wikipedia.org/wiki/Doom_metal

Sub-genre collaborators (+ child sub-genres and shared with Stoner Metal and Drone Metal):
  • Nightfly (leader)
  • MorniumGoatahl

doom metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

TRIPTYKON Melana Chasmata Album Cover Melana Chasmata
TRIPTYKON
4.53 | 18 ratings
Buy this album from MMA partners
SAINT VITUS Die Healing Album Cover Die Healing
SAINT VITUS
4.58 | 13 ratings
Buy this album from MMA partners
MY DYING BRIDE The Dreadful Hours Album Cover The Dreadful Hours
MY DYING BRIDE
4.43 | 36 ratings
Buy this album from MMA partners
THE RUINS OF BEVERAST Exuvia Album Cover Exuvia
THE RUINS OF BEVERAST
4.52 | 13 ratings
Buy this album from MMA partners
TROUBLE Run to the Light Album Cover Run to the Light
TROUBLE
4.50 | 13 ratings
Buy this album from MMA partners
PENTAGRAM Review Your Choices Album Cover Review Your Choices
PENTAGRAM
4.59 | 8 ratings
Buy this album from MMA partners
KHEMMIS Hunted Album Cover Hunted
KHEMMIS
4.65 | 6 ratings
Buy this album from MMA partners
PARADISE LOST Medusa Album Cover Medusa
PARADISE LOST
4.37 | 26 ratings
Buy this album from MMA partners
CELTIC FROST Monotheist Album Cover Monotheist
CELTIC FROST
4.33 | 44 ratings
Buy this album from MMA partners
SPECTRAL VOICE Eroded Corridors of Unbeing Album Cover Eroded Corridors of Unbeing
SPECTRAL VOICE
4.47 | 11 ratings
Buy this album from MMA partners
REVEREND BIZARRE In the Rectory of the Bizarre Reverend Album Cover In the Rectory of the Bizarre Reverend
REVEREND BIZARRE
4.44 | 12 ratings
Buy this album from MMA partners
TRIPTYKON Eparistera Daimones Album Cover Eparistera Daimones
TRIPTYKON
4.35 | 25 ratings
Buy this album from MMA partners
This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

doom metal online videos

doom metal New Releases

.. Album Cover
Horripilating Presence
Album
VOID WITCH
Buy this album from MMA partners
.. Album Cover
Aten
EP
ATEN
Buy this album from MMA partners
.. Album Cover
Demo Raw False Doom
Demo
HALLIMUN
Buy this album from MMA partners
.. Album Cover
Long Trip
Album
DUNERIDER
Buy this album from MMA partners
.. Album Cover
Propaganda
EP
CROWN STREET MILITIA
Buy this album from MMA partners
.. Album Cover
Slave
Single
CROWN STREET MILITIA
Buy this album from MMA partners
.. Album Cover
Deathcrush
Single
CROWN STREET MILITIA
Buy this album from MMA partners
.. Album Cover
Blackest Thoughts
Album
SORDID EMPIRE
Buy this album from MMA partners
.. Album Cover
Burden
Album
REZN
Buy this album from MMA partners
.. Album Cover
Embrace The Soil
EP
DEAD MEMORY
Buy this album from MMA partners
.. Album Cover
Silve Purse
Album
BLEAKHEART
Buy this album from MMA partners
.. Album Cover
Man Of The Mountain
EP
MAN OF THE MOUNTAIN
Buy this album from MMA partners
.. Album Cover
Preaching Our Doomsday Coming
Album
DOOM MONGER
Buy this album from MMA partners
.. Album Cover
Ancient Doom Metal
Album
SCALD
Buy this album from MMA partners
.. Album Cover
The Existentialist
EP
BLACK CLOAK
Buy this album from MMA partners
.. Album Cover
The Stygian Rose
Album
CRYPT SERMON
Buy this album from MMA partners
.. Album Cover
Empty
Album
BONGRIPPER
Buy this album from MMA partners
.. Album Cover
Death Is Not The End
Album
GLOSSA
Buy this album from MMA partners
.. Album Cover
Blood Moon
Single
GLOSSA
Buy this album from MMA partners
.. Album Cover
Acacia
Single
GLOSSA
Buy this album from MMA partners
.. Album Cover
Bum Shelter
Album
BUM SHELTER
Buy this album from MMA partners
.. Album Cover
God Damned You To Hell
Album
FRIENDS OF HELL
Buy this album from MMA partners
.. Album Cover
The Illusion of Time
Album
FUNERAL LEECH
Buy this album from MMA partners
.. Album Cover
II: Aging & Formless
Album
VNDER A CRVMBLING MOON
Buy this album from MMA partners
.. Album Cover
Sinister Oath
Album
COFFINS
Buy this album from MMA partners
.. Album Cover
Middle Lane Moron (A666)
Single
SHRED DIBNAH
Buy this album from MMA partners
.. Album Cover
Our World Grows Worse
Album
MONOLITHIC ARCHITECTURE
Buy this album from MMA partners
.. Album Cover
Black Iron Prison
Album
KULT IKON
Buy this album from MMA partners
.. Album Cover
A Mortal Binding
Album
MY DYING BRIDE
Buy this album from MMA partners
.. Album Cover
Funeral For A King
Album
STYGIAN CROWN
Buy this album from MMA partners
.. Album Cover
Sparagmos
Album
SPECTRAL VOICE
Buy this album from MMA partners
.. Album Cover
Solstice
Album
PVRS
Buy this album from MMA partners
.. Album Cover
Kosmos
Album
ORUM
Buy this album from MMA partners
.. Album Cover
Kosmos
Single
ORUM
Buy this album from MMA partners
.. Album Cover
Ignoranzmedizin
Album
LOUDANUM
Buy this album from MMA partners

doom metal Music Reviews

VENI DOMINE IIII - The Album of Labour

Album · 2004 · Doom Metal
Cover art Buy this album from MMA partners
UMUR
"IIII - The Album of Labour" is the fourth full-length studio album by Swedish doom metal act Veni Domine. The album was released by Rivel Records in August 2004. It´s the successor to "Spiritual Wasteland" from 1998 and it features one lineup change since the predecessor as keyboard player Mattias Cederlund has been replaced by Mats Lidbrandt. The material on the album was long in the making and writing for the album began as far back as 1997 and the recordings started in the fall of 2000. I´m not sure if the album title is meant to reflect how much work the band had to put into the making of the album, or if it´s just coincidental, but the fact is, it´s an album which took a long time to write, record, and release.

Stylistically Veni Domine still sounds like a combination of the melodic and epic doom metal of Candlemass and the melodic and semi-progressive heavy/power metal of Queensrÿche. It´s impossible not to think of Geoff Tate when you hear Fredrik Ohlsson sing. His voice and delivery are very similar to Tate´s work with Queensrÿche, but Veni Domine are generally a much more heavy and doomy band, so they are by no means a Queensrÿche clone. Heavy power chord riffs and equally heavy drums, complimented by atmospheric keyboards, and the occasional lead guitar line or solo. You´ll notice right away how well playing Veni Domine are. These are high level musicians and Ohlsson is a worldclass singer.

While the material is well composed, the slow pace still means that the album sometimes feels at little long as it features eleven tracks and a total playing time of 56:38 minutes. More varied tempos and moods (this is epic and melancholic all the way through) could maybe have provided the album with the needed diversity. Every song on the album is a high quality composition, so there´s nothing wrong with the individual tracks. It´s the overall package of the album, which ends up a bit one-dimensional. "IIII - The Album of Labour" features a detailed, professional, and well sounding production job, so other than the feeling that most tracks use just about the same elements and therefore become a little formulaic, this is a good quality doom metal release from Veni Domine. A 3.5 star (70%) rating is deserved.

THE OBSESSED The Obsessed

EP · 1983 · Traditional Doom Metal
Cover art Buy this album from MMA partners
siLLy puPPy
Although Black Sabbath usually gets credit as the first heavy metal band to release an album in 1970, likewise Deep Purple and Led Zeppelin released what many call early metal the same year. While all three bands were extremely popular throughout their 70s run, it seems the speed kings Deep Purple and Led Zeppelin were more influential at first in spawning legions of imitators that would evolve their heavy metal styles into faster and more extreme expressions.

Only a handful of bands favored the Black Sabbath sound over the more traditional 80s heavy metal sound. Pentagram was one of the earliest doom metal bands following in Sabbath’s footsteps forming as far back as 1971 but still not releasing its first album until 1985. Clearly the speed freaks needed some time to take a chill pill and rediscover the occult lyric-rich slow plodding delicacies of the world of doom metal.

Although it would take another decade for doom metal to really take off, the 80s found a few intrepid Sabbath revivalists strutting their stuff. Witchfinder General, Trouble and Pentragram emerged as well as Candlemass’ epic doom metal classic “Epicus Doomicus Metallicus” in 1986 but even that would have to wait a few years before it would be accepted during an era where thrash metal and neoclassical soloing was still reigning supreme.

One of the early traditional doom metal bands to emerge from Potomac, Maryland was THE OBSESSED. Originally formed as early as 1976 only under the name Warhorse, the band played live for a number of years before changing its name in 1980 to a more doom metal friendly moniker and then continued to play the live circuit for another few years before finally releasing its first self-titled EP (some sources list this as being titled “Sodden Jackal 7”).

At this point the lineup was lead vocalist guitarist Scott Weinrich, bassist Mark Laue and drummer Ed Gulli but THE OBSESSED experienced many lineup changes before its debut full-length that premiered in 1990 not to mention later reformations. This EP only featured three tracks and went unheard during its initial release but found the band establishing themselves as one of the doom metal revivalists that would rekindle the lost potential of Sabbath inspired bands that had been usurped by the speed fueled forms of metal that dominated the 80s.

A lo-fi affair THE OBSESSED delivered three tracks that were somewhere in between the Sabbath inspired doom metal they would become more famous for and the speedier early metal expressions from bands of the era. While the opening “Iron & Stone” reminds a bit of Manilla Road, the shorter “Indestroy” definitely features a more Ozzy Osbourne nod in the vocal performance and although the speedy guitar riffing is closer to Venom than Candlemass, there’s still a doomy procession to it. “Sodden Jackal” on the other hand slows things down a bit and offers a veritable slice of early 80s doom metal that represents the band’s later output.

An interesting little early 80s early doom metal release even if its impossible to find now. Luckily the band’s first two EPs along with other odds and sods have been compiled into the “Incarnate” compilation. Despite remaining underground throughout the rest of the 80s the band broke up once before reforming and delivering three albums in the 90s including the lauded “The Church Witin” album from 1994. One of the lesser known bands in the early doom metal revivalist world but certainly one to check out.

MY DYING BRIDE A Mortal Binding

Album · 2024 · Doom Metal
Cover art Buy this album from MMA partners
UMUR
"A Mortal Binding" is the fifteenth full-length studio album by UK doom/death metal act My Dying Bride. The album was released through Nuclear Blast in April 2024. It´s the successor to "The Ghost of Orion" from March 2020. There have been a couple of lineup changes since the predecessor as guitarist Neil Blanchett has joined as the band´s second guitarist (he actually already joined in 2019 but didn´t perform on "The Ghost of Orion"), and drummer Jeff Singer has left and has been replaced by a returning Dan Mullins, who previously played with My Dying Bride in the 2007-2012 period.

It´s been quite a few years and albums since My Dying Bride released anything which surprised the fans of the band (the last time was with the release of "Evinta" in 2011), but My Dying Bride actually used to be (pre-2000) a pretty experimental death/doom metal act in terms of developing their music greatly between releases (the first five studio albums are quite different in sound and style), while still staying on the path of their trademark death/doom metal style. After 2000 they´ve released many high quality releases, but also a few less inspired ones. The latter are still quality releases, which could easily be other death/doom metal artists masterpieces, but when you set the standard as high as My Dying Bride have done throughout their great career, the fans also have very high expectations each time a new My Dying Bride album hits the streets.

"A Mortal Binding" is not one of the most unique nor is it one of the most adventurous My Dying Bride releases, and as a listener you get pretty much what you expect. So all the ingredients of a My Dying Bride album are in place. Lead vocalist Aaron Stainthorpe switching between death metal growling and darkly poetic goth tinged clean vocals, heavy doomy riffs and rhythms, atmosphere enhancing keyboards, and melancholic leads delivered by both guitars and violin. What "A Mortal Binding" does different than the last couple of releases is the focus on rhythm. My Dying Bride were always a relatively rhythmic death/doom metal act, but the return of Mullins has definitely pushed My Dying Bride in a more rhythm focused direction. So it´s not all just long droning power chords and slow minimalistic drumming.

The sound production is more raw, less polished, and more immediate than the last couple of releases, and at this point it´s a relief to hear that My Dying Bride still have a bit of grit in them. Opening track "Her Dominion" is the best example of that, as it´s a pretty heavy death metal track solely featuring growling vocals. Although other tracks on the album also feature death metal growling, "Her Dominion" is however a bit of the odd one out track on "A Mortal Binding", and I´d say the remaining tracks are more in line with what you´d expect from post-2000 My Dying Bride material. Highlights include "Thornwyck Hymn" and the 11:22 minutes long "The Apocalyptist", but as always My Dying Bride are impressive in terms consistency, and there´s nothing on this album, which isn´t quality material. A 4 star (80%) rating is deserved.

MY DYING BRIDE A Mortal Binding

Album · 2024 · Doom Metal
Cover art Buy this album from MMA partners
siLLy puPPy
For a BRIDE that has been DYING since 1990, she sure has more lives in her than a cat which supposedly has 9. In fact the English band MY DYING BRIDE led by the distinct vocalist Aaron Stainthorpe and guitarist Andrew Craighan formed over three decades ago is still showcasing an immortality beyond the longevity of most bands from the same era. Still alive and kickin’ in 2024 MY DYING BRIDE has released the 14th album of its never-ending procession of gloomy Goth-tinged doom metal with death metal decorations with A MORTAL BINDING which after a turbulent first two decades of lineup changes finds a bit of stability in the form of the same cast of members that were featured on 2020’s “The Ghost of Orion” with the sole exception of Dan Mullins rejoining and replacing percussionist / drummer Jeff Singer.

Another chapter in the MY DYING BRIDE book but pretty much the same thematic developments as this band that was once wildly experimental between albums has long ago found the perfect comfort zone that seems to keep the fans coming back for more thus showcasing the desire to pacify the buying public rather than risk the golden goose by releasing some fusion of polka-based Gothic doom dance pop or anything of the sort. Au contraire. At this stage one can ostensibly predict without much chance of error exactly what any particular edition of the MY DYING BRIDE canon will sound like and in the case of A MORTAL BINDING, you guessed it! Another slice of oozing doom metal accompanied by Stainthorpe’s plaintive Gothic vocal style set to the oozing dread of doom metal with the melancholic atmospheric backing to guarantee another soundtrack of dread and damnation only with the occasional outbursts into death metal.

Augmented by the band’s now classic violin backing, A MORTAL BINDING for the most part follows the playbook cemented into place so long ago which means that one can only judge the quality of any particular MY DYING BRIDE release by the strength of the songwriting alone as the performances are always top notch and despite doom metal bands springing up from all four corners of the planet since this band’s inception in 1990, MY DYING BRIDE still sounds as utterly unique as it has since day one. As far as consistency is concerned, this band certainly has it with one strong album after another, a few bonafide masterpieces and a few bellyflops in the pool that got drained over night. While A MORTAL BINDING does not reach the lofty pinnacle heights of the band’s earliest death-doom works or the lugubrious perfection of albums like “The Dreadful Hours” or “Songs Of Darkness, Words Of Light,” neither does it sink to the dreadful lead-lined depths of throwaway albums like “Evinta” or the lackluster mediocrity of many of the 2010 releases.

In fact as a true fan of this band having heard every album and EP, i’d have to say that the band sounds somewhat rejuvenated here with tracks that take a somewhat different approach than the automatic pilot get the job only but not much more albums since “A Line Of Deathless Kings.” Sure this is undeniably a MY DYING BRIDE release through and through but the chunky guitar riffing offers a bit more of an energetic upgrade on many tracks including the opening “Her Dominion” and the lengthiest track on board, the 11 minute and 22 second “The Apocalyptist” which evoke the band’s return to some of the death-doom sounds that brought them into the world’s scene in the first place. The album features all those slow-burners of course with the weeping violin lamenting the tales of woe and despair but the diversity not he album gives A MORTAL BINDING a nice spicy return to the classic style of the band that once had a fiery passion to keep the BRIDE from falling into the grave.

As such MY DYING BRIDE always walks that fine line between exhilaration and ennui as the tight wire balancing feat is something that requires the ultimate finesse to maintain the attention span of an ever-increasing A.D.D. listening public and while the last few albums seemed to simmer on cruise control, A MORTAL BINDING hits me in all the right ways and gives me faith that the band still has a second wind that will propel it into a new era of prosperity however it is true that there will come a time when the band will have to rebrand itself as MY IMMORTAL BRIDE because whoever this mysterious maiden is, she seems to have a life support system and has discovered the fountain of youth while so many have crashed, burned and become buried. While A MORTAL BINDING certainly won’t be declared the band’s triumphant comeback of the century, it more than offers enough magic mojo by my discerning ears to grasp onto. As i stated it all boils down to the songwriting with this band and on this album the band seems to have put it all together in the right way for my liking. Better than i was expecting to say the least.

REEFER Bow Before the Altar of the Drugs

Demo · 2013 · Death-Doom Metal
Cover art Buy this album from MMA partners
UMUR
"Bow Before the Altar of the Drugs" is the first demeo recording by Danish death/doom/stoner metal act Reefer. The demo was released through Smokedd Productions in February 2013. Reefer was formed in 2010 by drummer Inhalator (real name Eik B. Sørensen) and lead vocalist/guitarist Grim Reefer (real name David Buch Mikkelsen). The latter is quite prolific on the Danish death metal scene and is also known for his work with death metal acts Undergang and Phrenelith (among other projects). Bassist Weed Wizard joined in 2013, completing the trio lineup who recorded "Bow Before the Altar of the Drugs".

As expected from reading the title of demo this is some fuzzed out, crushingly heavy stoner doom metal but with brutal unintelligible growling vocals. It´s like listening to the bastard child of Electric Wizard and Mikkelsen´s Undergang. The latter influence is however only heard in the sleazy, gritty, and morbid sounding atmosphere and the vocals, as the instrumental part of the music is repetitive and slow stoner doom metal, of course with lyrics centered around Marijuana. It´s only a few times during the playing time that Reefer play some noisy fast parts, but they only last for a few seconds when they occur.

Featuring three tracks and a total playing time of 25:40 "Bow Before the Altar of the Drugs" is a relatively long demo and all tracks are 7-9 minutes long, giving the band plenty of time to play their ultra heavy riffs and rhythms over and over again. The sound production is of a good quality considering that this is a demo recording, and upon conclusion "Bow Before the Altar of the Drugs" is a decent quality release. There´s nothing here you haven´t heard before and Reefer won´t win any prices for innovation or for being the most intriguing stoner doom metal act on the scene, but they aren´t the worst either. A 3 star (60%) rating is warranted.

doom metal movie reviews

PARADISE LOST Live Death

Movie · 2004 · Death-Doom Metal
Cover art Buy this album from MMA partners
martindavey87
Considering this was actually released on VHS in 1990, Paradise Lost must surely overestimate the passion and loyalty of their fan club. Filmed in Bradford in 1989 to coincide with the band’s debut album, this is a 30-minute video of the band playing on stage. They barely move around, you barely see glimpses of the crowd, and in fact, you barely see vocalist Nick Holmes’ face due to his shaggy hair constantly covering it.

I’m not really a fan of their earlier, death metal growly material anyway, but even if I was, this video isn’t enjoyable or interesting to watch at all. Re-released in 2004 on DVD, this isn’t worth the 50p I spent on it if not for the fact that I do, in fact, actually like this band, and have a compulsive obsession to own everything a band puts out.

Artists with Doom Metal release(s)

MMA TOP 5 Metal ALBUMS

Rating by members, ranked by custom algorithm
Albums with 30 ratings and more
Master of Puppets Thrash Metal
METALLICA
Buy this album from our partners
Paranoid Heavy Metal
BLACK SABBATH
Buy this album from our partners
Moving Pictures Hard Rock
RUSH
Buy this album from our partners
Powerslave NWoBHM
IRON MAIDEN
Buy this album from our partners
Rising Heavy Metal
RAINBOW
Buy this album from our partners

New Metal Artists

New Metal Releases

Devils' Lettuce Sludge Metal
KAVASTAN
Buy this album from MMA partners
Inner Beast Sludge Metal
KAVASTAN
Buy this album from MMA partners
The Holy Mountain Sludge Metal
THE HOLY MOUNTAIN
Buy this album from MMA partners
The Bleak Deathcore
BLEAK
Buy this album from MMA partners
Prophetic End Crust Punk
AXEFEAR
Buy this album from MMA partners
More new releases

New Metal Online Videos

Uninvited (Live with Mama O)
CRUCIFIX DOLL
GwennyLOLmusic· 7 hours ago
Bulldyke (Live Rarity)
CRUCIFIX DOLL
GwennyLOLmusic· 7 hours ago
Devil's Whore (Music Video)
CRUCIFIX DOLL
GwennyLOLmusic· 7 hours ago
More videos

New MMA Metal Forum Topics

More in the forums

New Site interactions

More...

Latest Metal News

members-submitted

More in the forums

Social Media

Follow us