Doom Metal

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Doom metal is an extreme form of heavy metal music that typically uses slower tempos, low-tuned guitars and a much 'thicker' or 'heavier' sound than other metal genres. Both the music and the lyrics intend to evoke a sense of despair, dread, and impending doom. The genre is strongly influenced by the early work of Black Sabbath, who formed a prototype for doom metal with songs such as "Black Sabbath" and "Into the Void". During the first half of the 1980s, a number of bands from England (Pagan Altar, Witchfinder General) and the United States (Pentagram, Saint Vitus, Trouble) defined doom metal as a distinct genre.

Source: http://en.wikipedia.org/wiki/Doom_metal

Sub-genre collaborators (+ child sub-genres and shared with Stoner Metal and Drone Metal):
  • Nightfly (leader)
  • MorniumGoatahl

doom metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

TRIPTYKON Melana Chasmata Album Cover Melana Chasmata
TRIPTYKON
4.53 | 17 ratings
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SAINT VITUS Die Healing Album Cover Die Healing
SAINT VITUS
4.58 | 13 ratings
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MY DYING BRIDE The Dreadful Hours Album Cover The Dreadful Hours
MY DYING BRIDE
4.45 | 34 ratings
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SPECTRAL VOICE Eroded Corridors of Unbeing Album Cover Eroded Corridors of Unbeing
SPECTRAL VOICE
4.61 | 10 ratings
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THE RUINS OF BEVERAST Exuvia Album Cover Exuvia
THE RUINS OF BEVERAST
4.52 | 13 ratings
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TROUBLE Run to the Light Album Cover Run to the Light
TROUBLE
4.50 | 13 ratings
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PENTAGRAM Review Your Choices Album Cover Review Your Choices
PENTAGRAM
4.59 | 8 ratings
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KHEMMIS Hunted Album Cover Hunted
KHEMMIS
4.65 | 6 ratings
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PARADISE LOST Medusa Album Cover Medusa
PARADISE LOST
4.37 | 26 ratings
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CELTIC FROST Monotheist Album Cover Monotheist
CELTIC FROST
4.33 | 43 ratings
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REVEREND BIZARRE In the Rectory of the Bizarre Reverend Album Cover In the Rectory of the Bizarre Reverend
REVEREND BIZARRE
4.44 | 12 ratings
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WARNING Watching From a Distance Album Cover Watching From a Distance
WARNING
4.45 | 11 ratings
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This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

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doom metal Music Reviews

AHAB The Divinity of Oceans

Album · 2009 · Funeral Doom Metal
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UMUR
"The Divinity of Oceans" is the 2nd full-length studio album by German doom/death metal act Ahab. The album was released through Napalm records in July 2009. It´s the successor to "The Call of the Wretched Sea" from 2006. The latter is a concept album telling the story of the hunt of the great white whale "Moby Dick" (Herman Melville´s novel from 1851). The fascination of stories of the ocean is continued on "The Divinity of Oceans", which is another aquatic themed concept release. This time telling the real life story of "The Essex", an American whaler from Nantucket, Massachusetts, which was sunk by a sperm whale in 1820. A real life event which inspired Melville to write his novel. So there is definitely some conceptual continuity at play here in terms of themes.

The story is quite dark and bizarre, and definitely fit for a metal album, as the surviving men had to abandon the shipwreck of the Essex and sail around 4.000 miles in small whaling boats, with little fresh water and food. The men died one by one of starvation and thirst, and the remaining men had to cannibalize the corpses to survive. It even came to the situation being so dire, that they had to draw lots, to determine which of the still living men had to be sacrificed for the others to eat. Yes real life horrors perfectly suited for a death/doom metal release.

Stylistically the material on "The Divinity of Oceans" continue the slow, doomy and crushingly heavy death/doom metal style of "The Call of the Wretched Sea (2006)". Ahab have honed their songwriting craft and playing skills since the debut album though, and the riffs are generally stronger and the tracks more varied and dynamic than before. The main vocal style on the album are deep unintelligible growling, but there are several sections featuring clean vocals on the album too, and they work very well, providing an extra melancholic atmosphere. Atmospheric is actually the primary word I´d use to describe "The Divinity of Oceans". It´s both an ultra heavy and at time pretty brutal and dark release, but above all it´s atmospheric and succeeds in painting pictures in the listeners mind of the desperation of the shipwrecked sailors.

As with most releases in the most slow building and slow paced part of the doom metal genre (what many people refer to as funeral doom), it takes patience and the right mood to sit through an album like "The Divinity of Oceans". To take in the massive doses of heaviness but also to savor and appreciate the more mellow and melancholic atmospheric sections. To give the artist the time to tell their story.

"The Divinity of Oceans" features a heavy, dark, and detailed sound production, which suits the material perfectly. So upon conclusion it´s a high quality sophomore album by Ahab and to my ears a step up in quality from the otherwise great debut album. A 4 star (80%) rating is fully deserved (and may even be a little too conservative. I can highly recommend this album).

ABYSMAL DAWN Bewitched

Single · 2020 · Doom Metal
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UMUR
"Bewitched" is a single release by US, Los Angeles, California based death metal act Abysmal Dawn. The single was released through Season of Mist, and made available for free as a flexi disc single in June 2020 where it came free with the New Noise Issue 52 magazine. The track was subsequently included as one of four tracks on Abysmal Dawn´s February 2022 "Nightmare Frontier" EP.

"Bewitched" is a cover of the Candlemass song from their 1987 "Nightfall" album. Abysmal Dawn usually play a technically skilled type of US death metal (somewhere between Morbid Angel And Death), but they opted to cover "Bewitched" in a relatively true to the original version. lead vocalist/guitarist Charles Elliott even imitates Messiah Marcolin´s semi-operatic clean singing, which is so convincing that I was actually in doubt if it was the Swedish singer himself who guests on the track. The death grows are only used as backing vocals on certain sections of the song.

"Bewitched" is an ultra heavy doom metal song featuring an epic atmosphere, and Abysmal Dawn pull it off covering the track pretty well. There´s nothing groundbreaking or particularly interesting about the cover other than it sounds good and the playing and the production are of a good quality, so it´s not a cover where Abysmal Dawn put much of their own spin on the composition. For what it is, it´s still a good quality single and a 3.5 star (70%) rating is deserved.

MY DYING BRIDE Macabre Cabaret

EP · 2020 · Doom Metal
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Warthur
For some bands - especially once they have become as established as My Dying Bride are - EPs are an afterthought, if they're even bothered with at all. However, for my money a My Dying Bride EP is always worth at least a cusory listen, because right from the start of their career their EPs have accounted for some of their best material. Take Macabre Cabaret - produced by the same lineup as The Ghost of Orion (and likely a product of the same sessions), I actually think it has a mild edge on that studio album, with a more immediate and gripping sound and some wonderfully pensive moments.

MY DYING BRIDE The Ghost of Orion

Album · 2020 · Doom Metal
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Warthur
Emerging as My Dying Bride suffered a swathe of personnel issues and behind-the-scenes difficulties, The Ghost of Orion finds the veteran death-doom unit in fine form. (It's a genre which thrives on gloom and world-weariness, after all.) In some respects it's a bit of a back-to-basics album, because the musical backing is very much in their classic style, though Aaron Stainthorpe's vocals tend more towards a clean approach than in the band's earliest days.

Their Spinal Tap-esque turnover of drummers, with Jeff Singer (formerly of their Peaceville Three compatriots Paradise Lost) slipping into the drum stool and doing a decent job. Meanwhile, Andrew Craighan takes on all the guitar duties, rhythm guitarist Neil Blanchett having only joined to help out live at this stage, and does a credible job there.

It's not a genre landmark or classic of the field, but it's a much better album than one might have expected from the band given the challenges facing them at the time, and will be enjoyable to anyone who enjoyed their early style.

ANATHEMA The Silent Enigma

Album · 1995 · Death-Doom Metal
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SilentScream213
Much like it took some time for Death Metal to shed its Thrash roots, and Doom Metal to evolve out of Trad Doom, so too did Death Doom undergo a lengthy transitional phase. In the late 80’s into the early 90’s, Death Doom was, more or less, slow Death Metal, and many of the early releases no longer represent what the genre would become. In time, Death Doom added its signature focus on atmosphere and melancholia, and became something completely separate from Death Metal, named more so for the inclusion of harsh vocals and other extreme metal tropes.

The Silent Enigma is one of the earliest examples of Death Doom in its fully fleshed out form, completely forgoing any hint of Death Metal stylistically and taking a full focus on crafting melodic yet crushing pieces of dark atmosphere and morose despair. A surprising amount of energy is found here, with the opening track aggressively assaulting you with poetic shrapnel of hopelessness. A great deal of variety is found in the following tracks, with classic plodding Doom full of panic-attack inducing atmospheres, gentle gothic style interludes, and a few that sit somewhere in between. The penultimate track, A Dying Wish, remains a crowning achievement of Death Doom, the 8-minute track delivering an uncompromising death throe of mourning and regret.

doom metal movie reviews

PARADISE LOST Live Death

Movie · 2004 · Death-Doom Metal
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martindavey87
Considering this was actually released on VHS in 1990, Paradise Lost must surely overestimate the passion and loyalty of their fan club. Filmed in Bradford in 1989 to coincide with the band’s debut album, this is a 30-minute video of the band playing on stage. They barely move around, you barely see glimpses of the crowd, and in fact, you barely see vocalist Nick Holmes’ face due to his shaggy hair constantly covering it.

I’m not really a fan of their earlier, death metal growly material anyway, but even if I was, this video isn’t enjoyable or interesting to watch at all. Re-released in 2004 on DVD, this isn’t worth the 50p I spent on it if not for the fact that I do, in fact, actually like this band, and have a compulsive obsession to own everything a band puts out.

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