Martin Davey
MMA Special Collaborator · Error & Omissions Team
Registered more than 2 years ago · Last visit 8 days ago

Favorite Metal Artists

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349 reviews/ratings
DREAM THEATER - Images and Words Progressive Metal | review permalink
DREAM THEATER - Awake Progressive Metal | review permalink
DREAM THEATER - Train of Thought Progressive Metal | review permalink
THE BLACK MAGES - The Black Mages: Battle Music of Final Fantasy Progressive Metal | review permalink
DREAM THEATER - Metropolis, Part 2: Scenes From a Memory Progressive Metal | review permalink
DREAM THEATER - Six Degrees of Inner Turbulence Progressive Metal | review permalink
STUCK MOJO - Declaration of a Headhunter Rap Metal | review permalink
ANDROMEDA - Extension of the Wish Progressive Metal | review permalink
METALLICA - ...And Justice for All Thrash Metal | review permalink
SYMPHONY X - Twilight In Olympus Progressive Metal | review permalink
FATES WARNING - A Pleasant Shade Of Gray Progressive Metal | review permalink
RAMMSTEIN - Mutter Industrial Metal | review permalink
SAVATAGE - The Wake Of Magellan Progressive Metal | review permalink
SAVATAGE - Poets And Madmen Progressive Metal | review permalink
MEGADETH - Risk Hard Rock | review permalink
METALLICA - Metallica Heavy Metal | review permalink
CONSORTIUM PROJECT - Consortium Project Progressive Metal | review permalink
SONATA ARCTICA - Ecliptica Power Metal | review permalink
KISS - Destroyer Hard Rock | review permalink
H-BLOCKX - Time to Move Rap Metal | review permalink

See all reviews/ratings

Metal Genre Nb. Rated Avg. rating
1 Progressive Metal 103 3.41
2 Heavy Metal 45 2.96
3 Thrash Metal 39 2.72
4 Power Metal 27 2.93
5 Rap Metal 18 3.50
6 US Power Metal 15 2.87
7 Hard Rock 15 2.73
8 Industrial Metal 12 3.33
9 Nu Metal 11 2.82
10 Groove Metal 10 2.70
11 Non-Metal 8 3.13
12 Alternative Metal 7 3.71
13 NWoBHM 6 3.00
14 Gothic Metal 5 2.40
15 Heavy Alternative Rock 5 2.80
16 Funk Metal 4 2.50
17 Metal Related 4 2.50
18 Symphonic Metal 4 3.25
19 Speed Metal 3 2.00
20 Crossover Thrash 3 2.67
21 Glam Metal 2 4.00
22 Death-Doom Metal 1 1.00
23 Neoclassical metal 1 2.00
24 Proto-Metal 1 2.00

Latest Albums Reviews


Album · 2019 · Industrial Metal
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Released in 2019, Rammstein’s self-titled seventh album came out a lengthy ten-years after its predecessor, 2009’s ‘Liebe ist fur Alle Da’. The band managed to maintain popularity over the years by continuing to tour, with their world-renowned stage show becoming impossibly bigger and bigger each time. But with such an extended break from the studio, does absence really make the heart grow fonder?

There’s no doubt ‘Rammstein’ is quintessential Rammstein (aha!). It’s got all the elements that make the band so unique, be it Til Lindemann’s deep and powerful voice, the heavy, riff-oriented guitar work, the electronic pop elements or the overwhelmingly heavy and catchy compositions. But unfortunately, there’s just something a little underwhelming about the album as a whole, and I think that perhaps after ten years of waiting, it just kind of feels like it could have been a little bit better, maybe?

Ah, who am I kidding? It’s still a great release, and in a world where more and more bands are failing to feel as “big” as they once did, it shows that Rammstein, a German-singing industrial metal band, can peak chart lists and fill up stadiums of tens of thousands of fans the world over, with their less-is-more approach showing that you don’t need to be musical virtuosos to release a compelling metal album. And while the quality of the tracks do start to dip a little halfway through, there’s still some standout moments here that deserve mention.

‘Deutschland’, ‘Radio’, ‘Sex’, ‘Auslander’, ‘Zeig Dich’ and ‘Weit Weg’ are all fantastic and amazingly catchy tracks, and show that the band, 25 years into their career and still with the original line-up, are nowhere near slowing down. And while ‘Rammstein’ may not possess any unique, singular quality that makes it stand out from the German’s discography, it’s honestly just a great album that is sure to please fans of the band.

PAPA ROACH Lovehatetragedy

Album · 2002 · Nu Metal
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By 2002, nu metal had peaked. With world domination accomplished, the only way forward was down, and with that, so many bands that were “on top of the world” found themselves quickly discarded and back down from massive festivals to small clubs. And while a handful of groups, most notably Linkin Park, were able to outlive the subgenre, one of the bigger casualties was Californian quartet, Papa Roach.

The Roach’s 2000 major label debut, ‘Infest’, saw the band at the forefront of the scene, with a number of major hit singles, in particular, ‘Last Resort’, transcend the metal genre and branch out to casual radio listeners. In 2000, Papa Roach were arguably one of the biggest bands on the planet. But by the time they released 2002’s follow-up, ‘Lovehatetragedy’, nu metal was in decline, and unfortunately so was the group’s popularity.

Which is a shame, because ‘Lovehatetragedy’ isn’t a bad album, but it’s a clear reflection of where the subgenre was headed. There’s just something about the record that doesn’t quite have the same punch as before. It’s like ‘Infest’ made a huge statement, and now they’re just coasting the waves. Perhaps all the lyrical themes were already passé, or the lack of rapping and more focus on radio-friendly rock took away some of the edge of what originally made the band stand out?

Still, for what it’s worth, this release has its merits. There’s some catchy, hook-laden tracks, and vocalist Jacoby Shaddix has improved as a singer, especially with more melodic-based vocal lines. There’s some nice guitar work too, though metal fans quickly tired of nu metals repetitive, de-tuned riffs, I personally think there’s some nice, tight playing here. Songs like ‘Black Clouds’, ‘She Loves Me Not’, ‘Time and Time Again’, ‘Life is a Bullet’, ‘Born With Nothing, Die With Everything’ and ‘M-80 (Explosive Energy Movement)’ are all decent tracks that show that the subgenre still had lots of potential left, even in its dying days.

And while Papa Roach will never reach the same heights they did in 2000, this album shows that they’re actually not as bad as most people will make them out to be.

NICKELBACK All the Right Reasons

Album · 2005 · Heavy Alternative Rock
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Following on from the success of 2001’s ‘Silver Side Up’ and 2003’s ‘The Long Road’, it’s now 2005, and Nickelback are unarguably one of the biggest bands on the planet. Appealing to rock and (some) metal fans, while also endearing themselves to pop fans and casual radio listeners, the band were at a point where they’d been able to establish a sound, as well as a name and reputation, that would keep them in the spotlight.

However, while I found their albums to continually improve with each subsequent release, 2005’s ‘All the Right Reasons’ doesn’t quite live up to its predecessor. But there’s really not any particular reason, other than the songs just don’t seem as good. The sound is the same, the production is the same, sure, there’s probably a bit more emphasis on soft radio rock here, but it’s still not that different than what the Canadian foursome did on ‘The Long Road’. But overall, the songs just aren’t as good.

Which is kind of weird, seeing as how this album features some of Nickelback’s biggest hits (outside of 2001’s ‘How You Remind Me’), ‘Photograph’ and ‘Rock Star’, both of which were huge radio hits for the band. There’s also some great rockers such as ‘Animal’, ‘Next Contestant’, ‘Someone That You’re With’ and the emotional and thoughtful ‘If Everyone Cared’. But yet, there’s just something about this release that doesn’t resonate with me as much as what came before it.

But don’t be deterred, as it’s still a good album! The performances from everyone involved are of a high standard, and the band clearly knows what works for them and how to get the most out of it. By 2005 Nickelback would be known more for their hits than their albums, and as it stands, this probably won’t appeal to everyone. And while I don’t think it’s as good as 2003’s ‘The Long Road’, ‘All the Right Reasons’ is still a solid, hard rock release with some good songs that definitely won’t be amiss in any collections.


Album · 1998 · Power Metal
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‘Oceanborn’ is the second studio album by symphonic metal legends Nightwish. Released in 1998, it comes just one year after their debut, but already there’s a marked improvement in every aspect of the band and their music.

For starters, everything is more polished. The compositions flow a lot better and don’t seem as disjointed as before. The interplay between all the musicians, in particular, guitarist Emppu Vuorinen and keyboardist Tuomas Holopainen is fantastic. Full of exciting melodies and energetic performances, the music sounds much more vibrant and alive on this release. There are also more varied influences on this album, such as ‘Swanheart’ with its folk influence, ‘Moondance’ with its exotic flavour, and a wide use of neoclassical runs used throughout. It makes for a much more refreshing album.

Then there’s the production. Wow! A huge improvement! While ‘Angels Fall First’ always sounded raw and, in my opinion, a little flat, ‘Oceanborn’, again, sounds much more alive. Everything is clear and well balanced and it suits the music perfectly.

However, despite all the praise, there are still a few filler songs, and in general, a lack of that “big” sound that Nightwish would develop more over the years. But it’s not really a criticism, as this is a really good release. And songs like ‘The Riddler’, ‘Gethsemane’, ‘Passion and the Opera’, ‘ Stargazers’, ‘Sacrament of Wilderness’ and their amazing rendition of the classic ‘Walking in the Air’ are all great signs that this band are developing and maturing at a fast rate, and are definitely destined for bigger things.

BEYOND TWILIGHT For the Love of Art and the Making

Album · 2006 · Progressive Metal
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After two incredible albums of high-quality progressive metal, Danish band Beyond Twilight shoot themselves in the foot by getting a bit too artsy and fancy with 2006’s ‘For the Love of Art and the Making’. The clue is clearly there in the title. At 38 minutes in length, and featuring 43 tracks, each barely a minute long, the idea behind this release is that the tracks can be played in any order and, depending on how you listen to it, it supposedly can bear different meanings each time.

Yeah, alright.

Can anyone truly say they listened to this more than a couple of times without losing interest? Just as you start to enjoy one segment it skips straight to the next. And everything is so disjointed, no matter what order you play it in. In fact, I tried it a couple of times in random orders, and nothing flows smoothly at all. Additionally, it’s near-impossible to really understand any of what’s going on without actually knowing the lyrics. Bugger that!

It’s a huge shame, as Beyond Twilight’s previous two releases, 2001’s ‘The Devil’s Hall of Fame’ and 2005’s ‘Section X’ are genuinely fantastic albums. These guys are amazing musicians and have an instantly distinctive sound of their own. And while the idea behind ‘For the Love...’ is interesting and massively ambitious, they just weren’t able to make anything substantial come out of it.

I give the album two stars simply because there is some great musicianship and performances, and there are a couple of moments that are pretty neat (if, by pretty neat, you don’t mind songs that last barely a minute). But overall, this album is a huge disappointment, and at the time of writing this review the band haven’t done anything since. Coincidence? I doubt it. Art for art’s sake? Art over substance? Whatever. This album sucks.

Latest Forum Topic Posts

  • Posted 2 months ago in My Facebook page :-)
    Bit of a long shot, I know I don't really post in the forums and whenever I post reviews they probably piss people off , but whatever, I'm a struggling musician, this is my page. Please spare a like for me, it'd be hugely appreciated (and I'm happy to return the favor).
  • Posted 1 year ago in Van Halen vs Bon Jovi
    Bon Jovi.Always thought Van Halen were overrated. 
  • Posted 1 year ago in Rammstein
    Rammlied, named after one of their songs. And the "lied" bit nicely suits the tribute band gimmick.


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