Death Metal

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Death metal is an extreme subgenre of heavy metal. It typically employs heavily distorted guitars, deep growling vocals, blast beat drumming, and complex song structures with multiple tempo changes.

Building from the musical structure of thrash metal, death metal emerged during the mid 1980s. It was mainly inspired by thrash metal acts like Slayer, Kreator and Celtic Frost. Along with the band Death and its frontman Chuck Schuldiner (who is often referred to as "the father of death metal"), bands like Possessed and Morbid Angel are often considered pioneers of the genre. In the late 1980s and early 1990s, death metal gained more media attention as popular record labels like Earache and Roadrunner began to sign death metal bands at a rapid rate. Since then, death metal has diversified, spawning a rich variety of subgenres.

Inclusive death metal music subgenres:

  • Brutal death metal See: http://www.metalmusicarchives.com/subgenre/brutal-death-metal
  • Melodic death metal See: http://www.metalmusicarchives.com/subgenre/melodic-death-metal
  • Swedish death metal, also referred to as Scandinavian death metal, should not be confused with melodeath. This genre is characterized by its focus on raw energy and aggression. The guitars are typically extremely distorted and downtuned, and, in addition to traditional death metal elements, artists within this subgenre also draw on hardcore punk and early thrash metal. While not restricted to Sweden, the genre is called death metal because it was largely popularized by death metal artists from Sweden, such as Carnage, Nihilist, early Entombed, Dismember, Grave, and Unleashed. Seeing that many of the prominent artists within this genre were located in around Stockholm, it is sometimes referred to as the Stockholm sound in contrast with the Gothenburg sound. While big in the 1990s, the popularity of this genre waned in the 2000s, as melodeath became more popular, but recently a number of bands based in Eastern Europe, such as Brutally Deceased and Morbider, have taken up the Stockholm sound and are bringing it back onto the scene.
  • Death-grind combines elements from death metal with element of grindcore. From grindcore, the genre inherits song brevity (with the average length being 2:30), emphasis on fast picking and blastbeating as well as the lyrical content (which means that a lot of death-grind deals with gore, pornography or socio-politics). From death metal, it inherits song complexity and focus on performance and technique, although guitar solos are not as common as in other styles of death metal. When Napalm Death started to gravitate towards death metal from pure grindcore, they developed a death-grind sound, and they are probably the most influential band in the death-grind genre. Other death-grind acts are Lock Up, Terrorizer, and Pig Destroyer. On MMA, those death-grind artists and releases that lean more towards grindcore are included under grindcore, while those that lean more towards death metal are included under death metal.
  • Technical/progressive (or tech/prog) death metal See: http://www.metalmusicarchives.com/subgenre/technical-death-metal
  • Blackened death metal combines death metal and black metal, of lyrically the focus is typically on Satanism, occultism and anti-religion. Behemoth is considered one of the most influential blackened death metal bands.
  • Death ‘n’ roll See: http://www.metalmusicarchives.com/subgenre/death-n-roll


The following subgenres are NOT listed under death metal in the MMA:

  • Grindcore: has its own sugbenre section.
  • Death-thrash: included under thrash metal.
  • Deathcore: included under metalcore.
  • Doom-death: included under doom metal.


Source: http://en.wikipedia.org/wiki/Death_metal

Written by Time Signature.

Sub-genre collaborators:
  • Nightfly (leader)
  • Vim Fuego
  • TheHeavyMetalCat

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death metal Music Reviews

PSYCROPTIC The Scepter of the Ancients

Album · 2003 · Technical Death Metal
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UMUR
"The Scepter of the Ancients" is the 2nd full-length studio album by Australian, Tasmania based death metal act Psycroptic. The album was independently released in May 2003. Psycroptic formed in 1999 and released their debut full-length studio album "The Isle Of Disenchantment" in 2001. Apparently the independently released and otherwise intriguing debut album didn´t stir the waters enough for a label to take notice as the band once again had to finance the recording of an album and release it independently.

...and that´s a bit of a shame, as there is definitely enough quality here (and on the debut) to warrant interest from labels. Stylistically the material on "The Scepter of the Ancients" continue the brutal technical death metal style of "The Isle Of Disenchantment (2001)", but it´s audible Psycroptic have grown as songwriters and that they have honed their playing skills too, because "The Scepter of the Ancients" is a step up in quality in all departments compared to the debut album. Multiple tempo changes on all tracks, ultra fast riffing/drumming, and various forms of extreme vocals, ranging from deep growling, to high pitched screaming, to low end piggy grunting. Lead vocalist Matthew Chalk sounds positively deranged/schizophrenic here. It´s a great extreme metal vocal performance and a lot of praise goes out to Chalk for delivering something a bit different from the norm.

The quality is high throughout and all tracks are brutal and highly energetic pieces of technical death metal. While the material aren´t the most varied in terms of telling the tracks apart (which isn´t unusual for the genre), it´s one of the more diverse releases on the scene and there is a touch of originality here that you don´t hear everyday either. The raw and primal sounding production job lends the material a great organic quality, but it´s still a detailed sound where all instruments and vocals are clearly audible in the mix. Upon conclusion "The Scepter of the Ancients" is through and through a high quality release and a 4 star (80%) rating is deserved.

OBITUARY Cause of Death

Album · 1990 · Death Metal
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Unitron
1990 was basically a year for the heavy. More and more bands were finding the importance and extreme effectiveness of a damn good groove to maximize both heaviness and catchiness. Anthrax, Pantera, Slayer, and Testament delivered serious hooks to the thrash world and funk metal was starting to take off. Obituary staked their claim in turning the fast world of death metal into groove world.

Take that monster of Dying, it just immediately demands for headbanging and brings so many good riff hooks in one song before ending in a catchy doom crawl. The cymbal work in the end is a real nice subtle touch. The title track has some fantastic complimenting between the riffs, drums, and great vocal flow. The slow grind of Turned Inside Out is just an instant pump, and still switches up with even more great hooks. Might be my favorite song on here, but they're such fantastic songwriters that it's hard to pick.

It's hard to describe Obituary albums, as they deliver such a pure primal physical reaction to move your body to the cool sounds.

DYING FETUS Grotesque Impalement

EP · 2000 · Brutal Death Metal
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UMUR
"Grotesque Impalement" is an EP release by US, Maryland based death metal act Dying Fetus. The EP was released through Blunt Force Records in early 2000. The material was recorded at Hit and Run Studios in November 1999. "Grotesque Impalement" bridges the gap between the band´s second and third full-length studio albums "Killing on Adrenaline (1998)" and "Destroy the Opposition (2000)", and features the same lineup as the latter mentioned.

The original version of "Grotesque Impalement" features 6 tracks and a full playing time of 21:51 minutes. Relapse Records reissued the EP in 2010 and added 3 bonus tracks. The original version features 2 re-recordings of "Grotesque Impalement" and "Tearing Inside the Womb" from the "Bathe In Entrails (1993)" demo, a cover of "Streaks of Blood" by Baphomet, a cover of "Bringing Back the Glory" by Next Step Up, and two "comic" heavy metal tracks in "Final Scream (Prelude to Evil: Davey's Nightmare)" and "Hail Mighty North / Forest Trolls of Satan (Anno Clitoris 666)".

The 2010 Relapse Records reissue version (in addition to the above) features "Reduced To Slavery", which is an original composition from 2000, which was used as a Japanese bonus track on "Destroy the Opposition (2000)". "Purged Of My Worldly Being" is a live recording from 1999. It was a track which in it´s original form appeared on the "Infatuation with Malevolence (1994)" demo. "Dumpster Love" is a track recorded in 2010, which follows the "comic" heavy metal tradition of the two closing tracks of the origial version of the EP.

The re-recordings of the demo tracks, the Baphomet cover, and "Reduced To Slavery" all sound more or less like Dying Fetus did in those days. Brutal and techncially well played death metal with a strong focus on groove. So it´s the hardcore punk cover of "Bringing Back the Glory" and the "comic" heavy metal tracks on the EP, which make "Grotesque Impalement" quite different from the regular releases by the band. There´s a lot of melodic guitar playing and clean and semi-raw vocals on those tracks, which are quite new when dealing with Dying Fetus. A band which usually stands for unrelenting brutality. It´s nice to hear they also have a humourous side and it works pretty well.

Upon conclusion "Grotesque Impalement" probably isn´t the most important release in the band´s discography, but on the other hand the content is really entertaining and generally of high quality too. The sound production is slightly more rough around the edges compared to the two studio albums which bookend it, but it´s still well produced. So a 3.5 star (70%) rating isn´t all wrong.

REVOLUTION OF TWO Revolution Of Two

Album · 2018 · Death Metal
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il_graz
The R.O.T. duo, an acronym for "Revolution Of Two", begins with this album of the same name, highlighting its compositional ability, the result of the combination of a melodic death with derivations that partly embrace also progressive, alternatives and technical death metal.

Starting from the inspiration that is not lacking at all and seems to embrace a large amount of contemporary and non-contemporary subgenres, the group presents itself as melodic death metal. We can mention influences such as the first In Flames, old school inspirations deriving from Death and also something close to the Maidens. In general, the composition is excellent, albeit immature in some places, suggesting that the qualities are there and are felt throughout the disc.

Revolution Of Two is something that you must not miss: groove, breakdown, even prog influences ... a heterogeneous disc that in the future, with the right precautions, will make the two boys of Cassino churn out real masterpieces.

JUMPSCARE Don't Close Your Eyes

Album · 2019 · Melodic Death Metal
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il_graz
Jumpscare is an Italian band founded in 2015. They started as an alternative metal but with their first album they abandoned their previous style to be focused only on melodic death with "core" (mostly metalcore and deathcore) and symphonic influences! Unlike traditional death metal, this album features a lot of modern elements. The album consists of razor-sharp guitar tracks, as well as precise drums and heavy bass lines, incorporated well with the singer's vocals.

The album features 8 tracks with a total length of 33 minutes, but make no mistake – though the songs are shorter than we are used to in the melodic death metal genre – they are reaching and touching, the lyrics are exciting and overall the whole album is well managed. Through the music I've lost count of time. I've enjoyed the whole release – such albums make a good reminder why I love extreme music so much – it brings the joy and fun out of me and takes me back to my teenage years when I first discovered death metal.

I give this album a 10/10, because this album makes a perfect masterpiece in my eyes. I was so lucky to own a physical copy so I passed days reading lyrics and figuring out what the band wanted to achieve with this album. Also, the guys from Jumpscare were very kind to answer some of my questions in their Facebook group about the songs, giving me have more material for this review and judging their work better! From beginning to end, this album is one of the best melodic/modern death metal I have ever listened to so far.

I think that Jumpscare really killed it. They made a fantastic album and I bet that they will be part of something new in the near future. They deserve more, so go check them out. An honorable mention to the producer Tommaso from Genus Ordinis Dei for his great work producing this masterpiece.

death metal movie reviews

NAPALM DEATH Punishment in Capitals

Movie · 2003 · Death Metal
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Kingcrimsonprog
Punishment In Capitals is a 2002 live DVD (also available on CD) by British extreme metal icons Napalm Death, released after their triumphant Enemy Of The Music Business album won back the praise of fans and critics after their experimental string of records in the nineties.

The band play a mixture of every era in their career up to that point, the catchy nineties singles ‘Breed To Breathe,’ and ‘Greed Killing,’ sit side by side with mid era death inspired fare such as ‘Suffer The Children,’ and ‘World Keeps Turning,’ which blends against the band’s early grindcore material era like ‘Scum,’ ‘Lucid Fairy Tale,’ and the famous ‘You Suffer,’ in a set list which also leans heavily on the band’s then newest, and still arguably best album Enemy Of The Music Business.

Standout tracks include an energetic version of ‘Hung,’ as well as ‘Can’t Play Won’t Play,’ and ‘Narcoleptic,’ which was as yet unreleased at the time of recording. With a set-list of this caliber, Punishment In Capitals should be a rewarding viewing experience for most Napalm Death fans and would serve well as an introduction to the band for potential fans as well.

Interestingly, the DVD recording retains all the dead air, waiting out-of-breathe and other non-musical moments in between tracks, presenting you the gig as it actually happened and not inter-cutting the show with outside material to create some false sense of professionalism or excitement. This is a double edged sword as it is commendable but may still irritate viewers raised on slicker, fast paced major label DVD releases.

The production is fairly good in terms of audio recording quality and mix, with simple camera work and editing covering the visual side of things. Although not the most impressive looking DVD ever released, it serves well for Napalm Death to deliver an energetic a sweaty performance. My only major gripe is that for the first half of the show shots of drummer Danny Herrera are very few and far between, but this is remedied later on.

There are a fair amount of extras too, including two bootleg quality recordings in Tokyo from 1996, a six track selection from a Chilean gig in 1997 as well as a hidden Easter Egg (a live-in-a-TV-studio version of ‘If The Truth Be Known,’ accessible by making the image’s eyes glow red my navigating the menu.) In addition to the musical extras there is also a documentary, which while not masterfully crafted is worth at least one watch, covering topics such as Barney’s haircut, the effect of foreign food on the bowels and the charity for which this gig was in aide of.

Overall, Punishment In Capitals is a worthwhile DVD purchase that will give you a good selection of Napalm Death material, both in the concert itself and with a nice selection of extras. Definitely recommended viewing for fans of the band.

ZYKLON Storm Detonation Live

Movie · 2006 · Death Metal
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Kingcrimsonprog
This DVD captures Norwegian death metal band Zyklon on their 'Aeon,' era tour Live; the tracklisting on the wonderful but slightly short DVD is made up of tracks from the bands excellent first two albums.

The band are on top form and deliver the material fantastically live, They never miss a step, and are ruthlessly professional.

Song's from the band's debut album are much better here with new singer Tony 'SecthDamon,' Ingebrigtsen. Who has a better voice to match the material than Daemon did.

Furthermore the audio and visual quality is great, and apart from a little intro interrupting the first 20 seconds of fan favorite 'Core Solution,' there's very little to complain about whatsoever.

Indeed, with such a brilliant performance, a good production and an excellent track listing, this DVD is a real must-have for any Zyklon fan.

AMON AMARTH Wrath of the Norsemen

Movie · 2006 · Melodic Death Metal
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Kingcrimsonprog
Talk about value for money, from a band like Amon Amarth you wouldn’t expect them to be able to afford such a crazily generous and in depth DVD package when some of the bigger bands can’t afford anything even half this good.

The Set comes in a glorious 3 DVD digipak with detailed artwork, a full booklet and an awesome little viking crown that keeps it closed. Then you get Five full concerts (with 22, 16,13, 11 and 9 tracks respectively) and a documentary.

The main feature; a 22 track concert from Cologne in 2005 is an incredible affair with crystal clear sound, Huge guitar tones, amazingly heavy drums and nice clunky bass. The camera work is of a higher quality than even some of the biggest metal bands’ DVDs and again the sound is immense.

Then theres the performance, the band are absolutely electric delivering furious renditions of material from all eras a their career from the massive ‘Amon Amarth,’ and ‘Fate of Norns,’ to catchy closer ‘Death In Fire,’ and the crowd just lap it up.

Vocalist Johan Hegg absolutely commands the stage, engaging the crowd at every opportunity and singing his heart out while the band hammer through their classics like ‘heavy,’ is going out of style.

On top of all that you have a great light show, huge Amon Amath banners, more pyro than a kiss concert and an interlude with about thirty Viking reenactors sword fighting on stage! That feature is worth the money alone, the show is probably one of the best metal concerts on the market and I can’t stress how good the sound and picture are; then on top of all that you get the rest of the set, featuring virtually ever Amon Amarth song ever written, and performances from ‘Waken Open Air festival,’ ‘Summer Breeze Festival,’ and two more indoor concerts in Europe.

If you like Amon Amarth Buy this right now. If you don’t, you will within thirty seconds of watching this.

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