Death Metal

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Death metal is an extreme subgenre of heavy metal. It typically employs heavily distorted guitars, deep growling vocals, blast beat drumming, and complex song structures with multiple tempo changes.

Building from the musical structure of thrash metal, death metal emerged during the mid 1980s. It was mainly inspired by thrash metal acts like Slayer, Kreator and Celtic Frost. Along with the band Death and its frontman Chuck Schuldiner (who is often referred to as "the father of death metal"), bands like Possessed and Morbid Angel are often considered pioneers of the genre. In the late 1980s and early 1990s, death metal gained more media attention as popular record labels like Earache and Roadrunner began to sign death metal bands at a rapid rate. Since then, death metal has diversified, spawning a rich variety of subgenres.

Inclusive death metal music subgenres:

  • Brutal death metal See: http://www.metalmusicarchives.com/subgenre/brutal-death-metal
  • Melodic death metal See: http://www.metalmusicarchives.com/subgenre/melodic-death-metal
  • Swedish death metal, also referred to as Scandinavian death metal, should not be confused with melodeath. This genre is characterized by its focus on raw energy and aggression. The guitars are typically extremely distorted and downtuned, and, in addition to traditional death metal elements, artists within this subgenre also draw on hardcore punk and early thrash metal. While not restricted to Sweden, the genre is called death metal because it was largely popularized by death metal artists from Sweden, such as Carnage, Nihilist, early Entombed, Dismember, Grave, and Unleashed. Seeing that many of the prominent artists within this genre were located in around Stockholm, it is sometimes referred to as the Stockholm sound in contrast with the Gothenburg sound. While big in the 1990s, the popularity of this genre waned in the 2000s, as melodeath became more popular, but recently a number of bands based in Eastern Europe, such as Brutally Deceased and Morbider, have taken up the Stockholm sound and are bringing it back onto the scene.
  • Death-grind combines elements from death metal with element of grindcore. From grindcore, the genre inherits song brevity (with the average length being 2:30), emphasis on fast picking and blastbeating as well as the lyrical content (which means that a lot of death-grind deals with gore, pornography or socio-politics). From death metal, it inherits song complexity and focus on performance and technique, although guitar solos are not as common as in other styles of death metal. When Napalm Death started to gravitate towards death metal from pure grindcore, they developed a death-grind sound, and they are probably the most influential band in the death-grind genre. Other death-grind acts are Lock Up, Terrorizer, and Pig Destroyer. On MMA, those death-grind artists and releases that lean more towards grindcore are included under grindcore, while those that lean more towards death metal are included under death metal.
  • Technical/progressive (or tech/prog) death metal See: http://www.metalmusicarchives.com/subgenre/technical-death-metal
  • Blackened death metal combines death metal and black metal, of lyrically the focus is typically on Satanism, occultism and anti-religion. Behemoth is considered one of the most influential blackened death metal bands.
  • Death ‘n’ roll See: http://www.metalmusicarchives.com/subgenre/death-n-roll


The following subgenres are NOT listed under death metal in the MMA:

  • Grindcore: has its own sugbenre section.
  • Death-thrash: included under thrash metal.
  • Deathcore: included under metalcore.
  • Doom-death: included under doom metal.


Source: http://en.wikipedia.org/wiki/Death_metal

Written by Time Signature.

Sub-genre collaborators:
  • Nightfly (leader)
  • Vim Fuego
  • TheHeavyMetalCat

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death metal Music Reviews

DEFILED Horror Beyond Horror

Album · 2024 · Death Metal
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UMUR
"Horror Beyond Horror" is the eighth full-length studio album by Japanese death metal act Defiled. The album was released through Season of Mist in September 2024. It´s the successor to "The Highest Level" from April 2023 and the two albums feature the same quartet lineup. After longer gaps between album releases in the past, Defiled have picked up the pace in the last couple of years and are now releasing albums within shorter intervals.

Defiled have evolved and experimented some over the years, but their unconventional technical death metal approcah is still present and accounted for. They have the same old school death metal approach to playing brutal technical death metal as an artist like Suffocation. Which also means that it´s the thrash oriented old school version of death metal that Defiled perform. I´d actually mention Ripping Corpse/Dim Mak as great influences too, because of the extremely aggressive and articulated growling vocal style of lead vocalist/guitarist Shinichiro Hamada. But as always Defiled are completely their own with abrupt tempo changes, unconventional rhythm patterns, and shifts in riff styles, which may on surface sound like business as usual to some, but if you listen a bit closer Defiled certainly aren´t your everyday death metal act. Defiled have always challenged the conventions of the genre, and they continue to do so on "Horror Beyond Horror".

"Horror Beyond Horror" features an organic, brutal, raw, and detailed sound production, which suits the material well. Upon conclusion "Horror Beyond Horror" is a natural successor to "The Highest Level", but to my ears Defiled have made better production choices this time around, and therefore "Horror Beyond Horror" is a step up in quality from the last release (which itself wasn´t a bad release at all). Defiled just seem to thrive better when they apply more organic sounding productions to their music, like they do here. A 4 star (80%) rating is deserved.

BLOOD INCANTATION Absolute Elsewhere

Album · 2024 · Death Metal
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siLLy puPPy
The Denver based BLOOD INCANTATION has wrested its way up to the top ranks of the world of technical death metal in the last decade through a meticulous melding approach of morphing the old school death metal magic of bands like Morbid Angel and Immolation with the retro space rock effects of 70s progressive rock, a trait that a few intrepid extreme metal pioneers like Opeth and Enslaved have been tinkering with for over two decades now. Finding itself at the right place at the right time just as the world of psychedelic death metal was poised to break through to the mainstream as the newest death metal strain to come of age, BLOOD INCANTATION was more than ready to slay the competition and declare themselves the kings of this adventurous hybridization that finds space rock cozily commingling with brutal death metal bombast laced with concepts of our suppressed history and science fiction (often proven to be science fact).

The band immediately made a splash with its 2016 debut “Starspawn” which showcased the band’s meaty metal hooks and technical wizardry but it wasn’t until 2019’s “Hidden History Of The Human Race” that the band really unleashed its true psychedelic potential with heady concepts wrapped up in psychedelic death metal splendor. The band while always technical in nature also proved to craft a mighty fine progressive metal album and the stage was set for this new extreme metal royalty to wear the crown. Despite the seeming certainty that BLOOD INCANTATION was in it for the long run, along comes the curveball release “Timewave Zero” in 2022 which found the band dropping all traces of metal music like a hot potato and rather totally rocketed off into space with a pure space ambient and progressive electronic style that took more inspiration from Berlin School giants like Tangerine Dream or Klaus Schulze. Had BLOOD INCANTATION gone the way of Leprous, Opeth or Ulver and completely shifted gears midstream?

It comes as great relief (as much as i love progressive electronic music) that BLOOD INCANTATION did nothing of the sort and rather was just allowing themselves to dabble in non-metal playgrounds while recharging their batteries for the next chapter of their metal mojo jounrey. Finally in 2024 we are treated to the newest installment of the BLOOD INCANTATION universe in the form of ABSOLUTE ELSEWHERE, a crafty conceptual sci-fi saga divided into two overarching 3 sections that are called tablets: “The Stargate” and “The Message.” While many were wondering if BLOOD INCANTATION had abandoned metal for the world of progressive electronic on “Timewave Zero,” it seems they were simply honing their chops to bedazzle their fans with an amazing fusion of their already masterful technical / progressive death metal with the more cosmic meanderings of 70s proggy space rock and Berlin School progressive electronic. Even Tangerine Dream member Thorsten Quaeschning appears for a cameo thus cementing this new development as a major leap in death metal ingenuity.

While such a collision of disparate musical worlds can result in a convoluted unconvincing disaster in the wrong hands, BLOOD INCANTATION has proven once again that this quintet of talented musicians can achieve the seemingly impossible on the same level as Opeth and Enslaved have done in the past. ABSOLUTE ELSEWHERE seems to have attained the perfect balance between the detached technical brutality of death metal and the more chilled excursions into the cosmos in the form of heady space rock. While the juxtaposition of these two seems rather dubious, somehow this band forges the perfect bridges to allow the disparate genres to trade off without a hitch. While “Hidden History Of The Human Race” was greatly praised and lauded as some sort of pinnacle of the style, i personally found the album to not flow as coherently as i had imagined however on ABSOLUTE ELSEWHERE the band seems to have ironed out all those peccadillos and forged a veritable masterpiece of progressive psychedelic death metal like no other. While Opeth has tackled both genres independently on different albums, BLOOD INCANTATION brings it all together in a most convincing way.

I think it goes without saying that psychedelic death metal has truly come of age and no better example exists than this latest BLOOD INCANTATION bombshell which produces a bountiful buffet of psychotropic bombast and kaleidoscopic calamity throughout ABSOLUTE ELSEWHERE’s six-track / 43-minute excursion into the realms of sci-fi fueled proggy death metal extraordinaire. Now if anyone told a hardened death metal fan back in the early 90s that someday a band would successfully meld the meaty metal bluster of Morbid Angel with the psychotropic expansiveness of Pink Floyd and the Berlin School scene, nobody could have imagined that such a thing was even possible but here in the calendar year 2024 BLOOD INCANTATION has taken such possibilities into the realms of plausibility with one of the most well-crated examples of psychedelic death metal to emerge. I think it goes without saying that BLOOD INCANTATION has not jumped the shark in any possible way but has only improved its unorthodox genre coalescing manyfold. For my liking there are no missteps on this one, no moments that seem out of place and even the production that links the various styles is impeccable. This is BLOOD INCANTATION’s finest moment yet!

THE BLACK DAHLIA MURDER Servitude

Album · 2024 · Melodic Death Metal
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UMUR
"Servitude" is the tenth full-length studio album by US death metal at The Black Dahlia Murder. The album was released through Metal Blade Records in September 2024. It´s the successor to "Verminous" from 2020 and there have been a few lineup changes since the release of the predecessor. Firstly guitarist Ryan Knight has returned to the fold, having originally departed in 2016 after an eight year stint with the band. Secondly and on a more sad note lead vocalist/founding member Trevor Strnad took his own life in May 2022. A huge force on the post-2000 death metal scene Strnad could not be easily replaced, but guitarist and main composer (and co-founder) Brian Eschbach took up the challenge and performs the vocals on "Servitude" (Eschbach does not perform guitars on this release).

So it´s of course the number one question when listening to "Servitude", if Eschbach brings the goods like Strnad did on so many albums before this one...and the answer is yes. Strnad was a very unique vocalist and of course Eschbach can´t replace him one-to-one, but I think he steps up to the plate and brings his own version of the high pitched blackened snarling/deep growling death metal vocal style with success. Regarding the instrumental part of the music there´s nothing negative to say about it. This is more or less The Black Dahlia Murder as they have sounded since day one. Predominantly fast-paced, melodic (often neo-classical influenced) death metal with horror themed lyrics performed by an incredibly skilled band. The rhythm section deliver sharp, precise, and powerful drumming and bass playing, the guitarists play one fast-paced and sharp riff after another and deliver loads and loads of melodic lead themes and solos, and on top of it all Eschbach´s high pitched blackened snarling/deep growling death metal vocals.

"Servitude" still stands out a bit from the last couple of releases though, as The Black Dahlia Murder have gone for a slighly less polished and a generally more stripped-down production style, which I personally think suits the material well. It´s a more immediate and instantly effective release than anything they´ve released in the last 15 years. And that´s not a criticism of the releases which came before this one, because they are all great in their own right, but "Servitude" is just a bit more direct and in-your-face.

Faced with an immense tragedy The Black Dahlia Murder never wavered (at least not publicly) and almost immediately vowed to to return with a new lineup and keep the band going, and "Servitude" is the proof that they did the right thing. I´m sure Strnad would have been proud of the result. A 4 star (80%) rating is deserved.

PORTAL Lurker At The Threshold

Demo · 2006 · Technical Death Metal
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UMUR
"Lurker at the Threshold" is a demo release by Australian death metal act Portal. The demo was released through Beer in Your Ear Records in 2006. It´s the follow-up release to "The Sweyy" EP from July 2004, but the demo is ultimately more connected to Portal´s then upcoming second full-length studio album "Outre'" (September 2007) as all three tracks from the 15:33 minutes long demo would be re-recorded and included on "Outre'".

The tracks however appear on "Lurker at the Threshold" in quite different versions than the versions which are featured on "Outre'". Here they appear in more detailed, less chaotic/dark atmospheric, and much less abstract versions, which are arguably easier to follow. I would never call Portal accessible, but this is by far one of their most accessible releases as a result of how defined the instruments are in the soundscape and the generally less murky nature of the sound production. The riffs are still chaotic, brutal, and dissonant, so in that respect Portal are as unconventional and sometimes downright odd as usual. The growling vocals appear low in the mix and they ultimately add more texture than punch and aggression.

So upon conclusion "Lurker at the Threshold" is for those who are interested in Portal, but just can´t penetrate and appreciate their usual murky and suffocating take on death metal. This is still a highly experimental, and at times avant-garde type of death metal (..."The Sourlows" is for example a really weird track), but the sound production makes this sound a little more normal...at least occasionally. A 3.5 - 4 star (75%) rating is deserved.

NECROPHAGIA The Divine Art of Torture

Album · 2003 · Death Metal
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UMUR
"The Divine Art of Torture" is the third full-length studio album by US death metal act Necrophagia. The album was released through Season Of Mist in February 2003. It´s the successor to "Holocausto de la Morte" from 1998 and features an almost completely different lineup to the lineup who recorded the predecessor. The only remaining member is lead vocalist and band founder Killjoy. "The Divine Art of Torture" features a sextet lineup which among others includes keyboard player Mirai Kawashima from Japanese avant garde/progressive black metal act Sigh.

Stylistically the material on "The Divine Art of Torture" is horror/gore themed old school death metal. Old school to the point of sounding like this came out in 1987/1988 along with other pioneering death metal releases (including Necrophagia´s own debut album "Season of the Dead" from 1987), which were partially simple and brutal thrash with strong hardcore/punk influences in the rhythm work and in the riff style. If a comparison has to be made, I´d mention mid-90s Autopsy and Abscess as Necrophagia´s closest relatives. Killjoy performs some nicely aggressive growling vocals throughout the album, and Kawashima adds horror movie oriented keyboards/synth effects to the music. The latter element sometimes gives the material a twisted/eerie comical effect, but as the band´s lyrics and imagery are already in campy territory, I´m sure it´s exactly the effect Necrophagia were aiming at achieving.

"The Divine Art of Torture" features a raw sounding production job, which suits the rawness of the material perfectly, and although I wouldn´t call "The Divine Art of Torture" the greatest nor the most unique sounding death metal release, it´s still a good quality release, featuring well written and catchy tracks, authentic and energetic musical performances, and a firm grip on the macabre/occult. It´s an album which works well in all departments, and a 3.5 star (70%) rating is deserved.

death metal movie reviews

NAPALM DEATH Punishment in Capitals

Movie · 2003 · Death Metal
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Kingcrimsonprog
Punishment In Capitals is a 2002 live DVD (also available on CD) by British extreme metal icons Napalm Death, released after their triumphant Enemy Of The Music Business album won back the praise of fans and critics after their experimental string of records in the nineties.

The band play a mixture of every era in their career up to that point, the catchy nineties singles ‘Breed To Breathe,’ and ‘Greed Killing,’ sit side by side with mid era death inspired fare such as ‘Suffer The Children,’ and ‘World Keeps Turning,’ which blends against the band’s early grindcore material era like ‘Scum,’ ‘Lucid Fairy Tale,’ and the famous ‘You Suffer,’ in a set list which also leans heavily on the band’s then newest, and still arguably best album Enemy Of The Music Business.

Standout tracks include an energetic version of ‘Hung,’ as well as ‘Can’t Play Won’t Play,’ and ‘Narcoleptic,’ which was as yet unreleased at the time of recording. With a set-list of this caliber, Punishment In Capitals should be a rewarding viewing experience for most Napalm Death fans and would serve well as an introduction to the band for potential fans as well.

Interestingly, the DVD recording retains all the dead air, waiting out-of-breathe and other non-musical moments in between tracks, presenting you the gig as it actually happened and not inter-cutting the show with outside material to create some false sense of professionalism or excitement. This is a double edged sword as it is commendable but may still irritate viewers raised on slicker, fast paced major label DVD releases.

The production is fairly good in terms of audio recording quality and mix, with simple camera work and editing covering the visual side of things. Although not the most impressive looking DVD ever released, it serves well for Napalm Death to deliver an energetic a sweaty performance. My only major gripe is that for the first half of the show shots of drummer Danny Herrera are very few and far between, but this is remedied later on.

There are a fair amount of extras too, including two bootleg quality recordings in Tokyo from 1996, a six track selection from a Chilean gig in 1997 as well as a hidden Easter Egg (a live-in-a-TV-studio version of ‘If The Truth Be Known,’ accessible by making the image’s eyes glow red my navigating the menu.) In addition to the musical extras there is also a documentary, which while not masterfully crafted is worth at least one watch, covering topics such as Barney’s haircut, the effect of foreign food on the bowels and the charity for which this gig was in aide of.

Overall, Punishment In Capitals is a worthwhile DVD purchase that will give you a good selection of Napalm Death material, both in the concert itself and with a nice selection of extras. Definitely recommended viewing for fans of the band.

ZYKLON Storm Detonation Live

Movie · 2006 · Death Metal
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Kingcrimsonprog
This DVD captures Norwegian death metal band Zyklon on their 'Aeon,' era tour Live; the tracklisting on the wonderful but slightly short DVD is made up of tracks from the bands excellent first two albums.

The band are on top form and deliver the material fantastically live, They never miss a step, and are ruthlessly professional.

Song's from the band's debut album are much better here with new singer Tony 'SecthDamon,' Ingebrigtsen. Who has a better voice to match the material than Daemon did.

Furthermore the audio and visual quality is great, and apart from a little intro interrupting the first 20 seconds of fan favorite 'Core Solution,' there's very little to complain about whatsoever.

Indeed, with such a brilliant performance, a good production and an excellent track listing, this DVD is a real must-have for any Zyklon fan.

AMON AMARTH Wrath of the Norsemen

Movie · 2006 · Melodic Death Metal
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Kingcrimsonprog
Talk about value for money, from a band like Amon Amarth you wouldn’t expect them to be able to afford such a crazily generous and in depth DVD package when some of the bigger bands can’t afford anything even half this good.

The Set comes in a glorious 3 DVD digipak with detailed artwork, a full booklet and an awesome little viking crown that keeps it closed. Then you get Five full concerts (with 22, 16,13, 11 and 9 tracks respectively) and a documentary.

The main feature; a 22 track concert from Cologne in 2005 is an incredible affair with crystal clear sound, Huge guitar tones, amazingly heavy drums and nice clunky bass. The camera work is of a higher quality than even some of the biggest metal bands’ DVDs and again the sound is immense.

Then theres the performance, the band are absolutely electric delivering furious renditions of material from all eras a their career from the massive ‘Amon Amarth,’ and ‘Fate of Norns,’ to catchy closer ‘Death In Fire,’ and the crowd just lap it up.

Vocalist Johan Hegg absolutely commands the stage, engaging the crowd at every opportunity and singing his heart out while the band hammer through their classics like ‘heavy,’ is going out of style.

On top of all that you have a great light show, huge Amon Amath banners, more pyro than a kiss concert and an interlude with about thirty Viking reenactors sword fighting on stage! That feature is worth the money alone, the show is probably one of the best metal concerts on the market and I can’t stress how good the sound and picture are; then on top of all that you get the rest of the set, featuring virtually ever Amon Amarth song ever written, and performances from ‘Waken Open Air festival,’ ‘Summer Breeze Festival,’ and two more indoor concerts in Europe.

If you like Amon Amarth Buy this right now. If you don’t, you will within thirty seconds of watching this.

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