Death Metal

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Death metal is an extreme subgenre of heavy metal. It typically employs heavily distorted guitars, deep growling vocals, blast beat drumming, and complex song structures with multiple tempo changes.

Building from the musical structure of thrash metal, death metal emerged during the mid 1980s. It was mainly inspired by thrash metal acts like Slayer, Kreator and Celtic Frost. Along with the band Death and its frontman Chuck Schuldiner (who is often referred to as "the father of death metal"), bands like Possessed and Morbid Angel are often considered pioneers of the genre. In the late 1980s and early 1990s, death metal gained more media attention as popular record labels like Earache and Roadrunner began to sign death metal bands at a rapid rate. Since then, death metal has diversified, spawning a rich variety of subgenres.

Inclusive death metal music subgenres:

  • Brutal death metal See: http://www.metalmusicarchives.com/subgenre/brutal-death-metal
  • Melodic death metal See: http://www.metalmusicarchives.com/subgenre/melodic-death-metal
  • Swedish death metal, also referred to as Scandinavian death metal, should not be confused with melodeath. This genre is characterized by its focus on raw energy and aggression. The guitars are typically extremely distorted and downtuned, and, in addition to traditional death metal elements, artists within this subgenre also draw on hardcore punk and early thrash metal. While not restricted to Sweden, the genre is called death metal because it was largely popularized by death metal artists from Sweden, such as Carnage, Nihilist, early Entombed, Dismember, Grave, and Unleashed. Seeing that many of the prominent artists within this genre were located in around Stockholm, it is sometimes referred to as the Stockholm sound in contrast with the Gothenburg sound. While big in the 1990s, the popularity of this genre waned in the 2000s, as melodeath became more popular, but recently a number of bands based in Eastern Europe, such as Brutally Deceased and Morbider, have taken up the Stockholm sound and are bringing it back onto the scene.
  • Death-grind combines elements from death metal with element of grindcore. From grindcore, the genre inherits song brevity (with the average length being 2:30), emphasis on fast picking and blastbeating as well as the lyrical content (which means that a lot of death-grind deals with gore, pornography or socio-politics). From death metal, it inherits song complexity and focus on performance and technique, although guitar solos are not as common as in other styles of death metal. When Napalm Death started to gravitate towards death metal from pure grindcore, they developed a death-grind sound, and they are probably the most influential band in the death-grind genre. Other death-grind acts are Lock Up, Terrorizer, and Pig Destroyer. On MMA, those death-grind artists and releases that lean more towards grindcore are included under grindcore, while those that lean more towards death metal are included under death metal.
  • Technical/progressive (or tech/prog) death metal See: http://www.metalmusicarchives.com/subgenre/technical-death-metal
  • Blackened death metal combines death metal and black metal, of lyrically the focus is typically on Satanism, occultism and anti-religion. Behemoth is considered one of the most influential blackened death metal bands.
  • Death ‘n’ roll See: http://www.metalmusicarchives.com/subgenre/death-n-roll


The following subgenres are NOT listed under death metal in the MMA:

  • Grindcore: has its own sugbenre section.
  • Death-thrash: included under thrash metal.
  • Deathcore: included under metalcore.
  • Doom-death: included under doom metal.


Source: http://en.wikipedia.org/wiki/Death_metal

Written by Time Signature.

Sub-genre collaborators:
  • Nightfly (leader)
  • Vim Fuego
  • TheHeavyMetalCat

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death metal Music Reviews

ABIOSIS Absence of Life

Boxset / Compilation · 2017 · Death Metal
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siLLy puPPy
Old school death metal at its rawest and closest to the heart. ABIOSIS was formed in Napa, California in 1991 and existed for three years until its demise in 1994. While never really crafting a style of death metal that could break through into the top notches of the genre, this local Bay Area band certainly attracted a cult following during its brief existence.

This compilation basically is the official CD release of the band’s two demos “Abiosis” and “The Killing.” This is no frills as there is no remastering, no bonus tracks and nothing else to add beyond finding the band’s demo material launched into a higher level of archival curiosity.

See my reviews for individual demos for detailed description of the music itself but if you are a stalwart old school metal fan who relishes these demo only bands that never captured the attention of a greater audience then you will find lots to love on these primeval recordings. A great talent indeed but just a little too late to the world of death metal to capture any significant attention since there were so many more creative bands out there.

ABIOSIS The Killing

Demo · 1992 · Death Metal
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siLLy puPPy
The Napa, California based death metal band ABIOSIS released not one but two demos in 1992 which made me wonder why they didn’t just release one of a longer playing time? I dunno how these things worked back then so whatever. THE KILLING followed the eponymous debut demo and showcased a slightly more sophisticated development which thankfully included a more robust display of drumming duties courtesy of drummer Lincoln Lucas who sounded pretty lazy on the first run.

This demo featured five tracks and discovered the art of death-doom as well as blastbeats! Yay! Taking influences from all the old school deathies such as Morbid Angel, Obituary and Autopsy, ABIOSIS showcased a competent style of old school death metal that was just a wee bit too late to arrive at the death metal party in 1992. This second demo certainly shows significant improvement with a more diverse display of metal madness ranging from Black Sabbath infused traditional doomy molasses metal to fully fueled death metal on lightning bolt mode.

Raw and unfucked with in terms of production, this band displayed a clear loyalty to the death metal paradigm of the day but didn’t quite have the chops to take things above and beyond the call of duty and therefore has been relegated to a tiny footnote in the world of extreme metal having been buried manyfold by countless death metal bands with a keener sense of creative expression, however this is not a bad release by any means. While generic in many senses for those well attuned to the nuances of death metal, this band does have subtle indescribable idiosyncrasies.

Both THE KILLING demo and the previous eponymous demo were released in 2017 as the compilation album “Absence of Life” which allows detective sleuths of all things old school death metal to relish in glee.

ABIOSIS Abiosis

Demo · 1992 · Death Metal
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siLLy puPPy
One of the many San Francisco Bay Area bands that had their shining moment on the local scene for a quick flash of time and then dissipated into the annals of history only to become a mere footnote if even that. This band ABIOSIS was an old school death metal band emerging from the wine country city of Napa, California. Formed in 1991 this band that consisted of Cisco Alcazar (bass), Lincoln Lucas (drums), Curtiss Gray (guitar) and Dan Nicholson (vocals) only existed for three years and recorded two short demos before calling it quits.

This first demo of 1992 (both were released the same year) featured three tracks that existed somewhere between the final stages of thrash metal of 80s Metallica and the old school death metal of the Tampa scene like Obituary, Deicide and Massacre. Although this band really never evolved past its initial stages, it’s quite clear from these demos that these guys were quite capable of death metal greatness but then again so were many others and not enough attention span to go around so they went by the wayside!

As you would expect this demo features a lo-fi production that was created to sell the band’s talent rather than production skills however there are a couple issues with the band’s playing at this point. Number one on the list is in the percussion department. Sorry Lincoln Lucas but the drumming on this demo is neither inventive nor technically competent in comparison to the legions of death metal bands such as Morbid Angel and Atheist who had already set the bar high even with their debut albums. Not that technicality is the be all end all but ABIOSIS was clearly a few steps behind the bigwigs of the day.

This is a decent if not phenomenal presentation of a band that exuded a great talent but didn’t take it far enough by 1992 to really capture the attention of the fast evolving world of death metal. Except for the lackadaisical drumming, i find this to be a very pleasing expression of old school death metal however i have to admit that it does sound a bit dated and generic however for a mere demo this is better than many other bands at the same stage of development. One of those golden missed opportunity bands in Bay Area metal history but nothing to get overly excited about either.

Both this eponymous demo and the following “The Killing” were released in 2017 as the compilation album “Absence of Life” which allows detective sleuths of all things old school death metal to relish in glee.

ACID DEATH Hall of Mirrors

Album · 2015 · Technical Death Metal
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UMUR
"Hall of Mirrors" is the 4th full-length studio album by Greek technical/progressive death/thrash metal act Acid Death. The album was released through 7Hard Records in September 2015. It´s the successor to "Eidolon" from 2012 although the two full-length releases are bridged by the 2013 "MisleD 2013 Re-recorded" EP. There has been one lineup change since "Eidolon (2012)" as guitarist Kostas Karavelas has been replaced by John Anagnostou.

Stylistically the material on "Hall of Mirrors" continue in the same technical/progressive death metal direction as the material on "Eidolon (2012)". It´s music strongly influenced by the early 90s technical/progressive death metal scene (artists like Death and especially the Italian Sadist come to mind). It´s a bit more contemporary sounding though, which means it´s a little more heavy and groove oriented than the 90s influences. The title track is for example a full fledged groove metal track.

"Hall of Mirrors" features a well sounding production job, tight and skilled musicianship, and the material is well written and effective. The combination of 90s technical/progressive death metal elements and more contemporary heavy groove metal oriented elements won´t please all listeners, but there´s nothing wrong with the execution or the overall album package. This is a quality release and a 3.5 star (70%) rating is deserved.

SEPULTURA Morbid Visions

Album · 1986 · Death Metal
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UMUR
"Morbid Visions" is the debut full-length studio album by Brazilian death/thrash metal act Sepultura. The album was released through Cogumelo Records in November 1986. It was recorded and mixed in only 7 days in August 1986 at Estudio Vice Versa, Belo Horizonte. It´s a 16 track recording. The original album consists of 8 tracks and a playing time of 34:40 minutes. Later reissues include the 5 Sepultura tracks from the December 1985 "Bestial Devastation / Século XX" split with Overdose as bonus material. The original vinyl pressing included the first movement of "Carmina Burana" by Carl Orff as an intro to the album, but later reissues omit that piece.

The music on the album is death/thrash metal strongly influenced by artists like as Kreator, Sodom, Celtic Frost and Possessed (the earliest output of those acts). Opinions vary and some consider "Morbid Visions" one of the earliest death metal releases, but I´d say it´s more an example of an early death/thrash metal release, and I´d even say most of the album leans more towards teutonic thrash metal then death metal. In other words an early hybrid of death and thrash metal. All tracks on the album are raw, filthy, and mean sounding, hammering away with pounding drums, thin sounding thrashy guitars, and Max Cavalera´s raw semi-growling/throaty singing on top.

"Morbid Visions" is not an album packed with standout tracks, but I´d mention the opening title track as one and also "Troops of Doom". In the case of the later predominantly because of the catchy and powerful heavy opening riff. "Troops of Doom" has been re-recorded by the band (in the studio) and is also a song Sepultura usually play live (at least in the days when Cavalera was still fronting the band). The sound production is not particularly well sounding, and while some may find its rawness and hollow sound charming/authentic, the production values on the bonus tracks from "Bestial Devastation" (1985) are actually much better sounding and more impactful.

So this is an album for those who enjoy the early teutonic thrash metal releases and other contemporary South American thrash metal ditto. Raw, brutal, simple and spewing out aggression and primitive occult lyrics. Upon conclusion I can´t say "Morbid Visions" blows me away, but a 3 star (60%) rating is still warranted.

death metal movie reviews

NAPALM DEATH Punishment in Capitals

Movie · 2003 · Death Metal
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Kingcrimsonprog
Punishment In Capitals is a 2002 live DVD (also available on CD) by British extreme metal icons Napalm Death, released after their triumphant Enemy Of The Music Business album won back the praise of fans and critics after their experimental string of records in the nineties.

The band play a mixture of every era in their career up to that point, the catchy nineties singles ‘Breed To Breathe,’ and ‘Greed Killing,’ sit side by side with mid era death inspired fare such as ‘Suffer The Children,’ and ‘World Keeps Turning,’ which blends against the band’s early grindcore material era like ‘Scum,’ ‘Lucid Fairy Tale,’ and the famous ‘You Suffer,’ in a set list which also leans heavily on the band’s then newest, and still arguably best album Enemy Of The Music Business.

Standout tracks include an energetic version of ‘Hung,’ as well as ‘Can’t Play Won’t Play,’ and ‘Narcoleptic,’ which was as yet unreleased at the time of recording. With a set-list of this caliber, Punishment In Capitals should be a rewarding viewing experience for most Napalm Death fans and would serve well as an introduction to the band for potential fans as well.

Interestingly, the DVD recording retains all the dead air, waiting out-of-breathe and other non-musical moments in between tracks, presenting you the gig as it actually happened and not inter-cutting the show with outside material to create some false sense of professionalism or excitement. This is a double edged sword as it is commendable but may still irritate viewers raised on slicker, fast paced major label DVD releases.

The production is fairly good in terms of audio recording quality and mix, with simple camera work and editing covering the visual side of things. Although not the most impressive looking DVD ever released, it serves well for Napalm Death to deliver an energetic a sweaty performance. My only major gripe is that for the first half of the show shots of drummer Danny Herrera are very few and far between, but this is remedied later on.

There are a fair amount of extras too, including two bootleg quality recordings in Tokyo from 1996, a six track selection from a Chilean gig in 1997 as well as a hidden Easter Egg (a live-in-a-TV-studio version of ‘If The Truth Be Known,’ accessible by making the image’s eyes glow red my navigating the menu.) In addition to the musical extras there is also a documentary, which while not masterfully crafted is worth at least one watch, covering topics such as Barney’s haircut, the effect of foreign food on the bowels and the charity for which this gig was in aide of.

Overall, Punishment In Capitals is a worthwhile DVD purchase that will give you a good selection of Napalm Death material, both in the concert itself and with a nice selection of extras. Definitely recommended viewing for fans of the band.

ZYKLON Storm Detonation Live

Movie · 2006 · Death Metal
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Kingcrimsonprog
This DVD captures Norwegian death metal band Zyklon on their 'Aeon,' era tour Live; the tracklisting on the wonderful but slightly short DVD is made up of tracks from the bands excellent first two albums.

The band are on top form and deliver the material fantastically live, They never miss a step, and are ruthlessly professional.

Song's from the band's debut album are much better here with new singer Tony 'SecthDamon,' Ingebrigtsen. Who has a better voice to match the material than Daemon did.

Furthermore the audio and visual quality is great, and apart from a little intro interrupting the first 20 seconds of fan favorite 'Core Solution,' there's very little to complain about whatsoever.

Indeed, with such a brilliant performance, a good production and an excellent track listing, this DVD is a real must-have for any Zyklon fan.

AMON AMARTH Wrath of the Norsemen

Movie · 2006 · Melodic Death Metal
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Kingcrimsonprog
Talk about value for money, from a band like Amon Amarth you wouldn’t expect them to be able to afford such a crazily generous and in depth DVD package when some of the bigger bands can’t afford anything even half this good.

The Set comes in a glorious 3 DVD digipak with detailed artwork, a full booklet and an awesome little viking crown that keeps it closed. Then you get Five full concerts (with 22, 16,13, 11 and 9 tracks respectively) and a documentary.

The main feature; a 22 track concert from Cologne in 2005 is an incredible affair with crystal clear sound, Huge guitar tones, amazingly heavy drums and nice clunky bass. The camera work is of a higher quality than even some of the biggest metal bands’ DVDs and again the sound is immense.

Then theres the performance, the band are absolutely electric delivering furious renditions of material from all eras a their career from the massive ‘Amon Amarth,’ and ‘Fate of Norns,’ to catchy closer ‘Death In Fire,’ and the crowd just lap it up.

Vocalist Johan Hegg absolutely commands the stage, engaging the crowd at every opportunity and singing his heart out while the band hammer through their classics like ‘heavy,’ is going out of style.

On top of all that you have a great light show, huge Amon Amath banners, more pyro than a kiss concert and an interlude with about thirty Viking reenactors sword fighting on stage! That feature is worth the money alone, the show is probably one of the best metal concerts on the market and I can’t stress how good the sound and picture are; then on top of all that you get the rest of the set, featuring virtually ever Amon Amarth song ever written, and performances from ‘Waken Open Air festival,’ ‘Summer Breeze Festival,’ and two more indoor concerts in Europe.

If you like Amon Amarth Buy this right now. If you don’t, you will within thirty seconds of watching this.

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