Depressive Black Metal / Black Metal / Non-Metal / Gothic Metal • Sweden — the ultimate metal music online community, from the creators of
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Shining is a Swedish black metal band originally formed back in 1996 by Niklas Kvarforth. Their lyrical themes are based on depression, suicide and angst, and their live performances contain large amounts of self-mutilation that they invite the audience to take part in.
Thanks to Vehemency for the addition and UMUR, tupan, adg211288 for the updates

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SHINING Discography

SHINING albums / top albums

SHINING I: Within Deep Dark Chambers album cover 3.75 | 5 ratings
I: Within Deep Dark Chambers
Depressive Black Metal 2000
SHINING II: Livets Ändhållplats album cover 3.47 | 5 ratings
II: Livets Ändhållplats
Depressive Black Metal 2001
SHINING III: Angst, Självdestruktivitetens Emissarie album cover 3.40 | 7 ratings
III: Angst, Självdestruktivitetens Emissarie
Depressive Black Metal 2002
SHINING IV: The Eerie Cold album cover 4.08 | 13 ratings
IV: The Eerie Cold
Depressive Black Metal 2005
SHINING V: Halmstad album cover 4.25 | 16 ratings
V: Halmstad
Depressive Black Metal 2007
SHINING VI: Klagopsalmer album cover 3.88 | 12 ratings
VI: Klagopsalmer
Black Metal 2009
SHINING VII: Född Förlorare album cover 3.68 | 12 ratings
VII: Född Förlorare
Black Metal 2011
SHINING Redefining Darkness album cover 4.02 | 6 ratings
Redefining Darkness
Black Metal 2012
SHINING IX: Everyone, Everything, Everywhere, Ends album cover 3.67 | 5 ratings
IX: Everyone, Everything, Everywhere, Ends
Black Metal 2015
SHINING X - Varg utan flock album cover 3.67 | 3 ratings
X - Varg utan flock
Depressive Black Metal 2018

SHINING EPs & splits

SHINING Submit To Selfdestruction album cover 2.71 | 4 ratings
Submit To Selfdestruction
Depressive Black Metal 1998
SHINING Dolorian / Shining album cover 3.36 | 3 ratings
Dolorian / Shining
Depressive Black Metal 2003
SHINING The Sinister Alliance album cover 2.68 | 3 ratings
The Sinister Alliance
Depressive Black Metal 2007
SHINING Shining / Den Saakaldte album cover 1.55 | 3 ratings
Shining / Den Saakaldte
Black Metal 2008
SHINING Lots Of Girls Gonna Get Hurt album cover 3.00 | 2 ratings
Lots Of Girls Gonna Get Hurt
Non-Metal 2012
SHINING Shining / Alfahanne album cover 2.00 | 1 ratings
Shining / Alfahanne
Depressive Black Metal 2012
SHINING Shining / Monumentum album cover 2.00 | 1 ratings
Shining / Monumentum
Gothic Metal 2013
SHINING In The Eerie Cold Where All The Witches Dance album cover 2.00 | 1 ratings
In The Eerie Cold Where All The Witches Dance
Black Metal 2013
SHINING Shining On The Enslaved album cover 2.00 | 1 ratings
Shining On The Enslaved
Black Metal 2015
SHINING Fiende album cover 0.00 | 0 ratings
Black Metal 2017

SHINING live albums

SHINING demos, promos, fans club and other releases (no bootlegs)

SHINING Five Valid Reasons For Self-Inflicting Harm album cover 2.00 | 1 ratings
Five Valid Reasons For Self-Inflicting Harm
Depressive Black Metal 2014

SHINING re-issues & compilations

SHINING Through Years Of Oppression album cover 3.18 | 3 ratings
Through Years Of Oppression
Depressive Black Metal 2004
SHINING The Darkroom Sessions album cover 2.69 | 5 ratings
The Darkroom Sessions
Depressive Black Metal 2004
SHINING 8 ½: Feberdrömmar I Vaket Tillstånd album cover 3.17 | 3 ratings
8 ½: Feberdrömmar I Vaket Tillstånd
Depressive Black Metal 2013

SHINING singles (1)

.. Album Cover
2.50 | 2 ratings
Förtvivlan, Min Arvedel
Depressive Black Metal 2011

SHINING movies (DVD, Blu-Ray or VHS)


SHINING Submit To Selfdestruction

EP · 1998 · Depressive Black Metal
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"Submit to Selfdestruction" is a 7" EP release by Swedish black metal act Shining. The EP was originally released through Selbstmord Services and limited to 300 hand-numbered vinyl copies but the material from the EP have since been released as part of the "Through Years of Oppression (2004)" compilation album which is easier to find. Needless to say that the original version is a rare collector´s item. The two tracks on the EP were recorded in 1996 by the trio of Wraith aka Niklas Kvarforth (guitars, bass), Robert Ayddan (vocals), and Impaler aka Ted Wedebrand (drums). The former (who was born in 1983), was only 13 years old at the time of recording the material...

...which is not audible when listening to the music, as both tracks are very well developed and cleverly composed. It´s a heavy and predominantly mid-paced (although occasionally a little faster-paced, but there are no blast beats or anything like that here) atmospheric type of black metal. The mood is bleak and depressing as are the lyrics. The vocals are screaming and desperate. The sound production is raw and primitive yet still effectful and powerful. While it´s not the most clear sounding production job, you still get a good idea of the band´s vision, and it´s not one of those lo-fi "recorded in the bedroom" type black metal productions, where the artist have made every effort to make it sound as noisy, murky, and raw as possible. On the other hand it´s not a production I´d call professional either, but it suits the music well, and that´s the important part.

Shining weren´t the most technically skilled musicians at this point, and considering their age, that´s not really a surprise, but the music is generally well performed and upon conclusion "Submit To Selfdestruction" is a promising first release by Shining. Featuring a playing time of 13:32 minutes the EP also allows the listener to get aquainted with the sound of Shining and in that respect it´s certainly a successful release. A 3 - 3.5 star (65%) rating is warranted.

SHINING I: Within Deep Dark Chambers

Album · 2000 · Depressive Black Metal
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siLLy puPPy
There are some people who are just born to be unhappy despite living in the most fortunate of circumstances. For some reason, Scandinavia has plenty of unhappy souls despite having one of the highest standards of living in the world. Such is the case with young Niklas Kvarforth who started his depressive black metal band SHINING (the Swedish band, not the Norwegian jazz-metal group of the same name) at the tender age of 12. Depressive black metal set itself apart early on in the 90s distinguishing itself other black metal in that it doesn’t focus on misanthropy or Satanic themes but rather on self-destruction and all the negative emotions associated with suicide and self hatred. WITHIN DEEP DARK CHAMBERS is the full debut album by Kvarforth who contributes vocals, guitar and keyboard with his lineup of other sickened souls: Tusk on bass, Ted Wedebrand on drums and additional disturbed vocalizations by Andreas Classen.

This debut album is pretty much in line with the depressive black metal scene of the 90s in that it utilizes an overall repetitive, hypnotic and monotonous feel that incorporates the wall of sound guitar frenzy with atmospheric keys, occasional chimes and midstream drums meaning that blastbeats are uncommon and the drums lazily accompany the fuzz feed frenzy. Perhaps the most “depressive” aspect of SHINING’s first album is not only the uncompromising fury of the music but mostly of Kvarforth’s anguished and tortured vocals above all else. This is one of those albums that simply excels in distressed fury and keeps me on pins and needles wondering if dude isn’t gonna do himself in on the final track just to have a musical place in history. Fortunately not so as i like future SHINING albums better than this one. But wow. This definitely fits the depressive black metal bill. Not recommended as music for grandma’s funeral.

While this album excels at keeping every shimmer of light from entering the boarded up windows and screams a razor blade, case of aspirin with vodka and carbon monoxide party, the music is fairly straight forward as this was before SHINING started experimenting with more progressive elements as to add more sophistication to self-hating pity party. The music here has the regular black metal buzzsaw grunge, where the guitars and bass are one and the raspy vocals wax and wane between traumatic black metal tantrums about how horrible the world is with utter resignation to the life sucks affirmations. The weakness here is the percussion as it is as languid as a salamander in the arctic and merely keeps the beat and not much else. Overall, this is a decent slice of depressive black metal but some of the tracks which hint towards progressiveness such as “Stonelands” and “And Only Silence Remains…” tend to meander for far too long, however the inclusion of church bells and slow parts in the latter does make it a bit more interesting at times.

SHINING IX: Everyone, Everything, Everywhere, Ends

Album · 2015 · Black Metal
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"IX – Everyone, Everything, Everywhere, Ends" is the 9th full-length studio album by Swedish extreme metal act Shining. The album was released through Season of Mist in April 2015. While there are 3 years between this one and it´s predecessor "Redefining Darkness (2012)", Shining has kept busy in the intermediate years with the release of the "8 ½ – Feberdrömmar i vaket tillstånd (2013)" album, which is an album with re-recordings of earlier material, and the release of a couple of splits/EPs. There have been a couple of lineup changes since the last album too as Rainer Tuomikanto has replaced Ludwig Witt as the band´s new drummer, and Euge Valovirta has been added to the lineup has second guitarist. The usual suspects are Niklas Kvarforth (vocals, guitars), Peter Huss (guitars), and Christian Larsson (bass).

Stylistically the music on "IX – Everyone, Everything, Everywhere, Ends" is pretty much Shining as we know them (in recent years). The depressive Swedish language lyrics are performed passionately by frontman Niklas Kvarforth who successfully combines anger and despair when he sings both his raw and clean vocals. You never quite know where you have him. One moment it sounds like he is ready to cut your throat and the next he sounds like he is about to slash his own wrists. The guitars pump out meaty heavy riffs, but also atmospheric riffs and acoustic sections, and lead themes and solos. The well playing rhythm section glues it all together.

The material is well written and while it´s based in black metal, there are also elements of death, thrash, doom, and progressive metal in the music. Acoustic sections have been a part of Shining´s material for years, and that trend continues on "IX – Everyone, Everything, Everywhere, Ends". This time even to the extent where they are occasionally leaving metal territory and entering depressive rock territory. Not completely unlike the Norwegians in Seigmen, which is an act main composer Kvarforth has admired for years, and who Shining even did a cover of on "VI: Klagopsalmer (2009)". So the material is quite varied, and occasionally even a bit quirky (both "Människotankens vägglösa rum" and "Inga broar kvar att bränna" fit that description).

"IX – Everyone, Everything, Everywhere, Ends" is well produced, featuring a powerful, clear, and professional sounding production, which suits the music well. So upon conclusion it´s another high quality release by Shining. I don´t think it´s their strongest output in recent years, but both new listeners and fans should still be able to have a blast with this one. A 3.5 - 4 star (75%) rating is deserved.

SHINING VI: Klagopsalmer

Album · 2009 · Black Metal
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Klagopsalmer finds Shining persisting with the musical approach they'd adopted on Halmstad, and whilst it doesn't quite feel as fresh as it did on that album, it's still nice to hear them really going to town on embellishing the quieter sections of their loud/quiet blueprint. Shining could probably be accused of sticking to their basic formula once again, but the additions to the formula attained during the Halmstad era have clearly stuck, and consequently their sound still feels moderately refreshed here. I don't think this album is the equal of Halmstad, which I would personally recommend to most listeners as their starting point in exploring the miserable world of Shining, but it's not bad either.

SHINING V: Halmstad

Album · 2007 · Depressive Black Metal
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Emerging in the wake of the whole "Ghoul" debacle (in which Kvarforth and Shining tried their best to convince the world that Kvarforth had committed suicide without ever directly stating it for the sake of plausible deniability when the sham was revealed), V: Halmstad reveals a rejuvenated and refreshed Shining. It's not that their formula has radically changed here, but the application of the formula is masterful and compelling. In particular, the band have clearly honed their skills when it comes to the quieter instrumental sections, and the tightened up sound there really helps the compositions hang together. If Kvarforth needed to pull a tasteless prank on the black metal scene in order to produce this album, I'm inclined to forgive him when the results are this good.

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