ANATHEMA
Non-Metal / Doom Metal / Metal Related • United Kingdom

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Anathema is an English band based in the city of Liverpool, associated with "atmospheric" rock, as well as death/doom metal from their debut days.

Current Members Vincent Cavanagh - Lead vocals, rhythm guitar, acoustic guitar (1990-present) Daniel Cavanagh - Lead guitar, vocals (1990-2002, 2003-present) (Lid, Antimatter, Leafblade) Jamie Cavanagh - Bass (1990-1991, 2001-present) Les Smith - Keyboards (2000-present) (ex-Cradle of Filth, Antimatter, Ship of Fools) John Douglas - Drums (1990-1997, 1998-present) Lee Douglas - Vocals (2000-present)

Anathema formed in 1990 as a doom metal band, initially under the name 'Pagan Angel'. In November of that year, the band recorded their first demo, entitled An Iliad of Woes. This demo caught the attention of several bands from the English metal scene, allowing Anathema to play gigs with bands like Bolt Thrower and Paradise Lost. At the beginning of 1991, the band adopted its current name, and gained a lot of attention
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ANATHEMA Discography

ANATHEMA albums / top albums

.. Album Cover 3.13 | 17 ratings
Serenades
Doom Metal 1993
.. Album Cover 3.71 | 23 ratings
The Silent Enigma
Doom Metal 1995
.. Album Cover 3.21 | 18 ratings
Eternity
Doom Metal 1996
.. Album Cover 3.97 | 39 ratings
Alternative 4
Metal Related 1998
.. Album Cover 3.86 | 41 ratings
Judgement
Non-Metal 1999
.. Album Cover 3.67 | 26 ratings
A Fine Day to Exit
Non-Metal 2001
.. Album Cover 3.85 | 28 ratings
A Natural Disaster
Non-Metal 2003
.. Album Cover 4.00 | 10 ratings
Hindsight
Non-Metal 2008
.. Album Cover 3.98 | 35 ratings
We're Here Because We're Here
Non-Metal 2010
.. Album Cover 3.87 | 15 ratings
Falling Deeper
Non-Metal 2011
.. Album Cover 3.79 | 27 ratings
Weather Systems
Non-Metal 2012
.. Album Cover 3.87 | 13 ratings
Distant Satellites
Non-Metal 2014

ANATHEMA EPs & splits

.. Album Cover 2.09 | 7 ratings
The Crestfallen EP
Doom Metal 1992
.. Album Cover 3.17 | 11 ratings
Pentecost III
Doom Metal 1995
.. Album Cover 0.00 | 0 ratings
Alternative Future e.p.
Non-Metal 1998

ANATHEMA live albums

.. Album Cover 0.00 | 0 ratings
Untouchable
Non-Metal 2012

ANATHEMA demos, promos, fans club and other releases (no bootlegs)

.. Album Cover 0.00 | 0 ratings
An Iliad of Woes
Doom Metal 1990
.. Album Cover 5.00 | 1 ratings
All Faith Is Lost
Doom Metal 1991
.. Album Cover 0.00 | 0 ratings
The Sweet Suffering
Doom Metal 1994
.. Album Cover 0.00 | 0 ratings
Demos '97
Doom Metal 1997

ANATHEMA boxset & compilations

.. Album Cover 0.00 | 0 ratings
Resonance
Non-Metal 2001
.. Album Cover 0.00 | 0 ratings
Resonance 2
Non-Metal 2002
.. Album Cover 4.00 | 1 ratings
Pentecost III / Crestfallen
Doom Metal 2004

ANATHEMA singles (8)

.. Album Cover
4.50 | 1 ratings
They Die / Crestfallen
Doom Metal 1992
.. Album Cover
0.00 | 0 ratings
We Are the Bible
Doom Metal 1994
.. Album Cover
0.00 | 0 ratings
Make it Right
Non-Metal 1999
.. Album Cover
0.00 | 0 ratings
Deep
Non-Metal 1999
.. Album Cover
0.00 | 0 ratings
Pressure
Non-Metal 2001
.. Album Cover
0.00 | 0 ratings
Unchained (Tales of the Unexpected)/Flying
Non-Metal 2008
.. Album Cover
0.00 | 0 ratings
Everything
Non-Metal 2010
.. Album Cover
0.00 | 0 ratings
Dreaming Light
Non-Metal 2011

ANATHEMA movies (DVD, Blu-Ray or VHS)

.. Album Cover
3.50 | 1 ratings
A Vision of a Dying Embrace
Doom Metal 1997
.. Album Cover
4.50 | 2 ratings
Were You There?
Non-Metal 2004
.. Album Cover
3.77 | 6 ratings
A Moment in Time
Non-Metal 2006
.. Album Cover
4.83 | 3 ratings
Universal
Non-Metal 2013

ANATHEMA Reviews

ANATHEMA Judgement

Album · 1999 · Non-Metal
Cover art Buy this album from MMA partners
siLLy puPPy
ANATHEMA (which is Greek meaning something dedicated to evil) is a band that I have heard a few tracks from over the years and they have always rubbed me the wrong way therefore I have avoided this band like a flea-bitten varmint carrying the plague. The truth is this band has had so many different sounds over their career and judging them from any particular phase could leave out one phase that might actually rub you the right way. In this case their 5th studio album JUDGEMENT does just that and rubs that spot that feels oh so good. With a long list of credentials including a sound in alternative rock, acoustic rock, art rock and more, this album finds the band steering their ship out of doom metal waters into a progressive rock sea. In fact if you ask me this band is heavily influenced by the Porcupine Tree albums of the same era with a bit of alternative metal sounds a la Alice In Chains in the mix. Fortunately these influences are strong but not putting them into any particular clone department.

What I am finding pleasing about this album is the strong melodic melancholy with aspiring acoustic arpeggios mixed with grungy chords and passionate pleas to placate the pain. The story is the two Cavanaugh brothers recently lost their mother so the mood of the album fits. This album also finds the band losing bassist Duncan Patterson who was a major contributor in the songwriting department leaving Danny Cavanagh to take the major role as such. This was an album I picked up with much trepidation but since it was one of their highest rated and praised I thought I should at least give it a spin. I was fearing I would find it in the same camp as Opeth, which is a much beloved and highly praised band that I seem to lack the digestive enzymes to comprehend, but to my surprise despite the heavy influences being just a little too obvious, I find myself liking this album a lot. It has enough of its own personality to win me over. Now I can tiptoe through their discography a little bit more hoping to hit on another winner such as this.

ANATHEMA Distant Satellites

Album · 2014 · Non-Metal
Cover art Buy this album from MMA partners
UMUR
"Distant Satellites" is the 12th full-length studio album by atmospheric rock act Anathema. The album was released through Kscope in June 2014.

"Distant Satellites" treads an alternative/semi-progressive atmospheric rock path that is similar in sound and style to it´s predecessor "Weather Systems (2012)". The music is polished, dreamy, and slow building. Usually starting out mellow and then slowly building towards louder and more intense climaxes. The by now trademark melancholy of the band´s music is as prevailent here as it´s always been. This is not depressive music though and although it´s not exactly happy music either, there is an uplifting spirit about the whole affair, that makes "Distant Satellites" a predominantly light melancholic album rather than a dark depressive one.

The male vocals by Vincent Cavanagh and the female vocals by Lee Douglas are the center of attention on the album and they share the spotlight equally. Atmospheric keyboards and guitars, and a well playing rhythm section complete the band´s sound. Anathema have also included some electronic drumming on the album, which to my ears is a very successful move.

The first part of the album features organic drums, but when the 7th track "You´re Not Alone" kicks in, the music style changes a bit as a result of the electronic drums. It becomes more ambient and I´m reminded of artists like Massive Attack and Morcheeba. The short instrumental "Firelight" continues the ambient sound and the title track which follows is also quite ambient and features electronic drumming. The latter reminds me a lot of Coldplay and could in an edited version (this version is 8:17 minutes long) easily get radio airplay. It´s the perfect example of how far Anathema have come since their early doom/death metal days. It´s not unusual for Anathema to tweek their sound during an album. They did the same on "Weather Systems (2012)". They do it skillfully though which means that their core style and atmosphere are intact throughout.

"Distant Satellites" is packed in an organic and pleasant sounding production which fits the music perfectly, and all in all it´s another high quality release by Anathema. If I have to voice a minor complaint it would be about the lyrics, which are at times a bit too simple, naive, and starry eyed, and not exactly written with the greatest finesse. I´ll even go as far as to call them teenage-angsty, which is a bit odd to me, as I know these guys (and girl) are in their 30s/40s. Oh well...they are fortunately sung by strong voices and wrapped in beautiful melodies, so it is a minor complaint and a 3.5 - 4 star (75%) rating is still deserved.

ANATHEMA Distant Satellites

Album · 2014 · Non-Metal
Cover art Buy this album from MMA partners
arcane-beautiful
Anathema to me can do no wrong. After their last album being an epic masterpiece, and their previous effort being a brilliant album in its own right, I was so incredibly stoked for this album.

The band have shown an almost found love for what they do after coming back from a hiatus in 2009, and their new reinvigorated sound means that the band have been able to release albums consistently every 2 years.

Musically the album takes a darker move than compared to their last two albums and touches upon some sounds from “A Natural Disaster.” While “Weather Systems” was very much a bright and joyous album, this one touches upon more melancholic feelings. There are some very beautiful and joyous moments throughout, but this is definitely one of the bands darkest albums in the past few years.

The album also seems to have two very noticeable sounds. While the first half is very much a prog rock album, the other half dwells on more experimental and electronic sounds. Now it does make the album a little less cohesive, but it does make the album that much more interesting.

The opening track “The Lost Song Part 1” is an epic opener. Opening with some beautiful strings the song goes into an offbeat drum pattern with some brilliant instrumental decorations. A brilliant and passionate vocal performance from Vincent and Lee also adds a lot of depth to the song.

One of the biggest growers on the album would have to be “The Lost Song Part 2.” While “Ariel” was tugging at my heart strings these past few days, this one has probably over shadowed it. In fact, this is definitely up there with my favorite Anathema songs and would probably be one of the most beautiful songs ever written. A beautiful arrangement and some heart felt vocals from Lee, the track can almost bring a grown man to tears.

My personal favorite track on the album would have to be “Ariel.” An almost sister song to “The Lightning Song”, it is a more melancholic departure for the band. Incredibly beautiful with some brilliant clashes and crescendos.

One of the darkest tracks on the album would have to be “Anathema.” Building up and climaxing into and epic chorus and a pretty amazing ending guitar solo, the song is a very emotional track with some brilliant clashes and crescendos throughout.

“You're Not Alone” is a very interesting track. With some electronic beats and over layered vocals, the song bursts into a heavy and clashing ending. Probably one of the heaviest songs on the album.

The title track is an interesting take for the band. Focusing more on the electronic sound of the band, its a very soft song with some beautiful melodies. I do feel the song does drag on a tiny bit too long, but it is pretty good nontheless.

The albums ending “Take Shelter” is a very soft and beautiful way to end the album. With some light falsetto vocals from Vincent and trip hop inspired beats, the song ends very beautifully...as an Anathema album should do.

In conclusion, I don't prefer this to their last album “Weather Systems.” But in all honesty, “Weather Systems” is probably one of my favorite albums ever recorded. This album is a brilliant follow up and a masterpiece of songwriting. Experimental and a step in the right direction, the band have again proved that they are probably the most interesting musical act going. This album takes a good bit of time to digest...but when it does, the after taste is sweeter than honey.

9/10

Genres: Progressive Rock, Experimental Rock, Electronic, Symphonic Rock, Art Rock, Post Rock, Pop Rock, Hard Rock, Trip Hop

Country of origin: England

Year of release: 2014

ANATHEMA Weather Systems

Album · 2012 · Non-Metal
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Kingcrimsonprog
Anathema are a British modern Progressive Rock band, who started their career as a Death-Doom band in the early nineties. Their 2012 album Weather Systems was my entry point to the band, and since its release I have constantly listened to it, over and over, absorbing more and more of its obvious entertainment factor and its hidden depths. It got me hooked on the band and started me off getting more of their albums.

The record starts off with the fantastic ‘Untouchable’ which is an incredibly powerful and interesting track that constantly builds up, its got brilliant evocative lyrics and an emotionally charged mixture of male and female vocals. This is followed by the bittersweet piano driven ‘Untouchable Prt 2.’ From then on the album goes through a range of different moods and atmospheres, from light to dark, happy to sad. There’s strings, spoken word sections, acoustic sounds, electronicy glitching and more, and its all topped off with deep intriguing lyrics and a crystal clear production job.

Highlights include the aforementioned Untouchables as well as the ‘Sunlight’ and ‘The Beginning And The End’ although to be fair there is absolutely no filler, the record is a strong journey from beginning to end. There are some naysayers to the album out there, most of whom are either caught out by an album they expected to be heavy but wasn’t, or are fans of the band’s early days and don’t like the new direction. I can see how very different this is to anything the band did at the start of their career, and if you came in expecting something that sounds like early My Dying Bride or Paradise Lost then it may be disappointing, as there is nothing in the way of Death or Doom on offer here at all, but this is an extremely enjoyable, masterfully crafted modern Progressive Rock album, full of interesting, inventive tracks that flows really well as an album and that just grows and grows with every listen.

If you are a fan of bands like Porcupine Tree, Riverside, Tool, Rishloo, Amplifier or even The Mars Volta, Coheed & Cambria or Dream Theater, you may at least want to check this album out. Overall; Since I first heard it, I’ve grown extremely fond of this record, its got some of my favourite ever songs on it and I highly, highly recommend it, if you think you might like it.

ANATHEMA We're Here Because We're Here

Album · 2010 · Non-Metal
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Warthur
Every so often I decide to give late-period Anathema another chance, reasoning that the high regard they are held in by so many prog fans must have some justification. Every time I come away mystified. To give them credit on We're Here Because We're Here, they at least ease off a little on the "echoing telephone" vocal effect so beloved by Pink Floyd imitators everywhere; it's still here and still overused, but it's somewhat quieter and less blatant this time. However, the musical package as a whole consists of slick, smooth and absolutely unthreatening melodic rock. If you like your prog to lack bite or an edge, if you prefer your rock music completely emasculated and unchallenging, if you really don't want your Floyd-influenced ex-metal prog albums to surprise you in any way, I guess We're Here Because We Here more than merits the good reviews it's received. For my part, though, this just doesn't measure up.

ANATHEMA Movies Reviews

ANATHEMA A Moment in Time

Movie · 2006 · Non-Metal
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Conor Fynes
'A Moment In Time' - Anathema (5/10)

First off, might I say that the rating for this work is not based on the music itself. 'A Moment In Time' is being rated here for what it is; a piece of visual media. The songs themselves are amazing, and have been commended as such on other reviews. As far as being a vessel for such beautiful music however, this DVD really comes up short. There are so many errors that make it a sloppy creation, that could have been avoided and corrected had extra care been given.

As far as the musical arrangement goes, things are really good. As well as the band performing, there is a string quartet that plays throughout, as well as a guest appearance from a talented female vocalist. The vocal passion I generally expect from Vincent Cavanagh is a bit lacking here, but that can be forgiven. There's a nice setup here, a beautiful selection of songs, so what could go wrong?

Throughout watching 'A Moment In Time,' I find myself increasingly agitated over the camera work. The camera is fixated on the vocalist, and fails to give a visual mention to either the bass player or rhythm guitarist almost at all!

Another issue is the recording of the sound. For example, during the climax of 'Empty,' the vocals drown out completely for a few seconds. For a band that's had such a high standard of musical quality, my jaw dropped at how they could ever let a DVD release come out to the general public with that sort of negligence.

Despite it's flaws and failure as a professional DVD release however, being an Anathema fan; it's hard to not at least find some enjoyment in it, and there's an CD counterpart included as well! Two stars.

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