Kev Rowland

Kev Rowland
MMA Special Collaborator · Errors & Omissions Team
Registered more than 2 years ago · Last visit 13 days ago

Favorite Metal Artists

All Reviews/Ratings

337 reviews/ratings
ENSLAVED - RIITIIR Progressive Metal | review permalink
SYLOSIS - Monolith Thrash Metal | review permalink
RIVERSIDE - Shrine of New Generation Slaves Metal Related | review permalink
SOILWORK - The Living Infinite Melodic Death Metal | review permalink
NEAL MORSE - Live Momentum Non-Metal | review permalink
HYPOCRISY - End Of Disclosure Melodic Death Metal | review permalink
AVANTASIA - The Mystery of Time Traditional heavy metal | review permalink
DARK SERMON - In Tongues Deathcore | review permalink
SPIRITUAL BEGGARS - Earth Blues Hard Rock | review permalink
BLACK STAR RIDERS - All Hell Breaks Loose Hard Rock | review permalink
STALA & SO. - Play Another Round Glam Metal | review permalink
VANDROYA - One Power Metal | review permalink
ORPHANED LAND - All Is One Folk Metal | review permalink
HYPOCRISY - Penetralia / Osculum Obscenum Death Metal | review permalink
8 FOOT SATIVA - The Shadow Masters Thrash Metal | review permalink
LINGUA MORTIS ORCHESTRA - LMO Symphonic Metal | review permalink
WE CAME AS ROMANS - Tracing Back Roots Metalcore | review permalink
WATAIN - The Wild Hunt Black Metal | review permalink
HAKEN - The Mountain Progressive Metal | review permalink
DROTTNAR - Stratum Black Metal | review permalink

See all reviews/ratings

Metal Genre Nb. Rated Avg. rating
1 Progressive Metal 44 3.98
2 Hard Rock 39 3.67
3 Black Metal 33 3.79
4 Traditional heavy metal 33 3.61
5 Power Metal 26 3.62
6 Death Metal 23 4.00
7 Thrash Metal 21 3.83
8 Doom Metal 13 3.65
9 Alternative Metal 10 3.35
10 Deathcore 9 3.83
11 Melodic Death Metal 8 4.44
12 Metalcore 7 3.79
13 Symphonic Metal 7 3.71
14 Folk Metal 6 3.67
15 Glam Metal 5 3.90
16 Technical Death Metal 5 4.10
17 Metal Related 4 5.00
18 Groove Metal 4 3.88
19 Atmospheric Black Metal 4 4.00
20 Atmospheric Sludge Metal 4 3.38
21 Brutal Death Metal 4 3.88
22 US Power Metal 4 3.75
23 Gothic Metal 3 3.33
24 Melodic Black Metal 3 3.50
25 Non-Metal 3 4.33
26 Industrial Metal 2 3.50
27 Sludge Metal 2 2.25
28 Speed Metal 2 3.25
29 Symphonic Black Metal 2 5.00
30 Crossover Thrash 2 3.25
31 Death 'n' Roll 1 2.50
32 Avant-garde Metal 1 3.00
33 Depressive Black Metal 1 2.00
34 Death-Doom Metal 1 4.50
35 NWoBHM 1 3.00

Latest Albums Reviews

PARADISE LOST Medusa

Album · 2017 · Death-Doom Metal
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Formed in 1988 in Halifax, West Yorkshire, Paradise Lost are not only known as one of the most distinctive acts in metal - their music arguably defined the gothic subgenre and raised doom metal to a new level - they are also considered pioneers of an entire musical generation. Never ones to hesitate to explore undiscovered paths, they have encompassed many genres during their career - from their death metal beginnings to the more mainstream electronic dark-pop album ‘Host’, electronic influences on ‘Symbol Of Life’ alongside majestic gothic moments. Vocalist Nick Holmes, guitarists Greg Mackintosh and Aaron Aedy, along with bassist Steve Edmondson have never ceased to follow their own vision. The quartet has been an inseparable unit since its inception, with only the drummer's position changing hands several times. The latest incumbent, Waltteri Väyrynen, is only 22 years old, while the band have now been in existence for nearly 30!

With their last album, they showed that they were starting to return to their roots, and that has journey has progressed with ‘Medusa’, which is certainly one of, if not the, heaviest album they have ever released. Here we have doom and gothic metal hitting head on and being brought to live with vocals that owe more to the death scene than any other. There is a quality here that is hard to define, as they bring all the misery of Northern England to bear in 43 minutes of depressing, intense, music. Here is a band that is refusing to rest on their considerable laurels, but instead continue to push boundaries, and to my ears this is easily the most complete work they have ever produced. The drum and bass are crushing, the riffs are solid slabs of lead, while the solos are uplifting and almost cathartic while Nick Holmes shows no sign at all of mellowing in his middle age. I discovered that the more I listened to the album, the more I kept turning up the volume, until the neighbours the other side of the neighbours could share it as well. This is certainly one of the finest metal albums to come out of the UK this year.

KADAVAR Rough Times

Album · 2017 · Hard Rock
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Two years on and the trio are back proving that they fully understand their niche and feel no need whatsoever to move away from it. The slight change in the sound is that the bass has been given more prominence and a far richer sound, but apart from that it is another album straight from the Kadavar playbook, namely doom, psyche and hard rock with major influenced from the likes of Sabbath, Cream and Atomic Rooster. Somehow, they always manage to imbue the music with a vitality, a real energy, and it is this that really makes them standout from others following a similar musical journey. This album has moved them more into classic Sabbath territory than ‘Berlin’, but for someone who grew up cutting his teeth on those albums that’s never going to be a bad thing. But whereas many bands appear to emphasise the doom-laden riffs of that group, Kadavar never forget the need for balance, and this album comes across as refined and polished, as well as raw and grungy all at the same time.

This is their fourth studio album, and they continue to mine a rich vein of material, and although it may never be the most fashionable forms of metal, they are experts at what they do and it is of little surprise that their third release gained some chart success on both Germany and the States, and this one will do the same I’m sure. There is much here for any fan of the genre to really get their teeth and ears into.

KADAVAR Berlin

Album · 2015 · Hard Rock
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The cover to the German trio’s third full-length studio album has a very Seventies feel about it, and the music on offer definitely belongs to the first part of that decade, if not earlier. But, given that the first two albums looked as if they belonged firmly in the Sixties, possibly the band are coming more up to date? By now bassist Simon ‘Dragon’ Bouteloup was fully ensconced in the band, having only contributed to a few songs on the previous album, joining Christoph ‘Lupus’ Lindemann (vocals, guitars) and Christoph ‘Tiger’ Bartelt (drums) in making a glorious sound that owes a great deal to the few years either side of 1970. The guitars are distorted when they need to be, or clean and fine at others, while the drums are solid and the bass moved between hitting a solid single note and going off at tangents.

Somehow the band manage to mix Cream, Black Sabbath, Atomic Rooster (although with no keyboards) and others in a celebration of bell-bottomed flares, long hair, and loud music that is exciting, invigorating and undoubtedly honest. This is music guaranteed to get the sweat running down the walls, and turn even the most svelte and sedate manner rocker into a greasy mess of hair and snot.

Music guaranteed to make lovers of the Seventies and Sixties smile, their version of doom, psyche and straight ahead hard rock is a joy from start to end. If you like the genre then this is essential, but if not then I suggest you pass quickly by while the rest of lose our dandruff.

CRADLE OF FILTH Cryptoriana - The Seductiveness of Decay

Album · 2017 · Symphonic Black Metal
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It is hard to believe that Cradle of Filth have now been making a nuisance of themselves for more than 25 years, but here they are back with their 12th album, their second for Nuclear Blast. True, they have been through one or two musicians during that period (okay, so it’s the best part of 30, but who’s counting?), and while Dani has been there since the very beginning, only drummer Marthus can also claim to have been with the band for more than five years. Somehow it never seems to matter, as Dani has a very strong view on what the band should sound like, and the image they should portray, and to my ears it seems like all the travails and efforts have been leading to this point as to my poor abused ears this is the finest thing they have ever done.

For me there has always been a fine line with CoF as to whether they really mean it, or if they are in danger of becoming a parody of the very thing they are trying to represent, but here their blend of symphonic gothic black metal hits every mark, every time. I just can’t fault this album, as from beginning to end I found myself deep inside the dark world of Dani’s creation, where the drums pummel when they need to, the guitars are clean and melodic or distorted and riffing as the need arises, the symphonic histrionics are just right, the female vocals create just the right amount of balance (congratulations to Lindsay Schoolcraft who has large shoes to fill – I was always a huge fan of Sarah Jezebel Deva – but here she gets it spot on) and then there is Dani. Now solidly into his forties, young(ish) Mr. Filth has created an album that takes the bands to new heights, and while I have always had a soft spot for ‘Dusk...And Her Embrace’, I know this has taken the #1 slot for me. If you love CoF then rush out and get this now, as it is everything you have ever enjoyed about the band, just taken to the next level. If you have never been too sure, then now is the time to give them another try.

BLINDFOLDED AND LED TO THE WOODS Modern Adoxography

Album · 2017 · Deathcore
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Christchurch is the third largest city on New Zealand, with a population of approximately 450,000. For those who are unaware, Christchurch was struck by two earthquakes in September 2010 and January 2011, which caused considerable damage to the city and the loss of 185 people. Since then the city has been rebuilding, both physically and emotionally, and the result is a community that is incredibly close and bonded together. I live some 30 minutes outside the city, near the township of Oxford, and have been here for a couple of years now. All of this makes me feel incredibly annoyed that the only way I have managed to discover this death metal outfit is by being sent a digital copy by an American PR company!

Apparently, “Adoxography” is a term coined in the late 19th century, and means "fine writing on a trivial or base subject". That these guys have been inspired by Dillinger Escape Plan, and have been supporting them on their recent NZ tour, is of little surprise. Here was have death metal with a crazed edge, music that is abrasive, sharp and twisted, while losing none of the brutality that one would expect from the genre. Here we have ten relentless tracks in thirty-five minutes of crushing riffs, technical wizardry, and merciless vocals. While the band's musical foundation is built upon brutal death metal, elements of demented grindcore and bizarre sci-fi tones weave their way into the complex structures, resulting in an engaging and damaging listening experience.

I can only hope that the guys are able to tour outside Aotearoa, as music as good as this needs to be heard by a much wider audience than the restricted population of New Zealand can afford. This is brutal, uncompromising, and very, very good indeed.

Latest Forum Topic Posts

  • Posted more than 2 years ago in Ministry 'Work for love' and other things
    [QUOTE=UMUR]You are welcome to retag and move those releases to where you think they fit best. I´m not that familiar with that part of Ministry´s disco. Normally I would ask such a question in the relevant sub genre team thread. [/QUOTE]This is an example of where MMA and PA are quite different, in that in PA the band itself is tagged as being a specific sub genre so therefore all albums have to go under that genre, whether they 'fit' or not. To move a band from one sub to another, the 'holding' sub has to vote and agree that they should be moved, and then the 'receiving' sub has to vote to take them in. If they refuse then they stay where they are.This means that MMA has an advantage in that a band and their output can be more correctly tagged, but it can lead to complications. I would personally always post in the relevant sub genre before moving a band, just to check that the team were happy with it. I remember being mortified to see that Thunder were shown as a glam band, but still asked permission before I moved it.Thanks for moving all the Ministry albums - I just went to do that.Jonas - thanks for the TSOS reviews. I was with the band a couple of nights ago and they are really stoked with them, and said wonderful things about you as a writer as well! 
  • Posted more than 2 years ago in Finger Eleven Living in a Dream
    [QUOTE=Unitron]Finger Eleven's single 'Living in a Dream' must have accidentally been added to studio albums. [/QUOTE] Amended. Thanks for letting us know
  • Posted more than 2 years ago in An endless sporadic new single mistake
    [QUOTE=vmoore]Hi i made a mistake on the musicials part of the new An Endless Sporadic Single Spaceship Factory that I put up. I put is based on what they have on their website when on bandcamp the musicians for this is different and in the video there is more than just 2 guys playing. This is what it is supposed to be. Please fix itZach Kamins - Guitars and Keyboards Andy Gentile - Drums Eloy Palacios - Bass Tony Solís - Additional Guitars [/QUOTE]  All done

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