Kev Rowland

Kev Rowland
MMA Special Collaborator · Errors & Omissions Team
Registered more than 2 years ago · Last visit 12 days ago

Favorite Metal Artists

All Reviews/Ratings

353 reviews/ratings
ENSLAVED - RIITIIR Progressive Metal | review permalink
SYLOSIS - Monolith Thrash Metal | review permalink
RIVERSIDE - Shrine of New Generation Slaves Metal Related | review permalink
SOILWORK - The Living Infinite Melodic Death Metal | review permalink
NEAL MORSE - Live Momentum Non-Metal | review permalink
HYPOCRISY - End Of Disclosure Melodic Death Metal | review permalink
AVANTASIA - The Mystery of Time Heavy Metal | review permalink
DARK SERMON - In Tongues Deathcore | review permalink
SPIRITUAL BEGGARS - Earth Blues Stoner Rock | review permalink
BLACK STAR RIDERS - All Hell Breaks Loose Hard Rock | review permalink
STALA & SO. - Play Another Round Glam Metal | review permalink
VANDROYA - One Power Metal | review permalink
ORPHANED LAND - All Is One Folk Metal | review permalink
HYPOCRISY - Penetralia / Osculum Obscenum Death Metal | review permalink
8 FOOT SATIVA - The Shadow Masters Thrash Metal | review permalink
LINGUA MORTIS ORCHESTRA - LMO Symphonic Metal | review permalink
WE CAME AS ROMANS - Tracing Back Roots Metalcore | review permalink
WATAIN - The Wild Hunt Black Metal | review permalink
HAKEN - The Mountain Progressive Metal | review permalink
DROTTNAR - Stratum Black Metal | review permalink

See all reviews/ratings

Metal Genre Nb. Rated Avg. rating
1 Progressive Metal 46 4.00
2 Hard Rock 35 3.53
3 Heavy Metal 34 3.56
4 Black Metal 33 3.83
5 Power Metal 29 3.66
6 Death Metal 25 3.98
7 Thrash Metal 22 3.80
8 Doom Metal 10 3.50
9 Melodic Death Metal 10 4.35
10 Alternative Metal 9 3.33
11 Deathcore 7 3.79
12 Metalcore 7 3.86
13 Symphonic Metal 7 3.71
14 Metal Related 6 4.75
15 Folk Metal 6 3.67
16 Glam Metal 5 3.90
17 Technical Death Metal 5 4.10
18 US Power Metal 4 3.75
19 Atmospheric Black Metal 4 4.00
20 Atmospheric Sludge Metal 4 3.38
21 Brutal Death Metal 4 3.88
22 Non-Metal 4 4.13
23 Groove Metal 4 3.88
24 Melodic Black Metal 3 3.50
25 Heavy Psych 3 4.00
26 Stoner Rock 3 4.33
27 Symphonic Black Metal 3 4.83
28 Industrial Metal 2 3.50
29 Melodic Metalcore 2 4.00
30 Sludge Metal 2 2.25
31 Speed Metal 2 3.25
32 Crossover Thrash 2 3.25
33 Gothic Metal 2 3.75
34 Grindcore 1 3.50
35 Depressive Black Metal 1 2.00
36 Death-Doom Metal 1 4.50
37 Death 'n' Roll 1 2.50
38 Avant-garde Metal 1 3.00
39 Stoner Metal 1 4.00
40 NWoBHM 1 3.00
41 Pagan Black Metal 1 3.00
42 Hardcore Punk 1 3.00

Latest Albums Reviews

AMORPHIS Queen Of Time

Album · 2018 · Progressive Metal
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After twelve albums, world tours, countless gold records, Amorphis are back with their mix of metal, folklore and rock. After their last tour they decided to take a break before going into the studio to rehearse the new album, so had a single day off, before starting the next chapter. This means that all the tightness and understanding that develops from being on the road and gigging were still very much there. In many ways it goes back to the early Seventies when bands were expect to either be on the road or in the studio, preferably releasing an album every 6-8 months. I remember reading an interview with Ian Anderson saying that all his downtime while on tour in the States was spent writing songs for the next Jethro Tull album as they had to be ready for the band to record before they headed back out on the next tour.

I have long been a fan of Amorphis, who somehow manage to bring together many different styles and influences yet make the music so complete and seamless that it always makes total sense. It doesn’t matter if there is a saxophone, or guitar solo, or choir, it is always exactly the right thing to move the music onwards. After their last album, ‘Under The Red Cloud’, some fans may have expected them to get even heavier, but here they have moved sideways and have brought in the likes Chrigel Glanzmann (Eluveitie) on pipes, laryngeal singer Albert Kuvezin and saxophonist Jørgen Munkeby, plus an orchestra and a choir, while also maintaining an incredibly heavy intensity. These elements deliver a dramatic and cinematic depth to the sound, making everything even more epic, even deeper, and even more meaningful than ever before.

As always, borne by Pekka Kainulainen's poetic lyrics, AMORPHIS penetrate deeper than ever into the thicket of folklore and cosmic contexts. "This time, Pekka tells about the cosmic powers that people believed in long ago in a very universal way: the rise and fall of cultures." This is also symbolized by the image of the bee on the album cover - the queen of time, as Holopainen explains the title of the album. "It represents the microcosm that can nevertheless trigger cataclysmic changes. The fall of world empires ushered in by a small sprouting seed. The butterfly that causes a hurricane." And as “Daughter Of Hate” needed a spoken part, lyricist Kainulainen also appears for the first time as a narrator. An excellent choice: His wise and venerable shaman-like voice is a perfect match to the music. Original bassist Olli-Pekka Laine, has also returned to the fold, following the departure of Niclas Etelävuori after 17 years, as the band look both back over what has gone before, and to the future with yet another stunning piece of work. From the production through to the quality and style of the songs, this is essential.

SKELETAL REMAINS Devouring Mortality

Album · 2018 · Death Metal
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Taking their name from a song by cult NY thrash band Demolition Hammer, covering a song by Carcass on the album, along with it being mixed and mastered by Dan Swanö (Opeth, Bloodbath) and featuring cover art by Dan Seagrave (Entombed, Suffocation, Dismember), it is safe to say that with their third full-length album American death metal band Skeletal Remains are not showing any signs at all of slowing down. These guys have obviously been heavily influenced by Death, with a technical old school sound that is reminiscent of Schuldiner. One of the delighst of this album is the way that they mix tempos,. Not afraid to slow it right down almost to doom speed when the time is right, this allows them to hit back with real impact when they ramp it up, but also shows on songs such as “Catastrophc Retribution” that solos don’t have to be at the speed of light to have the corrcet impact.

There is a lightness within this, with the bottom end not always a sprevalent as it might be, but with Chris Monroy’s vocals not also being a guttural and brutal as one might expect, it actually works together really well. This is a really easy album to listen to, which isn’t something that one can always say of the genre, yet contains plenty of dynamic shifts which are always in keeping with the tone and allows the band to create a distinct sound within the genre. More melodic than many, and certainly not as abrasive, this is an album which is essential for any fan of the genre.

DIMMU BORGIR Eonian

Album · 2018 · Symphonic Black Metal
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It has been way too long since Dimmu Borgir last released a studio album, and I felt the only way to be able to understand how this fits in the canon was by playing a few tracks from this and then dip into ‘Death Cult Armageddon’. This was an interesting exercise, not least because I always felt that a major part of their sound (at least for me) was the clean vocals of ICS Vortex, but of course he departed long ago. Vocalist Shagrath, as well as guitarists Silenoz and Galder are still there providing the material, while drummer Daray has been there for a decade, keyboard player Gerlioz has been there since 2010, so there is only one new boy, bassist Victor Brandt. Deciding to take their time on the songs has obviously been worthwhile, as there is far more breadth and depth to this than anything that have released previously. They have moved far more into the orchestral and symphonic arena, while still playing black metal like no-one else.

A special mention must be made of Gaute Storås and his work on the choral arrangements for the Schola Cantrum Choir, as it isn’t possible to overstate the impact they have had on the album as a whole. This is very much a metal band, but one that is attempting to create a genre of their own making, taking black metal and forcing into something that is far deeper, heavier and orchestral than anything they have managed up to this. The production is simply superb, incredibly clear while also very heavy indeed, allowing the band to spread their wings and show that when it comes to this style of music there are very few in the world who can even approach the majesty and dark beauty of what they are producing. It has been way too long since these guys have provided us with a new album, let’s just hope that the world tour to follow is just that, and that they make their way down here, as that would be a show not to miss.

CALIBAN Elements

Album · 2018 · Metalcore
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Caliban have been creating quite a noise in the metalcore scene since their inception in the late Nineties, and with the quintet managing to keep the same line-up together for fifteen years now is quite an achievement. Here they are back with the follow-up to 2016’s ‘Gravity’, and they seem to have increased the intensity in all areas. “’Elements’ is a logical progression from the last album,” says guitarist Marc Görtz. “But we definitely expanded the range of music we wanted to incorporate on ‘Elements’. It’s going in extremely different directions. It’s heavier, but also more melodic. Also, Andy is doing all the vocals—harsh and clean—on the new album.” This last is a change, as those duties are normally shared between Andreas Dörner and guitarist Denis Schmidt with competing styles, but here Dörner provides both melodic and gruff. Görtz says that when he started putting together the initial riffs for the album he was trying really hard not to listen to any other music so that he wasn’t influenced, but bands such as Meshuggah, Whitechapel and Trivium all seem to have made their way into his psyche.

It is the intensity that really blast out of the speakers and pins the listener against the far wall – if ever the States want to militarise music then they should look to this album to start with. That the band go between incredibly light and tremendously heavy only emphasises the difference between the two styles. They can keep it low and groove-ridden, suddenly knocking down the guitar tuning, or keep it riff-laden as if they are a new Cannibal Corpse before becoming a next generation Linkin Park. This is all over the place, so much so that one never knows quite where the musical journey is going to lead, except that it will be a fractured and enjoyable road to get there. Caliban are showing no sign at all of slowing down, and this may just be their finest release yet.

AT THE GATES To Drink From The Night Itself

Album · 2018 · Death Metal
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Although there have been some substantial gaps in their career, the line-up of At The Gates has been incredibly stable, having been the same since 1993. So, it was quite a blow when guitarist Anders Björler decided that it was time to move on. But, the band knew that they still had a great deal to offer, and called in old friend Jonas Stålhammar who they had known for almost thirty years. One rehearsal later and he had the job. It was important for the band to bring in someone who knew what they had been going through, had followed a similar musical journey, and also came from the same musical influences. Russ Russell was brought in as producer, and the result is one of the standout metal albums of the year.

By now most people would think that At The Gates would have nothing left to prove, having been at the forefront of the Swedish Death Metal scene for so many years, but while other bands have moved on and often changed their musical path ATG have double down and are bringing forth melodic death metal that is as heavy, violent and so damned enjoyable as anything they have released in the past. The band formed back in1990, yet here they are in 2018 showing all the young guns how to do it. The groove, they move, they mix incredibly light and delicate aspects into the thunderous sound, yet when the time is right they all lock in and bring it home. Tomas "Tompa" Lindberg still sounds like the angry young man he used to be, but now with more presence and command. He is at the forefront of what truly is a metallic monster casting all before it. Whatever anyone may want from a metal album, I can pretty much guarantee that this one has it. From the first note to the very last all I wanted to do was to keep turning it up time and again. It has been four years since the last album, let’s just hope that it isn’t so long until the next one.

Latest Forum Topic Posts

  • Posted more than 2 years ago in Ministry 'Work for love' and other things
    [QUOTE=UMUR]You are welcome to retag and move those releases to where you think they fit best. I´m not that familiar with that part of Ministry´s disco. Normally I would ask such a question in the relevant sub genre team thread. [/QUOTE]This is an example of where MMA and PA are quite different, in that in PA the band itself is tagged as being a specific sub genre so therefore all albums have to go under that genre, whether they 'fit' or not. To move a band from one sub to another, the 'holding' sub has to vote and agree that they should be moved, and then the 'receiving' sub has to vote to take them in. If they refuse then they stay where they are.This means that MMA has an advantage in that a band and their output can be more correctly tagged, but it can lead to complications. I would personally always post in the relevant sub genre before moving a band, just to check that the team were happy with it. I remember being mortified to see that Thunder were shown as a glam band, but still asked permission before I moved it.Thanks for moving all the Ministry albums - I just went to do that.Jonas - thanks for the TSOS reviews. I was with the band a couple of nights ago and they are really stoked with them, and said wonderful things about you as a writer as well! 
  • Posted more than 2 years ago in Finger Eleven Living in a Dream
    [QUOTE=Unitron]Finger Eleven's single 'Living in a Dream' must have accidentally been added to studio albums. [/QUOTE] Amended. Thanks for letting us know
  • Posted more than 2 years ago in An endless sporadic new single mistake
    [QUOTE=vmoore]Hi i made a mistake on the musicials part of the new An Endless Sporadic Single Spaceship Factory that I put up. I put is based on what they have on their website when on bandcamp the musicians for this is different and in the video there is more than just 2 guys playing. This is what it is supposed to be. Please fix itZach Kamins - Guitars and Keyboards Andy Gentile - Drums Eloy Palacios - Bass Tony Solís - Additional Guitars [/QUOTE]  All done

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