Kev Rowland

Kev Rowland
MMA Special Collaborator · Errors & Omissions Team
Registered more than 2 years ago · Last visit 2 days ago

Favorite Metal Artists

All Reviews/Ratings

331 reviews/ratings
ENSLAVED - RIITIIR Progressive Metal | review permalink
SYLOSIS - Monolith Thrash Metal | review permalink
RIVERSIDE - Shrine of New Generation Slaves Metal Related | review permalink
SOILWORK - The Living Infinite Melodic Death Metal | review permalink
NEAL MORSE - Live Momentum Non-Metal | review permalink
HYPOCRISY - End Of Disclosure Melodic Death Metal | review permalink
AVANTASIA - The Mystery of Time Traditional heavy metal | review permalink
DARK SERMON - In Tongues Deathcore | review permalink
SPIRITUAL BEGGARS - Earth Blues Hard Rock | review permalink
BLACK STAR RIDERS - All Hell Breaks Loose Hard Rock | review permalink
STALA & SO. - Play Another Round Glam Metal | review permalink
VANDROYA - One Power Metal | review permalink
ORPHANED LAND - All Is One Folk Metal | review permalink
HYPOCRISY - Penetralia / Osculum Obscenum Death Metal | review permalink
8 FOOT SATIVA - The Shadow Masters Thrash Metal | review permalink
LINGUA MORTIS ORCHESTRA - LMO Symphonic Metal | review permalink
WE CAME AS ROMANS - Tracing Back Roots Metalcore | review permalink
WATAIN - The Wild Hunt Black Metal | review permalink
HAKEN - The Mountain Progressive Metal | review permalink
DROTTNAR - Stratum Black Metal | review permalink

See all reviews/ratings

Metal Genre Nb. Rated Avg. rating
1 Progressive Metal 44 3.98
2 Hard Rock 37 3.65
3 Black Metal 33 3.79
4 Traditional heavy metal 33 3.61
5 Power Metal 26 3.62
6 Death Metal 24 4.00
7 Thrash Metal 21 3.83
8 Doom Metal 12 3.63
9 Alternative Metal 10 3.35
10 Deathcore 8 3.81
11 Metalcore 7 3.79
12 Symphonic Metal 7 3.71
13 Melodic Death Metal 7 4.50
14 Folk Metal 6 3.67
15 Glam Metal 5 3.90
16 Technical Death Metal 5 4.10
17 US Power Metal 4 3.75
18 Metal Related 4 5.00
19 Groove Metal 4 3.88
20 Atmospheric Black Metal 4 4.00
21 Atmospheric Sludge Metal 4 3.38
22 Brutal Death Metal 4 3.88
23 Gothic Metal 3 3.33
24 Melodic Black Metal 3 3.50
25 Non-Metal 3 4.33
26 Sludge Metal 2 2.25
27 Speed Metal 2 3.25
28 Industrial Metal 2 3.50
29 Crossover Thrash 2 3.25
30 Death 'n' Roll 1 2.50
31 Avant-garde Metal 1 3.00
32 Depressive Black Metal 1 2.00
33 Symphonic Black Metal 1 5.00
34 NWoBHM 1 3.00

Latest Albums Reviews

ACCEPT The Rise of Chaos

Album · 2017 · Traditional heavy metal
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Accept’s last album, ‘Blind Rage’, reached #1 in Germany and Finland, as well as several top 10 positions; Czech Republic, Hungary, Sweden, Switzerland, the UK and last but not least, the US. For a band that released their debut back in the Seventies, and have been following a fairly uncompromising path ever since, that is quite an achievement. So why change something that obviously works? This is straight forward basic heavy metal that wouldn’t have sounded out of place on 1983’s ‘Balls To The Wall’, but they know what their audience wants. One thing I have always liked about Accept is that one knows exactly what the album is going to sound like when the CD gets into the player, and by using Andy Sneap as producer one is also guaranteed that the production quality is going to be of the very highest order.

If you like Accept then you’ll enjoy this, and if you haven’t come across them before as you have been residing down a hobbit hole, then basic HM doesn’t get any better than this. Good and solid without being essential.

MAYHEM De Mysteriis Dom Sathanas Alive

Live album · 2016 · Black Metal
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There is no doubt that ‘De Mysteriis Dom Sathanas’ is one of the most important black metal albums ever released, and was awarded the #40 spot on Rolling Stone Magazine’s 100 Greatest Metal Albums Of All Time, where it stated “…Mysteriis… remains a singularly potent document, its expressions of alienation and nihilism lent an icy severity by Aarseth’s lacerating guitar buzz, session vocalist Attila Csihar’s arcane croak and presentation of Dead’s lyrical gothic terror and the pummelling drums of Hellhammer (Jan Axel Blomberg).”

Captured in Norrköping, Sweden in 2015 during the band’s headlining set at the Black Christmass Festival, the show marked Mayhem’s first time ever playing ‘De Mysteriis Dom Sathanas’ in full, and luckily even if we weren’t there we can now share the experience. It was recorded, mixed, and mastered by Tore Stjerna and NBS Audio and produced by vocalist Attila Csihar and guitarist Teloch. I was lucky enough to catch Mayhem at their first ever NZ gig a few years ago, and Attila has lost none of his power to shock and control an audience, and that is very much in evidence here. The album has not been over-produced, so it is still full of the raw and bleak sound that has made them so many fans. Available in digital and streaming formats as well as vinyl, this is a truly essential release for any fans of the genre.


Album · 2017 · Alternative Metal
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End of Green have been deploying their own styles of Goth, Doom, Metal, doleful Alternative metal for some twenty-five years, and with their ninth full-length album they are still desperate to find hope: based on this, I don’t think they’re going to find it any time soon, although they’re not going to give up hope just yet. Michelle Darkness sings touching and intimate dirges about aging, loss and loneliness, and on “Darkside of the Sun” he comes across so much like Pete Steele that I had to look to see if it was a Type O number. This is dark music, with a sense of bleakness permeating every note, yet Michelle is also trying to be optimistic as he says in “Unseen”, "Together, we are less alone.”

What is apparent throughout this album is that it is packed full of quality and thoughtfulness, this isn’t something that has been rushed, but instead each lyric has had the sweat poured over it, and then the music has been polished to ensure that it is all working together at its optimum. It is gothic, it is dark, yet there is that slight tinge of light that makes one think that although the band are inhabiting a very dark place indeed, there may be some light for them the other day of the cellar door. I wouldn’t recommend playing this album under the influence of anything, as this is music that needs to be played in the light of day, yet “Crossroads” shows that they can be lighter when they want to be. Commercial, yet never compromising this is a mature album that shows that even though they have been around for quarter of a century they are showing no sign whatsoever of slowing down yet.

DYSCARNATE With All Their Might

Album · 2017 · Death Metal
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This is the third full-length for UK death metal trio Dyscarnate, and their first on Unique Leader. Since they released their debut EP back in 2008 the guys have been steadily gaining much critical acclaim with their debut album getting them named “best new death metal band in the UK, without question” by none less than Terrorizer magazine, while the second saw Metal Hammer crowning the band, “the new kings of UK death”. It has been five years since that release, during which time they have been honing their craft onstage, playing gigs with the likes of Cannibal Corpse, Carcass, Fear Factory, Gojira, and Decapitated, but at long last they are back.

With Matt Unsworth keeping everything solid at the back, it is down to Tom Whitty (guitar, vocals) and Al Llewellyn (bass, vocals) to demonstrate that they are still one of the best bands around when it comes to true brutal death metal, and this they do with aplomb. Having two singers, both in the death style but different from each other, gives the band an edge, while the number of hours they have played together comes through in that they are so tight. Bass and guitar is often as one, driving the sound into the cerebral cortex. Death metal in its truest form rarely gets much better than this.

DE PROFUNDIS Decayed: 2007 - 2017

Promos, fans club and other releases (no bootlegs) · 2017 · Death Metal
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Zero Tolerance Magazine have always been big supporters of De Profundis and so, when discussions turned to how best to celebrate the first ten years of the band’s recording history, they decided to give something back to their loyal fans and the avid readers of the magazine. Rather than release their retrospective compilation, ‘Decayed: 2007 – 2017’, in the usual manner, De Profundis chose to work with Zero Tolerance to give 10,000 copies away, free, with every newsstand copy of issue 79 of the prestigious magazine. ‘Decayed...’ features nine remastered songs selected from across the De Profundis discography and one exclusive new track, “An Orgy Of Grotesqueries”.

I am somewhat surprised to have not come across these guys before, as their take on Death Metal (also heavily influenced by Black Metal) is a feast for the ears. Even when putting this on for the first time there is a realisation that something isn’t quite the same as the rest, and it is only with careful listening that one realises that bassist Arran McSporran is doing something virtually unheard of in extreme music, namely he is playing a fretless instrument. This is something that is normally heard far more in jazz and blues, but the warmth of the sound (even though still played with the aggression one would expect in this genre) gives the music a quite different edge. Add to that great vocals, and powerful highly interlinked riffing backed with a barrage of drums and I am incredibly surprised that these guys have been around for ten years and haven’t become a major name. Zero Tolerance magazine says that De Profundis are “one of the UK’s best underground metal bands”, but surely it can only be a matter of time before they make it out of the underground into wider recognition. This is essential listening.

Latest Forum Topic Posts

  • Posted more than 2 years ago in Ministry 'Work for love' and other things
    [QUOTE=UMUR]You are welcome to retag and move those releases to where you think they fit best. I´m not that familiar with that part of Ministry´s disco. Normally I would ask such a question in the relevant sub genre team thread. [/QUOTE]This is an example of where MMA and PA are quite different, in that in PA the band itself is tagged as being a specific sub genre so therefore all albums have to go under that genre, whether they 'fit' or not. To move a band from one sub to another, the 'holding' sub has to vote and agree that they should be moved, and then the 'receiving' sub has to vote to take them in. If they refuse then they stay where they are.This means that MMA has an advantage in that a band and their output can be more correctly tagged, but it can lead to complications. I would personally always post in the relevant sub genre before moving a band, just to check that the team were happy with it. I remember being mortified to see that Thunder were shown as a glam band, but still asked permission before I moved it.Thanks for moving all the Ministry albums - I just went to do that.Jonas - thanks for the TSOS reviews. I was with the band a couple of nights ago and they are really stoked with them, and said wonderful things about you as a writer as well! 
  • Posted more than 2 years ago in Finger Eleven Living in a Dream
    [QUOTE=Unitron]Finger Eleven's single 'Living in a Dream' must have accidentally been added to studio albums. [/QUOTE] Amended. Thanks for letting us know
  • Posted more than 2 years ago in An endless sporadic new single mistake
    [QUOTE=vmoore]Hi i made a mistake on the musicials part of the new An Endless Sporadic Single Spaceship Factory that I put up. I put is based on what they have on their website when on bandcamp the musicians for this is different and in the video there is more than just 2 guys playing. This is what it is supposed to be. Please fix itZach Kamins - Guitars and Keyboards Andy Gentile - Drums Eloy Palacios - Bass Tony Solís - Additional Guitars [/QUOTE]  All done


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