NEAL MORSE
Metal Related / Progressive Metal • United States

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Neal Morse is a U.S.-based progressive rock musician. He is best known for being a founding member and ex-frontman of famed progressive rock band Spock’s Beard. After being the band leader of Spock’s Beard and a member of prog supergroup Transatlantic for many years, Neal became a born-again Christian in 2002. As a result of his personal faith, he left both bands and began a solo career with Christian-themed lyrics.

In 2003 he released Testimony, a daring double-concept album that further established his place as a progressive rock legend. In addition to many “Worship Session CD’s”, Neal released another religious-themed concept album in 2004 titled “One”.

Although Neal Morse is not a metal artist, he has released 2 albums in his career that can be recognized as progressive metal. 2005’s “?” and 2007’s “Sola Scriptura” are both religious-themed concept albums, but feature heavy riffing, complex and dense instrumental passages, and metal-oriented drumming
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LifelineLifeline
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Cover to CoverCover to Cover
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NEAL MORSE Discography

NEAL MORSE albums / top albums

.. Album Cover 0.00 | 0 ratings
Neal Morse
Metal Related 1999
.. Album Cover 0.00 | 0 ratings
Merry Christmas From the Morse Family
Metal Related 2000
.. Album Cover 3.50 | 1 ratings
It's Not Too Late
Metal Related 2001
.. Album Cover 4.02 | 2 ratings
Testimony
Metal Related 2003
.. Album Cover 4.74 | 3 ratings
One
Metal Related 2004
.. Album Cover 0.00 | 0 ratings
God Won't Give Up
Metal Related 2005
.. Album Cover 2.50 | 1 ratings
Lead Me Lord (Worship Sessions, Volume 1)
Metal Related 2005
.. Album Cover 3.64 | 11 ratings
?
Progressive Metal 2005
.. Album Cover 0.00 | 0 ratings
Send the Fire
Metal Related 2006
.. Album Cover 0.00 | 0 ratings
Cover to Cover
Metal Related 2006
.. Album Cover 3.90 | 23 ratings
Sola Scriptura
Progressive Metal 2007
.. Album Cover 0.00 | 0 ratings
Songs From the Highway
Metal Related 2007
.. Album Cover 0.00 | 0 ratings
Secret Place (Worship Sessions Volume 3)
Metal Related 2008
.. Album Cover 4.01 | 3 ratings
Lifeline
Metal Related 2008
.. Album Cover 0.00 | 0 ratings
The River - Worship Sessions Vol.4
Metal Related 2009
.. Album Cover 0.00 | 0 ratings
Mighty to Save (Worship Sessions Volume 5)
Metal Related 2010
.. Album Cover 4.02 | 2 ratings
Testimony 2
Metal Related 2011
.. Album Cover 4.50 | 1 ratings
Momentum
Metal Related 2012
.. Album Cover 0.00 | 0 ratings
Cover 2 Cover
Metal Related 2012

NEAL MORSE EPs & splits

NEAL MORSE live albums

.. Album Cover 0.00 | 0 ratings
? Live
Progressive Metal 2007
.. Album Cover 0.00 | 0 ratings
So Many Roads (Live in Europe)
Metal Related 2009

NEAL MORSE demos, promos, fans club and other releases (no bootlegs)

.. Album Cover 0.00 | 0 ratings
Inner Circle CD #1
Metal Related 2005
.. Album Cover 0.00 | 0 ratings
Inner Circle CD #3
Metal Related 2005
.. Album Cover 0.00 | 0 ratings
Encores and New Songs
Metal Related 2007

NEAL MORSE boxset & compilations

.. Album Cover 3.50 | 1 ratings
The Transatlantic Demos
Metal Related 2003

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NEAL MORSE movies (DVD, Blu-Ray or VHS)

.. Album Cover
0.00 | 0 ratings
Testimony Live
Metal Related 2003
.. Album Cover
4.00 | 1 ratings
Sola Scriptura and Beyond
Progressive Metal 2008
.. Album Cover
5.00 | 1 ratings
Live Momentum
Metal Related 2013

NEAL MORSE Reviews

NEAL MORSE Lifeline

Album · 2008 · Metal Related
Cover art Buy this album from MMA partners
arcane-beautiful
FACT: Neal Morse can't make a bad album.

I had heard bad comments and reviews on this album, and I went into it with a sword in my hand...but to my suprise, it was a great album. I didn't get bored, I thorougly enjoyed it, It was an amazing listening experience.

I believe that this was the missing link between Neal's solo stuff and what he left behind in Spock's Beard. The songs were upbeat, in major keys and had great chorus'. The arrangements were well done and the vocals were to die for. Again, it was a bit preachy, but after listening to a bunch of angry Christians all my life, Neals calm attitude to the subject was approachable, again, his faith I do not believe in and do not have any real remorse (haha rhymes with Morse) for their believes. But Neal I can deal with, cause he's nice and makes great music.

1. Lifeline - The songs title track and definelty a flashback to Spock's Beard. The first time I heard this song, was when I was doing my GCSE's, and to be honest, was feeling a little down, but the organ riff in this song was enough to cheer me up. Amazing finger work from Neal, spectacular drumming from that Jew fella and the basslines are better than anything Chris Squire or even Dave Mereos could ever fathom. This song is an amazing dose with happy with a side of epicness. Amazing start to the album.

2. The Way Home - This is definetly a homage to the great ballads that were created in Spock's Beard, e.g. Waste Away, June, Love Beyond Words etc. Amazing chorus with beautiful melodies.

3. Leviathan - King Crimson...Van Der Graaf Generator...Antonius Rex, basically a dip in the eclectic pool for Neal. Crazy saxaphoning, amazing jaunty riffs and riffs that could kick the head of Satan himself.

4. God's Love - An amazing teary ballad with amazng harmonies provided by the vocal side. What more can I say, great song, see, I could say more.

5. Children Of The Chosen - A more gospel and preachy side, there always is one of these, so I don't mind, I enjoyed it.

6. So Many Roads - The epic, monster of a song. I thought this would sound like something of "Sola", but It was steering to a more "At The End Of The Day" mood. The themes are amazingly presented, Neal pushes his fingers and voice to the limit, pop culture references...basically a mammoth of a song.

7. Fly High - A great ending and a solo from that New Zeleander with the amazing fingers. A great end to a great album.

CONCLUSION - Not his best, but an amazing album non the less. Buy all his albums, your soul will be saved :)

NEAL MORSE One

Album · 2004 · Metal Related
Cover art Buy this album from MMA partners
arcane-beautiful
Wow, Neal is a musician, who basically procreates amazing music.

This album was a must have for me, after I had heard Sola Scriptora (check my review on how I believe it is the greatest album ever made).

Now a fully fledged Morse fan, I ordered One online and recieved it on Halloween...oooh spooky.

This album was actually quite raw and experimental than Sola Sciptora and was even more flexible with arrangements and technique. The songs I believe don't stand out as much as they did in Sola Scriptora, but I do believe that each song had it's own goal for Neal, even if it's to make use of heavy distorted guitars, contrapuntal vocals, amazing keyboard sections, folky and acoustic sections and even some gospel and liturgical inspired moments.

Lyrically and concept wise, the album is about how Man had lost his way with God, and how at the end he comes back, a slightly more modern view of The Prodigal Son parable. Being an athiest, I took the lyrics with a pinch of salt, but now and then, the idea of what modern and youthfull Christian religious bait strings up, which, basically means, "God just wants to love you and give you a big hug", which is great and all that, but I always answer this question with, "Then why doesn't he...Come on, I'm waiting." No answer is ever recieved, Christians just leave me alone and reflect upon their faith, as they usually do.

Once again, there is amazing musicianship from Neal, Mike & Randy.

1. The Creation - This song starts off very beautiful, with a amazingly arranged chamber style section. After 4 minutes of prog induced musicianship, the vocals come in, and as always, Neal colourful tone, lightens up the song. This song reminds me of a Genesis song, something off Nursery Crime or Foxtrot, where there needn't be any hooks, just alot of dramatic twists and turns to grab the listeneres attention. All in all, a classic and amazing piece of prog masterpiece.

2. The Man's Gone - This is a bit of a folky tune, with a sad melachonic mood to suit the lyrics, leads into the necxt song quite weridly and perfectly.

3. Author Of Confusion - How can you not love this song. The Dream Theater esque instrumental with touches of King Crimson & Van Der Graaf Generator like madness. Then the vocals come in. Counterpoint has always been a common thing in Spock's Beard (Neal's old band) and to see Neal going back to his routes was amazing. The layered vocals performing create amazing harmonies and discourse. The song ends off on a slightly sadder mood.

4. The Seperated Man - This song takes many dramatic twists and turns, from upbeat, to melachonic, to angry, to cheery and then a more reflective mood. The instrumentation in this song is to die for, especially the wonderfully arranged acoustic section. Another epic on this album.

5. Cradle To The Grave - This song reminds me of Heaven In My Heart, in that it is the ballad of the album. The other vocalist on this song reminds me of Irelands favourtie folk master, Kieran Goss, and I thought it was him, but it turns out it wasn't. Probabbly the most cathiest song on this album, expressing deep emotion, amazing vocals and great musicianship.

6. Help Me| The Spirit & The Flesh - This song is probabbly the most liturgical on the album, and is probabbly the most nicest moment as well. Beautifully arranged.

7. Father Of Forgiveness - Another ballad, but more upbeat than Cralde To The Grave. Still a great song though.

8. Reunion - I would have made a more epic end, but as this album ends on a happy ending, I'll let Neal off with this one. The brass sections remind me of ska, like Less Than Jake, for some strange reason. I like the layered vocals for the ending.

CONCLUSION - Not as good as Sola Scriptora, but not much is. I loved how the limit for a one disc album is 80 minutes, and Neal made his 79:57. Ha, what a genius. But it, or else...

NEAL MORSE Testimony 2

Album · 2011 · Metal Related
Cover art Buy this album from MMA partners
adg211288
Testimony 2 is a 2011 album release from American musician Neal Morse (ex-Spock’s Beard, Transatlantic). His last two solo releases The River and Mighty to Save were a part of his ‘Worship Sessions’ series of Christian rock music, making Testimony 2 Neal’s first progressive rock album since 2008’s Lifeline, which was an album that I personally found to be a disappointment, especially since it had a tough act to follow in the metal inclined Sola Scriptura (2007). Testimony 2 is also a sequel to Neal’s first solo prog rock album, Testimony, which was released back in 2003. The album is a double disc affair, although only the first disc contains the conceptual material. There is also a limited edition that includes a making of DVD.

Musically Testimony 2, perhaps expectedly, harks back to Neal’s earliest prog solo work which includes the original Testimony album. That means symphonic styled progressive rock, which has a little bit more of a kick to it than some artists I’ve listened to, with Christian themed lyrics which are essentially three new chapters in an on-going musical biography of Neal’s life, specifically his conversion to the Christian faith. Personally speaking I can’t call myself a Christian, but such lyrics don’t bother me, so long as they aren’t Christian just for the sake of being Christian, if you get my meaning. By making a concept album the lyrics get a deeper meaning to them, which works very well for the creative genius that is Neal Morse. This is why Lifeline wasn’t so good for me. It had no concept, and the lyrics were Christian just for the sake of it. If I wanted that from Morse I’d listen to his Worship albums (I don’t, by the way). Fortunately with another concept album under his belt Neal Morse returns to form in style with Testimony 2.

There are two discs for the album. The first is essentially Testimony 2, while the second contains three additional unrelated tracks. You may consider them bonus tracks perhaps, although the third and final, Seeds of Gold, is actually one of Neal’s epics, with a running time only just shy of twenty-six minutes, and personally I’d call it one of the most essential tracks that the package offers us. This is certainly a man that knows how to write a lengthy epic the right way.

While most of the music is firmly in the progressive rock vein Neal also showcases those heavier tendencies from Sola Scriptura as well, mostly notably on the excellent instrumental Overture No. 4. Neal’s keyboards naturally play a large role in his music to give it its symphonic flavour, and the bass guitar of Randy George has a very prominent position in the mix on parts of the album. The album also features guest slots from Neal’s former Spock’s Beard band mates Nick D'Virgilio, Alan Morse and Dave Meros, who provide additional vocals on Time Changer, which is a nod to Neal’s time in the band is in a very similar style to some of Spock’s Beard’s work.

What really holds Testimony 2 back from being masterful though is that although it’s certainly a much more enjoyable effort from Neal than Lifeline, for an album of this length it does start to feel a little samey by the time you’re reaching the end of the second part of the main concept album, which is only just shy of eighty minutes of music in total with still over half an hour to go by this point. This is a good album all the same, but it’s that non-concept track Seeds of Gold that I mentioned earlier that really pushes my overall opinion of the album up for me.

So while Testimony 2 doesn’t quite stand up to Neal’s best works across his multiple projects for me, this is most certainly a solid and worthy addition to his sizeable discography that I think his fans are going to enjoy immensely.

81/100

(Originally written (in 2011) for Heavy Metal Haven: http://metaltube.freeforums.org/neal-morse-testimony-2-t2067.html)

NEAL MORSE Sola Scriptura

Album · 2007 · Progressive Metal
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AtomicCrimsonRush
One of the finest efforts from Morse, full of progressive elements that would satiate the pallete of any proghead (like myself).

It begins with the blistering 29 minute epic The Door which is broken into many parts like a multi movement suite in classical music. This is an incredible sophistocated piece of prog that thunders at times with awesome guitar riffs and at other times there is a solitude of acoustic and mellotron beauty. Portnoy on drums is at his best as usual, but it is Morse's vocal performance that gives this a majestic quality outside the realm of the type of material he was doing with Transatlantic or for that matter Spock's Beard. His heart and soul is poured out on this CD in 76 minutes of musical virtuosity par excellence.

The Conclusion is a mini epic running for about 17 minutes. It is a worthy addition to the Morse catalogue with complicated tempo changes and metrical patterns that range from Adante to Presto time signatures - 4/4 standard to complex couplets or triplets in 9/8 and beyond.

Heaven in my Heart is a beautiful ballad in true Morse style with emotional depth about his pure faith in God. Listen to that heavenly guitar for a great example of accomplished musicianship.

It ends with the wonderful 16 minute The Conclusion. What else? The concept of theological church history is strong but never overbearing towards the music as a whole. I appreciate how Morse has not sold out his prog roots even though his music has changed direction from the SB years. In fact the material on this album is some of the heaviest Morse has performed - including crunching guitar riffs and a very dark tone overall.

This is definitely an Excellent addition to any music collection.

NEAL MORSE Sola Scriptura

Album · 2007 · Progressive Metal
Cover art Buy this album from MMA partners
arcane-beautiful
Oh my God!!!, said the words out of my mouth when my ears first descended upon the auidble pleasure that were to emit from my speakers when the first notes hit me in the face. The story of how I bought this was quite funny. There I was, in a very secluded small and worthless HMV, pondering for good albums, when out of the corner of my eye i spoted this amongst the waste of popular garbage that surrounds most cd shops. I remembered the name from a leaflet that you would see from Inside Out telling you about what cds they have. "Neal Morse, i've heard that name before, is he anygood," i asked my compadre, my brother. He replied "Yea, but he's Christian prog" "Does that even exist", i shuddered. Christian rock is just whiney abuse on the ears (Jonas Brothers are a plain example) But then my brother replied, "Mike Portnoy plays on it" "Oh, then it must be bought", even though Mike Portnoy is probabbly the most annoying man on the face of the planet, he is still one of the most talented man to hold sticks in his hand since Mr. Miyagi. Another point of pleasure for me is that it has only 4 songs on it, 2 of them over 25 minutes. I couldnt care if the Spice Girls had a 4 song album, i would still buy it, becuase with long songs you have 2 options 1. They will bore you to death or 2. It will be pure heaven, because the band knows how to keep the listener intrested through a long piece of music (some mistakes that some bands make now and then)

"The first song is 30 minutes, it will start off slow i bet", were the words I later regret. I was so wrong. I nearlly fell of my amp (yes, i sit on a guitar amp). Oh My God where the words I fettered.

So I will know tell you of what each song sounds like:

1. THE DOOR: As i said, this piece starts off with a bang, a crescendo of guitar, keyboards and drums, with an epic choir sound. I was drawn in by Neal's powers. The intro again takes off but with a different theme being played, again my heart stopped, then started again. Crescendo upon crescendo. After that the main riff is played, a riff that follows me everywhere i go, it possesses me so much that every time i'm near a keyboard, i have to play it, it's just, "phowa". And in the middle of that, Neal expresses some amazing piano arrpeggios, that would have Jordan Rudess cutting himself with ivory over the amazing talent displayed. After that an amazing Bach inspired piano part is played, very dark and quite disturbing. Before the first lyrical contributions are displayed, Neal expresses some lovely keyboard harmonies, and prepares you for what is to come, then a pause before the vocals, and Neals voice can be heard, with amazing dark melodies and quite cyncial lyrics about his own faith, Christianity (which i loved, anyone who can take a quite dark turn at their own faith must be an amazing person), e.g. "Calls himself the bishop prince, and blood's his favourtie wine." Just pure genius. Then after the verese the chorus comes in, "In the name of God you must die." Neal...what are you saying...but as all people should know, he is just giving us a taste of what medieval faith's were like at that time of Henry Vth's reign. Just amazing. Throughout the piece even more fantastic muscianship is being played, even though my ears are still listening to this audible anectdote, my brain is thinking, "How does a human write such epicness, is it because he's a Christian, should i convert," not really, but as a man with no faith, the only thing that makes me tolerant towards Christiantity, is Neal himself, an amazing human being, and an amazing composer. If he was here 500 years ago, music would have been very different...and maybe there would be no absolute tripe in todays popluar culture, maybe people would be listening to prog alot more. Maybe not, that would just ruin music, Prog is supposed to be for actual music fans only. The rest of the piece is just pure prog heaven, with no boring moments yet, even after 20 minutes of listening to the same track. Now if you listen to this, and get to minute 23 in The Door, prepare for some of the most beautifull moments in music history. The mellotron and violin add to the pure beauty of a beautiful ssection, before ending with a fading guitar note. It is time for the end. Upon the door is probabbly the only thing that could make me cry, even live, Neal can feel the emotion that the audience are giving him, that he even sheds a tear,and performs something so art like that would make Peter Gabriel look in the mirror and cry, leaving make up rivers around him. The mellotron lightly plays these absoultely beautiful chords around this beautiful melody. Then one of the most beautiful guitar solo's is played, by Paul Gilbert, one of the best axeman in the world, each note reflecting the soul of every listeners heart. Could this solo be bettered...yes it can where was the feeling i realised when i ordered my Sola Scriptura & Beyond dvd, this guitar player couldnt play this solo, he looks about 12 but could he play, his fingers portaying his own version of the solo, better than Paul Gilbert, imposible as it may seem , but true. Paul Bielatowicz, an absoulte gem, and probabbly one of the best axeman i have ever seen. He was so good, people started to aplaude so loud, it even matched that of the loud pa. The only time that the audience applauded in the middle of song the whole night, Neal knew this and smiled, he had been matched, and he was proud of what he had done. The song ends very successfully, but we still have 3 songs to go.

2.THE CONFLICT: "This sounds like Janes Addiction with Dave Navaro on speed", said I as i listened to the intro. After Do You Know My Name, it goes into a link which is probabbly one of the better moments of prog history, it's just so catchy and powerfull. Then the gospel inflienced Party To The Lie is heard, amazing vocal melodies and harmonies at the end, and an amazing chorus, very addictive. After this an amazing keyboard solo, which Neal should be very proud of, is very Spock's Beard like, a trate he will take to the grave, ever since he formed that incredible band over 15 years ago, and left about 7 years ago (a reunion is prayed for i expect, i mean he was able to go to Transatlantic again, but then again, Transatlantic don t jump on keyboards.) After Undeground, a slow intresting depressing Leonard Cohen inspired ballad, it goes into the flamenco styled 2 Down, 1 to Go. Amazing guitar work by both Neal & Paul Gilbert,and lovely latin beats by Mr. Portnoy. After this it goes into The Vineyard, with more alternative rock roots, but great enthusiam in the vocals, before going into the beautiful Already Home, an amazing ballad that ends the song perfectly, with precision and wise knowledge. Yes this piece defiently matches up to the Door, and is even more light hearted and enjoyable, The Door is more emotional and can actually make a man cry. But now a christian rock ballad is prepared.

3. HEAVEN IN MY HEART: Probabbly my least favourite song, but still very enjoyable. Beautiful harmonies and amazing epic choir and symphonic sounds add to the beauty of the song. Not as good as the other 2, but it is shorter, so we can give him credit, and very catchy. A bit preachy, but meh, who cares.

4. THE CONCLUSION: Very good jam at the start, it reflecs the darkness of the Door perfectly, and then leads to the cheesy Long Night's Journey, cheesey and cathcy, perfect, very Spocks Beard and even a little Genesis vibe. Another instrumental is heard, witch is basically a more watered down version of the intro, amazingly played and makes the reader aware of the varied themes throughout. Then the album ends with 2 more ballads before going to the ending, perfectlly written and exlpore minor and major keys, taking both the emotions portrayed in The Door & The Coflict. I think the ending for the album as beautiful, lovely and quiet, for the albums concept ends with a happy note, when Neal tells us "Mabye it is you he's looking for" His love for his fans emerges,and you are left very happy, and to be honest very audibly disheveled, you just heard probabbly the greatest sounds you will ever hear in your life in the space of an hour. I recommend sitting down, and breating very camly. It wasn't Neals fault he made such an amazing piece of music, well at least i don't think he meant to, and if he did, then he is as cunning as he is genius

MY CONCLUSION: Buy this album please. I couldnt imagine my life without it. I never get sick of it, it is just absoultely, and pardon my french, ORGASMIC!!!. Is this the best album ever made...well if it isn't then it definetly is one of them. I never new music could be this good. I have never heard such perfectly writte music before in my life. If you see this album, or consider it, please get it, you will never regret it, i did, and i've never looked so much like a fool in my life. Even though i payed £16 for it, it is still worth every last penny. I would give it an infinite rating if i could, but i can't, so 5 will have to do.

NEAL MORSE Movies Reviews

NEAL MORSE Live Momentum

Movie · 2013 · Metal Related
Cover art Buy this album from MMA partners
Kev Rowland
One of the disadvantages of living at the end of the world is that these days I get most of my promos as downloads, which generally isn’t too much of a pain but here I find myself reviewing a DVD set where I haven’t actually seen the DVDs! Okay, so this has been released as a double DVD (more than 4 hours), along with a triple CD set and it is the latter that I am reviewing. This recording took place on October 11th, 2012 at The High Line Ballroom, New York, and captures the band in incredible form. I have no idea how many live recordings of Neal there are in my collection, from duetting with NDV through Spock’s Beard and Transatlantic and of course his solo work, but there are one or two. I have seen him in concert with SB as well as on the ‘Testimony’ tour and have had the privilege of interviewing him a few times as well, so I guess you can say that I am a fan.

I greatly respect the way that he decided to stand up for what he believed in (even though I don’t share those beliefs), although I still regret that SB never had the chance to tour ‘Snow’ which is easily their finest work. I have never given anything that he has been involved with a bad review, and there is no reason at all to start now as this triple CD set (2 hours 45 minutes) is as close to perfection as one could hope to hear. When it came to choosing the musicians to form the band he brought in close friends Mike Portnoy and Randy George and then used YouTube for the audition process! He ought to do that more often, as during “Sing It High” he gets it right when he says that the guys are “Sick”. Adson Sodré (guitar, vocals), Eric Gillette (guitar, keyboards, percussion, vocals) and Bill Hubauer (keyboards, violin, sax, vocals) do a stunning job. Mind you, it’s handy when you have three multi-instrumentalists in a band as it does mean that you can spread the wings. Vocally they are all in fine voice as well, just listen to “Author Of Confusion” to see what I mean.

Both Adson and Eric really riff and shred as the need requires, and this is probably the heaviest that Neal has ever sounded as he works his way through material from throughout his career: this is much more than just a live rendition of the latest album. The suites from ‘Testimony’ and ‘?’ work incredibly well and it is the longer sections that really allow Neal and the guys to shine. There are four songs more than twenty minutes long and one more than thirty!

But, for me one of the major highlights sees Neal taking a back seat, literally. One of my favourite live albums that feature Neal is ‘One Night in New York City’ by Yellow Matter Custard. This was a band put together by Mike Portnoy to play Beatles’ numbers, and the line-up was completed by Neal, Paul Gilbert and Matt Bissonette. The whole purpose of that band was to provide a new take on classic numbers and have fun at the same time. Well, on “Crazy Horses” Neal takes over on drums while Mike becomes the frontman, and everyone has an absolute blast. Mike says that when he first heard the song when he was five years old that it was the heaviest song that he had ever heard, and the band certainly do it justice. I defy you to listen to this and not smile throughout. There are some people who don’t enjoy what Neal does, and feel that he hasn’t dramatically changed since he left SB, but I sincerely hope he keeps going in this vein for the rest of his very long career as I love it.

So there you have it, a five star review for a DVD set that I haven’t even seen. But to me they are just an added bonus as this triple CD set is just mindblowing. www.insideout.de

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