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3183 reviews/ratings
MEGADETH - So Far, So Good... So What! Thrash Metal
MEGADETH - Rust in Peace Thrash Metal
MEGADETH - Countdown to Extinction Thrash Metal
MEGADETH - The World Needs a Hero Thrash Metal
MEGADETH - United Abominations Thrash Metal
MEGADETH - The System Has Failed Thrash Metal
OPETH - Orchid Death Metal
OPETH - Morningrise Death Metal
OPETH - Still Life Progressive Metal
LACUNA COIL - Unleashed Memories Gothic Metal
DIO - Holy Diver Traditional heavy metal
INCUBUS (CA) - A Crow Left of the Murder... Hard Rock
INCUBUS (CA) - Morning View Hard Rock
JUDAS PRIEST - Nostradamus Traditional heavy metal
JUDAS PRIEST - Sad Wings Of Destiny Traditional heavy metal
JUDAS PRIEST - Stained Class Traditional heavy metal
JUDAS PRIEST - British Steel Traditional heavy metal
JUDAS PRIEST - Screaming For Vengeance Traditional heavy metal
JUDAS PRIEST - Painkiller Power Metal
JUDAS PRIEST - Angel Of Retribution Traditional heavy metal

See all reviews/ratings

Metal Genre Nb. Rated Avg. rating
1 Hard Rock 448 3.93
2 Thrash Metal 435 4.57
3 Traditional heavy metal 354 4.33
4 Alternative Metal 215 4.04
5 Industrial Metal 155 4.15
6 Death Metal 137 4.42
7 Power Metal 128 4.39
8 Non-Metal 121 3.26
9 Groove Metal 101 4.28
10 Progressive Metal 100 3.46
11 Proto-Metal 68 3.88
12 Stoner Metal 62 4.60
13 Doom Metal 59 4.28
14 US Power Metal 57 4.50
15 Metalcore 53 4.02
16 Black Metal 52 4.17
17 Melodic Death Metal 50 3.98
18 Metal Related 45 3.84
19 Nu Metal 45 3.24
20 Glam Metal 42 3.71
21 Funk Metal 41 4.38
22 Hardcore and crust 40 4.00
23 Crossover Thrash 36 4.49
24 Sludge Metal 35 4.53
25 NWoBHM 35 4.46
26 Speed Metal 34 4.26
27 Technical Death Metal 26 4.19
28 Neoclassical metal 24 4.25
29 Grindcore 23 4.15
30 Folk Metal 23 4.57
31 Symphonic Metal 20 4.15
32 Brutal Death Metal 19 4.24
33 Avant-garde Metal 18 3.75
34 Atmospheric Black Metal 13 3.08
35 Death 'n' Roll 12 4.63
36 Melodic Black Metal 10 4.60
37 Symphonic Black Metal 10 4.50
38 Deathcore 8 3.69
39 Gothic Metal 8 4.38
40 Atmospheric Sludge Metal 7 3.14
41 Mathcore 6 2.83
42 Death-Doom Metal 5 3.90
43 Drone Metal 2 1.50
44 Funeral Doom Metal 1 4.50

Latest Albums Reviews

WHIPLASH Power and Pain

Album · 1985 · Thrash Metal
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"Thrash, to kill! Blood, will spill!"

Forming back in 1983 under the name Jackhammer, the New Jersey thrash/speed metal act renamed to Whiplash only a year later, although both names fit well with their sound. They electrified thrashers in 1985 with the release of their debut studio album, whose name of Power and Pain describes what these guys are coming to deliver. Despite being from the US, Whiplash has a lot more in common with the early material from German Teutonic thrash bands like Kreator and Destruction than most US acts, although Kill 'em All-era Metallica should be noted as a valid reference point.

Whiplash you will get after thrashing to the band's incredibly rapid attack. Rivaling Razor when it comes to pure aggression and speed, frontman Tony Portaro's riffs pierce the skin and speed through your veins like motorcycle gangs on the highway. Portaro fills the vocal spot also, viciously barking out mosh pit calls. Amongst all the ripping solos and shredding, there's a tight rhythm section to keep it all together. The whole album will spit through your skull, but highlights definitely include "Stage Dive", "War Monger", "Spit on Your Grave", and the colossal "Red Bomb" which punches you in the gut with it's opening riff.

If you want a classic thrashing from one of the more underrated bands of the US thrash scene, check out Whiplash's Power and Pain. It's a pure, raw, all-out, no-bullshit romp through the pit. Who needs to dive in the pool, when you can Stage Dive? Hope you found this review helpful, feel free to comment!


Album · 2015 · Atmospheric Black Metal
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Myrkur - M

"M" is the debut studio album and overall second release (excluding singles) from black metal musician Myrkur. I was absolutely blown away by Myrkur's 2014 EP release, so I was eagerly awaiting a full-length studio album from her. I initially loved it, then was a bit disappointed, now back to loving it.

"M" pretty much continues the atmospheric black metal-folk hybrid of the EP. A big thing that makes Myrkur stand out in the black metal genre is her extensive use of clean vocals, which appear in both the shredding black metal sections and Scandinavian folk passages. There is of course a mix of clean vocals and stark black metal screams but I'd probably say that the clean vocals appear more then the screams or at least equally, already giving it a unique sound.

While you may think that the folk passages and black metal sections are completely separate from each other, they actually play in unison often throughout the album. Just take a listen to songs like 'Hævnen' and 'Onde børn', the former being one of my favorites from the album, and you'll hear how both styles work together to bring a unique blackened folk metal sound. Speaking of folk, the short folk songs that transition to other songs are among the most beautiful on the album, some featuring great piano work along with Myrkur's calming vocals. There is some variation besides the black metal and folk, as the songs 'Skøgen skulle dø' and 'Jeg er guden, i er tjenerne' both have elements of doom metal which fit in perfectly with the rest of the sound of the album. The song 'Mordet', which features Chris Amott of Arch Enemy on guitar', is an amazing combination of killer thrash metal and stark black metal. This is probably my favorite on the album.

I usually don't mention other criticisms of albums in my reviews, but I feel like I should mention it here. I've seen a lot of comments about how this is "hipster black metal" and even some comments attacking Myrkur as a person. Regardless of opinions on the music here, I think the comments against her are very rude and mean-spirited and completely unwarranted. As far as the "hipster" comments go, I find this in no way "hipster", I simply see Myrkur as doing something new with the genre.

Overall, while I still prefer her debut EP, "M" is still an amazing album and I highly recommend this album to anyone who enjoyed the debut, really enjoys black metal and folk, or wants to get into black metal. Myrkur's music really got me into the genre, and I can't wait to see where she goes with her next release. Hope you found this review helpful.

(Reposted review due to accidental deletion, originally posted April 2016.)

OVERKILL The Grinding Wheel

Album · 2017 · Thrash Metal
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"I grabbed a tape from the floor of the car, jammed it in the dash it played Highway Star. With a foot of lead and that Chevy hop, never gonna stop!"

The Mean, Green, Killing Machine is back with The Grinding Wheel, so Let's All Go to Hades to listen to the Finest Hour. We listeners may get into some Goddamn Trouble while taking The Long Road, but forever Shine On. Come Heavy as The Wheel spins while the Red, White, and Blue waves. Overkill's back after a bit longer of a wait than usual, and it's worth it. As this is simply one of the greatest albums the band and music itself has ever produced.

Opening with the rampaging thrash of "Mean, Green, Killing Machine", this album pretty much never lets up with speedy rapid thrashings and groovy swaggering. The no-bullshit romp and stomp of the track "Goddamn Trouble" is essentially Overkill's own Highway Star and just makes you want to step on the gas and blast away to some tunes that are on absolute fire. This is a band that's been around for well over 30 years, but has more energy than most modern bands can claim to have. Take the rampaging punchy thrash that the band has been blazin' through since 2010's Ironbound, and mix it with a southern bluesy swaggering groove and a bit of Iron Maiden-esque epicness, and you got this killer record.

It's pretty much impossible to pick highlights, as every song slays and has an unbelievable amount of energy. Just try and not to get pumped and ready to conquer the world when listening to this album. Bobby "Blitz" Ellsworth gives one of the greatest vocal performances ever, spitting both epic and energetic fun vocal lines. It's impossible to not chant along to songs like "The Long Road" and "Red, White, and Blue" with the delivery of lines like "We're goin' down the mountain, boys" and "Give us liberty, or we can give you death!". D.D. Verni's basslines are just as fantastic as always, and keeps a catchy as hell rhythm section with Ron Lipnicki absolutely walloping the drum kit like there's no tomorrow. Dave Linsk and Derek "The Skull" Tailer both shred and swing like the thrash masters they are, and are among the very best. The thrashings are brutal, the bluesy grooves are just swingin', and the epic moments couldn't be more epic. The title track that closes the album is the definition of a fantastic finale, it maintains the crunch and speed in places of the rest of the album all the while being a nearly 8-minute epic worthy of classic Iron Maiden or Rush's Cygnus X-1. The orchestration and vocals will send shivers down the spine at the end of the massive conclusion to The Grinding Wheel.

As much as some bands may try, nothing says consistent like Overkill, with only Anvil coming close to matching the classic thrash metal act's consistency. Overkill goes beyond consistency though, and makes one of the greatest damn albums ever made. It's an equal to The Years of Decay, which is another one of the greatest albums ever made. If you are a fan of real, no-bullshit metal, listen to this album. You know, even if you just need a reminder about what metal is, Overkill is metal in it's most powerful form. Even on their sixteenth studio album, Overkill continues to deliver the old school thrashing goods. Just like those lyrics from "Goddamn Trouble", Overkill ain't never gonna stop. Hope you found this review helpful, feel free to comment!

FILTER Short Bus

Album · 1995 · Industrial Metal
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In the land of industrial rock and metal, many bands get unfairly compared to Nine Inch Nails. While those who are more familiar with the genre will find that these comparisons are often silly and nonsensical, these are probably simply due to NIN being the one that really "made it big". Sure, other bands have had their fair share of popularity over the years, but NIN remains the most remembered and popular.

One of the many industrial rock/metal bands to get these comparisons was Filter. True, frontman Richard Patrick was a live guitarist for NIN before forming Filter, but Patrick felt there was something missing in Reznor's sound. Once you finish the first song on the album, the hit "Hey Man, Nice Shot", it's quite apparent. That which was missing was a crushing metallic slab of guitars, blended with menacing industrial soundscapes. This continues throughout most of the album, think less NIN and more Godflesh and Pitchshifter. The crunch of the riffing, drum grooves, and screeching industrial distortion all makes it fit right in line with the classic industrial metal sound, while also having just the right amount of that misanthropic angst that industrial music had at the time.

The aforementioned hit that opens up the album is of course probably the top highlight, but there's many other songs here that slam your face into the pavement. "Under" is one of the best of these, with an awesome pummeling groove. The two surrounding songs of "Dose" and "Spent" are also among the highlights and deliver with great force. All of these mentioned songs along with "Gerbil" and "White Like That", all have this absolutely massive guitar and colossal drum sound blended with Richard Patrick's raging screams, which is this album's strength.

Unfortunately, not all these songs display the power riffage and edgy screams that this album is great for. Right after a crushing number like "White Like That", you get a double-whammy of pathetic whimpers in "Consider This" and "So Cool" which both fall flat on their faces. The former has electric guitars, but they may as well not be there, while the latter is an acoustic ballad that sounds like a rejected Porcupine Tree ballad. "Stuck in Here" is another one of these tracks, but maybe a bit less annoying.

Despite there being a few terrible tracks, all the punchy groovy industrial behemoth tracks make up for those mistakes. If you're looking for an industrial metal album that balances out the heaviness and distortion of Godflesh and Pitchshifter with the extra edge of alternative metal, Filter's Short Bus delivers. Hope you found this review helpful, feel free to comment!


EP · 1987 · Thrash Metal
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As far as music goes, most people think of J-pop stars when they think of Japan. When it comes to metal, most people think of Babymetal, which is basically the same thing with metal instruments. However, Japan was once home to some of the greatest underground thrash acts to have ever graced the 80's metal scene. One of the greatest of those acts are Jurassic Jade, who released their War By Proxy EP in 1987, one of thrash's best hidden gems.

Right from the start with "Who Saw Him Die?", Jurassic Jade is out for blood. The riffs rip and tear, and Hizumi's vocals are among the most raw and commanding in thrash. She can go from vicious barks to banshee shrieks that rival Tom Araya on the classic Slayer albums. "Call Down Curse", while only being two and a half minutes long, is perhaps the best with some excellent crash cymbal that really stands out during the chorus. The only time this EP ever lets up is with a short but sweet classical guitar outro that closes it out. Usually thrash bands start out with a classical intro, but I guess Jurassic Jade wanted to let the listener have a little relaxing time after the punishing thrashing.

The production is raw, sharp, and to the point. It makes the riffing that much more piercing, although it makes the album punchy and crushing in the right places as well. An example of that is with "Ao Shoku Haijin", which has such a deep low crunch for the drums. This song also is more of a mid-paced thrash track, being a bit of a break from the speed from most of the EP, which needs that punchy production to make it more effective. "Dead Men Tell No Tales" balances out the crunch and gritty speed, and has both a forceful and piercing sound.

Not only is War by Proxy one of the greatest Japanese thrash releases, but it is up there with the greatest thrash releases in general. Just like the US and German thrash scenes were quite different, so was the Japanese thrash scene. If you like your metal to shred your skin and punch you in the gut, check out this underrated masterpiece. Hope you found this review helpful, feel free to commment!

Latest Forum Topic Posts

  • Posted 32 minutes ago in FreaKings (Thrash Metal)
    Thanks for the suggestion, added: http://www.metalmusicarchives.com/artist/freakingsThis is great stuff too. 
  • Posted 58 minutes ago in Asyllex (Thrash Metal)
    Thanks for the suggestion, added: http://www.metalmusicarchives.com/artist/asyllexGreat stuff too.
  • Posted 79 minutes ago in Favorite Classic Death Metal Debut
    It's got to be Gorefest for me, now that's an album that grooves! 


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