BODY COUNT

Rap Metal / Crossover Thrash • United States
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Body Count is rapper and actor Ice-T's heavy metal side project. Their style combines traditional metal with crossover thrash.
Thanks to Time Signature for the addition and Stooge, tupan for the updates

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BloodlustBloodlust
Century Media 2017
$10.97
$10.96 (used)
ManslaughterManslaughter
SUMERIAN RECORDS 2014
$9.89
$4.37 (used)
Body CountBody Count
Sire / London/Rhino 1992
$5.48
$2.74 (used)
Violent Demise: Last DaysViolent Demise: Last Days
Explicit Lyrics
Virgin Records Us 1997
$71.38
$5.39 (used)
Murder 4 HireMurder 4 Hire
Escapi 2006
$49.95
$34.99 (used)
Born DeadBorn Dead
Explicit Lyrics
Emi Europe Generic 1994
$7.17
$4.48 (used)
Body Count: Live in L.A.Body Count: Live in L.A.
Multiple Formats · Dolby
Escapi 2005
$10.61
$5.57 (used)
Manslaughter by Body CountManslaughter by Body Count
SUMERIAN
$26.16
$19.40 (used)
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BODY COUNT Discography

BODY COUNT albums / top albums

BODY COUNT Body Count album cover 4.19 | 13 ratings
Body Count
Crossover Thrash 1992
BODY COUNT Born Dead album cover 2.69 | 5 ratings
Born Dead
Rap Metal 1994
BODY COUNT Violent Demise: The Last Days album cover 3.67 | 4 ratings
Violent Demise: The Last Days
Rap Metal 1997
BODY COUNT Murder 4 Hire album cover 3.00 | 3 ratings
Murder 4 Hire
Crossover Thrash 2006
BODY COUNT Manslaughter album cover 4.00 | 2 ratings
Manslaughter
Rap Metal 2014
BODY COUNT Bloodlust album cover 3.94 | 4 ratings
Bloodlust
Crossover Thrash 2017

BODY COUNT EPs & splits

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BODY COUNT Reviews

BODY COUNT Body Count

Album · 1992 · Crossover Thrash
Cover art Buy this album from MMA partners
siLLy puPPy
Ice-T had already shown his appreciation for metal and punk on his hip hop classic “The Iceberg / Freedom Of Speech… Just Watch What You Say” with the music of Black Sabbath introducing the album alongside Jello Biafra giving a speech about the impending police state. On his followup “O.G. Original Gangster” he cleverly advertised a new track called “BODY COUNT” which introduced the band of the same name where along with Ernie C (lead guitar, acoustic guitar), D-Rock the Executioner (rhythm guitar), Beatmaster V (drums), Mooseman (bass) and the two Seans: E Sean (sampler, backing vocals) and E. Mac (hype man, backing vocals), he and his posse were determined to jump back into the rock universe that most black musicians had abandoned for the safer ground of soul, funk and hip hop.

On the debut album BODY COUNT, Ice-T and gang followed in the footsteps of T’s solo album’s stylistically and lyrically only they left behind the funky beats and rapped lyrics (mostly) and traded them in for a metal and punk infused musical outburst that took elements of thrash, punk and trad metal and incorporated the hard hitting hip hop subject matter of inner city life. BODY COUNT took everyone by surprise. It shocked the hip hop community which mostly eschewed the world of rock music and strived to separate itself (despite Run-DMC bringing hip hop to the masses with tasty guitar riffing tunes). Of course accusations of selling out plagued Ice-T at this time but he politely reminded his fans that rock WAS black music with its origins stemming from Chuck Berry, Little Richard and of course the great Jimi Hendrix.

With a brash bravado ever present on all his albums, BODY COUNT unapologetically tapped into the world of heavy metal where the band was also condemned for trampling on sacred cows. Metal purists hated this album and when the band played an impromptu appearance opening for Metallica and Guns N Roses in 1993, the band was plodded with dirt clods. Hard to believe but in a genre that is all about shock and awe, many were not open minded enough to allow an all black band to express themselves in the context of heavy distorted guitar oriented music that whites had come to dominate throughout the 80s. Despite the haters, the album still generated a lot of interest following in the footsteps of another black band, Living Colour who had put African-American oriented heavy rock back on the map with their phenomenal debut “Vivid.”

Ice-T generated controversy wherever he went and flipped the middle finger with glee and on BODY COUNT he only continued his “fuck the world” stance and in the process created one of the ugliest albums of his career in a good way of course. The album is bookended by two slams of cops. The introductory skit of “Smoked Pork” finds a cop unwilling to help a downtrodden black man and ends up dead whereas the original version ended with the anthemic “Cop Killer” that triggered the wrath of the entire American police force. All the controversy generated enough pressure for the band to remove the song off future releases that was subsequently replaced by “Freedom Of Speech” which sampled a Jimi Hendrix groove and once again featured Jello Biafra along with Ice-T delivering biting criticism over the state of true freedoms in a country that claims to protect them.

This album is really awesome! Despite the lack of technical musicianship or extraordinary metal talent, this is a lot of fun and displays a lost spirit of music delivering a message. The album is divided up amongst extremely serious topics such as the saddening plight of the African-American communities being left to rot in ghettos, left to battle each other to the death with gang shootings and drug escapism running rampant. This theme is most evident on the title track, “Bowels Of The Devil” and “There Goes The Neighborhood,” but Ice-T has no problem injected a lot of humor into an otherwise bleak outlook on the American culture. “KKK Bitch” is a hilarious sequel to Ice-T’s “The Girl Tried To Kill Me” which narrated an unbelievable tale of a near fatal experience with a dominatrix, however in this case it’s about having nasty sexual relations with the daughter of the KKK! Likewise, one fo the funniest tracks in music history, “Evil Dick” demonstrates how men in general are mere slaves to their master slaves, their saluting members of the priapic libido army.

Ice-T originally rejected the idea of joining his friends’ metal band because his singing voice isn’t exactly the best and that perhaps is the weakest aspect of the album but i couldn’t think of a better rapper to have been involved in this project than Ice-T. His lyrical biting critiques and adept play on words adds a whole other dimension to this music that is missing from most metal bands which more than makes up for the lack of technical prowess. Despite not being the best singer, Ice-T does the job with an interesting mix of singing, semi-rapping and spoken narrations. The rest of the band ain’t bad either. The music mixes thrash metal, punk rock and more classic 80s metal. Ice-T spends the majority of the album critiquing the fucked up American scene but also pontificates against drug use on the melodic well-sung “The Winner Loses” and preaches against racism against whites on “Momma’s Gotta Die Tonight.”

While the controversy behind the track “Cop Killer” may have gotten this album more attention than it would’ve otherwise, the fact is that BODY COUNT is an infectiously well executed album that delivers hard hammering thrash riffs, epic trad metal melodies and brilliantly composed lyrical content. Subjects like voodoo, black ghetto life and African-American subject matter that are completely absent in most metal albums of the era are strewn all about BODY COUNT and make this a fascinating listening experience without sacrificing the true authentic metal experience. Metal purists who don’t like this can go fuck themselves. This album is brilliant on many levels. While the band would continue on and release not so brilliant albums, on this one they shine like no others of the other. A true alternative metal experience that doesn’t get enough love.

BODY COUNT Violent Demise: The Last Days

Album · 1997 · Rap Metal
Cover art Buy this album from MMA partners
martindavey87
Rapper Ice-T and his merry men are back with Body Count’s third studio album, ‘Violent Demise: The Last Days’. Released in 1997, it follows the disappointing ‘Born Dead’, which failed to capitalize on the unexpected and surprising success of the bands self-titled debut. However, with ‘Violent Demise’, the Californian gangsters return to the more brutal, cynical, yet tongue-in-cheek approach that made their first outing so unique for its time.

Starting off with a radio interview skit which sees the host attacking Ice-T over the poor reception of ‘Born Dead’, it’s evident that the group recognizes this and are setting out to rectify any issues. And they do it with a vengeance. With opening track, ‘My Way’, the band are instantly back to their aggressive and violent roots, with guitar riffs heavier than a tonne of concrete slabs and profanity-laden lyrics that will make your mother blush. Covering a host of traditional gangster rap subjects such as gang violence, racism and sex, the band are lashing out at society with both humour and pure hatred.

The musicianship itself is pretty good, and while this style of music isn’t typically known for virtuoso performances, the band members are tight, and the production gives the album a thick, punching sound that really re-establishes Body Count as a solid metal outfit. Ice-T’s vocals are a blend of rapping and generally shouting, but overall it works fantastically with the hardcore-inspired guitar riffs.

With the likes of ‘My Way’, ‘Violent Demise’, ‘Strippers’, ‘You’re Fuckin’ With BC’, ‘I Used to Love Her’ and ‘Dead Man Walking’, Body Count may not be able to recapture the mainstream success they had with their debut album, but it’s clear with ‘Violent Demise: The Last Days’ that this is a band who are more than just a side project, with well-written music of a high standard, this is a solid release that more than makes up for its predecessor.

BODY COUNT Born Dead

Album · 1994 · Rap Metal
Cover art Buy this album from MMA partners
martindavey87
Body Count’s 1992 self-titled debut album was a pretty big success for the band. Granted, that success came about due to the infamy and controversy surrounding the song ‘Cop Killer’, but the record itself was a solid effort. When renowned rapper and actor Ice-T put together a metal band, not many people thought it’d last, seeing it as a one-off endeavour. So it was no-doubt intriguing to see a follow-up released, and how did they capitalize on the success of ‘Body Count’?

They didn’t.

Released in 1994, ‘Born Dead’ takes everything that made its predecessor so good, and does away with it completely. The rapping has mostly been replaced by Ice-T constantly repeating the same phrase over and over, with very, very occasional bits of talking. The Lyrics, which once had meaning and were incredibly angry, satirical and lashing out at everything, are now dull, juvenile and pointless. The music seems pretty bland, and hell, even the skits between the tracks are gone. What previously gave the album a loose narrative and plot, is now just one uninspired song after another.

There are a couple of brief instances where the production and sound of the album suffers from dips in quality. I’d guess that this was thrown together in between Ice-T’s rapping and acting careers, as some parts sound rushed and disjointed. And a cover of the Jimi Hendrix classic ‘Hey Joe’ seems so out of place here.

However, it’s not all gloom and doom. There’s a couple of moments which take me back to Body Count’s first outing, and reminds me why this band are so good. ‘Necessary Evil’ and ‘Born Dead’ are both decent enough tracks that prevent this album from getting a one-star rating, but overall, considering all the publicity the group had garnered with their debut, this is a disappointing follow-up.

BODY COUNT Murder 4 Hire

Album · 2006 · Crossover Thrash
Cover art Buy this album from MMA partners
UMUR
"Murder 4 Hire" is the 4th full-length studio album by US heavy/crossover metal act Body Count. The album was released through Escapi Music in August 2006. Body Count took a longer hiatus after the release of "Violent Demise: The Last Days (1997)" and there have been quite a few lineup changes in the 9 years between the two albums. Beatmaster V, who died of leukemia shortly after recording "Violent Demise: The Last Days (1997)", has been replaced by new drummer O.T. and Vincent Price has taken over the bass duties from Griz. Rhythm guitarist D-Roc the Executioner died from lymphoma cancer in 2004, which stalled the recording of the album some until the band recruited Bendrix as their new rhythm guitarist.

9 years between albums and lineup changes doesn´t change the fact that the music on "Murder 4 Hire" sounds unmistakably like Body Count. With a charismatic singer like Ice-T behind the microphone it´s really not that strange, and the band´s usual combination of rap, hardcore/punk, heavy metal, crossover thrash, and rhythm´n´blues is also in place.

Despite a few decent tracks (the chorus to "The End Game" is for example really great), the material unfortunately feels a bit uninspired. Something the band themselves have also mentioned in inverviews over the years. But it´s not only the tracks which generally aren´t that memorable, it´s also the delivery, and the sound production which aren´t up to par with the band´s usual standards. First of all new drummer O.T. doesn´t do a very good job at replacing Beatmaster V. He has a drumming style, which sometimes makes me wonder if it´s actually a machine playing. Secondly the normally well playing Ernie C is a shadow of himself. There are not many interesting guitar solos featured on the album, and the riffs are pretty generic and lifeless sounding too.

Combine that with a weak sounding production, where only the vocals stand out in the mix (the instrumental part of the music is way too low in the mix), and you more or less have a recipe for disaster. Not surprisingly "Murder 4 Hire" is a self-produced effort with Ernie C and Ice-T acting as producers. In my experience it´s very seldom a good idea to self-produce your music (with exceptions), and "Murder 4 Hire" is proof of that.

When that is said "Murder 4 Hire" isn´t a total disaster and it´s still obvious we´re dealing with relatively skilled musicians, and the basic song material isn´t completely uninteresting either. It´s just a flawed album which clearly could have been better and the 9 years of waiting for a new Body Count album definitely wasn´t worth it. A 3 star (60%) rating isn´t all wrong.

BODY COUNT Violent Demise: The Last Days

Album · 1997 · Rap Metal
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UMUR
"Violent Demise: The Last Days" is the 3rd full-length studio album by US heavy/crossover metal act Body Count. The album was released through Virgin Records in March 1997. There´s been one lineup change since "Born Dead (1994)", as bassist Mooseman has been replaced by Griz, who also handles loops and samples. "Violent Demise: The Last Days" would be the last Body Count album to feature drummer Beatmaster V, as he died of leukemia shortly after recording the album. The album is dedicated to him.

The music on "Violent Demise: The Last Days" is unmistakably the sound of Body Count. That means a hybrid rock/metal style which includes elements from rap, hardcore/punk, crossover thrash, traditional heavy metal, and blues. Calling this rap metal would be wrong, although several tracks on the album features rap style vocals, but Ice-T predominantly sings/shouts.

The 16 track, 46:09 minutes long album features both "regular" tracks and quite a few shorter intros/interludes. Typically with Ice-T talking about what the next track is about in a humourous fashion. The lyrical themes ranges from tales about gang violence/ghetto issues, social/political commentary, and bragging about sexual adventures ("Strippers" is for example quite explicit). The quality of the material is generally pretty high, and for the most part relatively metallic and aggressive in sound.

"Violent Demise: The Last Days" features a well sounding and powerful Howard Benson production, which suits the music well. The musicianship is also on a high level, and all in all "Violent Demise: The Last Days" is a pretty good quality release by Body Count. Definitely a step up from the rather disjointed "Born Dead (1994)". It doesn´t quite match the excellence of the debut album, but it´s still enjoyable in it´s own right and a 3.5 star (70%) rating is deserved.

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