The X Factor
IRON MAIDEN

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IRON MAIDEN - The X Factor cover
3.04 | 70 ratings | 9 reviews
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Album · 1995

Filed under NWoBHM

Tracklist

1. Sign Of The Cross (11:17)
2. Lord Of The Flies (5:03)
3. Man On The Edge (4:13)
4. Fortunes Of War (7:23)
5. Look For The Truth (5:10)
6. The Aftermath (6:20)
7. Judgement Of Heaven (5:12)
8. Blood On The World's Hands (5:57)
9. The Edge Of Darkness (6:39)
10. 2 A.M. (5:37)
11. The Unbeliever (8:10)

Total Time 71:07

Line-up/Musicians

- Blaze Bayley / vocals
- Dave Murray / guitar
- Janick Gers / guitar
- Steve Harris / bass guitar
- Nicko McBrain / drums

- Michael Kenney / keyboards
- The Xpresion Choir / gregorian chant (track 1)

About this release

Released by EMI.

Bonus Cd has the following tracklist:

1. Justice Of The Peace (3:34)
2. I Live My Way (3:48)
3. Judgement Day (4:02)

Total Time 11:26

Thanks to Stooge, Pekka, UMUR, Lynx33 for the updates

IRON MAIDEN MP3, Free Download/Stream

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IRON MAIDEN THE X FACTOR reviews

Specialists/collaborators reviews

666sharon666
1995's The X Factor marks the start of what is undoubtedly the most unloved era of Iron Maiden: The Blaze Bayley years. It's not without good reason, as the 90's in general were not a good time for the band but at least No Prayer for the Dying and Fear of the Dark had Bruce Dickinson on them right? Well actually I think that The X Factor is slightly stronger than Fear of the Dark.

Blaze Bayley definitely isn't a bad singer, but he certainly isn't the right voice for Iron Maiden's music. This is more because Bruce Dickinson had by this point well established himself as the voice of Iron Maiden. Despite that Blaze does well enough here and The X Factor is a step back in the right direction. The music has a progressive edge again, though is not as progressive as Somewhere in Time or Seventh Son of a Seventh Son and there are more standout songs than Fear of the Dark had such as the opening epic Sign of the Cross and single Man of the Edge and overall does feel a bit more memorable. Some songs sound like they could use trimming down though, as the 71 minute length still tends to be hard to get through it one sitting.

Attribution: http://metaltube.freeforums.org/iron-maiden-the-x-factor-t3633.html
UMUR
"The X-Factor" is the 10th full-length studio album by UK heavy metal act Iron Maiden. The album was released through EMI Records in October 2nd, 1995. "The X-Factor" sees a major change in the lineup as Lead vocalist Bruce Dickinson had left the band to pursue a solo career (and study to become a pilot). During the tour supporting Iron Maiden´s 9th full-length studio album "Fear of the Dark (1992)", Bruce Dickinson announced his departure to the rest of the band and after the tour ended the rest of the members of Iron Maiden began searching for a replacement singer. After countless auditions with various singers, Blaze Bayley (Wolfsbane, Blaze) was chosen as the replacement for Bruce Dickinson. I remember reading an interview with bassist Steve Harris where he praised Blaze Bayley and said he felt that Blaze Bayley was the perfect replacement for Bruce Dickinson. Steve Harris emphasized that Iron Maiden had been searching for a vocalist that didn´t sound like Bruce Dickinson. Instead they had been searching for someone with a personal sound. I remember from the interview that Steve Harris said, that there had been one guy at the auditions that sounded so much like Bruce Dickinson that it was almost eerie, and they didn´t feel comfortable with that.

The instrumental side of the music on the album hasn´t changed much compared to earlier releases by Iron Maiden. The music is melodic heavy metal ranging from hard heavy rockers like "Man on the Edge" to more epic heavy metal songs like the 11:17 minutes long "Sign of The Cross". The vocal style of Blaze Bayley, while being in a somewhat similar vein to the vocal style of Bruce Dickinson, completely lacks the power and the conviction of the latter though. This is a major issue IMO and even after almost 17 years I still think it´s a major flaw and I feel that "The X-Factor" suffers greatly because of it. While I dislike Blaze Bayley´s vocal contributions and think they are a drag there´s also something wrong with the production. For the first time longtime producer Martin Birch (Deep Purple, Rainbow...etc.) didn´t produce an Iron Maiden album. Instead bassist Steve Harris and producer Nigel Green took on the task which gave "The X-Factor" a very different sound compared to the band´s earlier releases. It´s an aquired taste of course but I think the sound is flat and lacks power. It probably made Blaze Bayley sound even weaker than he already did.

I remember that back then I had my concerns about what this album would sound like but I hoped for the best. I was sadly very disappointed and that feeling remains after listening to the album again before writing this review. I may be sligthly harsh but I can´t give more than a 2.5 - 3 star (55%) rating and I wouldn´t recommend this album to anyone I know.
adg211288
The X Factor is the tenth studio album by UK heavy metal band Iron Maiden, and the first to not feature the lead vocals of long time frontman Bruce Dickinson since 1981’s Killers. Here he is replaced by Wolfsbane’s Blaze Bayley, and the album is the first of a two album tenure for Blaze as the band’s singer.

Iron Maiden produced a strong of classic albums during the 80’s. However as they entered into the 90’s their output began to dip. First 1990’s No Prayer for the Dying was something of a basic to basics affair after the progressively inclined Somewhere in Time and Seventh Son of a Seventh Son, and then Fear of the Dark just couldn’t stand up to the classics despite its iconic title track. And then to top it all off Bruce Dickinson parted ways with the band. Things were looking bad for Iron Maiden come 1995 when they released The X Factor. It’s very true that the album has a large Bruce sized hole in it, but given time to do sufficient growing, then The X Factor is actually a pleasant surprise. It’s no The Number of the Beast or Powerslave to be sure, but The X Factor stands as the best of the 90’s Iron Maiden albums.

I’m not without complaints with the album however. For one thing there is something of a repetitive air to the album, which is most noticeable when one studies the structure of most of the tracks. Very few tracks on The X Factor start as all out rockers, instead almost always have quiet and slow, distinctly non-heavy introductions, which heavy up after a duration of varying length. Blaze’s delivery of the vocals can get a little stale also, since he doesn’t really quite manage to fit into that Bruce sized hole I mentioned earlier. In his defence he carries the album well enough, but I can’t help thinking that if Dickinson had been singing this material then The X Factor would actually be a more highly regarded Iron Maiden album. The trouble is with that wish is that Blaze Bayley is a regular contributor for writing release, so even though his vocals don’t quite stand up to Dickinson’s, it could certainly be said that Blaze was a key figure in reviving Iron Maiden when they much needed it. Well, for this album anyway.

The X Factor has many really great lead melodies and much heavier impact than some Iron Maiden releases. The lyrical tone of the album is also much darker. There are many really great and in my opinion often underrated tracks on the album, such as the opening epic Sign of the Cross, 2 A.M., Lord of the Flies, The Aftermath, Fortunes of War and Look for the Truth, and even the less good material is mostly stronger than what Maiden had previously dished up with Fear of the Dark. As such The X Factor is a healthy return to form for the band, and while the Bruce sized hole may be a barrier for some, my conclusions of this album are to give it time to grow on you, or rather, give it time to allow you to get over Dickinson’s absence, and you’ll find an album that is nearly as good as many of the 80’s classics. In fact I may make myself immensely unpopular and say that this is actually superior to the self-titled debut and even Piece of Mind. Not my favourite Iron Maiden album by far, but one that sits comfortably alongside the true greats.

(Originally written for Heavy Metal Haven, scored at 8.4/10)
Time Signature
Band on the edge...

Genre: heavy metal

"The X-Factor" was the first album to feature Blaze Bayley on vocals, something which a lot of Iron Maiden fans have problems with. Don't blame Blaze though. While not as great a vocalist as Bruce Dickinson, Blaze Bayley handles the vocals fairly well, and his dark melancholic voice suits the darker music quite well. The music itself is somewhat lacking in energy, although it does retain aspects of the technicality and intricacy associated with Maiden. However, the lack of energy and the strange almost ethereal (in lack of a better word) guitar sound makes it difficult to appreciate this album fully. That, and the fact that whatever twin guitar appears on the album is either played in unison or octave harmonies rather than the intricate harmony patterns of earlier Maiden.

There are some good songs on this album, like the epic "Sign of the Cross", the energetic "Man on the Edge", the catchy "Lord of the Flies" and the unusual "Blood on the World's Hands" and "The Unbeliever", and I think these tunes are what carries the album through ("Sign of the Cross" and "Man on the Edge" being better than just good, in my opinion). In addition there are some okay but not really memorable tunes, such as "Edge of Darkness", "Fortunes of War" and "Judgment of Heaven". Apart from the latter, whose chorus is admittedly quite catchy, these tunes are, while okay, not really significant in any way other than being different from the style usually associated with Maiden.

"Look for the Truth" was, til "Virtual XI" got released, probably the worst Iron Maiden tune I'd ever heard. It pains me to say so, as I consider myself a loyal Maiden fan, but this song is not just bad, but also ridiculous.

"The X-Factor" is not a good album, but it's not a catastrophe either. It's just okay. I hasten to repeat that it's not Blaze's fault. He does a fine job. It's the music itself and the production that are somehow lacking something. I wouldn't recommend this album to any Maiden "noob", I think an 1980s or 2000s Bruce era album would probably be a more appealing introduction to the band. It's probably a collectors' only item.
Pekka
I've become comfortably numb. That's why Bruce Dickinson left Iron Maiden, he said in an interview. He saw no challenge anymore, but with the iconic frontman gone the band faced one like they'd never known. Add to that the fact that Steve Harris was at the time losing his father and going through a divorce, and the murky feel of the eventual album should come as no surprise.

The band's vocalist of choice was Blaze Bayley from Wolfsbane, a very different type of singer than Bruce. A lot can be, and has been said about him, but no matter how inadequate his range was for some Bruce era tracks live, I think he did a very good job in studio most of the time. Choosing a vocalist so different was a courageous move, and for a band known for openers like Aces High and Be Quick Or Be Dead, starting an album with low humming and monks chanting is a courageous move as well. What the slow beginning evolves into is an eleven minute massive masterpiece called Sign of the Cross, a truly fantastic start to a new era.

Tempo is then picked up with a couple of faster rocking tracks following. Lord of the Flies is slightly hampered by the chorus that due to Blazes limited range doesn't really take off as it could, but Man on the Edge is classic Maiden with great riffs and a memorable chorus. But then the band takes it down again for most of the eight remaining tracks, showcasing them at their darkest and slowest, with lyrics dealing with subjects like war, suffering, war, desperation, war, emptiness and war. Here Maiden also got the sometimes over used habit of starting songs with extended calm intros that take their time and then lead to the verses.

For a long time it was difficult to tell the rest of the tracks from each other. This sameness is both a minus and a plus: though Judgement of Heaven comes close, the latter half of the album could use an uptempo rocking piece to give it a bit of variation, but on the other hand the mood established is incredibly strong and effective, and the tracks good enough to keep interest level high. My favourites would perhaps be Look for the Truth, Blood on the World's Hands which opens with an acoustic Steve Harris bass jam, 2 A.M. and The Unbeliever, all of which have some exceptional melodies relieving the darkness.

This is the dark, slow and heavy Maiden album, difficult to get into but ultimately very rewarding. Very recommended if you want to delve deep.

Members reviews

kluseba
I know that this is not a very common or popular opinion, but for me, the X-Factor is my favourite Iron Maiden record. I have known the band with Bruce Dickinson as a singer and I really liked their classical records like "Powerslave" or "Somewhere in time" and even their early stuff with Paul Di'Anno. I discovered the Blaze Bayley era of the band quite late and had heard a lot of negative comments about him and the band's style and direction at the time when he was in it. When I first listened to the x-Factor, I really liked the dark and profound atmosphere but I found many songs on the album too long and too similar. Today, four years later, I have completely changed my point of view. This album has grown on me like no other album of the band. It is way more intense and atmospheric than any other stuff the band has ever tried. It is probably the best metal record of the whole nineties to me.

The album starts with one of my favourite Iron Maiden songs, "The sign of the cross". Many people say that this song is too long, too dark and too complicated to take it as an opener, but I don't think so. The album introduces perfectly to the dark atmosphere of this whole piece of art. It is courageous to put this song as an opener but this courage was worth the try. The song starts with monk choirs and some really dark vibes before Blaze Bayley introduces himself as the new singer of Iron Maiden. I think that it was an excellent choice of Steve Harris to not choose a similar singer to Bruce Dickinson and take the easy way out with high pitched voice singer. When Paul Di'Anno with his wild voice and punk attitude had left the band, Steve Harris had also chosen to not take a similar singer but to try something different with Bruce Dickinson's very particular voice and it has been the best choice at that time, too. It's the same thing here. Bruce Dickinson would have never been able to sing as dark, as melancholic, as angry and desperate as Blaze Bayley on the X-Factor. Bruce Dickinson does some great performances of some of the album's songs on later live releases, but he sings the songs way too emotional, way too positive.

"Sign of the cross" is a diversified, dark, melancholic masterpiece of eleven minutes with a great, long and surprising introdution with a very high tension and uneasy atmosphere, before Blaze Bayley literarily explodes and does a more than solid performance. Everything fits on this album. The guitar solos are emotional even if Adrian Smith isn't present here. Steve Harris is probably doing the job of his career on this album, you can very often hear his diversified and brilliant bass play and this dark tuned instruments fits perfectly to the atmosphere of the album and it sounds really fresh and surprising that this metal record is more based on the bass guitar than on the ordinary guitars. You've got all of this already in the first song and that's what makes him so innovative.

"Lord of the flies" has a very catchy and dark introductional riff and Blaze does a particular emotional and brilliant job here. The melody of the bridge and the chorus is really catchy and doesn't go out of your mind any more once you have listened to it.

"The man on the edge" is a surprisingly fast rocker and gives you a little break after more than fifteen minutes of melancholic atmosphere. It is a very fresh banger and welcome change in style in the very tension filled album.

"The fortunes of war" is probably my favourite song on this record. A very dark, sad Blaze Bayley gets you in a very dark and emotional mood, the bass introduction by Steve Harris is the best one he has ever done. The guitars that interrupt the brilliant plugged and unplugged bass play sound very melodic and remind me of Mike Oldfield. The bridge to the second part of the songs fits perfectly and the songs is very diversified with very slow and very fast parts, sing-along parts and storyteller parts, melodic guitar solos and brilliant bass guitar passages. The outro closes the circle perfectly to the beginning of this masterpiece.

"Look for the truth" has a very dark and eerie mood and the introduction gives me goose bumps every time I listen to it. Blaze Bayley sings in a stunning way after the intense introduction, you can really feel his desperate anger. He is not only a singer, he "lives" the lyrics and you get completely absorbed by his style. This song has great and atmospheric but very simple sing-along parts that fits perfectly with the rest of the song.

"The aftermath" is a song I didn't like really much when I heard it first but this one really grew on me. I really like the somehow dreamy and melancholic guitars in the introduction and the intelligent lyrics of this song. The chorus is really not what you are used to listen to when you listen to this band and this is what makes this song very special and interesting. Give this song the time it needs to convince you, but once it makes "click" in your head you will really be into its very particular style and atmosphere.

"Judgement of heaven" begins once again with a brilliant acoustic bass line before Blaze Bayley sings the introduction in his very particular style. The lyrics are so personal, so intense and so heavy that it really touches you. After the dark and desperate introduction and first verse, the chorus is so optimistic and the band makes you travel from hell to heaven and back. The melodic twin guitar parts are brilliant in the bridge are just amazing and the gallopping bumble bee bass guitar and Blaze's angry voice create a create contrast and an antithesis that fits with the lyrics. The screams in the outro are somehow a little bit inappropriate and strange but I take this as another surprise that underlines the emotions of the song.

"Blood on the world's hands" begins with a hypnotic and mysterious bass intro and sounds just amazing. Some people say that it just sounds as if Steve Harris was tuning his instrument and playing some simple chords, but I wouldn't say that. The bass guitar has almost some mysterious folk sounds and the transition to the body of the song is perfectly done. Blaze Bayley sings then in a stunning and very emotional way. The uneasy and unusual chorus fits with the atmosphere of the song and the melodic bridge of the song gives you a little break and even some chills. Some dark orchestrations or keyboards underline the atmosphere of the song like in the opening track and this is very well done.

"The edge of darkness" is a song that I didn't like in the beginning. It's introduction, with a helicopter sound and once again a very dominant bass guitar play and some simple guitar harmonies over it, seemed very long and unnecessary to me. Today, I realise that this part is necessary to create a very slow paced and depressive atmosphere that underlines the lyrics of the song. But it's worth waiting the time before the song gets heavier and has some very fast and stunning parts with a few melodic guitar solos. The song really grows more and more on me and has passed from the bottom to the top 3 songs of the album for me.

"2 AM" works a little bit like "Man on the edge". It gives you a little break from the dark and complicated songs but it contains a very melancholic atmosphere. The melodic guitars dominate the bass guitar for the first time on the album and Dave Murray and Janick Gers do a brilliant job here. The chorus is simple and melancholic and this song would also have been a good choice for a single. Many people say that this song is the weakest one of the album, but I think it is a melodic and melancholic masterpiece and a welcome little change in style.

"The unbeliever" is the most difficult song on the album. It is very long, very complicated, has many changes and breaks. Blaze is really on the loose and sings in a very particular style, once almost rapping, than angrily screaming or roaring. Almost folkloric bass interruptions, simple riffs, chill-out acoustic guitars and melodic guitar parts are all mixed together in this song and it is not easy to get an approach to that. Even after four years, I recognize the brilliant and innovating style of the songs but have some difficulties to really appreciate it. It is a very interesting experiment and I believe that this song still needs some time and that I will appreciate it even more in a couple of years. It is like a good wine that becomes better with its age and this song has already passed from the state of "too weird" to the state of "innovative" so that I'm sure that this song is even able to grow more and more within the next years.

All in all, you have eleven dark and melancholic masterpieces on this album. This album is intense and difficult, but it is worth waiting and trying to get an approach to it. I am sure that this album will be considered as a classic and heavily underrated album in one or two decades just like "Somewhere in time" that was criticized when it came out and is considered as a masterpiece nowadays by many fans. This album is the most intense and the most personal album of Iron Maiden. All the tragedy around the separation of Bruce Dickinson, the pressure and anger of the fans, Steve Harris' difficult divorce - all these things got combined and created an image of the band's surroundings and inner life that you can see and also listen to on this album.

The only negative point I see about this album is its average production (especially "The sign of the cross" should kick out a little bit more as an opener). I would also understand if some people would say that some songs of the album are too similar and that one or two songs less would have done a better job but on the other hand, I am very happy to have them all on an album and I would have even add the brilliant "Virus" to the album (which has been added on the "Best of the beast" greatest hits compilation one year later). Even the b-sides "Judgement day" and "Justice of the peace" are brilliant and one could have easily created two great albums with this material! That's what i think is a sad thing as many fans do not even now those three masterpieces.

Give this album a chance and let the band pull and drown you towards the edge of darkness!
LittleBig
The X Factor is an album which definitely deserved and deserves better. Obviously, many people reject this album because Bruce Dickinson is not here and Blaze did not rise to the high expectations that people have with Iron Maiden. Blaze has a different style and lacks the vocal range that Dickinson has; and the problem of the Bailey era Iron Maiden is that Harris & co did not use Blaze properly. He sounds like a guest vocalist than the band member he was supposed to be.

The good thing about this album lies in the fact that it's different, most of the songs are mid paced, a bit repetitive at times, but they do have a nice atmosphere (like the epic Sign of the Cross, Judgement of Heaven and Blood on the World's Hands, Unbeliever just to name a few).

Harris's bass playing is great, some nice intros; Murray and Jers complete each other nicely and cleverly, there are some nice riffs and guitar leads. Blaze did a good job believe it or not and last but not least, Nicko did some nice drumming. The album's got some competent songwriting and definitely good musicianship.

Overall, this is a good album, it was a successful attempt to survive after losing Bruce Dickinson; he is surely missed here, I too sometimes wonder how this album could have sounded if Bruce had sung on it (and I have listened to live versions of Sign of the Cross and Lord of the Flies).
friso
Iron Maiden - The X-Factor (1995)

Former lead-singer Bruce Dickinson went of to become a pilot and the band had this use problem: how to replace the best metal frontman alive? Blaze Baily became new lead- singer and frontman. Iron Maiden has already shown the quality to get the best out of the personality out the lead-singer. During the Paul Di'Anno years they adopted a very suitable style and with the transition to the Dickinson era the sound of the band changed quite a lot to fit it to Dickinson vocal range and style. The same was done on the X-factor. The album art is less good then on other Maiden albums, but acceptable.

The sound of Iron Maiden had matured a bit and the recording differs a bit from all album of the Dickinson era. The sound is very professional and Maiden showed to be capable of reaching some innovative progression on this album. The album has less metal, instead it sounds like heavy art rock. On some tracks the full voice of Baily works quite nicely, but on other tracks his vocal qualities are a problem. His pitch isn't perfect and I think the band should have been more careful during the recording sessions when it comes to the vocals. The album has lot of quiet and sensitive moments for an Iron Maiden album.

I will now discuss some highlights.The opening track, The Sign of the Cross, is an amazing epic with an adventurous atmosphere and a demanding sound. The instrumental parts are very strong. Lord of the Flies is a shorter song with a good lyrical theme based on the novel. The refrain is catchy and the sound is professional. The best part is however the powerful couplet theme. Man on the Edge is an amazing up-tempo track with fierce guitars a great vocals of Baily. Fortunes of War has some progressive elements with quiet moments and technical instrumental parts. Blood on the World's Hands has a very sophisticated sounding refrain and demanding but good illogical vocals of Baily. The Unbeliever is a strong ending track, though some of the vocals of Baily aren't up to the challenge.

Conclusion. Iron Maiden had this long career and it's nice to see them exploring new grounds after all these years. This the album with an amazing mature Iron Maiden sound, it sounds experienced and sometimes it even sounds calm and relaxing. I like the recording, most of the songs are very good and it's and different album then all other Maiden albums. While I'm writing I listened to the album again for the first time in years. Before writing it I had a three rating in mind, but I was convinced otherwise. Four stars for this album. It's underrated even by fans of the band. New vocalist Baily isn't perfect, but some of his moments are brilliant, which compensates. The album would have been a bit better if two of the less essential songs were excluded, but there's still 55 minute of great material here!

P.S. I would like to add it's very interesting to look for a Maiden track called 'Virus", which is very likely to be a great addition to your music collection if you like this album.
KayleghsDad
This album was the beginning of the end for Maiden in the states, and cheap, lifeless production are at lest partially to blame. Coupled with Blaze Bailey's HORRIBLE voice the album never really stood a chance. While to song writing was interesting and dark, the above mentioned problems kept the album from becoming what it could have. I used to fantasize about Maiden re-recording the album with Bruce Dickinson, and real producer. Have said that. there are some songs that standout in spite of the album's limitations. Check out Sign of the Cross, The Aftermath, and The Unbeliever. If you don't know Maiden's music, don't start here.

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