MMA Special Collaborator · Doom Metal team
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959 reviews/ratings
METALLICA - Ride the Lightning Thrash Metal
AC/DC - For Those About To Rock (We Salute You) Hard Rock
AC/DC - Ballbreaker Hard Rock
AC/DC - Who Made Who Hard Rock
BLACK SABBATH - Paranoid Traditional heavy metal
BLACK SABBATH - Master Of Reality Traditional heavy metal
BLACK SABBATH - Vol 4 Traditional heavy metal
BLACK SABBATH - Mob Rules Traditional heavy metal
OZZY OSBOURNE - Blizzard Of Ozz Traditional heavy metal
LORDI - Get Heavy Traditional heavy metal
SYSTEM OF A DOWN - Toxicity Alternative Metal
DIO - Holy Diver Traditional heavy metal
KILLSWITCH ENGAGE - As Daylight Dies Metalcore
BREAKING BENJAMIN - We Are Not Alone Alternative Metal
BREAKING BENJAMIN - Phobia Alternative Metal
COHEED AND CAMBRIA - Welcome Home Alternative Metal
BREAKING BENJAMIN - Blow Me Away Alternative Metal
OPETH - Still Life Progressive Metal
FINGER ELEVEN - Tip Alternative Metal | review permalink
RUSH - Test for Echo Hard Rock

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Metal Genre Nb. Rated Avg. rating
1 Hard Rock 274 3.66
2 Alternative Metal 115 4.00
3 Non-Metal 91 3.29
4 Traditional heavy metal 78 3.88
5 Nu Metal 50 2.90
6 Progressive Metal 41 3.22
7 Proto-Metal 41 4.09
8 Thrash Metal 31 3.97
9 Metalcore 30 3.98
10 Funk Metal 25 4.22
11 Glam Metal 24 2.98
12 Metal Related 24 3.52
13 Doom Metal 22 4.00
14 Industrial Metal 20 3.35
15 Power Metal 13 3.81
16 Stoner Metal 9 4.33
17 Symphonic Metal 8 4.81
18 Groove Metal 8 4.19
19 Atmospheric Black Metal 7 2.14
20 NWoBHM 7 3.79
21 Melodic Black Metal 5 4.80
22 US Power Metal 3 3.50
23 Drone Metal 3 1.17
24 Deathcore 3 1.50
25 Grindcore 3 4.17
26 Mathcore 3 3.17
27 Hardcore and crust 3 2.50
28 Death-Doom Metal 2 4.25
29 Funeral Doom Metal 2 3.75
30 Atmospheric Sludge Metal 2 4.75
31 Black Metal 2 4.50
32 Symphonic Black Metal 2 3.00
33 Melodic Death Metal 2 4.25
34 Sludge Metal 2 4.75
35 Speed Metal 1 3.50
36 Crossover Thrash 1 0.50
37 Death Metal 1 3.00
38 Gothic Metal 1 3.50

Latest Albums Reviews


Album · 2017 · Hard Rock
Cover art Buy this album from MMA partners
Not one, not two, not three, not four, not five, not six, but seven different pigs.

What Pigs (x7) are in a nutshell is a louder-than-life stoner rock band, in a very similar vein to Motorpsycho, Wolfmother, or maybe even Black Mountain. This is evident from the short track listing, composed of three long amalgams of frenzied panic and mental decomposition in song form. It should be noted though that this Motorpsycho comparison is more directed towards the 90's form of the band, such as Lobotomizer or even Trust Us, as Pigs (x7) doesn't carry the baggage of prog-rock subtleties (or perhaps in this case unsubtleties) of MS's more recent material, instead opts for the more amateurish, noise aspects of what composed much of Motorpsycho's earlier sound.

Don't get the wrong idea though, because I believe Pigs (x7) and their debut Feed the Rats are able to stand out from their influencers, no matter how many various lines can be drawn between them. As mentioned before there is a short track list, unsurprisingly of three songs, two of which are 15 minute (or more) behemoths of drugged-up strength. Even though they are different in run-times, they still revolve around a similar formula -- to assault you with a fuzzy clout on your eardrums. Pigs (x7), like many heavy stoner rock shit-bands, have a sole objective to hit you with as much sound as possible until it knocks you dead, no matter how long it may take. I do believe this was achieved, at least at certain points. 'Icon' in particular had several extremely enjoyable moments, but unfortunately due to it's length I doubt I'd find myself casually listening to it. That doesn't mean that I wouldn't find myself taking a sit-down like I do with many other even longer stoner albums. The double-guitar cacophony of Sam Grant and Adam Ian Sykes becomes almost enchanting in their monotonous crunching, aided by the pained howls of Matt Baty (who's voice is uncannily akin to Steve Brooks of Floor).

Pigs Pigs Pigs Pigs Pigs Pigs Pigs is an oddly-named but very enjoyable unit whose expression of their craft is very sonically enticing. A no-holds-barred band with a raucous attitude awaits within the embrace of the painted pastor.

FUEL Sunburn

Album · 1998 · Hard Rock
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Any person with half a semi-rational head between their shoulders should be able to tell you in good conscience that alternative hard rock was the king of the 90's. In both sales and popularity, bands like Nickelback, Creed, and a plethora of others quite literally became millionaires in the span of only a few years. A large criticism of these groups was their indistinguishability from one another, as they all seemed to play the same brand of commercially friendly riffage and golf-ball-in-the-throat croons. Looking back, these criticisms were certainly well-justified, but it's also easier to tell apart the higher quality hard rock bands from others.

I believe that Tennessee-based Fuel is one of these higher quality groups. Their history stretches back to 1994 when they emerged as a post-grunge band under the name Small the Joy. After a name change that year, the band would go onto release a variety of DIY EPs. One EP in particular, titled Porcelain, featured the band's first breakout single 'Shimmer' (which remains the band's most popular song today), which more or less got the EP an unprecedented 5,000 copies sold. Record labels were quick to notice a potential profit, particularly Epic Records who swooped up a record deal with them as soon as possible. Two years and one more EP later the band would find themselves presented with a major-label debut, one they called Sunburn.

Aside from being enormously popular, going platinum in only two years, Sunburn is still the crowning achievement of the band. Showcasing some of Fuel's most fun-loving endeavors, the overall quality of the album remains still enjoyable even after almost two decades. This is less due to really the skill of the band members and more to the fact that the songs they play are catchy as all hell. This factor can be a bit obtuse if you're extremely critically minded, and I'd hate to employ a "turn your brain off" methodology to enjoy this album, but I believe to a certain extent it is required. It should be a given though that that makes this album isn't exactly formidable or even sophisticated, but I don't believe that really was Fuel's intention. If it's a mission to rock, then I can't really fault them because they do numerous times. In particular, 'Ozone', grooves with the ferocity of a swagger-filled city slicker, as well as 'Jesus or a Gun' being more along the grunge of the Foo Fighters. The tracks, while being crunching, fast-paced and aggressive, don't exactly stick out too much from one another, other than the aforementioned two, but it really adds to the easy-on-the-ears experience if you're planning on listening to the album in one go.

If you're a stiff-lipped music critic who has no intention of letting loose with some undeniably low-brow music, let me be clear that Fuel's work or at least this one is not for you. Even I'm still sort of on the fence about it, even after all these years. All in all though if you are looking for a flash-fire of enjoyment, then Fuel's Sunburn delivers it like a one-two-punch.

FLOOR Loanin' / Figbender

Single · 1993 · Doom Metal
Cover art Buy this album from MMA partners
Floor started their career in the year 1993, releasing their debut single 'Loanin'' to the local Miami music scene. What this particular song and it's B-side 'Figbender' presented was an unprecedented brand of heaviness, one that I believe remains unparalleled today. While not nearly as professionally mixed as their 2002 debut, a factor that greatly contributed to the massive sound and really allowed them to tune it down farther, what this particular single still shows a prototype of what Floor would come to be acclaimed for. Shrieking, dying-animal like screams (granted which got much more clean in the future),spine-crushingly heavy riffs, and the occasional tortured whine of guitar feedback. If this is what you got and you weren't expecting it, I just don't know what to tell you. A one Clint Sutton appears as the gargantuan skin-slammer on this record, but he was replaced with Jeff Sousa a year or two after this release. Either way, Floor shows that it still acted as an extremely cohesive unit even in their earliest days.

INCUBUS (CA) Nimble Bastard

Single · 2017 · Hard Rock
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It was kind of prevalent on If Not Now, When? back in 2011 that Incubus was moving farther and farther away from their eclectic leanings that they had so well-developed in the 90's and early 00's. A more alternative, softer-centric sound began dominating almost every song they put out, and this was no clearer than on the Trust Fall EP in 2015, whose title-track sounds uncannily like their newest single 'Nimble Bastard' from the to-be-released 8.

Nimble Bastard, like Trust Fall, is a song that loves (a bit too heartily) it's simplicity. A simple hook, simple catchy, emo-style vocals from Brandon Boyd, and dumbed-down alternative-punk smatterings. Simple simple simple. Nimble Bastard works almost like an unintended throwback, except the pop-punk leanings and faux-aggressive lyrics date themselves more than when they were "wicky-wicky"ing on their turntables back in '97. It really is a disappointingly mediocre supposed showcase of what's to come, but perhaps Nimble Bastard is just another example of a debut single being the worst song on the album it's previewing. I for one hope so.

REGURGITATE Carnivorous Erection

Album · 2000 · Grindcore
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MMA Reviewer's Challenge: Album Selected by Vim Fuego.


This one might be a bit...odd, so just stick with me.

Grindcore is an interesting genre to tackle. It's kind of like that drunk and filthy uncle you see stumbling in your front yard during a family reunion, who no-one in your family really wants to recognize but who's still been there as far back as you can remember and can't really do much about. But musically, Grindcore is a disturbing genre -- you take the dark, occultic roots of 70's metal (à la Sabbath) and boil it down until you get the most heinous and sickening components. All packed into these bite-sized songs (at only 1-2 minutes in length, many times even less) all with an almost overwhelming level intensity and brutality.

But what if we took it one step further, you ask. What if we took this genre that already revels in it's own depravity, and make it even uglier? Enter "goregrind", a genre often thought to have been debuted by Carcass back in 1988 with their album Reek of Putrefaction. Now this is the REAL abhorrent stuff, as in "make your supposedly edgy-music-loving friend keel over and die" abhorrent. Carcass was not the only band to bear the title of goregrind, however. Bands like Exhumed, Impetigo, and Haemorrhage began crawling out the woodwork in mass exodus in the late 80s and early 90s. Goregrind gained it's own following separate from it's parent sub-genre, as people were enthralled by the flippant use of down-tuned guitars and cheesy horror themes. One of the more popular of these bands was none other than Sweden-based Regurgitate.

Regurgitate made their first entrance onto the scene in 1991 with their demo, but didn't really make a breakthrough until their debut studio album, Effortless Regurgitation of Bright Red Blood (...), in 1994. This release was disturbing enough on it's own, but the real treat didn't come until about 6 years later. "But Thatcher," you ask, "how would they even be able to top that debut? What more could they do?" A lot more, it turns out. Carnivorous Erection was the name of Regurgitate's sophomoric release in 2000, on the dawn of the new century. Grindcore was and still is a popular genre, but it was still at it's zenith around this time. So this admittedly exploitative piece of history came out around the perfect time.

As you might have guessed, Regurgitate are not the most subtle bunch, and it's clear in their choice of cover art and in their music. What they display on this release is nothing short of the musical equivalent of death by a thousand cuts (or in this case, 38), and I wouldn't be surprised if someone would be put off by it. Hell, I'm still a bit uncomfortable, and I've listened through it dozens of times. But Regurgitate's work is not without merits, as they do put on quite a show. Jocke Pettersson (skins) in particular is the highlight of the album, and his pure ferocity and speed is extremely entertaining even with the sometime aggravating heading music. The Swedes especially hit their mark when they slam out an incessantly groovy crunch such as on, ahem, 'Fecal Freak'. But a very glaring problem with this release is the "vocal" work by Rikard Jansson. Now don't get me wrong, this isn't exactly my first tango with grindcore, as I'm a huge fan of fellow Swedish grinders Nasum, and I'm very familiar with their screaming vocal style. However Regurgitate and Jansson opt for this sort of watery death rattle. Might sound cool? Perhaps maybe used once, but it's on every single track, incessantly gurgling, sometimes ruining what could be a very powerful and exciting time. I know Regurgitate's sole purpose here is to shock, but there is a clear cut difference between shock and just being plain annoying.

There's really not much more to say about this one. Carnivorous Erection is a trip, sure, and I had quite a bit of fun on a few of the tracks, but isn't nearly as fun as some other grindcore or even goregrind acts I've come across. "Good, but non-essential" is a perfect phrase to summarize. I'm off to go rest for a bit.

Latest Forum Topic Posts

  • Posted 2 days ago in The Hard Rock Discussion
    If only I had this back in 2015. [TUBE]4fX5u2FPwEg[/TUBE]
  • Posted 8 days ago in Archives
    Well, PA has been around for some 9 years longer than we have, giving them the chance to form a more stable user-base. Unfortunately for us we haven't nearly amassed such as thing, but god knows we're trying! 
  • Posted 9 days ago in Archives
    Hey there! Yes, MMA and PA are similar because they both run off the Web Wiz Forums system, thus why the forums for both sites look practically identical aside from a color difference. About your account -- you had to make a new one because although PA and MMA run off the same setup, I believe they are run off of different servers. This also holds true for Jazz Music Archives (JMA), our other sister site. Fortunately there's no restrictions for you just copying your user info from PA to here, so you can do that if you want.If you're looking for rules/guidelines for using MMA, there's a perfect thread for you.There are differences between MMA and PA, but they are more prevalent on the main site than on the forums. One big difference is that each album from a band/musician's discography has their own unique subgenre identification, meaning an artist can be under multiple genres whilst on PA they can only be under one. That's the only glaring difference I can really think of, but if my fellow collaborators have any other examples I'm sure they'd be happy to fill you in.It might also be helpful to point out that the site is currently undergoing some renovations. You may have noticed that currently we have a Google search widget on the site that allows you to search for bands, similar to the one on PA. However, to the best of my knowledge, this is a temporary fixture until the original one is restored (the original is the same as the one on JMA), as we've been experiencing some site problems lately. We are working as best as we can to fix them. Some genres on this site were only introduced very recently and we are still working on going through and writing descriptions for each.I'm sure you are well-versed about the system on PA, but just in case, I'll give you a very quick rundown on collaborators. The collaborator/admin team are really the guys who run this place, and you can talk to any one of them if you have any burning questions related to the site. The special collaborator team mainly consists of genre aficionados who's job is to maintain and add bands under their allocated genre (I'm under the doom team for example), however if you join a specific genre team you aren't restricted to that one genre and can freely add bands to other genres. (Note: special collaborators are specifcally collaborators who are in charge of specific genres, but some collaborators are just general collaborators who aren't a part of any one genre.) However we don't like to just have a gung-ho nature about adding things, and sometimes consultation is recommended on some more controversial additions. Adding bands in genres under the metal related category in particular should be checked with collaborators of the band's respective field. If you wish to become a collaborator, you can just ask any member of the admin team and they'll discuss it with you. If you are prolific in writing and submitting reviews to the site, you may want to become a metal reviewer. Becoming a metal reviewer gives you a heavier swing towards the weighted average score of an album when you rate/review it. If you wish to learn more, just check out the aforementioned Site Rules and Guidelines thread.I may have missed a few things, but I'm sure the other collaborators and admins will fill in any gaps in the information I may have given you. Enjoy your stay! 


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